Portal:Netherlands

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Welcome to the Netherlands Portal
Welkom bij het Nederlandportaal!

The Netherlands (Dutch: Nederland [ˈneːdərlɑnt] ^ⓘ), informally Holland, is a country located in northwestern Europe with overseas territories in the Caribbean. It is the largest of four constituent countries of the Kingdom of the Netherlands. The Netherlands consists of twelve provinces; it borders Germany to the east, and Belgium to the south, with a North Sea coastline to the north and west. It also has a border with France on the split island of Saint Martin in the Caribbean. It shares maritime borders with the United Kingdom, Germany and Belgium. The official language is Dutch, with West Frisian as a secondary official language in the province of Friesland. Dutch, English and Papiamento are official in the Caribbean territories.

The Netherlands has been a parliamentary constitutional monarchy with a unitary structure since 1848. The country has a tradition of pillarisation and a long record of social tolerance, having legalised prostitution and euthanasia, along with maintaining a liberal drug policy. The Netherlands allowed women's suffrage in 1919 and was the first country to legalise same-sex marriage in 2001. Its mixed-market advanced economy has the thirteenth-highest per capita income globally. The Hague holds the seat of the States General, Cabinet and Supreme Court. The Port of Rotterdam is the busiest seaport in Europe. Schiphol is the busiest airport in the Netherlands, and the third busiest in Europe. The Netherlands is a founding member of the European Union, Eurozone, G10, NATO, OECD, and WTO, as well as a part of the Schengen Area and the trilateral Benelux Union. It hosts several intergovernmental organisations and international courts, many of which are centred in The Hague. (Full article...)

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Joanna Clare Yeates (19 April 1985 – 17 December 2010) was a landscape architect from Ampfield, Hampshire, England, who went missing from the flat she shared with her partner, in a large house in Clifton, Bristol, on 17 December 2010 after an evening out with colleagues. Following a highly publicised appeal for information on her whereabouts and intensive police enquiries, her body was discovered on 25 December 2010 in Failand, North Somerset. A post-mortem examination determined that she had been strangled.

The murder inquiry was one of the largest police investigations ever undertaken in the Bristol area. The case dominated news coverage in the United Kingdom around the Christmas period as Yeates's family sought assistance from the public through social networking services and press conferences. Rewards amounting to £60,000 were offered for information leading to those responsible for Yeates's death. The police initially suspected and arrested Christopher Jefferies, Yeates's landlord, who lived in another flat in the same building. He was subsequently released without charge, but was vilified in the press. (Full article...)
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The Huguenot-Walloon half dollar or Huguenot-Walloon Tercentenary half dollar is a commemorative coin issued by the United States Bureau of the Mint in 1924. It marks the 300th anniversary of the voyage of the Nieuw Nederlandt which landed in the New York area in 1624. Many of the passengers were Huguenots from France or Walloons from what is now Belgium; they became early settlers of New York State and the surrounding area.

A commission run by the Federal Council of Churches in America sought issuance of a half dollar to mark the anniversary, and the bill passed through Congress without opposition in 1923 and was signed by President Warren G. Harding. Sketches were prepared by commission chairman Reverend John Baer Stoudt and converted to plaster models by the Mint's aging chief engraver, George T. Morgan. The models were initially rejected by the Commission of Fine Arts, which required revisions under the supervision of Buffalo nickel designer James Earle Fraser. (Full article...)
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Jan van Eyck, Crucifixion and Last Judgement diptych, c. 1430–40. Oil on canvas, transferred from wood. Each 56.5 cm × 19.7 cm (22.25 in × 7.75 in); Metropolitan Museum of Art, New York

The Crucifixion and Last Judgement diptych (or Diptych with Calvary and Last Judgement) consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck, with areas finished by unidentified followers or members of his workshop. This diptych is one of the early Northern Renaissance oil-on-panel masterpieces, renowned for its unusually complex and highly detailed iconography, and for the technical skill evident in its completion. It was executed in a miniature format; the panels are just 56.5 cm (22.2 in) high by 19.7 cm (7.8 in) wide. The diptych was probably commissioned for private devotion.

The left-hand wing depicts the Crucifixion. It shows Christ's followers grieving in the foreground, soldiers and spectators milling about in the mid-ground and a portrayal of three crucified bodies in the upper-ground. The scene is framed against an expansive and foreboding sky with a view of Jerusalem in the distance. The right-hand wing portrays scenes associated with the Last Judgement: a hellscape at its base, the resurrected awaiting judgement in the centre-ground, and a representation of Christ in Majesty flanked by a Great Deësis of saints, apostles, clergy, virgins and nobility in the upper section. Portions of the work contain Greek, Latin and Hebrew inscriptions. The original gilt frames contain Biblical passages in Latin drawn from the books of Isaiah, Deuteronomy and Revelation. According to a date written in Russian on their reverse, the panels were transferred to canvas supports in 1867. (Full article...)
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The Human Centipede (First Sequence) is a 2009 Dutch independent body horror film written, directed and co-produced by Tom Six. The film concerns a deranged German surgeon who kidnaps three tourists and conjoins them surgically, mouth to anus, forming the eponymous "human centipede". It stars Dieter Laser as Josef Heiter, the creator of the centipede; and Ashley C. Williams, Ashlynn Yennie, and Akihiro Kitamura as Heiter's victims.

According to Six, the concept arose from a joke he had made with friends about punishing a child molester by stitching his mouth to the anus of a "fat truck driver". Other sources of inspiration were Nazi medical experiments performed during World War II, such as those performed by Josef Mengele at the Auschwitz concentration camp. When approaching investors to fund the project, Six did not mention the premise of the film for fear of putting off potential backers; financiers did not discover the full nature of the film until completion. (Full article...)
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Frank in May 1942, two months before she and her family went into hiding

Annelies Marie Frank (German: [ˈanə(liːs maˈʁiː) ˈfʁaŋk] , Dutch: [ˌɑnəˈlis maːˈri ˈfrɑŋk, ˈɑnə ˈfrɑŋk] ; 12 June 1929 – c. February or March 1945) was a German-born Jewish girl who kept a diary in which she documented life in hiding under Nazi persecution. She is a celebrated diarist who described everyday life from her family hiding place in an Amsterdam attic. One of the most-discussed Jewish victims of the Holocaust, she gained fame posthumously with the 1947 publication of The Diary of a Young Girl (originally Het Achterhuis in Dutch, lit. 'the back house'; English: The Secret Annex), in which she documents her life in hiding from 1942 to 1944, during the German occupation of the Netherlands in World War II. It is one of the world's best-known books and has been the basis for several plays and films.

Anne was born in Frankfurt, Germany. In 1934, when she was four and a half, her family moved to Amsterdam, Netherlands, after Adolf Hitler and the Nazi Party gained control over Germany. She spent most of her life in or around Amsterdam. By May 1940, the Franks were trapped in Amsterdam by the German occupation of the Netherlands. Anne lost her German citizenship in 1941 and became stateless. As persecutions of the Jewish population increased in July 1942, they went into hiding in concealed rooms behind a bookcase in the building where Anne's father, Otto Frank, worked. Until the family's arrest by the Gestapo on 4 August 1944, Anne kept a diary she had received as a birthday present, and wrote in it regularly. (Full article...)
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Film flyer

Air Mata Iboe (Perfected spelling: Air Mata Ibu; Malay for A Mother's Tears) is a 1941 drama film from the Dutch East Indies (now Indonesia) directed and written by Njoo Cheong Seng. Starring Fifi Young, Rd Ismail, Ali Sarosa, and Ali Joego, it followed a mother who raises her children lovingly but is ultimately betrayed by her eldest sons when she falls upon hard times. The film, billed as a "musical extravaganza," featured a soundtrack by R. Koesbini, and an eponymous title song written by Njoo.

Air Mata Iboe was the last production completed by Fred Young's Majestic Film Company. The film was filmed throughout June to December 1941, and was released that month as well, prior to the Japanese occupation of the Dutch East Indies. It is now possibly lost, although it still might be hidden somewhere. A titular remake was later produced in 1957. (Full article...)
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Lie, c. 1900

Lie Kim Hok (Chinese: 李金福; pinyin: Lǐ Jīnfú; Pe̍h-ōe-jī: Lì Kim-hok; 1 November 1853 – 6 May 1912) was a peranakan Chinese teacher, writer, and social worker active in the Dutch East Indies and styled the "father of Chinese Malay literature". Born in Buitenzorg (now Bogor), West Java, Lie received his formal education in missionary schools and by the 1870s was fluent in Sundanese, vernacular Malay, and Dutch, though he was unable to understand Chinese. In the mid-1870s he married and began working as the editor of two periodicals published by his teacher and mentor D. J. van der Linden. Lie left the position in 1880. His wife died the following year. Lie published his first books, including the critically acclaimed syair (poem) Sair Tjerita Siti Akbari and grammar book Malajoe Batawi, in 1884. When van der Linden died the following year, Lie purchased the printing press and opened his own company.

Over the following two years Lie published numerous books, including Tjhit Liap Seng, considered the first Chinese Malay novel. He also acquired printing rights for Pembrita Betawi, a newspaper based in Batavia (now Jakarta), and moved to the city. After selling his printing press in 1887, the writer spent three years working in various lines of employment until he found stability in 1890 at a rice mill operated by a friend. The following year he married Tan Sioe Nio, with whom he had four children. Lie published two books in the 1890s and, in 1900, became a founding member of the Chinese organisation Tiong Hoa Hwee Koan, which he left in 1904. Lie focused on his translations and social work for the remainder of his life, until his death from typhus at age 58. (Full article...)
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Cover of the novelisation

Asmara Moerni ([asˈmara mʊrˈni]; Perfected Spelling: Asmara Murni; Indonesian for True Love) is a 1941 romance film from the Dutch East Indies (now Indonesia) directed by Rd Ariffien and produced by Ang Hock Liem for Union Films. Written by Saeroen, the film followed a doctor who falls in love with his maid, as well as her failed romance with a fellow villager. Starring Adnan Kapau Gani, Djoewariah, and S. Joesoef, the black-and-white film was cast and advertised to cater to the growing native intelligentsia. Despite mixed reviews, it was a commercial success. As with most films of the Indies, Asmara Moerni may be lost. (Full article...)
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Design 1047, also known as Project 1047, was a series of plans for a class of Dutch battlecruisers prior to the Second World War. These large capital ships were intended to counter the threat posed by Japanese aggression towards the Dutch colonies in the East Indies.

Dutch intelligence believed that if it came to war, the Imperial Japanese Navy would deploy its capital ships (aircraft carriers and battleships) against their counterparts of the United States Navy and the British Royal Navy. That would leave heavy and light cruisers, along with seaplane carriers, as the largest warships available for an advance into the East Indies. (Full article...)
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One sheet

Tjioeng Wanara ([tʃiˈuŋ waˈnara]; Perfected Spelling: Ciung Wanara) is a 1941 film from the Dutch East Indies (modern-day Indonesia) directed and produced by Jo Eng Sek. Starring R Sukran, Elly Joenara and AB Djoenaedi, it featured more than 500 people in supporting roles. The film follows a young prince named Tjioeng Wanara who must reclaim his throne from the cruel King of Galuh; it is adapted from the Sundanese legend of the same name.

The second production by Star Film, Tjioeng Wanara was released 18 August 1941. It was advertised heavily, emphasising the fact that the scholar Poerbatjaraka had served as the historical adviser and that the film was based on Balai Pustaka's version of the legend. It premiered to commercial success, but received mixed reviews. This black-and-white production, which was screened until at least 1948, is now thought lost. (Full article...)

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The Amsterdam Tournament (Dutch: Amsterdam Toernooi) was a pre-season association football competition, held in Amsterdam, Netherlands. The competition was hosted by Eredivisie club Ajax at the Amsterdam Arena. It was inaugurated in 1975 as the Amsterdam 700 Tournament to celebrate 700 years of history in the city. It was held annually each summer until 1992, when the last edition of the original tournament was played. It returned in 1999 with the backing of the International Event Partnership (IEP). Four teams participate in the competition, played in a league format since 1986.

Since its return, the tournament has used an unusual point scoring system. As with most league competitions, three points are awarded for a win, one for a draw and zero for a loss. An additional point, however, is awarded for each goal scored. The system is designed to reward teams that adopt a more attacking style of play. Each entrant plays two matches, with the winner being the club that finishes at the top of the table. The original competition was held at Amsterdam's Olympic Stadium, where Ajax played its international games until 1996. The Amsterdam Arena, now named the Johan Cruyff Arena, has played host to the event since the return until 2009. (Full article...)
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This page is a list of films that received the Golden Film since its introduction in 2001 by the Netherlands Film Festival and the Netherlands Film Fund. In 2001 and 2002, films from the Netherlands received the award once they had sold 75,000 tickets. From 2003 to date, the Golden Film is awarded to films from the Netherlands once they have sold 100,000 tickets. This page shows, for both audience criteria, which films received the Golden Film and how soon they received it after their releases.

In the following tables, the 'year' column contains the years in which the films received the Golden Film, the '#' column contains the number of the Golden Film, the 'film title' column contains the titles of the receiving films, the 'film release' column contains the dates on which the films were first released in the cinemas, and the 'Golden Film' column contains the days when the Netherlands Film Festival and the Netherlands Film Fund announced that the receiving films reached the audience criterion of the Golden Film. (Full article...)
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Twenty-two people are recorded as having produced fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Altogether, they are credited for 93 of all known films produced in the Indies, and four of them remained active after independence. All were men; the first female film producer in Indonesia, Ratna Asmara, produced her first film in 1953.

The colony's first producer, Heuveldorp, was of European descent. He was followed in 1928 by the ethnic Chinese businessmen Tjan Tjoen Lian and Liem Goan Lian, who began work on Lily van Java but soon pulled out, to be replaced by David Wong. By 1930 Chinese producers had dominated the industry. The most active of these, The Teng Chun, made his debut in 1931 with Boenga Roos dari Tjikembang; he would go on to produce another 27 films before independence. No native Indonesian film producers are recorded from this period, although several productions were credited only to companies. (Full article...)
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As of 1 January 2023, there are 342 municipalities (Dutch: gemeenten) and three special municipalities (bijzondere gemeenten) in the Netherlands. The latter is the status of three of the six island territories that make up the Dutch Caribbean. Municipalities are the second-level administrative division, or public bodies (openbare lichamen), in the Netherlands and are subdivisions of their respective provinces. Their duties are delegated to them by the central government and they are ruled by a municipal council that is elected every four years. Municipal mergers have reduced the total number of municipalities by two-thirds since the first official boundaries were created in the mid 19th century. Municipalities themselves are informally subdivided into districts and neighbourhoods for administrative and statistical purposes.

These municipalities come in a wide range of sizes, Westervoort is the smallest with a land area of 7.03 km² (2.71 sq mi) and Súdwest-Fryslân the largest with a land area of 523.01 km² (201.94 sq mi). Schiermonnikoog is both the least populated, with 936 people, and the least densely populated municipality at 23/km² (60/sq mi). Amsterdam has the highest population with 893,783 residents, whereas The Hague is the most densely populated with a density of 6,650/km² (17,200/sq mi). (Full article...)
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The Wong brothers (one pictured) were the first ethnic Chinese directors in the Indies.

Twenty-nine people are recorded as having directed fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Thirteen directors active in the Indies continued to direct films after 1950, including Usmar Ismail: his 1950 film Darah dan Doa (The Long March) is generally considered the first truly Indonesian film.

The colony's first directors, Heuveldorp and G. Kruger, were of European or mixed descent. They were followed by ethnic Chinese soon after, when Nelson Wong made his debut in 1928 with Lily van Java; other Chinese directors included Lie Tek Swie (1929), Wong's brothers Joshua and Othniel (1930), and The Teng Chun (1931). Ethnic Chinese directors dominated the colony's cinema for the remainder of its existence. The first native director, Bachtiar Effendi, made his debut in 1932 with the talkie Njai Dasima; another native director would not appear until Andjar Asmara and Rd Ariffien made their debuts in 1940. (Full article...)
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The Battle of Camperdown, painted by Philip de Loutherbourg in 1799.

The Battle of Camperdown was an important naval action of the French Revolutionary Wars, fought off Camperduin on the North Holland coast on 11 October 1797 between a British fleet under Admiral Adam Duncan and a Dutch fleet under Vice-Admiral Jan de Winter. The French Republic had overrun the Dutch Republic two years earlier, reforming it into the Batavian Republic. In early 1797, the Batavian Navy was ordered to sail to Brest and unite with the French Atlantic Fleet in preparation for an invasion of Ireland. Shortly afterwards, the British fleets were paralysed by the Spithead and Nore mutinies, in which the sailors refused to take their ships to sea until they were awarded better pay and conditions. For two months^{[citation needed]}, the English Channel was undefended, but the Dutch failed to take the opportunity to sail from their harbour in the Texel: their preparations were not complete, and a small squadron of loyal British ships under Duncan convinced de Winter that the British fleet was at sea by sending nonsensical signals to fictitious ships over the horizon.

By October 1797, the plan to attack Ireland had been abandoned and the British North Sea Fleet was again at full strength. During a brief period replenishing supplies at Yarmouth, news reached Duncan on 10 October that the Dutch had sailed on a raiding cruise^{[citation needed]} and he returned to the Dutch coast, intercepting de Winter's fleet on its way back to the Texel. The Dutch formed a line of battle in shallow coastal waters to meet Duncan's attack, which was conducted in a confused mass, the British fleet separating into two groups that struck the vanguard and rear of the Dutch fleet, overwhelming each in turn and capturing eleven ships, including de Winter's flagship Vrijheid. On the return journey, three of the captured ships were lost, and none of the surviving Dutch prizes was ever suitable for active service again^{[citation needed]}. Both sides suffered heavy casualties during the battle as each fleet had been trained to aim at the hulls of their opponents, maximising the damage to personnel. (Full article...)
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Film poster for Loetoeng Kasaroeng, the first locally produced film released in the Dutch East Indies

A total of 112 fictional films are known to have been produced in the Dutch East Indies (modern-day Indonesia) between 1926 and the colony's dissolution in 1949. The earliest motion pictures, imported from abroad, were shown in late 1900, and by the early 1920s imported serials and fictional films were being shown, often with localised names. Dutch companies were also producing documentary films about the Indies to be shown in the Netherlands. The first reports of fictional film production in the Indies date from 1923, although the work in question was not completed. The first locally produced film, Loetoeng Kasaroeng, was directed by L. Heuveldorp and released on 31 December 1926.

Between 1926 and 1933 numerous other local productions were released. Although Dutchmen like Heuveldorp and G. Krugers continued to be active in the industry, the majority of filmmakers and producers were ethnic Chinese. The Tan brothers (Khoen Yauw and Khoen Hian) and The Teng Chun were major producers during this period, while the Wong brothers (Nelson, Othniel, and Joshua) were among the more prominent directors. During the mid-1930s, production dropped as a result of the Great Depression. The release of Albert Balink's commercially and critically successful Terang Boelan (Full Moon) in 1937 led to renewed interest in filmmaking, and 1941 saw thirty locally produced films. This rate of production declined after the Japanese occupation beginning in early 1942, closing all but one film studio; this resulted in several films which had begun production in 1941 being released several years later. The majority of films produced during the occupation were short propaganda pieces. Following the Proclamation of Indonesian Independence in 1945 and during the ensuing revolution several films were made, by both pro-Dutch and pro-Indonesian backers; the Dutch formally recognised Indonesia's sovereignty on 27 December 1949, leaving the Dutch East Indies defunct. (Full article...)

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Klaas-Jan Huntelaar is a Dutch footballer who plays as a striker for Schalke 04 and the Netherlands. He previously represented PSV Eindhoven, De Graafschap, AGOVV Apeldoorn, SC Heerenveen and AC Milan.

Various media outlets have noted him as a rising star in Dutch football, being named Dutch Football Talent of the Year and Ajax "Player of the year" in 2006. Due to his goal-scoring ability he has earned the nickname "The Hunter", a play on his last name. He was a part of the Dutch side that won the 2006 UEFA European Under-21 Football Championship, where he became the tournament's leading goal-scorer. He was also named in the UEFA Team of the Tournament. He is the all-time highest goal-scorer for the Netherlands U21 squad with 18 goals in 22 matches. In domestic football he was Eredivisie's top scorer in the 2005–06 season with 33 goals in 31 games. He also became the top scorer in the 2007–08 season with 33 goals in 34 appearances.

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Woman Reading a Letter
Painting: Johannes Vermeer
Woman Reading a Letter is an oil-on-canvas painting by the Dutch painter Johannes Vermeer, produced in around 1663. The central element of the painting is a woman in blue standing in front of an unseen window, reading a letter. The woman appears to be pregnant, although as pregnancy was rarely depicted in art during this period, some scholars have argued that the woman's rounded figure is simply a result of the fashions of the day. While the contents of the letter are not depicted, the composition of the painting is revealing. The map of the Netherlands on the wall behind the woman has been interpreted as suggesting that the letter she reads was written by a traveling husband. Alternatively, the box of pearls barely visible on the table before the woman might suggest a lover, as pearls are sometimes a symbol of vanity. The painting is unique among Vermeer's interiors in that no fragment of corner, floor or ceiling can be seen. Part of the collection of the city of Amsterdam as part of the Van der Hoop bequest, it has been in the Rijksmuseum since its inception.
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Card money
Card: Government of Dutch Guiana; image courtesy of the National Numismatic Collection
Card money, printed on plain cardboard or playing cards, was issued from the 17th to the 19th century to supplement the supply of money in several countries and colonies.

This playing card from Dutch Guiana (now Suriname), dated 1801, has a face value of one guilder. In that colony, card money was first issued in 1761, initially backed by bills of exchange from the Netherlands; but later it was released unsecured, and inflation was an issue for much of the currency's lifetime, with the value fluctuating wildly until it was replaced with paper money in 1826 and formally discontinued two years later.
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Munttoren
Photo: Massimo Catarinella
The Munttoren, a tower in Amsterdam, the Netherlands, as seen from the river Amstel at dusk. The tower was originally part of the Regulierspoort, one of the main gates in Amsterdam's medieval city wall, dating to 1487. After a fire destroyed the gate in 1618, the tower was rebuilt in the Amsterdam Renaissance style, with an eight-sided top half and open spire designed by Hendrick de Keyser, featuring a clock with four faces and a carillon of bells. The name ("Mint Tower") refers to the time when it was temporarily used to mint coins in the Rampjaar ("disastrous year") of 1672 when both England and France declared war on the Dutch Republic, and silver and gold could not be safely transported to Dordrecht and Enkhuizen, where coins were normally minted.
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Netherlands American Cemetery
Photograph: Andrew Shiva
The memorial tower at the Netherlands American Cemetery, a World War II war cemetery in Margraten, the Netherlands. Administered by the American Battle Monuments Commission, the cemetery holds 8,301 graves in an area of 65.5 acres (26.5 ha). The site includes a reflecting pool, museum, and a Court of Honor, the walls of which contain the Tablets of the Missing, on which are recorded the names of 1,722 American missing.
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Louis-Marie Autissier
A self-portrait of Louis-Marie Autissier (1772–1830), a French-born Belgian portrait miniature painter. He is considered the founder of the Belgian school of miniature painting in the nineteenth century. Born at Vannes, in Brittany, he joined the French Revolutionary Army at Rennes in 1791. On leaving the army in 1795, Autissier went to Paris and trained his art by studying paintings at the Louvre. In 1796 he settled in Brussels, but continued to divide his time between Belgium, the Netherlands, and France. Although he enjoyed great success in his career, serving as court painter to Louis Napoleon, French King of the Netherlands, and later to Willem I, Autissier died penniless.
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InterContinental Amstel Amsterdam
Photo credit: Massimo Catarinella
The InterContinental Amstel Amsterdam is a five-star hotel in Amsterdam, Netherlands, on the east bank of the river Amstel. It opened in 1867 and was the first Grand Hotel in the country. The hotel underwent significant renovations in 1992 at a cost of 70 million guilders.
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Indonesian rupiah
Banknotes: Bank of Indonesia
The rupiah is the national currency of Indonesia. Introduced in 1946 by Indonesian nationalists fighting for independence, the currency replaced a version of the Netherlands Indies gulden which had been introduced during the Japanese occupation in World War II. In its early years the rupiah was used in conjunction with other currencies, including a new version of the gulden introduced by the Dutch. Since 1950, it has had a lengthy history of inflation and revaluation. As of August 2018^[update]
'"`UNIQ--nowiki-0000001B-QINU`"'
, the currency—which is issued and controlled by the Bank of Indonesia—is trading for more than 14,600 rupiah to the United States dollar.

This note, denominated 50,000 rupiah, is from a 2011 revision of an earlier series. It depicts I Gusti Ngurah Rai, a National Hero of Indonesia, on its obverse, and Bratan Temple on its reverse.

See other denominations: Rp 1,000, Rp 2,000, Rp 5,000, Rp 10,000, Rp 20,000, Rp 100,000
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Japanese government-issued currency in the Dutch East Indies
Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian Institution
The Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.

This note, denominated five cents, is part of the 1942 series.

See other denominations: One cent · Five cents · Ten cents · Half gulden · One gulden, Five gulden, Ten gulden
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Amsterdam Centraal railway station
Image: Detroit Publishing Co.; Restoration: Lise Broer
A ca. 1890–1900 photochrom print of Amsterdam Centraal railway station, one of the main railway hubs of the Netherlands, soon after its opening in 1889. The station is situated on three artificial islands at the head of the city, along the IJ. Its location was highly controversial, as it effectively cut the city off from its own waterfront, making it, for all purposes, an inland city.
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Peace of Münster
Painting: Gerard ter Borch
The 1648 ratification of the Peace of Münster, as painted the same year by Gerard ter Borch. With this treaty, which was reached after seven years of negotiations, Spain formally recognized the independence of the United Netherlands. The treaty contributed to the Peace of Westphalia, which ended both the Thirty Years' War and the Eighty Years' War.
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William I of the Netherlands
Painting: Joseph Paelinck
William I (1772–1843) was a Prince of Orange and the first King of the Netherlands and Grand Duke of Luxembourg. William implemented controversial language policies, founded many trade institutions and universities, and adopted a new constitution. However, the southern Netherlands became increasingly marginalized, and in 1830 the Belgian Revolution broke out. The war against the newly-declared Belgium caused considerable economic distress for the Netherlands, and in 1839 William signed the Treaty of London, which recognized Belgium. William abdicated the following year.
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Cornelis Kruseman
Painting: Cornelis Kruseman
Cornelis Kruseman (25 September 1797 – 14 November 1857) was a Dutch painter. Born in Amsterdam, he studied art with Charles Howard Hodges and Jean Augustin Daiwaille before moving to Italy via Paris in 1821. He remained in Italy for four years, working with and learning from artists Jean-Victor Schnetz and Louis Léopold Robert, and then moved back to the Netherlands and settled in The Hague. He lived in Italy again from 1841 to 1848, leading him to be called the "Italian Kruseman", before returning once more to the Netherlands for the rest of his life. His works included portraits, biblical scenes, and depictions of Italian peasant life.

This picture is a self-portrait of Kruseman, which hangs in the Museum Van Loon in Amsterdam.
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Clitocybe nebularis
Photograph credit: Dominicus Johannes Bergsma
Clitocybe nebularis, commonly known as the clouded agaric or the cloud funnel, is a common gilled fungus that grows both in conifer-dominated forests and broad-leaved woodland in Europe and North America. This C. nebularis mushroom was photographed growing among fallen beech leaves in Famberhorst nature reserve, the Netherlands.
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Carl Linnaeus
Painting: Alexander Roslin
Carl Linnaeus (1707–1778) was a Swedish botanist, physician, and zoologist, who formalised the modern system of naming organisms called binomial nomenclature. He is known as the "father of modern taxonomy".

Born in the countryside of Småland, Linnaeus received most of his higher education at Uppsala University and began giving lectures in botany there in 1730. He studied abroad between 1735 and 1738, and published the first edition of his Systema Naturae in the Netherlands. Upon his return to Sweden, he became professor of medicine and botany at Uppsala. In the 1740s, he was sent on several journeys through Sweden to find and classify plants and animals. In the 1750s and 1760s, he continued to collect and classify animals, plants, and minerals, and published several volumes. At the time of his death, he was one of the most acclaimed scientists in Europe.
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Image 15
Jan Jacob Rochussen
Painting: Nicolaas Pieneman
Jan Jacob Rochussen (1797–1871) was a Dutch politician who served as Governor-General of the Dutch East Indies and, later, Prime Minister of the Netherlands. Beginning his political career as a tax collector, Rochussen spent most of his life with an interest in finance and financial reform.
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Did you know (auto-generated)

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... that according to scholarship published in 2023, Maria de Knuijt, rather than her husband, was actually the main patron of Dutch painter Johannes Vermeer?
... that despite losing almost one thousand men capturing Malacca in 1641, the Dutch East India Company did not invest much time or energy into it afterward?
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... that Bearded Man with a Beret by the Dutch artist Jan Lievens is an example of a tronie?