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View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief', and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. In fact, During the European Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated. Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed.

Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

Outline of architecture

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  • Image 1 Architecture at Vkhutemas, book cover by El Lissitzky, 1927 Vkhutemas (Russian: Вхутемас, IPA: [fxʊtʲɪˈmas], acronym for Высшие художественно-технические мастерские Vysshiye Khudozhestvenno-Tekhnicheskiye Masterskiye "Higher Art and Technical Studios") was the Russian state art and technical school founded in 1920 in Moscow, replacing the Moscow Svomas. The workshops were established by a decree from Vladimir Lenin with the intentions, in the words of the Soviet government, "to prepare master artists of the highest qualifications for industry, and builders and managers for professional-technical education". The school had 100 faculty members and an enrollment of 2,500 students. Vkhutemas was formed by a merger of two previous schools: the Moscow School of Painting, Sculpture and Architecture and the Stroganov School of Applied Arts. The workshops had artistic and industrial faculties; the art faculty taught courses in graphics, sculpture and architecture while the industrial faculty taught courses in printing, textiles, ceramics, woodworking, and metalworking. (Full article...)
    Architecture at Vkhutemas, book cover by El Lissitzky, 1927


    Vkhutemas (Russian: Вхутемас, IPA: [fxʊtʲɪˈmas], acronym for Высшие художественно-технические мастерские Vysshiye Khudozhestvenno-Tekhnicheskiye Masterskiye "Higher Art and Technical Studios") was the Russian state art and technical school founded in 1920 in Moscow, replacing the Moscow Svomas.

    The workshops were established by a decree from Vladimir Lenin with the intentions, in the words of the Soviet government, "to prepare master artists of the highest qualifications for industry, and builders and managers for professional-technical education". The school had 100 faculty members and an enrollment of 2,500 students. Vkhutemas was formed by a merger of two previous schools: the Moscow School of Painting, Sculpture and Architecture and the Stroganov School of Applied Arts. The workshops had artistic and industrial faculties; the art faculty taught courses in graphics, sculpture and architecture while the industrial faculty taught courses in printing, textiles, ceramics, woodworking, and metalworking. (Full article...)
  • Image 2 The second quadrangle (built c. 1640–c.1712) of Jesus College, with the large bay window of the hall on the right The main buildings of Jesus College, one of the colleges of the University of Oxford, are located in the centre of the city of Oxford, England, between Turl Street, Ship Street, Cornmarket Street, and Market Street. Jesus College was founded in 1571 by Elizabeth I caused by the petition of a Welsh clergyman, Hugh Price, who was treasurer of St David's Cathedral. Her foundation charter gave to the college the land and buildings of White Hall, a university hall that had experienced a decline in student numbers. Price added new buildings to those of White Hall, and construction work continued after his death in 1574. The first of the college's quadrangles, which includes the hall, chapel, and principal's lodgings was completed between 1621 and 1630. Construction of the second quadrangle began in the 1630s, but was interrupted by the English Civil War and was not completed until about 1712. Further buildings were erected in a third quadrangle during the 20th century, including science laboratories (now closed), a library for undergraduates, and additional accommodation for students and fellows. In addition to the main site, the college owns flats in east and north Oxford, and a sports ground. The chapel, which was dedicated in 1621 and extended in 1636, was extensively altered in 1864 under the supervision of the architect George Edmund Street. The alterations have had their supporters and their critics; one historian of the college (Ernest Hardy, principal from 1921 to 1925) described the work as "ill-considered". The hall's original hammerbeam roof was hidden by a plaster ceiling in 1741 when rooms were installed in the roofspace. The principal's lodgings, the last part of the first quadrangle to be constructed, contain wooden panelling from the early 17th century. The Fellows' Library in the second quadrangle dates from 1679 and contains 11,000 antiquarian books; it was restored at a cost of £700,000 in 2007. A new Junior Common Room, about twice the size of its predecessor, was completed in the third quadrangle in 2002. Further student and teaching rooms were added in Ship Street, opposite the college, in 2010. (Full article...)
    A square grass lawn surrounded on three sides by joined buildings; to the left and centre, three storeys with windows positioned to form a regular pattern, topped at roof level above each window by curved gablets; on the right, two bay windows (one large, one medium) project from the wall, with the same design of curved gablets.
    The second quadrangle (built c. 1640–c.1712) of Jesus College, with the large bay window of the hall on the right

    The main buildings of Jesus College, one of the colleges of the University of Oxford, are located in the centre of the city of Oxford, England, between Turl Street, Ship Street, Cornmarket Street, and Market Street. Jesus College was founded in 1571 by Elizabeth I caused by the petition of a Welsh clergyman, Hugh Price, who was treasurer of St David's Cathedral. Her foundation charter gave to the college the land and buildings of White Hall, a university hall that had experienced a decline in student numbers. Price added new buildings to those of White Hall, and construction work continued after his death in 1574. The first of the college's quadrangles, which includes the hall, chapel, and principal's lodgings was completed between 1621 and 1630. Construction of the second quadrangle began in the 1630s, but was interrupted by the English Civil War and was not completed until about 1712. Further buildings were erected in a third quadrangle during the 20th century, including science laboratories (now closed), a library for undergraduates, and additional accommodation for students and fellows. In addition to the main site, the college owns flats in east and north Oxford, and a sports ground.

    The chapel, which was dedicated in 1621 and extended in 1636, was extensively altered in 1864 under the supervision of the architect George Edmund Street. The alterations have had their supporters and their critics; one historian of the college (Ernest Hardy, principal from 1921 to 1925) described the work as "ill-considered". The hall's original hammerbeam roof was hidden by a plaster ceiling in 1741 when rooms were installed in the roofspace. The principal's lodgings, the last part of the first quadrangle to be constructed, contain wooden panelling from the early 17th century. The Fellows' Library in the second quadrangle dates from 1679 and contains 11,000 antiquarian books; it was restored at a cost of £700,000 in 2007. A new Junior Common Room, about twice the size of its predecessor, was completed in the third quadrangle in 2002. Further student and teaching rooms were added in Ship Street, opposite the college, in 2010. (Full article...)
  • Image 3 The Chicago Board of Trade Building was Chicago's tallest from 1930 until 1965. The Chicago Board of Trade Building is a 44-story, 604-foot (184 m) Art Deco skyscraper located in the Chicago Loop, standing at the foot of the LaSalle Street canyon. Built in 1930 for the Chicago Board of Trade (CBOT), it has served as the primary trading venue of the CBOT and later the CME Group, formed in 2007 by the merger of the CBOT and the Chicago Mercantile Exchange. In 2012, the CME Group sold the CBOT Building to a consortium of real estate investors, including GlenStar Properties LLC and USAA Real Estate Company. The CBOT has been located at the site since 1885. A building designed by William W. Boyington stood at the location from 1885 to 1929, being the tallest building in Chicago from its construction until its clock tower was removed in 1895. The Boyington building became unsound in the 1920s and was demolished in 1929, being replaced by the current building designed by Holabird & Root. The current building was itself Chicago's tallest until 1965, when it was surpassed by the Richard J. Daley Center. (Full article...)
    Chicago Board Of Trade Building.jpg
    The Chicago Board of Trade Building was Chicago's tallest from 1930 until 1965.

    The Chicago Board of Trade Building is a 44-story, 604-foot (184 m) Art Deco skyscraper located in the Chicago Loop, standing at the foot of the LaSalle Street canyon. Built in 1930 for the Chicago Board of Trade (CBOT), it has served as the primary trading venue of the CBOT and later the CME Group, formed in 2007 by the merger of the CBOT and the Chicago Mercantile Exchange. In 2012, the CME Group sold the CBOT Building to a consortium of real estate investors, including GlenStar Properties LLC and USAA Real Estate Company.

    The CBOT has been located at the site since 1885. A building designed by William W. Boyington stood at the location from 1885 to 1929, being the tallest building in Chicago from its construction until its clock tower was removed in 1895. The Boyington building became unsound in the 1920s and was demolished in 1929, being replaced by the current building designed by Holabird & Root. The current building was itself Chicago's tallest until 1965, when it was surpassed by the Richard J. Daley Center. (Full article...)
  • Image 4 View from south east St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest. Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building. The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)
    Church of St Nicholas, Blakeney - geograph.org.uk - 1062742.jpg
    View from south east

    St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest.

    Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building.
    The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)
  • Image 5 William Burges ARA (/ˈbɜːdʒɛs/; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement. Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. (Full article...)
    William Burges portrait.jpg

    William Burges ARA (/ˈbɜːdʒɛs/; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement.

    Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. (Full article...)
  • Image 6 View of the bridge looking north Monnow Bridge (Welsh: Pont Trefynwy Welsh pronunciation: [pɔnt tre:vənʊɨ]), in Monmouth, Wales, is the only remaining fortified river bridge in Great Britain with its gate tower standing on the bridge. Such bridge towers were common across Europe from medieval times, but many were destroyed due to urban expansion, diminishing defensive requirements and the increasing demands of traffic and trade. The historical and architectural importance of the bridge and its rarity are reflected in its status as a scheduled monument and a Grade I listed building. The bridge crosses the River Monnow (Afon Mynwy) 500 metres (1,600 ft) above its confluence with the River Wye. Monmouth had been a significant border settlement since the Roman occupation of Britain, when it was the site of the fort of Blestium. The River Wye may have been bridged at this time but the Monnow, being easily fordable, appears not to have had a crossing until after the Norman Conquest. According to the local tradition, construction of Monnow Bridge began in 1272 to replace a 12th-century Norman timber bridge. Through the medieval era, the English Civil War, and the Chartist uprising, the bridge played a significant, if ineffectual, role in defending Monmouth. It also served as a gaol, a munitions store, a lodge, an advertising hoarding, a focus for celebrations and, most significantly, as a toll gate. Much of the medieval development of Monmouth was funded by the taxes and tolls the borough was entitled to raise through royal charter. The tolls were collected through control of the points of entry to the town, including the gatehouse on Monnow Bridge. (Full article...)
    Monmouth - Monnow Bridge.jpg
    View of the bridge looking north

    Monnow Bridge (Welsh: Pont Trefynwy Welsh pronunciation: [pɔnt tre:vənʊɨ]), in Monmouth, Wales, is the only remaining fortified river bridge in Great Britain with its gate tower standing on the bridge. Such bridge towers were common across Europe from medieval times, but many were destroyed due to urban expansion, diminishing defensive requirements and the increasing demands of traffic and trade. The historical and architectural importance of the bridge and its rarity are reflected in its status as a scheduled monument and a Grade I listed building. The bridge crosses the River Monnow (Afon Mynwy) 500 metres (1,600 ft) above its confluence with the River Wye.

    Monmouth had been a significant border settlement since the Roman occupation of Britain, when it was the site of the fort of Blestium. The River Wye may have been bridged at this time but the Monnow, being easily fordable, appears not to have had a crossing until after the Norman Conquest. According to the local tradition, construction of Monnow Bridge began in 1272 to replace a 12th-century Norman timber bridge. Through the medieval era, the English Civil War, and the Chartist uprising, the bridge played a significant, if ineffectual, role in defending Monmouth. It also served as a gaol, a munitions store, a lodge, an advertising hoarding, a focus for celebrations and, most significantly, as a toll gate. Much of the medieval development of Monmouth was funded by the taxes and tolls the borough was entitled to raise through royal charter. The tolls were collected through control of the points of entry to the town, including the gatehouse on Monnow Bridge. (Full article...)
  • Image 7 View from the Manhattan Municipal Building The Surrogate's Courthouse (also the Hall of Records and 31 Chambers Street) is a historic building at the northwest corner of Chambers and Centre Streets in the Civic Center of Manhattan in New York City. Completed in 1907, it was designed in the Beaux Arts style. John Rochester Thomas created the original plans while Arthur J. Horgan and Vincent J. Slattery oversaw the building's completion. The building faces City Hall Park and the Tweed Courthouse to the south and the Manhattan Municipal Building to the east. The Surrogate's Courthouse is a seven-story steel-framed structure with a granite facade and elaborate marble interiors. The fireproof frame was designed to safely accommodate the city's paper records. The exterior is decorated with 54 sculptures by Philip Martiny and Henry Kirke Bush-Brown, as well as three-story colonnades with Corinthian columns along Chambers and Reade Streets. The basement houses the New York City Municipal Archives. The fifth floor contains the New York Surrogate's Court for New York County, which handles probate and estate proceedings for the New York State Unified Court System. (Full article...)
    Surrogate's Court Splendor.jpg
    View from the Manhattan Municipal Building

    The Surrogate's Courthouse (also the Hall of Records and 31 Chambers Street) is a historic building at the northwest corner of Chambers and Centre Streets in the Civic Center of Manhattan in New York City. Completed in 1907, it was designed in the Beaux Arts style. John Rochester Thomas created the original plans while Arthur J. Horgan and Vincent J. Slattery oversaw the building's completion. The building faces City Hall Park and the Tweed Courthouse to the south and the Manhattan Municipal Building to the east.

    The Surrogate's Courthouse is a seven-story steel-framed structure with a granite facade and elaborate marble interiors. The fireproof frame was designed to safely accommodate the city's paper records. The exterior is decorated with 54 sculptures by Philip Martiny and Henry Kirke Bush-Brown, as well as three-story colonnades with Corinthian columns along Chambers and Reade Streets. The basement houses the New York City Municipal Archives. The fifth floor contains the New York Surrogate's Court for New York County, which handles probate and estate proceedings for the New York State Unified Court System. (Full article...)
  • Image 8 Speer in 1933 Berthold Konrad Hermann Albert Speer (/ʃpɛər/; German: [ˈʃpeːɐ̯] (listen); 19 March 1905 – 1 September 1981) was a German architect who served as the Minister of Armaments and War Production in Nazi Germany during most of World War II. A close ally of Adolf Hitler, he was convicted at the Nuremberg trials and sentenced to 20 years in prison. An architect by training, Speer joined the Nazi Party in 1931. His architectural skills made him increasingly prominent within the Party, and he became a member of Hitler's inner circle. Hitler commissioned him to design and construct structures including the Reich Chancellery and the Nazi party rally grounds in Nuremberg. In 1937, Hitler appointed Speer as General Building Inspector for Berlin. In this capacity he was responsible for the Central Department for Resettlement that evicted Jewish tenants from their homes in Berlin. In February 1942, Speer was appointed as Reich Minister of Armaments and War Production. Using misleading statistics, he promoted himself as having performed an armaments miracle that was widely credited with keeping Germany in the war. In 1944, Speer established a task force to increase production of fighter aircraft. It became instrumental in exploiting slave labor for the benefit of the German war effort. (Full article...)
    Bundesarchiv Bild 146II-277, Albert Speer.jpg
    Speer in 1933

    Berthold Konrad Hermann Albert Speer (/ʃpɛər/; German: [ˈʃpeːɐ̯] (listen); 19 March 1905 – 1 September 1981) was a German architect who served as the Minister of Armaments and War Production in Nazi Germany during most of World War II. A close ally of Adolf Hitler, he was convicted at the Nuremberg trials and sentenced to 20 years in prison.

    An architect by training, Speer joined the Nazi Party in 1931. His architectural skills made him increasingly prominent within the Party, and he became a member of Hitler's inner circle. Hitler commissioned him to design and construct structures including the Reich Chancellery and the Nazi party rally grounds in Nuremberg. In 1937, Hitler appointed Speer as General Building Inspector for Berlin. In this capacity he was responsible for the Central Department for Resettlement that evicted Jewish tenants from their homes in Berlin. In February 1942, Speer was appointed as Reich Minister of Armaments and War Production. Using misleading statistics, he promoted himself as having performed an armaments miracle that was widely credited with keeping Germany in the war. In 1944, Speer established a task force to increase production of fighter aircraft. It became instrumental in exploiting slave labor for the benefit of the German war effort. (Full article...)
  • Image 9 Main facade of the building's southern section at 18 Broad Street The New York Stock Exchange Building (also the NYSE Building), in the Financial District of Lower Manhattan in New York City, serves as the headquarters of the New York Stock Exchange (NYSE). It is composed of two connected structures occupying part of the city block bounded by Wall Street, Broad Street, New Street, and Exchange Place. The central section of the block contains the original structure at 18 Broad Street, designed in the Classical Revival style by George B. Post. The northern section contains a 23-story office annex at 11 Wall Street, designed by Trowbridge & Livingston in a similar style. The marble facade of 18 Broad Street contains colonnades facing east toward Broad Street and west toward New Street, both atop two-story podiums. The Broad Street colonnade, an icon of the NYSE, contains a pediment designed by John Quincy Adams Ward and Paul Wayland Bartlett, depicting commerce and industry. The facade of 11 Wall Street is simpler in design but contains architectural details similar to those at 18 Broad Street. Behind the colonnades at 18 Broad Street is the main trading floor, a 72-foot-tall (22 m) rectangular space. An additional trading floor, nicknamed the Garage, is at 11 Wall Street. There are offices and meeting rooms in the upper stories of 18 Broad Street and 11 Wall Street. (Full article...)
    NYC - New York Stock Exchange.JPG
    Main facade of the building's southern section at 18 Broad Street

    The New York Stock Exchange Building (also the NYSE Building), in the Financial District of Lower Manhattan in New York City, serves as the headquarters of the New York Stock Exchange (NYSE). It is composed of two connected structures occupying part of the city block bounded by Wall Street, Broad Street, New Street, and Exchange Place. The central section of the block contains the original structure at 18 Broad Street, designed in the Classical Revival style by George B. Post. The northern section contains a 23-story office annex at 11 Wall Street, designed by Trowbridge & Livingston in a similar style.

    The marble facade of 18 Broad Street contains colonnades facing east toward Broad Street and west toward New Street, both atop two-story podiums. The Broad Street colonnade, an icon of the NYSE, contains a pediment designed by John Quincy Adams Ward and Paul Wayland Bartlett, depicting commerce and industry. The facade of 11 Wall Street is simpler in design but contains architectural details similar to those at 18 Broad Street. Behind the colonnades at 18 Broad Street is the main trading floor, a 72-foot-tall (22 m) rectangular space. An additional trading floor, nicknamed the Garage, is at 11 Wall Street. There are offices and meeting rooms in the upper stories of 18 Broad Street and 11 Wall Street. (Full article...)
  • Image 10 Street view of the Scottish Parliament building and adjacent pool The Scottish Parliament Building (Scottish Gaelic: Pàrlamaid na h-Alba; Scots: Scots Pairlament Biggin) is the home of the Scottish Parliament at Holyrood, within the UNESCO World Heritage Site in central Edinburgh. Construction of the building commenced in June 1999 and the Members of the Scottish Parliament (MSPs) held their first debate in the new building on 7 September 2004. The formal opening by Queen Elizabeth II took place on 9 October 2004. Enric Miralles, the Spanish architect who designed the building, died before its completion. From 1999 until the opening of the new building in 2004, committee rooms and the debating chamber of the Scottish Parliament were housed in the General Assembly Hall of the Church of Scotland located on The Mound in Edinburgh. Office and administrative accommodation in support of the Parliament were provided in buildings leased from the City of Edinburgh Council. The new Scottish Parliament Building brought together these different elements into one purpose-built parliamentary complex, housing 129 MSPs and more than 1,000 staff and civil servants. (Full article...)
    Scottish Parliament building - geograph.org.uk - 2469654.jpg
    Street view of the Scottish Parliament building and adjacent pool

    The Scottish Parliament Building (Scottish Gaelic: Pàrlamaid na h-Alba; Scots: Scots Pairlament Biggin) is the home of the Scottish Parliament at Holyrood, within the UNESCO World Heritage Site in central Edinburgh. Construction of the building commenced in June 1999 and the Members of the Scottish Parliament (MSPs) held their first debate in the new building on 7 September 2004. The formal opening by Queen Elizabeth II took place on 9 October 2004. Enric Miralles, the Spanish architect who designed the building, died before its completion.

    From 1999 until the opening of the new building in 2004, committee rooms and the debating chamber of the Scottish Parliament were housed in the General Assembly Hall of the Church of Scotland located on The Mound in Edinburgh. Office and administrative accommodation in support of the Parliament were provided in buildings leased from the City of Edinburgh Council. The new Scottish Parliament Building brought together these different elements into one purpose-built parliamentary complex, housing 129 MSPs and more than 1,000 staff and civil servants. (Full article...)
  • Image 11 Catherine de' Medici, by François Clouet Catherine de' Medici's building projects included the Valois chapel at Saint-Denis, the Tuileries Palace, and the Hôtel de la Reine in Paris, and extensions to the château of Chenonceau, near Blois. Born in 1519 in Florence to an Italian father and a French mother, Catherine de' Medici was a daughter of both the Italian and the French Renaissance. She grew up in Florence and Rome under the wing of the Medici popes, Leo X and Clement VII. In 1533, at the age of fourteen, she left Italy and married Henry, the second son of Francis I and Queen Claude of France. On doing so, she entered the greatest Renaissance court in northern Europe. King Francis set his daughter-in-law an example of kingship and artistic patronage that she never forgot. She witnessed his huge architectural schemes at Chambord and Fontainebleau. She saw Italian and French craftsmen at work together, forging the style that became known as the first School of Fontainebleau. Francis died in 1547, and Catherine became queen consort of France. But it wasn't until her husband King Henry's death in 1559, when she found herself at forty the effective ruler of France, that Catherine came into her own as a patron of architecture. Over the next three decades, she launched a series of costly building projects aimed at enhancing the grandeur of the monarchy. During the same period, however, religious civil war gripped the country and brought the prestige of the monarchy to a dangerously low ebb. (Full article...)
    Catherine de' Medici, by François Clouet


    Catherine de' Medici's building projects included the Valois chapel at Saint-Denis, the Tuileries Palace, and the Hôtel de la Reine in Paris, and extensions to the château of Chenonceau, near Blois. Born in 1519 in Florence to an Italian father and a French mother, Catherine de' Medici was a daughter of both the Italian and the French Renaissance. She grew up in Florence and Rome under the wing of the Medici popes, Leo X and Clement VII. In 1533, at the age of fourteen, she left Italy and married Henry, the second son of Francis I and Queen Claude of France. On doing so, she entered the greatest Renaissance court in northern Europe.

    King Francis set his daughter-in-law an example of kingship and artistic patronage that she never forgot. She witnessed his huge architectural schemes at Chambord and Fontainebleau. She saw Italian and French craftsmen at work together, forging the style that became known as the first School of Fontainebleau. Francis died in 1547, and Catherine became queen consort of France. But it wasn't until her husband King Henry's death in 1559, when she found herself at forty the effective ruler of France, that Catherine came into her own as a patron of architecture. Over the next three decades, she launched a series of costly building projects aimed at enhancing the grandeur of the monarchy. During the same period, however, religious civil war gripped the country and brought the prestige of the monarchy to a dangerously low ebb. (Full article...)
  • Image 12 Bramall Hall from the west, the side of the main entrance, showing the courtyard and the north and south wings. The Great Hall is in the centre. Bramall Hall is a largely Tudor manor house in Bramhall, Greater Manchester, England. The building is timber-framed and its oldest parts date from the 14th century, with additions from the 16th and 19th centuries. The house functions as a museum, and its 70 acres (28 ha) of landscaped parkland (Bramhall Park) are open to the public. The manor of Bramall was first described in the Domesday Book in 1086, when it was held by the Massey family. From the late 14th century it was owned by the Davenports, who built the present house and remained lords of the manor for about 500 years. In 1877 they sold the estate of nearly 2,000 acres to the Manchester Freeholders' Company, a property company formed to exploit the estate's potential for residential building development. The hall and a residual park of over 50 acres was sold on by the Freeholders to the Nevill family of successful industrialists. In 1925 it was purchased by John Henry Davies and then, in 1935, acquired by Hazel Grove and Bramhall Urban District Council. Following a local government reorganisation in 1974, Bramall Hall is now owned by Stockport Metropolitan Borough Council, which describes it as "the most prestigious and historically significant building in the [Bramhall Park] Conservation Area". (Full article...)
    Bramall Hall from west, 2011.jpg
    Bramall Hall from the west, the side of the main entrance, showing the courtyard and the north and south wings. The Great Hall is in the centre.

    Bramall Hall is a largely Tudor manor house in Bramhall, Greater Manchester, England. The building is timber-framed and its oldest parts date from the 14th century, with additions from the 16th and 19th centuries. The house functions as a museum, and its 70 acres (28 ha) of landscaped parkland (Bramhall Park) are open to the public.

    The manor of Bramall was first described in the Domesday Book in 1086, when it was held by the Massey family. From the late 14th century it was owned by the Davenports, who built the present house and remained lords of the manor for about 500 years. In 1877 they sold the estate of nearly 2,000 acres to the Manchester Freeholders' Company, a property company formed to exploit the estate's potential for residential building development. The hall and a residual park of over 50 acres was sold on by the Freeholders to the Nevill family of successful industrialists. In 1925 it was purchased by John Henry Davies and then, in 1935, acquired by Hazel Grove and Bramhall Urban District Council. Following a local government reorganisation in 1974, Bramall Hall is now owned by Stockport Metropolitan Borough Council, which describes it as "the most prestigious and historically significant building in the [Bramhall Park] Conservation Area". (Full article...)
  • Image 13 Rudolf Wolters (3 August 1903 – 7 January 1983) was a German architect and government official, known for his longtime association with fellow architect and Third Reich official Albert Speer. A friend and subordinate of Speer, Wolters received the many papers which were smuggled out of Spandau Prison for Speer while he was imprisoned there, and kept them for him until Speer was released in 1966. After Speer's release, the friendship slowly collapsed, Wolters objecting strongly to Speer's blaming of Hitler and other Nazis for the Holocaust and World War II, and they saw nothing of each other in the decade before Speer's death in 1981. Wolters, who was born to a Catholic middle-class family in the northern German town of Coesfeld, obtained his degree and doctorate in architecture from the Technical University of Berlin, forging a close friendship with Speer while a student. After receiving his doctorate, he had difficulty finding employment prior to the Nazi rise to power. From 1933 to 1937, he worked for the Reichsbahn. In 1937, Speer hired him as a department head, and Wolters soon took major responsibility for Hitler's plan for the large scale reconstruction of Berlin. When Speer became Minister of Armaments and War Production in 1942, Wolters moved to his department, remaining his close associate. (Full article...)
    Rudolf Wolters (3 August 1903 – 7 January 1983) was a German architect and government official, known for his longtime association with fellow architect and Third Reich official Albert Speer. A friend and subordinate of Speer, Wolters received the many papers which were smuggled out of Spandau Prison for Speer while he was imprisoned there, and kept them for him until Speer was released in 1966. After Speer's release, the friendship slowly collapsed, Wolters objecting strongly to Speer's blaming of Hitler and other Nazis for the Holocaust and World War II, and they saw nothing of each other in the decade before Speer's death in 1981.

    Wolters, who was born to a Catholic middle-class family in the northern German town of Coesfeld, obtained his degree and doctorate in architecture from the Technical University of Berlin, forging a close friendship with Speer while a student. After receiving his doctorate, he had difficulty finding employment prior to the Nazi rise to power. From 1933 to 1937, he worked for the Reichsbahn. In 1937, Speer hired him as a department head, and Wolters soon took major responsibility for Hitler's plan for the large scale reconstruction of Berlin. When Speer became Minister of Armaments and War Production in 1942, Wolters moved to his department, remaining his close associate. (Full article...)
  • Image 14 A postcard dated July 12, 1907, showing the New Orleans Mint during its last few years of operation as a branch mint facility The New Orleans Mint (French: Monnaie de La Nouvelle-Orléans) operated in New Orleans, Louisiana, as a branch mint of the United States Mint from 1838 to 1861 and from 1879 to 1909. During its years of operation, it produced over 427 million gold and silver coins of nearly every American denomination, with a total face value of over US$ 307 million. It was closed during most of the American Civil War and Reconstruction. After it was decommissioned as a mint, the building has served a variety of purposes, including as an assay office, a United States Coast Guard storage facility, and a fallout shelter. (Full article...)
    1907 NOMintpostcard.jpg
    A postcard dated July 12, 1907, showing the New Orleans Mint during its last few years of operation as a branch mint facility

    The New Orleans Mint (French: Monnaie de La Nouvelle-Orléans) operated in New Orleans, Louisiana, as a branch mint of the United States Mint from 1838 to 1861 and from 1879 to 1909. During its years of operation, it produced over 427 million gold and silver coins of nearly every American denomination, with a total face value of over US$ 307 million. It was closed during most of the American Civil War and Reconstruction.

    After it was decommissioned as a mint, the building has served a variety of purposes, including as an assay office, a United States Coast Guard storage facility, and a fallout shelter. (Full article...)
  • Image 15 The City of Manchester Stadium in Manchester, England, also known as the Etihad Stadium for sponsorship reasons, is the home of Premier League club Manchester City F.C., with a domestic football capacity of 53,400, making it the 6th-largest in England and tenth-largest in the United Kingdom. Built to host the 2002 Commonwealth Games, the stadium has since staged the 2008 UEFA Cup Final, England football internationals, rugby league matches, a boxing world title fight, the England rugby union team's final group match of the 2015 Rugby World Cup and summer music concerts during the football off-season. (Full article...)
    Etihad Stadium logo.svg

    The City of Manchester Stadium in Manchester, England, also known as the Etihad Stadium for sponsorship reasons, is the home of Premier League club Manchester City F.C., with a domestic football capacity of 53,400, making it the 6th-largest in England and tenth-largest in the United Kingdom.

    Built to host the 2002 Commonwealth Games, the stadium has since staged the 2008 UEFA Cup Final, England football internationals, rugby league matches, a boxing world title fight, the England rugby union team's final group match of the 2015 Rugby World Cup and summer music concerts during the football off-season. (Full article...)
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Express Building Manchester.jpg
Front façade visible from Great Ancoats Street

The Daily Express Building, located on Great Ancoats Street, Manchester, England, is a Grade II* listed building which was designed by engineer Sir Owen Williams. It was built in 1939 to house one of three Daily Express offices; the other two similar buildings are located in London and Glasgow.

The pre-World War II building is notable for its timeless, "space-age" quality and is often mistaken for being much younger than it is due to its futuristic avant garde appearance. The building is futurist art deco, specifically streamline moderne with its horizontal lines and curved corners. It is clad in a combination of opaque and vitrolite glass. It was considered highly radical at the time and incorporated a growing technology, curtain walling. (Full article...)
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  • Image 1 There are 42 Grade I listed buildings in Maidstone. The Borough of Maidstone is a local government district in the English county of Kent. The district covers a largely rural area of 152 square miles (394 km2) between the North Downs and the Weald with the town of Maidstone, the county town of Kent, in the north-west. The district has a population of approximately 166,400 in 2016. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, buildings are given listed building status by the Secretary of State for Culture, Media and Sport, acting on the recommendation of English Heritage. (Full article...)
    There are 42 Grade I listed buildings in Maidstone. The Borough of Maidstone is a local government district in the English county of Kent. The district covers a largely rural area of 152 square miles (394 km2) between the North Downs and the Weald with the town of Maidstone, the county town of Kent, in the north-west. The district has a population of approximately 166,400 in 2016.

    In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, buildings are given listed building status by the Secretary of State for Culture, Media and Sport, acting on the recommendation of English Heritage. (Full article...)
  • Image 2 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving. John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
    Old grainy photograph of the head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age


    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
  • Image 3 Charles Holden by Benjamin Nelson, 1910 Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928. Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
    Charles Holden by Benjamin Nelson, 1910

    Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928.

    Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
  • Image 4 West Somerset is a local government district in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. The district of West Somerset covers a largely rural area, with a population, according to the 2011 census, of 35,300 in an area of 740 square kilometres (290 sq mi). The largest centres of population are the coastal towns of Minehead and Watchet. The council's administrative headquarters are in the village of Williton. (Full article...)
    West Somerset is a local government district in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations.

    The district of West Somerset covers a largely rural area, with a population, according to the 2011 census, of 35,300 in an area of 740 square kilometres (290 sq mi). The largest centres of population are the coastal towns of Minehead and Watchet. The council's administrative headquarters are in the village of Williton. (Full article...)
  • Image 5 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering. Of particular importance to Douglas' church furniture is his use of joinery and highly detailed wood carving. John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
    Head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering. Of particular importance to Douglas' church furniture is his use of joinery and highly detailed wood carving.

    John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
  • Image 6 Skyline of Minneapolis Minneapolis, the largest city in the U.S. state of Minnesota, is home to 190 completed high-rises, 41 of which stand taller than 300 feet (91 m). The tallest building in Minneapolis is the 57-story IDS Center, which rises 792 feet (241 m) and was designed by architect Philip Johnson. The tower has been the tallest building in the state of Minnesota since its completion in 1973, and is the 66th-tallest building in the United States. The second-tallest skyscraper in the city and the state is Capella Tower, which rises 775 feet (236 m) and was completed in 1992. Overall, seventeen of the twenty tallest buildings in Minnesota are located in Minneapolis. Additionally, most of the tallest buildings in Downtown Minneapolis are linked via the Minneapolis Skyway System, the largest pedestrian skywalk system in the world. The history of skyscrapers in the city began with the construction of the Lumber Exchange Building, now also known as the Edison Building, in 1886; this structure, rising 165 feet (50 m) and 12 floors, is often regarded as the first skyscraper in Minnesota and one of the first fire-proof buildings in the country. The Lumber Exchange Building also stands as the oldest structure outside of New York City with at least 12 floors. Minneapolis went through a small building boom in the early 1920s, and then experienced a much larger boom lasting from 1960 to the early 1990s. During this time, 24 of the city's 36 tallest buildings were constructed, including the IDS Center, Capella Tower and Wells Fargo Center. The city is the site of twelve skyscrapers at least 492 feet (150 m) in height, including three which rank among the tallest in the United States. , the skyline of Minneapolis is ranked 11th in the United States, 2nd in the Midwest (after Chicago), and 82nd in the world with 32 buildings rising at least 328 feet (100 m). (Full article...)
    Skyline of Minneapolis


    Minneapolis, the largest city in the U.S. state of Minnesota, is home to 190 completed high-rises, 41 of which stand taller than 300 feet (91 m). The tallest building in Minneapolis is the 57-story IDS Center, which rises 792 feet (241 m) and was designed by architect Philip Johnson. The tower has been the tallest building in the state of Minnesota since its completion in 1973, and is the 66th-tallest building in the United States. The second-tallest skyscraper in the city and the state is Capella Tower, which rises 775 feet (236 m) and was completed in 1992. Overall, seventeen of the twenty tallest buildings in Minnesota are located in Minneapolis. Additionally, most of the tallest buildings in Downtown Minneapolis are linked via the Minneapolis Skyway System, the largest pedestrian skywalk system in the world.

    The history of skyscrapers in the city began with the construction of the Lumber Exchange Building, now also known as the Edison Building, in 1886; this structure, rising 165 feet (50 m) and 12 floors, is often regarded as the first skyscraper in Minnesota and one of the first fire-proof buildings in the country. The Lumber Exchange Building also stands as the oldest structure outside of New York City with at least 12 floors. Minneapolis went through a small building boom in the early 1920s, and then experienced a much larger boom lasting from 1960 to the early 1990s. During this time, 24 of the city's 36 tallest buildings were constructed, including the IDS Center, Capella Tower and Wells Fargo Center. The city is the site of twelve skyscrapers at least 492 feet (150 m) in height, including three which rank among the tallest in the United States. , the skyline of Minneapolis is ranked 11th in the United States, 2nd in the Midwest (after Chicago), and 82nd in the world with 32 buildings rising at least 328 feet (100 m). (Full article...)
  • Image 7 Philadelphia skyline from Boathouse Row, 2019 (annotated version) Philadelphia, the largest city in the U.S. state of Pennsylvania, is home to more than 300 completed high-rise buildings up to 330 feet (101 m), and 58 completed skyscrapers of 330 feet (101 m) or taller, of which 34 are 400 feet (122 m) or taller and are listed below. , the tallest building in the city is the 60-story Comcast Technology Center, which topped out at 1,150 feet (351 m) in Center City on November 27, 2017, and was completed in 2018. Comcast Technology Center is the tallest building in the United States outside Manhattan and Chicago, and is currently ranked as the fourteenth-tallest building in the United States. The second-tallest building in Philadelphia is the 58-story Comcast Center at 974 feet (297 m), while the third-tallest building is One Liberty Place, which rises 61 floors and 945 feet (288 m). One Liberty Place stood as the tallest building in Pennsylvania for over 20 years until the completion of Comcast Center in 2008. Overall, seven of the ten tallest buildings in Pennsylvania are in Philadelphia, with the remainder being in Pittsburgh. Philadelphia is one of only five American cities with two or more completed buildings over 900 feet (274 m) tall, the others being New York City, Chicago, Houston, and Los Angeles. Philadelphia's history of tall buildings is generally thought to have begun with the 1754 addition of the steeple to Christ Church, which was one of America's first high-rise structures. Through most of the 20th century, a "gentlemen's agreement" prevented buildings from rising higher than the 548-ft (167-m) Philadelphia City Hall. Despite this, Philadelphia amassed a large collection of high-rise buildings. The completion of One Liberty Place in 1987 broke the agreement, and Philadelphia has since seen the construction of eleven skyscrapers that eclipse City Hall in height. (Full article...)
    Philadelphia skyline from Boathouse Row, 2019 (annotated version)

    Philadelphia, the largest city in the U.S. state of Pennsylvania, is home to more than 300 completed high-rise buildings up to 330 feet (101 m), and 58 completed skyscrapers of 330 feet (101 m) or taller, of which 34 are 400 feet (122 m) or taller and are listed below. , the tallest building in the city is the 60-story Comcast Technology Center, which topped out at 1,150 feet (351 m) in Center City on November 27, 2017, and was completed in 2018. Comcast Technology Center is the tallest building in the United States outside Manhattan and Chicago, and is currently ranked as the fourteenth-tallest building in the United States. The second-tallest building in Philadelphia is the 58-story Comcast Center at 974 feet (297 m), while the third-tallest building is One Liberty Place, which rises 61 floors and 945 feet (288 m). One Liberty Place stood as the tallest building in Pennsylvania for over 20 years until the completion of Comcast Center in 2008. Overall, seven of the ten tallest buildings in Pennsylvania are in Philadelphia, with the remainder being in Pittsburgh. Philadelphia is one of only five American cities with two or more completed buildings over 900 feet (274 m) tall, the others being New York City, Chicago, Houston, and Los Angeles.

    Philadelphia's history of tall buildings is generally thought to have begun with the 1754 addition of the steeple to Christ Church, which was one of America's first high-rise structures. Through most of the 20th century, a "gentlemen's agreement" prevented buildings from rising higher than the 548-ft (167-m) Philadelphia City Hall. Despite this, Philadelphia amassed a large collection of high-rise buildings. The completion of One Liberty Place in 1987 broke the agreement, and Philadelphia has since seen the construction of eleven skyscrapers that eclipse City Hall in height. (Full article...)
  • Image 8 General layout of a Shinto shrine: 1. Torii, 2. Stone stairs, 3. Sandō, 4. Chōzuya or Temizuya, 5. Tōrō, 6. Kagura-den (building dedicated to Noh or the sacred Kagura dance), 7. Shamusho (administration office), 8. Ema, 9. Sessha/massha, 10. Komainu, 11. Haiden, 12. Tamagaki, 13. Honden The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories (in front of main sanctuary), purification halls, offering halls called heiden (between honden and haiden), dance halls, stone or metal lanterns, fences or walls, torii and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897. The definition and the criteria have changed since the inception of the term. The shrine structures in this list were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such they are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list presents 42 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 42, because in some cases groups of related structures are combined to form a single entry. The structures include main halls (honden), oratories (haiden), gates, offering halls (heiden), purification halls (haraedono) and other structures associated with shrines. (Full article...)
    A path leads through a torii gate up a flight of stairs, towards two buildings positioned along the axis of the path. To the sides of the path there are minor buildings and structures.
    General layout of a Shinto shrine: 1. Torii, 2. Stone stairs, 3. Sandō, 4. Chōzuya or Temizuya, 5. Tōrō, 6. Kagura-den (building dedicated to Noh or the sacred Kagura dance), 7. Shamusho (administration office), 8. Ema, 9. Sessha/massha, 10. Komainu, 11. Haiden, 12. Tamagaki, 13. Honden

    The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories (in front of main sanctuary), purification halls, offering halls called heiden (between honden and haiden), dance halls, stone or metal lanterns, fences or walls, torii and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897.
    The definition and the criteria have changed since the inception of the term. The shrine structures in this list were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such they are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list presents 42 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 42, because in some cases groups of related structures are combined to form a single entry. The structures include main halls (honden), oratories (haiden), gates, offering halls (heiden), purification halls (haraedono) and other structures associated with shrines. (Full article...)
  • Image 9 The skyline of Lujiazui CBD in Pudong District with Oriental Pearl Tower, Shanghai International Finance Center, Jin Mao Tower, Shanghai World Financial Center and Shanghai Tower The city of Shanghai, China is one of the fastest-growing cities in the world in terms of skyscraper construction, with the City of Shanghai reporting at the end of 2004 that there had been 6,704 buildings of 11 stories or more completed since 1990. In 2011 there are over 20,000 buildings 11 stories or higher and more than 1,000 buildings exceeding 30 stories in Shanghai. As of January 2019, there are 165 high-rise buildings either under construction, approved for construction, or proposed for construction, of which five are over 300 m (980 ft) high. Shanghai's first building boom occurred in the 1920s and 1930s, during the city's heyday as a multinational center of business and finance. The city's international concessions permitted foreign investment, and with it came architectural styles from the West, as seen today in areas such as the French Concession and the Bund. After the Communist takeover in 1949 the city's development was stifled, punished for its earlier capitalist excesses. After economic reforms beginning in the 1980s, the city is undergoing its second construction boom to fulfill its desire to regain its status as an important global financial center. (Full article...)
    The skyline of Lujiazui CBD in Pudong District with Oriental Pearl Tower, Shanghai International Finance Center, Jin Mao Tower, Shanghai World Financial Center and Shanghai Tower

    The city of Shanghai, China is one of the fastest-growing cities in the world in terms of skyscraper construction, with the City of Shanghai reporting at the end of 2004 that there had been 6,704 buildings of 11 stories or more completed since 1990. In 2011 there are over 20,000 buildings 11 stories or higher and more than 1,000 buildings exceeding 30 stories in Shanghai. As of January 2019, there are 165 high-rise buildings either under construction, approved for construction, or proposed for construction, of which five are over 300 m (980 ft) high.

    Shanghai's first building boom occurred in the 1920s and 1930s, during the city's heyday as a multinational center of business and finance. The city's international concessions permitted foreign investment, and with it came architectural styles from the West, as seen today in areas such as the French Concession and the Bund. After the Communist takeover in 1949 the city's development was stifled, punished for its earlier capitalist excesses. After economic reforms beginning in the 1980s, the city is undergoing its second construction boom to fulfill its desire to regain its status as an important global financial center. (Full article...)
  • Image 10 South Somerset shown within Somerset and England South Somerset is a local government district in the English county of Somerset. The South Somerset district occupies an area of 370 square miles (958 km2), stretching from its borders with Devon and Dorset to the edge of the Somerset Levels. The district has a population of about 158,000, and has Yeovil as its administrative centre. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
    South Somerset shown within Somerset and England

    South Somerset is a local government district in the English county of Somerset. The South Somerset district occupies an area of 370 square miles (958 km2), stretching from its borders with Devon and Dorset to the edge of the Somerset Levels. The district has a population of about 158,000, and has Yeovil as its administrative centre.

    In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
  • Image 11 Tallest buildings in Dubai (Marina 101 and the Address Boulevard not included) Dubai, the largest city in the United Arab Emirates, is home to many extremely tall modern high-rises, 108 of which stand taller than 180 metres (591 ft). The tallest building in Dubai is the Burj Khalifa, which rises 828 metres (2,717 ft) and contains 163 floors. The tower has stood as both the tallest building in the world and the tallest man-made structure of any kind in the world since its completion in January 2010. The second-tallest building in Dubai is the 425-metre (1,394 ft) Marina 101, which also stands as the world's fourth tallest residential skyscraper. The skyscrapers of Dubai are, for the most part, clustered in three different locations. The land along E 11 Road was the first to develop, followed by the Dubai Marina neighborhood and the Business Bay district. Overall, Dubai has 18 completed and topped-out buildings that rise at least 300 metres (984 ft) in height, which is more than any other city in the world. Dubai has 73 completed and topped-out buildings that rise at least 200 metres (656 ft) in height. Based on the average height of the ten tallest completed buildings, Dubai has the tallest skyline in the Middle East and the world. , the skyline of Dubai is ranked eighth in the world with 248 buildings rising at least 100 metres (330 ft) in height. (Full article...)
    Tallest buildings in Dubai (Marina 101 and the Address Boulevard not included)

    Dubai, the largest city in the United Arab Emirates, is home to many extremely tall modern high-rises, 108 of which stand taller than 180 metres (591 ft). The tallest building in Dubai is the Burj Khalifa, which rises 828 metres (2,717 ft) and contains 163 floors. The tower has stood as both the tallest building in the world and the tallest man-made structure of any kind in the world since its completion in January 2010. The second-tallest building in Dubai is the 425-metre (1,394 ft) Marina 101, which also stands as the world's fourth tallest residential skyscraper. The skyscrapers of Dubai are, for the most part, clustered in three different locations. The land along E 11 Road was the first to develop, followed by the Dubai Marina neighborhood and the Business Bay district.

    Overall, Dubai has 18 completed and topped-out buildings that rise at least 300 metres (984 ft) in height, which is more than any other city in the world. Dubai has 73 completed and topped-out buildings that rise at least 200 metres (656 ft) in height. Based on the average height of the ten tallest completed buildings, Dubai has the tallest skyline in the Middle East and the world. , the skyline of Dubai is ranked eighth in the world with 248 buildings rising at least 100 metres (330 ft) in height. (Full article...)
  • Image 12 Eastgate Clock designed by Douglas and erected on Chester's Eastgate in 1899 to commemorate Queen Victoria's Diamond Jubilee John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses. He also designed a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving. Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed a former assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work was carried out in Cheshire and North Wales, although some was further afield in regions including Merseyside, Greater Manchester, and Shropshire. (Full article...)
    A highly ornate structure in wrought iron, with a railing at the base. It carries a clock with Roman numerals; this has a red frame bearing the date "1897" in gold, and under it is a plate with an inscription in gold lettering. Above the clock are the initials "VR" in gold, and at the summit is a green cupola with a weather vane.
    Eastgate Clock designed by Douglas and erected on Chester's Eastgate in 1899 to commemorate Queen Victoria's Diamond Jubilee

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses. He also designed a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed a former assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work was carried out in Cheshire and North Wales, although some was further afield in regions including Merseyside, Greater Manchester, and Shropshire. (Full article...)
  • Image 13 The Pritzker Architecture Prize is an international architecture award presented annually "to honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture.” Founded in 1979 by Jay A. Pritzker and his wife Cindy, the award is funded by the Pritzker family and sponsored by the Hyatt Foundation. It is considered to be one of the world's premier architecture prizes, and is often referred to as the Nobel Prize of architecture. The Pritzker Architecture Prize is said to be awarded "irrespective of nationality, race, creed, or ideology". The recipients receive US$100,000, a citation certificate, and, since 1987, a bronze medallion. The designs on the medal are inspired by the work of architect Louis Sullivan, while the Latin inspired inscription on the reverse of the medallion—firmitas, utilitas, venustas (English: firmness, commodity and delight)—is from Ancient Roman architect Vitruvius. Before 1987, a limited edition Henry Moore sculpture accompanied the monetary prize. (Full article...)
    The Pritzker Architecture Prize is an international architecture award presented annually "to honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture.” Founded in 1979 by Jay A. Pritzker and his wife Cindy, the award is funded by the Pritzker family and sponsored by the Hyatt Foundation. It is considered to be one of the world's premier architecture prizes, and is often referred to as the Nobel Prize of architecture.

    The Pritzker Architecture Prize is said to be awarded "irrespective of nationality, race, creed, or ideology". The recipients receive US$100,000, a citation certificate, and, since 1987, a bronze medallion. The designs on the medal are inspired by the work of architect Louis Sullivan, while the Latin inspired inscription on the reverse of the medallion—firmitas, utilitas, venustas (English: firmness, commodity and delight)—is from Ancient Roman architect Vitruvius. Before 1987, a limited edition Henry Moore sculpture accompanied the monetary prize. (Full article...)
  • Image 14 Himeji Castle is the most visited castle in Japan and a UNESCO World Heritage Site. The Japanese Sengoku period from the mid-15th to early 17th century was a time of nearly continual military conflict. Powerful military lords known as daimyōs, such as Oda Nobunaga, Toyotomi Hideyoshi or Tokugawa Ieyasu, struggled to unify Japan. During the Sengoku period, because of constant warfare, many fortifications and castles were built. Archetypal Japanese castle construction is a product of the Momoyama period and early Edo period. A new era of castle construction began when the daimyo Nobunaga built Azuchi Castle from 1576 to 1579. Earlier fortifications of the Kamakura and Muromachi periods were crude large-scale structures; Azuchi, however, with rich ornamentation and a keep rising seven stories high, became the prototype for castle construction of the period. The style of Azuchi Castle marked a shift in the function of the castles from a place that was merely a fortress and military garrison to a political, cultural and economic center. The newer style castles functioned as home to the daimyōs, his family, and his most loyal retainers. Because of the expense of building such a lavish structure, castles in the style of Azuchi, functioned also to highlight the power and prestige of the daimyōs. These new castles were built of wood and plaster on a stone foundation. Generally the main keep or tenshu was positioned at the highest point, surrounded by a series of interlocking baileys with walls, small towers and pathways. Residential buildings were located in one of the outer circles. The daimyō conducted his business in the citadel. (Full article...)
    A white castle with one large five-storied tower and two smaller towers, all built on a stone base.
    Himeji Castle is the most visited castle in Japan and a UNESCO World Heritage Site.

    The Japanese Sengoku period from the mid-15th to early 17th century was a time of nearly continual military conflict. Powerful military lords known as daimyōs, such as Oda Nobunaga, Toyotomi Hideyoshi or Tokugawa Ieyasu, struggled to unify Japan. During the Sengoku period, because of constant warfare, many fortifications and castles were built. Archetypal Japanese castle construction is a product of the Momoyama period and early Edo period.

    A new era of castle construction began when the daimyo Nobunaga built Azuchi Castle from 1576 to 1579. Earlier fortifications of the Kamakura and Muromachi periods were crude large-scale structures; Azuchi, however, with rich ornamentation and a keep rising seven stories high, became the prototype for castle construction of the period. The style of Azuchi Castle marked a shift in the function of the castles from a place that was merely a fortress and military garrison to a political, cultural and economic center. The newer style castles functioned as home to the daimyōs, his family, and his most loyal retainers. Because of the expense of building such a lavish structure, castles in the style of Azuchi, functioned also to highlight the power and prestige of the daimyōs. These new castles were built of wood and plaster on a stone foundation. Generally the main keep or tenshu was positioned at the highest point, surrounded by a series of interlocking baileys with walls, small towers and pathways. Residential buildings were located in one of the outer circles. The daimyō conducted his business in the citadel. (Full article...)
  • Image 15 Glessner House, designated on October 14, 1970, was one of the first official Chicago Landmarks. Chicago Landmark is a designation by the Mayor and the City Council of Chicago for historic sites in Chicago, Illinois, United States. Listed sites are selected after meeting a combination of criteria, including historical, economic, architectural, artistic, cultural, and social values. Once a site is designated as a landmark, it is subject to the Chicago Landmarks Ordinance, which requires that any alterations beyond routine maintenance, up to and including demolition, must have their permit reviewed by the Landmarks Commission. Many Chicago Landmarks are also listed on the National Register of Historic Places, providing federal tax support for preservation, and some are further designated National Historic Landmarks, providing additional federal oversight. (Full article...)
    Glessner House, designated on October 14, 1970, was one of the first official Chicago Landmarks.

    Chicago Landmark is a designation by the Mayor and the City Council of Chicago for historic sites in Chicago, Illinois, United States. Listed sites are selected after meeting a combination of criteria, including historical, economic, architectural, artistic, cultural, and social values. Once a site is designated as a landmark, it is subject to the Chicago Landmarks Ordinance, which requires that any alterations beyond routine maintenance, up to and including demolition, must have their permit reviewed by the Landmarks Commission. Many Chicago Landmarks are also listed on the National Register of Historic Places, providing federal tax support for preservation, and some are further designated National Historic Landmarks, providing additional federal oversight. (Full article...)
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  • Image 1 Klis Fortress and the city of Split in the background. The Klis Fortress (Croatian: Tvrđava Klis) is a medieval fortress situated above a village bearing the same name, near Split, Croatia. From its origin as a small stronghold built by the ancient Illyrian tribe Dalmatae, becoming a royal castle that was the seat of many Croatian kings, to its final development as a large fortress during the Ottoman wars in Europe, Klis Fortress has guarded the frontier, being lost and re-conquered several times throughout its more-than-two-thousand-year-long history. Due to its location on a pass that separates the mountains Mosor and Kozjak, the fortress served as a major source of defense in Dalmatia, especially against the Ottoman advance, and has been a key crossroad between the Mediterranean belt and the Balkan rear. (Full article...)
    Klis Fortress at sunset.jpg
    Klis Fortress and the city of Split in the background.

    The Klis Fortress (Croatian: Tvrđava Klis) is a medieval fortress situated above a village bearing the same name, near Split, Croatia. From its origin as a small stronghold built by the ancient Illyrian tribe Dalmatae, becoming a royal castle that was the seat of many Croatian kings, to its final development as a large fortress during the Ottoman wars in Europe, Klis Fortress has guarded the frontier, being lost and re-conquered several times throughout its more-than-two-thousand-year-long history. Due to its location on a pass that separates the mountains Mosor and Kozjak, the fortress served as a major source of defense in Dalmatia, especially against the Ottoman advance, and has been a key crossroad between the Mediterranean belt and the Balkan rear. (Full article...)
  • Image 2 East side of the cathedral Chester Cathedral is a Church of England cathedral and the mother church of the Diocese of Chester. It is located in the city of Chester, Cheshire, England. The cathedral, formerly the abbey church of a Benedictine monastery dedicated to Saint Werburgh, is dedicated to Christ and the Blessed Virgin Mary. Since 1541, it has been the seat of the Bishop of Chester. The cathedral is a Grade I listed building, and part of a heritage site that also includes the former monastic buildings to the north, which are also listed Grade I. The cathedral's construction dates from between 10th century and the early 16th century, having been modified a number of times throughout history, a typical characteristic of English cathedrals; however, the site itself may have been used for Christian worship since Roman times. All the major styles of English medieval architecture, from Norman to Perpendicular, are represented in the present building. (Full article...)
    Chester Cathedral ext Hamilton 001.JPG
    East side of the cathedral

    Chester Cathedral is a Church of England cathedral and the mother church of the Diocese of Chester. It is located in the city of Chester, Cheshire, England. The cathedral, formerly the abbey church of a Benedictine monastery dedicated to Saint Werburgh, is dedicated to Christ and the Blessed Virgin Mary. Since 1541, it has been the seat of the Bishop of Chester.

    The cathedral is a Grade I listed building, and part of a heritage site that also includes the former monastic buildings to the north, which are also listed Grade I. The cathedral's construction dates from between 10th century and the early 16th century, having been modified a number of times throughout history, a typical characteristic of English cathedrals; however, the site itself may have been used for Christian worship since Roman times. All the major styles of English medieval architecture, from Norman to Perpendicular, are represented in the present building. (Full article...)
  • Image 3 Swaminarayan Akshardham in Delhi, India Swaminarayan Akshardham is a Hindu temple, and spiritual-cultural campus in Delhi, India. The temple is close to the border with Noida. Also referred to as Akshardham Temple or Akshardham Delhi, the complex displays millennia of traditional and modern Hindu culture, spirituality, and architecture. Inspired by Yogiji Maharaj and created by Pramukh Swami Maharaj, it was constructed by BAPS. The temple was officially opened on 6 November 2005 by Pramukh Swami Maharaj in the presence of Dr. A. P. J. Abdul Kalam, Manmohan Singh, L.K Advani and B.L Joshi. The temple, at the centre of the complex, was built according to the Vastu shastra and Pancharatra shastra. (Full article...)
    New Delhi Temple.jpg
    Swaminarayan Akshardham in Delhi, India

    Swaminarayan Akshardham is a Hindu temple, and spiritual-cultural campus in Delhi, India. The temple is close to the border with Noida. Also referred to as Akshardham Temple or Akshardham Delhi, the complex displays millennia of traditional and modern Hindu culture, spirituality, and architecture. Inspired by Yogiji Maharaj and created by Pramukh Swami Maharaj, it was constructed by BAPS.

    The temple was officially opened on 6 November 2005 by Pramukh Swami Maharaj in the presence of Dr. A. P. J. Abdul Kalam, Manmohan Singh, L.K Advani and B.L Joshi. The temple, at the centre of the complex, was built according to the Vastu shastra and Pancharatra shastra. (Full article...)
  • Image 4 Durham Cathedral, above the River Wear. The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region (or diocese) and houses the throne of a bishop (Late Latin ecclēsia cathedrālis, from the Greek, καθέδρα). Each cathedral also serves as a regional centre and a focus of regional pride and affection. Only sixteen of these buildings had been cathedrals at the time of the Reformation: eight that were served by secular canons, and eight that were monastic. A further five cathedrals are former abbey churches which were reconstituted with secular canons as cathedrals of new dioceses by Henry VIII following the dissolution of the monasteries and which comprise, together with the former monastic cathedrals, the "Cathedrals of the New Foundation". Two further pre-Reformation monastic churches, which had survived as ordinary parish churches for 350 years, became cathedrals in the 19th and 20th centuries, as did the three medieval collegiate churches that retained their foundations for choral worship. (Full article...)
    A winter view showing Durham Cathedral with three large towers looming high on a craggy cliff above a river bordered with snow-covered trees, a weir and a house.
    Durham Cathedral, above the River Wear.

    The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region (or diocese) and houses the throne of a bishop (Late Latin ecclēsia cathedrālis, from the Greek, καθέδρα). Each cathedral also serves as a regional centre and a focus of regional pride and affection.

    Only sixteen of these buildings had been cathedrals at the time of the Reformation: eight that were served by secular canons, and eight that were monastic. A further five cathedrals are former abbey churches which were reconstituted with secular canons as cathedrals of new dioceses by Henry VIII following the dissolution of the monasteries and which comprise, together with the former monastic cathedrals, the "Cathedrals of the New Foundation". Two further pre-Reformation monastic churches, which had survived as ordinary parish churches for 350 years, became cathedrals in the 19th and 20th centuries, as did the three medieval collegiate churches that retained their foundations for choral worship. (Full article...)
  • Image 5 Seen in May 2009 The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft (319 m), it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. , the Chrysler is the 11th-tallest building in the city, tied with The New York Times Building. Originally a project of real estate developer and former New York State Senator William H. Reynolds, the building was constructed by Walter Chrysler, the head of the Chrysler Corporation. The construction of the Chrysler Building, an early skyscraper, was characterized by a competition with 40 Wall Street and the Empire State Building to become the world's tallest building. Although the Chrysler Building was built and designed specifically for the car manufacturer, the corporation did not pay for its construction and never owned it; Walter Chrysler decided to fund the entire cost personally so his children could inherit it. An annex was completed in 1952, and the building was sold by the Chrysler family the next year, with numerous subsequent owners. (Full article...)
    Chrysler Building by David Shankbone Retouched.jpg
    Seen in May 2009

    The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft (319 m), it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. , the Chrysler is the 11th-tallest building in the city, tied with The New York Times Building.

    Originally a project of real estate developer and former New York State Senator William H. Reynolds, the building was constructed by Walter Chrysler, the head of the Chrysler Corporation. The construction of the Chrysler Building, an early skyscraper, was characterized by a competition with 40 Wall Street and the Empire State Building to become the world's tallest building. Although the Chrysler Building was built and designed specifically for the car manufacturer, the corporation did not pay for its construction and never owned it; Walter Chrysler decided to fund the entire cost personally so his children could inherit it. An annex was completed in 1952, and the building was sold by the Chrysler family the next year, with numerous subsequent owners. (Full article...)
  • Image 6 Renaissance-styled Frederiksborg Palace completed by Hans van Steenwinckel the Younger in 1620 The architecture of Denmark has its origins in the Viking period, richly revealed by archaeological finds. It became firmly established in the Middle Ages when first Romanesque, then Gothic churches and cathedrals sprang up throughout the country. It was during this period that, in a country with little access to stone, brick became the construction material of choice, not just for churches but also for fortifications and castles. Under the influence of Frederick II and Christian IV, both of whom had been inspired by the castles of France, Dutch and Flemish designers were brought to Denmark, initially to improve the country's fortifications, but increasingly to build magnificent royal castles and palaces in the Renaissance style. In parallel, the half-timbered style became popular for ordinary dwellings in towns and villages across the country. (Full article...)
    A palace, with several copper-covered spires, a dome, and tiered wings with dormers, is reflected in a large artificial lake in the foreground.
    Renaissance-styled Frederiksborg Palace completed by Hans van Steenwinckel the Younger in 1620

    The architecture of Denmark has its origins in the Viking period, richly revealed by archaeological finds. It became firmly established in the Middle Ages when first Romanesque, then Gothic churches and cathedrals sprang up throughout the country. It was during this period that, in a country with little access to stone, brick became the construction material of choice, not just for churches but also for fortifications and castles.

    Under the influence of Frederick II and Christian IV, both of whom had been inspired by the castles of France, Dutch and Flemish designers were brought to Denmark, initially to improve the country's fortifications, but increasingly to build magnificent royal castles and palaces in the Renaissance style. In parallel, the half-timbered style became popular for ordinary dwellings in towns and villages across the country. (Full article...)
  • Image 7 Aerial view of Hadleigh Castle from the north, with the Thames Estuary in the background Hadleigh Castle is a ruined fortification in the English county of Essex, overlooking the Thames Estuary from south of the town of Hadleigh. Built after 1215 during the reign of Henry III by Hubert de Burgh, the castle was surrounded by parkland and had an important economic and defensive role. The castle was significantly expanded and remodelled by Edward III, who turned it into a grander property, designed to defend against a potential French attack, as well as to provide the King with a convenient private residence close to London. Built on a soft hill of London clay, the castle has often been subject to subsidence; this, combined with the sale of its stonework in the 16th century, has led to it now being ruined. The remains are now preserved by English Heritage and protected under UK law as a Grade I listed building and scheduled monument. (Full article...)
    Aerial view of Hadleigh Castle and Country Park - geograph.org.uk - 1563595.jpg
    Aerial view of Hadleigh Castle from the north, with the Thames Estuary in the background

    Hadleigh Castle is a ruined fortification in the English county of Essex, overlooking the Thames Estuary from south of the town of Hadleigh. Built after 1215 during the reign of Henry III by Hubert de Burgh, the castle was surrounded by parkland and had an important economic and defensive role. The castle was significantly expanded and remodelled by Edward III, who turned it into a grander property, designed to defend against a potential French attack, as well as to provide the King with a convenient private residence close to London. Built on a soft hill of London clay, the castle has often been subject to subsidence; this, combined with the sale of its stonework in the 16th century, has led to it now being ruined. The remains are now preserved by English Heritage and protected under UK law as a Grade I listed building and scheduled monument. (Full article...)
  • Image 8 Map showing Constantinople and its walls during the Byzantine era The Walls of Constantinople (Greek: Τείχη της Κωνσταντινουπόλεως) are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul in Turkey) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger. They saved the city, and the Byzantine Empire with it, during sieges by the Avar-Sassanian coalition, Arabs, Rus', and Bulgars, among others. The advent of gunpowder siege cannons rendered the fortifications vulnerable, but cannon technology was not sufficiently advanced to capture the city on its own, and the walls could be repaired between reloading. Ultimately, the city fell from the sheer weight of numbers of the Ottoman forces on 29 May 1453 after a two-month siege. (Full article...)
    Byzantine Constantinople-en.png
    Map showing Constantinople and its walls during the Byzantine era

    The Walls of Constantinople (Greek: Τείχη της Κωνσταντινουπόλεως) are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul in Turkey) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built.

    Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger. They saved the city, and the Byzantine Empire with it, during sieges by the Avar-Sassanian coalition, Arabs, Rus', and Bulgars, among others. The advent of gunpowder siege cannons rendered the fortifications vulnerable, but cannon technology was not sufficiently advanced to capture the city on its own, and the walls could be repaired between reloading. Ultimately, the city fell from the sheer weight of numbers of the Ottoman forces on 29 May 1453 after a two-month siege. (Full article...)
  • Image 9 Château de Chinon from the south Château de Chinon is a castle located on the bank of the river Vienne in Chinon, France. It was founded by Theobald I, Count of Blois. In the 11th century the castle became the property of the counts of Anjou. In 1156 Henry II of England, a member of the House of Anjou, took the castle from his brother Geoffrey, Count of Nantes, after Geoffrey rebelled for a second time. Henry favoured the Château de Chinon as a residence. Most of the standing structure can be attributed to his reign; he died there in 1189. Early in the 13th century, King Philip II of France harassed the English lands in France, and in 1205 he captured Chinon after a siege that lasted several months. Thereafter, the castle remained under French control. When King Philip IV accused the Knights Templar of heresy during the first decade of the 14th century, several leading members of the order were imprisoned there. (Full article...)
    Château de Chinon from the south

    Château de Chinon is a castle located on the bank of the river Vienne in Chinon, France. It was founded by Theobald I, Count of Blois. In the 11th century the castle became the property of the counts of Anjou. In 1156 Henry II of England, a member of the House of Anjou, took the castle from his brother Geoffrey, Count of Nantes, after Geoffrey rebelled for a second time. Henry favoured the Château de Chinon as a residence. Most of the standing structure can be attributed to his reign; he died there in 1189.

    Early in the 13th century, King Philip II of France harassed the English lands in France, and in 1205 he captured Chinon after a siege that lasted several months. Thereafter, the castle remained under French control. When King Philip IV accused the Knights Templar of heresy during the first decade of the 14th century, several leading members of the order were imprisoned there. (Full article...)
  • Image 10 The National Police Memorial is a memorial in central London, commemorating about 4,000 police officers killed in the course of their duties in the United Kingdom. It was designed by Lord Foster of Thames Bank and Per Arnoldi and unveiled in 2005. The project architect for Foster was Peter Ridley. (Full article...)
    PoliceNationalMemorial2755.jpg

    The National Police Memorial is a memorial in central London, commemorating about 4,000 police officers killed in the course of their duties in the United Kingdom. It was designed by Lord Foster of Thames Bank and Per Arnoldi and unveiled in 2005. The project architect for Foster was Peter Ridley. (Full article...)
  • Image 11 The view across the entrance causeway across the ditch, with the site of the castle behind Buckton Castle was a medieval enclosure castle near Carrbrook in Stalybridge, Greater Manchester, England. It was surrounded by a 2.8-metre-wide (9 ft) stone curtain wall and a ditch 10 metres (33 ft) wide by 6 metres (20 ft) deep. Buckton is one of the earliest stone castles in North West England and only survives as buried remains overgrown with heather and peat. It was most likely built and demolished in the 12th century. The earliest surviving record of the site dates from 1360, by which time it was lying derelict. The few finds retrieved during archaeological investigations indicate that Buckton Castle may not have been completed. In the 16th century, the site may have been used as a beacon for the Pilgrimage of Grace. During the 18th century, the castle was of interest to treasure hunters following rumours that gold and silver had been discovered at Buckton. The site was used as an anti-aircraft decoy site during the Second World War. Between 1996 and 2010, Buckton Castle was investigated by archaeologists as part of the Tameside Archaeology Survey, first by the University of Manchester Archaeological Unit then the University of Salford's Centre for Applied Archaeology. The project involved community archaeology, and more than 60 volunteers took part. The castle, close to the Buckton Vale Quarry, is a Scheduled Ancient Monument. (Full article...)
    Buckton Castle (5) (28563211972).jpg
    The view across the entrance causeway across the ditch, with the site of the castle behind

    Buckton Castle was a medieval enclosure castle near Carrbrook in Stalybridge, Greater Manchester, England. It was surrounded by a 2.8-metre-wide (9 ft) stone curtain wall and a ditch 10 metres (33 ft) wide by 6 metres (20 ft) deep. Buckton is one of the earliest stone castles in North West England and only survives as buried remains overgrown with heather and peat. It was most likely built and demolished in the 12th century. The earliest surviving record of the site dates from 1360, by which time it was lying derelict. The few finds retrieved during archaeological investigations indicate that Buckton Castle may not have been completed.

    In the 16th century, the site may have been used as a beacon for the Pilgrimage of Grace. During the 18th century, the castle was of interest to treasure hunters following rumours that gold and silver had been discovered at Buckton. The site was used as an anti-aircraft decoy site during the Second World War. Between 1996 and 2010, Buckton Castle was investigated by archaeologists as part of the Tameside Archaeology Survey, first by the University of Manchester Archaeological Unit then the University of Salford's Centre for Applied Archaeology. The project involved community archaeology, and more than 60 volunteers took part. The castle, close to the Buckton Vale Quarry, is a Scheduled Ancient Monument. (Full article...)
  • Image 12 Taipei 101 (Chinese: 臺北101; pinyin: Táiběi yī líng yī; stylized as TAIPEI 101), formerly known as the Taipei World Financial Center, is a supertall skyscraper in Taipei, Taiwan. This building was officially classified as the world's tallest from its opening in 2004 until the 2009 completion of the Burj Khalifa in Dubai, UAE. Upon completion, it became the world's first skyscraper to exceed a height of half a kilometer. Taipei 101 is the tallest building in Taiwan. The elevators of Taipei 101 that transport passengers from the 5th to the 89th floor in 37 seconds (attaining 60.6 km/h (37.7 mph)) set speed records. In 2011, Taipei 101 was awarded a Platinum certificate rating under the LEED certification system for energy efficiency and environmental design, becoming the tallest and largest green building in the world. The structure regularly appears as an icon of Taipei in international media, and the Taipei 101 fireworks displays are a regular feature of New Year's Eve broadcasts and celebrations. (Full article...)
    Taipei 101 logo.svg

    Taipei 101 (Chinese: 臺北101; pinyin: Táiběi yī líng yī; stylized as TAIPEI 101), formerly known as the Taipei World Financial Center, is a supertall skyscraper in Taipei, Taiwan. This building was officially classified as the world's tallest from its opening in 2004 until the 2009 completion of the Burj Khalifa in Dubai, UAE. Upon completion, it became the world's first skyscraper to exceed a height of half a kilometer. Taipei 101 is the tallest building in Taiwan.

    The elevators of Taipei 101 that transport passengers from the 5th to the 89th floor in 37 seconds (attaining 60.6 km/h (37.7 mph)) set speed records. In 2011, Taipei 101 was awarded a Platinum certificate rating under the LEED certification system for energy efficiency and environmental design, becoming the tallest and largest green building in the world. The structure regularly appears as an icon of Taipei in international media, and the Taipei 101 fireworks displays are a regular feature of New Year's Eve broadcasts and celebrations. (Full article...)
  • Image 13 Walls of Dubrovnik with sight on Minčeta Tower The Walls of Dubrovnik (Croatian: Dubrovačke gradske zidine) are a series of defensive stone walls surrounding the city of Dubrovnik in southern Croatia. With numerous additions and modifications throughout their history, they have been considered to be amongst the great fortification systems of the Middle Ages, as they were never breached by a hostile army during this time period. In 1979, the old city of Dubrovnik, which includes a substantial portion of the old walls of Dubrovnik, joined the UNESCO list of World Heritage Sites. The oldest systems of fortifications around the town were likely wooden palisades. Today's intact city walls, constructed mainly during the 12th-17th centuries, mostly a double line, have long been a source of pride for Dubrovnik. The walls run an uninterrupted course of approximately 1,940 metres (6,360 ft) in length, encircling most of the old city, and reach a maximum height of about 25 metres (82 ft). The bulk of the existing walls and fortifications were constructed during the 14th and 15th centuries, but were continually extended and strengthened up until the 17th century. (Full article...)
    Dubrovnik s 10.jpg
    Walls of Dubrovnik with sight on Minčeta Tower

    The Walls of Dubrovnik (Croatian: Dubrovačke gradske zidine) are a series of defensive stone walls surrounding the city of Dubrovnik in southern Croatia. With numerous additions and modifications throughout their history, they have been considered to be amongst the great fortification systems of the Middle Ages, as they were never breached by a hostile army during this time period. In 1979, the old city of Dubrovnik, which includes a substantial portion of the old walls of Dubrovnik, joined the UNESCO list of World Heritage Sites.

    The oldest systems of fortifications around the town were likely wooden palisades. Today's intact city walls, constructed mainly during the 12th-17th centuries, mostly a double line, have long been a source of pride for Dubrovnik. The walls run an uninterrupted course of approximately 1,940 metres (6,360 ft) in length, encircling most of the old city, and reach a maximum height of about 25 metres (82 ft). The bulk of the existing walls and fortifications were constructed during the 14th and 15th centuries, but were continually extended and strengthened up until the 17th century. (Full article...)
  • Image 14 St Briavels Castle. St Briavels Castle is a moated Norman castle at St Briavels in the English county of Gloucestershire. The castle is noted for its huge Edwardian gatehouse that guards the entrance. St Briavels Castle was originally built between 1075 and 1129 as a royal administrative centre for the Forest of Dean. During the 13th century the castle became first a favourite hunting lodge of King John, and then the primary centre in England for the manufacture of quarrels, large numbers of which were required for crossbows in medieval warfare. The castle was transferred many times between royal favourites in the 14th and 15th centuries and slowly declined in appearance and importance. St Briavels Castle became used primarily as a court and as a notorious debtors' prison, conditions being documented by the prison reformer John Howard in 1775. Following local riots and a parliamentary investigation in the 1830s, reforms in the 19th century brought an end to the castle's use as a prison. (Full article...)
    St Briavels Castle - geograph.org.uk - 520136.jpg
    St Briavels Castle.

    St Briavels Castle is a moated Norman castle at St Briavels in the English county of Gloucestershire. The castle is noted for its huge Edwardian gatehouse that guards the entrance.

    St Briavels Castle was originally built between 1075 and 1129 as a royal administrative centre for the Forest of Dean. During the 13th century the castle became first a favourite hunting lodge of King John, and then the primary centre in England for the manufacture of quarrels, large numbers of which were required for crossbows in medieval warfare. The castle was transferred many times between royal favourites in the 14th and 15th centuries and slowly declined in appearance and importance. St Briavels Castle became used primarily as a court and as a notorious debtors' prison, conditions being documented by the prison reformer John Howard in 1775. Following local riots and a parliamentary investigation in the 1830s, reforms in the 19th century brought an end to the castle's use as a prison. (Full article...)
  • Image 15 The inner city The Smederevo Fortress (Serbian: Cмeдepeвcκa твpђaвa / Smederevska tvrđava) is a medieval fortified city in Smederevo, Serbia, which was the temporary capital of Serbia in the Middle Ages. It was built between 1427 and 1430 on the order of Despot Đurađ Branković, the ruler of the Serbian Despotate. It was further fortified by the Ottoman Empire, which had taken the city in 1459. The fortress withstood several sieges by Ottomans and Serbs, surviving relatively unscathed. During World War II it was heavily damaged, by explosions and bombing. As of 2009[needs update] it is in the midst of extensive restoration and conservation work, despite which the fortress remains "one of the rare preserved courts of medieval Serbian rulers." (Full article...)
    Smederevo small town panorama 1.jpg
    The inner city

    The Smederevo Fortress (Serbian: Cмeдepeвcκa твpђaвa / Smederevska tvrđava) is a medieval fortified city in Smederevo, Serbia, which was the temporary capital of Serbia in the Middle Ages. It was built between 1427 and 1430 on the order of Despot Đurađ Branković, the ruler of the Serbian Despotate. It was further fortified by the Ottoman Empire, which had taken the city in 1459.

    The fortress withstood several sieges by Ottomans and Serbs, surviving relatively unscathed. During World War II it was heavily damaged, by explosions and bombing. As of 2009[needs update] it is in the midst of extensive restoration and conservation work, despite which the fortress remains "one of the rare preserved courts of medieval Serbian rulers." (Full article...)
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Architects: Matthew Brettingham, William Bruce, William Burges, John Douglas, Charles Holden, El Lissitzky, Benjamin Mountfort, I. M. Pei, Albert Speer, Rudolf Wolters. Buildings: 7 World Trade Center, Angkor Wat, Baden-Powell House, Belton House, Borobudur, BP Pedestrian Bridge, Bramall Hall, Buckingham Palace, Buildings and architecture of Bristol, Buildings of Jesus College, Oxford, Buildings of Nuffield College, Oxford, Building of the World Trade Center, Castell Coch, Catherine de' Medici's building projects, Chartwell, Chicago Board of Trade Building, Cragside, Heian Palace, Holkham Hall, IG Farben Building, House with Chimaeras, Hoysala architecture, City of Manchester Stadium, Monnow Bridge, Mosque, Michigan State Capitol, New Orleans Mint, Oregon State Capitol, Oriel College, Oxford, Palazzo Pitti, Palladian architecture, Pennsylvania State Capitol, Round Church, Preslav, Sandringham House, Sanssouci, Santa Maria de Ovila, Scottish Parliament building, Sicilian Baroque, St Donat's Castle, St. Michael's Cathedral, Qingdao, St. Michael's Golden-Domed Monastery, St Nicholas, Blakeney, Vkhutemas, The Tower House, West Wycombe Park

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Chicago Landmarks, National Treasures of Japan (castles), National Treasures of Japan (shrines), Pritzker Prize, New churches by John Douglas, Church restorations, amendments and furniture by John Douglas, Houses and associated buildings by John Douglas, Non-ecclesiastical and non-residential works by John Douglas, Scheduled monuments in Maidstone, Works by Charles Holden, Grade I listed buildings in: Bath and North East Somerset, Maidstone, Mendip, North Somerset, Sedgemoor, South Somerset, Taunton Deane, West Somerset, List of tallest buildings in: Boston, Chicago, Cleveland, Dallas, Detroit, Dubai, Hong Kong, Las Vegas, London, Los Angeles, Manchester, Miami, Minneapolis, Philadelphia, Providence, San Francisco, Shanghai, Singapore, Tokyo, Toronto, Tulsa, Vancouver, Listed buildings in: Runcorn (urban area), Runcorn (rural area), Widnes

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Architects: William Adam, Eustace Balfour, Antoni Gaudí, Thomas Harrison, Zvi Hecker, Bjarke Ingels, E. G. Paley, Timothy L. Pflueger, Antonin Raymond, Kenzo Tange. Buildings: 108 North State Street, 5th Avenue Theatre, Algonquin Hotel, Andriyivskyy Descent, AT&T Corporate Center, Ballard Carnegie Library, Baths of Zeuxippus, Beaumont House, Benjaminville Friends Meeting House and Burial Ground, Blackstone Library, Boughton Monchelsea Place, The Casbah Coffee Club, Central Troy Historic District, Chana School, Chester Rows, Chicago Spire, Chicago Theatre, Chrysler Building, Churche's Mansion, Clinton Presidential Center, Crown Fountain, Dolphinarium, Eaton Hall, Cheshire, Édifice Price, Edinburgh Place Ferry Pier, Ellwood House, The Exchange, Bristol, Forbidden City, Harold Washington Cultural Center, Heller House, Historic Michigan Boulevard District, Hull House, Imbrex and tegula, Imperial War Museum North, Jay Pritzker Pavilion, Joffrey Tower, Joseph F. Glidden House, Linton Park, Liverpool Town Hall, Louvre, Manila Hotel, Marquette Building (Chicago), Millennium Stadium, National Gallery, London, National Police Memorial, New Bedford Historic District, Old Louisville, One Bayfront Plaza, One Times Square, Onion dome, Oregon Public Library, Pavillon de Flore, Presidio of Santa Barbara, Queen's Pier, Rancho Camulos, Robot Building, Rock N Roll McDonald's, Roman Baths (Bath), Rookery Building, Senate House (University of London), Shamrock Hotel, Sycamore Historic District, Taipei 101, TCF Bank Stadium, United States Institute of Peace Headquarters, University Mall (Little Rock, Arkansas), University of Illinois Observatory, University of Virginia, Upper Brook Street Chapel, Manchester, Valley of the Kings, Via della Conciliazione, Victoria Rooms (Bristol), Waller Hall, Wales Millennium Centre, World Trade Center. Castles and fortifications: Beaumaris Castle, Berkhamsted Castle, Bowes Castle, Buckton Castle, Caernarfon Castle, Caludon Castle, Château Gaillard, Château de Chinon, Conwy Castle, Dolbadarn Castle, Dunstaffnage Castle, Fort Greble, Fort Pasir Panjang, Fortress of Klis, Golubac fortress, Goodrich Castle, Haapsalu Castle, Hadleigh Castle, Halton Castle, Himeji Castle, Hylton Castle, Kaunas Fortress, Kenilworth Castle, Loch Leven Castle, Longtown Castle, Okehampton Castle, Oxford Castle, Peckforton Castle, Castle Rising, Roslin Castle, Smederevo Fortress, St Briavels Castle, Vilnius Castle Complex, Walls of Constantinople, Walls of Dubrovnik, York Castle. Religious buildings: Akhtala monastery, Akshardham Temple, Al-Aqsa Mosque, Al-Masjid an-Nabawi, Bath Abbey, Cathedral of the Immaculate Conception (Hong Kong), Chester Cathedral, College of All Saints, Maidstone, Elgin Cathedral, Etchmiadzin Cathedral, Ganting Grand Mosque, Hurva Synagogue, Jesuit Missions of Chiquitos, Liverpool Metropolitan Cathedral, Mexico City Metropolitan Cathedral, Mezhyhirskyi Monastery, Old St Paul's Cathedral, St Mary's Church, Acton, St Mary's Church, Nantwich, St Mary's Church, Nether Alderley, St Thomas the Martyr's Church, Oxford, Sunol Water Temple, Uppsala Cathedral, Wells Cathedral, Zagreb Synagogue, Zhenguo Temple. Cities, countries and regions: Architecture of Denmark, Architecture of Leeds, Architecture of Madagascar, Architecture of Norway, Architecture of Scotland, Architecture of the medieval cathedrals of England, Buildings and architecture of Bath, Castles in Great Britain and Ireland, Grade I listed buildings in Somerset, Architecture of the Song Dynasty, Fatimid architecture.

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