'Netherlands' literally means 'lower countries', referring to its low and flat topography, with only about 50% of its land exceeding 1 metre (3 ft 3 in) above sea level and nearly 17% being below sea level. Most of the areas below sea level, known as polders, are the result of land reclamation beginning in the 16th century. With a population of 17.25 million living within a total area of roughly 41,500 square kilometres (16,000 sq mi)—of which the land area is 33,700 square kilometres (13,000 sq mi)—the Netherlands is one of the most densely populated countries in the world. Nevertheless, it is the world's second-largest exporter of food and agricultural products after the United States, owing to its fertile soil, mild climate, and intensive agriculture.
The Pim Fortuyn List was a political party in the Netherlands. The eponymous founder of the party was Pim Fortuyn, a charismatic former university professor and political columnist who initially had planned to contest the 2002 general election as leader of the Livable Netherlands (LN) party. He was however dismissed as party leader in February 2002 due to controversial remarks he made in a newspaper interview on immigration-related issues, and instead founded LPF a few days later. After gaining support in opinion polls, Fortuyn was assassinated on 6 May, days before the election. The party held onto its support, and went on to become the second-largest party in the election.
Sir Lawrence Alma-Tadema, OM, RA (January 8, 1836, Dronrijp, the Netherlands.- June 25, 1912 Wiesbaden, Germany) was one of the most renowned painters of late nineteenth-century Britain. Born in Dronrijp, the Netherlands, and trained at the Academy of Antwerp, Belgium, he settled in England in 1870 and spent the rest of his life there. A classical-subject painter, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean sea and sky. Universally admired during his lifetime for his superb draftsmanship and depictions of Classical antiquity, he fell into disrepute after his death and only in the last thirty years has his work been reevaluated for its importance within nineteenth-century English art.