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Johannes Trithemius'Polygraphiae (1518)

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one edge tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll. A single sheet in a codex is a leaf, and each side of a leaf is a page.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle's Physics is called a book, as of course, the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

The intellectual content in a physical book need not be a composition, nor even be called a book. Books can consist only of drawings, engravings, or photographs, or such things as crossword puzzles or cut-out dolls. In a physical book, the pages can be left blank or can feature an abstract set of lines as support for on-going entries, i.e., an account book, an appointment book, a log book, an autograph book, a notebook, a diary or day book, or a sketchbook. Some physical books are made with pages thick and sturdy enough to support other physical objects, like a scrapbook or photograph album. Books may be distributed in electronic form as e-books and other formats.

Although in ordinary academic parlance a monograph is understood to be a specialist academic work, rather than a reference work on a single scholarly subject, in library and information science monograph denotes more broadly any non-serial publication complete in one volume (book) or a finite number of volumes (even a novel like Proust's seven-volume In Search of Lost Time), in contrast to serial publications like a magazine, journal, or newspaper. An avid reader or collector of books or a book lover is a bibliophile or colloquially, "bookworm". A shop where books are bought and sold is a bookshop or bookstore. Books are also sold elsewhere. Books can also be borrowed from libraries. Google has estimated that as of 2010, approximately 130,000,000 distinct titles had been published. In some wealthier nations, the sale of printed books has decreased because of the increased usage of e-books.

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The initial page of the Peterborough Chronicle.

The Anglo-Saxon Chronicle is a collection of annals in Old English narrating the history of the Anglo-Saxons. The annals were created late in the 9th century, probably in Wessex, during the reign of Alfred the Great. Multiple manuscript copies were made and distributed to monasteries across England and were independently updated. In one case, the chronicle was still being actively updated in 1154.Nine manuscripts survive in whole or in part, though not all are of equal historical value, and none of them is the original version. The oldest seems to have been begun towards the end of Alfred's reign, while the most recent was written at Peterborough Abbey after a fire at the monastery there in 1116. Almost all of the material in the chronicle is in the form of annals, by year; the earliest are dated at 60 BC, and historical material follows up to the year in which the chronicle was written, at which point contemporary records begin. These manuscripts collectively are known as the Anglo-Saxon Chronicle. The Chronicle is not unbiased: there are occasions when comparison with other medieval sources makes it clear that the scribes who wrote it omitted events or told one-sided versions of stories; there are also places where the different versions contradict each other.

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A panorama showing an almost 180-degree view of the interior of the Reading Room.

Credit: Diliff

The British Museum Reading Room, situated in the centre of the Great Court of the British Museum, used to be the main reading room of the British Library. In 1997, this function moved to the new British Library building at St Pancras, London, but the Reading Room remains in its original form.

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March 14, 2012

After a 244-year span in print, the Encyclopædia Britannica will discontinue its published volumes. With less than 1% of revenue coming from print versions, Jorge Cauz, Britannica's president, indicates there simply is not sufficient demand for the print publication. In the last 11 years demand has plummeted due to competition from Wikipedia and Britannica's own digital version. Britannica peaked in sales in 1990 with 120,000 sets sold. The 2010 edition will be the last in print and has sold 8,000 sets to date; with 4,000 sets remaining.

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Left to right: Candido Portinari, Antônio Bento, Mário de Andrade and Rodrigo Melo Franco

Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. One of the founders of Brazilian modernism, he virtually created modern Brazilian poetry with the publication of his Paulicéia Desvairada (Hallucinated City) in 1922. He has had an enormous influence on Brazilian literature in the 20th and 21st centuries, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.Andrade was the central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism, and became Brazil's national polymath. He was the driving force behind the Week of Modern Art, the 1922 event that reshaped both literature and the visual arts in Brazil. After working as a music professor and newspaper columnist he published his great novel, Macunaíma, in 1928. At the end of his life, he became the founding director of São Paulo's Department of Culture, formalizing a role he had long held as the catalyst of the city's—and the nation's—entry into artistic modernity.

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Henry Wadsworth Longfellow - Project Gutenberg eText 16786.jpg


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