At 449,964 km2 (173,720 square miles), Sweden is the third largest country by area in Western Europe and fifth in all of Europe. The country has a population of 10 million people. Sweden has a low population density of 20 people per square kilometre, except in its metropolitan areas; 84% of the population lives in urban areas, which comprise only 1.3% of the country's total land area. The inhabitants of Sweden enjoy a high standard of living, and the country is generally perceived as modern and liberal, with an organizational and corporate culture that is non-hierarchical and collectivist compared to its Anglo-Saxon counterparts. Nature conservation, environmental protection and energy efficiency are generally prioritized in policy making and embraced by the general public in Sweden.
After rescue, Bågenholm was transported by helicopter to the Tromsø University Hospital, where a team of more than a hundred doctors and nurses worked in shifts for nine hours to save her life. Bågenholm woke up ten days after the accident, paralyzed from the neck down and subsequently spent two months recovering in an intensive care unit. Although she has made an almost full recovery from the incident, late in 2009 she was still suffering from minor symptoms in hands and feet related to nerve injury. Bågenholm's case has been discussed in the leading British medical journal The Lancet, and in medical textbooks. (Full article...)
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Harriet Bosse as Indra's daughter at the 1907 première of A Dream Play (1902) by August Strindberg
Harriet Sofie Bosse (19 February 1878 – 2 November 1961) was a Swedish–Norwegian actress. A celebrity in her day, Bosse is now most commonly remembered as the third wife of the playwright August Strindberg. Bosse began her career in a minor company run by her forceful older sister Alma Fahlstrøm in Kristiania (now Oslo, the capital of Norway). Having secured an engagement at the Royal Dramatic Theatre ("Dramaten"), the main drama venue of Sweden's capital Stockholm, Bosse caught the attention of Strindberg with her intelligent acting and exotic "oriental" appearance.
After a whirlwind courtship, which unfolds in detail in Strindberg's letters and diary, Strindberg and Bosse were married in 1901, when he was 52 and she 23. Strindberg wrote a number of major roles for Bosse during their short and stormy relationship, especially in 1900–01, a period of great creativity and productivity for him. Like his previous two marriages, the relationship failed as a result of Strindberg's jealousy, which some biographers have characterized as paranoid. The spectrum of Strindberg's feelings about Bosse, ranging from worship to rage, is reflected in the roles he wrote for her to play, or as portraits of her. Despite her real-life role as muse to Strindberg, she remained an independent artist. (Full article...)