Portal:Literature

Introduction

The Adventures of Pinocchio (1883) is a canonical piece of children's literature and one of the best-selling books ever published.

Literature broadly is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment.

Literature, as an art form, can also include works in various non-fiction genres, such as autobiography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject. (Full article...)

Selected work

Sir Gawain and the Green Knight (Middle English: Sir Gawayne and the Grene Knight) is a late 14th-century Middle English alliterative romance. It is one of the better-known Arthurian stories, of an established type known as the "beheading game". Written in bob and wheel stanzas, it emerges from Welsh, Irish and English tradition and highlights the importance of honour and chivalry. It is an important poem in the romance genre, which typically involves a hero who goes on a quest that tests his prowess, and it remains popular to this day in modern English renderings from J. R. R. Tolkien, Simon Armitage and others, as well as through film and stage adaptations.

It describes how Sir Gawain, a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who challenges any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. In his struggles to keep his bargain Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving Lady Bertilak, the lady of the Green Knight's castle.

Selected figure

Maya Angelou (/ˈændʒəloʊ/ (listen) ANN-jəl-oh; born Marguerite Annie Johnson; April 4, 1928 – May 28, 2014) was an American poet, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou is best known for her series of seven autobiographies, which focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.

She became a poet and writer after a string of odd jobs during her young adulthood. These included fry cook, sex worker, nightclub performer, Porgy and Bess cast member, Southern Christian Leadership Conference coordinator, and correspondent in Egypt and Ghana during the decolonization of Africa. She was also an actress, writer, director, and producer of plays, movies, and public television programs. In 1982, she was named the first Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. She was active in the Civil Rights Movement and worked with Martin Luther King Jr. and Malcolm X. Beginning in the 1990s, she made approximately 80 appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem "On the Pulse of Morning" (1993) at the first inauguration of Bill Clinton, making her the first poet to make an inaugural recitation since Robert Frost at the inauguration of John F. Kennedy in 1961. (Full article...)

Selected excerpt

“ I had begun life with benevolent intentions and thirsted for the moment when I should put them in practice and make myself useful to my fellow beings. Now all was blasted; instead of that serenity of conscience which allowed me to look back upon the past with self-satisfaction, and from thence to gather promise of new hopes, I was seized by remorse and the sense of guilt, which hurried me away to a hell of intense tortures such as no language can describe. ” — Mary Shelley, Frankenstein

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Selected illustration

• 

  The Wonderful Wizard of Oz

  Artist: William Wallace Denslow

  An illustration from the first edition of The Wonderful Wizard of Oz, depicting the scene where Dorothy meets the Cowardly Lion, the first time the four major characters of the novel come together. The book was originally published in 1900 and has since been reprinted countless times, most often under the name The Wizard of Oz, which is the name of both the 1902 Broadway musical and the extremely popular, highly acclaimed 1939 film version. Thanks in part to the film it is one of the best-known stories in American popular culture and has been widely translated. Its initial success, and the success of the popular 1902 musical Baum adapted from his story, led to his writing and having published thirteen more Oz books.

• 

  Illustration by John Bauer

  Painting: John Bauer

  A watercolor illustration by John Bauer (1882–1918) titled "Still, Tuvstarr sits and gazes down into the water", which accompanied Helge Kjellin's fairy tale "The Tale of the Moose Hop and the Little Princess Cotton Grass" in the 1913 edition of Among Gnomes and Trolls. In this scene, Tuvstarr looks for her lost heart in a tarn, symbolizing innocence lost.
  
  Born and raised in Jönköping, Sweden, Bauer moved to Stockholm at age 16 to study at the Royal Swedish Academy of Fine Arts. He painted and illustrated in a romantic nationalistic style, in part influenced by the Italian Renaissance and Sami cultures. Most of his works are watercolors or prints in monochrome or muted colours; he also produced oil paintings and frescos.

• 

  The Song of Los

  Illustration: William Blake

  The Song of Los is an epic poem by William Blake first published in 1795 and considered part of his prophetic books. The poem consists of two sections, "Africa" and "Asia": in the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers, whereas in the second section he describes a worldwide revolution, urged by the eponymous Los.
  
  The illustration here is from the book's frontispiece and shows Urizen presiding over the decline of morality.

• 

  Puck of Pook's Hill

  Illustrator: Harold Robert Millar; restoration: Adam Cuerden

  An illustration from the story "The Knights of the Joyous Venture" from the first printing of Rudyard Kipling's 1906 fantasy book Puck of Pook's Hill, featuring the legend "'So we called no more'".
  
  The book consists of a number of stories, all narrated to two children living near Burwash, in the area of Kipling's own house Bateman's, by people magically plucked out of history by the elf Puck, or told by Puck himself.
  
  

• 

  Humpty Dumpty

  Restoration: Jujutacular

  An illustration of Humpty Dumpty by American artist William Wallace Denslow, depicting the title character from the nursery rhyme of the same name. He is typically portrayed as an egg, although the rhyme never explicitly states that he is, possibly because it may have been originally posed as a riddle. The earliest known version is in a manuscript addition to a copy of Mother Goose's Melody published in 1803.

• 

  Rootabaga Stories

  Illustration: Maud and Miska Petersham; restoration: Adam Cuerden

  Rootabaga Stories is a children's book of interrelated short stories by Carl Sandburg, written in 1922. The stories are whimsical and sometimes melancholy, making use of nonsense language. Rootabaga Stories was originally created for Sandburg's own daughters, Margaret, Janet and Helga—whom he nicknamed "Spink", "Skabootch", and "Swipes"—and those nicknames occur in some of the Rootabaga stories. The book was born of Sandburg's desire for fairy tales to which American children could relate, rather than the traditional European stories involving royalty and knights. He therefore set the book in a fictionalized American Midwest called the "Rootabaga country", in which fairy-tale concepts were mixed with trains, sidewalks, and skyscrapers.
  
  This picture shows the frontispiece of the 1922 edition of the book.

• 

  The Life and Opinions of Tristram Shandy, Gentleman

  Illustration: George Cruikshank; Restoration: Adam Cuerden

  In this scene from Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman, Uncle Toby's colonel invents a device for firing multiple miniature cannons at once, based on a hookah. Unfortunately, he and Toby find the puffing on the hookah pipe so enjoyable that they keep setting the cannons off. The novel was published in nine volumes over ten years, starting in 1759. Although it was not always held in high esteem by other writers, its bawdy humour was popular with London society, and it has come to be seen as one of the greatest comic novels in English, as well as a forerunner for many modern narrative devices and styles.

• 

  The Hunting of the Snark

  Illustration credit: Henry Holiday, after Lewis Carroll; restored by Adam Cuerden

  The Hunting of the Snark is a poem composed by the English writer Lewis Carroll between 1874 and 1876, typically characterised as a nonsense poem. The plot follows a crew of ten who cross the ocean to hunt the Snark, which may turn out to be a highly dangerous Boojum. This is the second of Henry Holiday's original illustrations for the first edition of the poem. It introduces some of the crew, whose names all start with "B"; the Bellman and Baker are on the upper deck, with the Barrister seated in the background; below are the Billiard-marker, the Banker and the Broker, with the maker of Bonnets and Hoods visible behind.

• 

  Scientific romance

  Artist: Albert Robida

  A typical 20th-century aerial rotating house, as drawn by Albert Robida. The drawing shows a dwelling structure in the scientific romance style elevated above rooftops and designed to revolve and adjust in various directions. An occupant in the lower right points to an airship with a fish-shaped balloon in the sky, while a woman rides a bucket elevator on the left. Meanwhile, children fly a kite from the balcony as a dog watches from its rooftop doghouse.

• 

  Don Quixote

  Restoration: Adam Cuerden

  An engraving by Gustave Doré of a scene from Miguel de Cervantes's Don Quixote, the most influential work of literature from the Spanish Golden Age in the Spanish literary canon. The scene illustrated here occurs early in the novel, when Alonso Quixano (Quixote's real name) has become obsessed with books of chivalry, and believes their every word to be true, despite the fact that many of the events in them are clearly impossible. Don Quixote was published in two separate volumes, ten years apart. It is considered a founding work of modern Western literature, and it regularly appears high on lists of the greatest works of fiction ever published.

• 

  The Sleeping Beauty

  Illustration: W. E. F. Britten; restoration: Adam Cuerden

  "The Sleeping Beauty" is a poem written by Alfred, Lord Tennyson, and published in 1830; it was later expanded and published in 1842 as "The Day-Dream". Based on the fairy tale Sleeping Beauty, the poem (as with many of Tennyson's adaptations of existing literary works) focuses on a single aspect of the story, the appearance of the eponymous character as she sleeps.
  
  This illustration by W. E. F. Britten was published in 1901 to accompany a reprinting of "The Sleeping Beauty". It accompanies the poem's final lines: "She sleeps, nor dreams, but ever dwells / A perfect form in perfect rest."

• 

  Auld Lang Syne

  Engraving: John Masey Wright (artist) and John Rogers (engraver); restoration: Adam Cuerden

  A mid-19th century illustration for "Auld Lang Syne", a Scots poem written by Robert Burns in 1788 and set to a traditional melody. It is traditionally used in the English-speaking world to bid farewell to the old year at the stroke of midnight on New Year's Eve; this has led to the song being used to close other activities as well.

• 

  Midas

  Artist: Walter Crane; Restoration: Lise Broer

  An illustration from an 1893 version of A Wonder-Book for Girls and Boys by Nathaniel Hawthorne, which recounted the tale of King Midas. In Greek mythology, Midas was given ability to turn everything he touched into gold by the god Bacchus. However, he soon discovered that he was unable to even eat. Bacchus told him to wash in the river Pactolus, and the power flowed in the river, which was supposedly the reason for why the river was so rich in gold in later years. In Hawthorne's version, Midas' touch even turned his daughter to gold (pictured here).

• 

  Three Little Pigs

  Artist: Leonard Leslie Brooke; Restoration: Jujutacular

  The wolf blows down the straw house in a 1904 adaptation of Three Little Pigs, a fairy tale featuring anthropomorphic animals. Printed versions date back to the 1840s, but the story itself is thought to be much older. The story in its arguably best-known form appeared in English Fairy Tales by Joseph Jacobs, first published in 1890. The phrases used in the story, and the various morals which can be drawn from it, have become embedded in western culture. The story uses the literary rule of three, expressed in this case as a "contrasting three", as the third pig's brick house turns out to be the only one which is adequate to withstand the wolf.

• 

  Layla and Majnun

  Artist: Unknown; Restoration: Lise Broer

  A scene from a late-16th century publication of Nezami Ganjavi's adaptation of the classical Persian story Layla and Majnun, which is based on the real story of Qays ibn al-Mulawwah, a young man from the northern Arabian Peninsula and his love Layla. There are two versions of the story, but in both, Majnun goes mad when her father prevents him from marrying her. In the depicted scene, the eponymous star-crossed lovers meet for the last time before their deaths. Both have fainted and Majnun's elderly messenger attempts to revive Layla while wild animals protect the pair from unwelcome intruders.

Did you know

• ... that Danilo Kiš's 1965 novel Garden, Ashes mixes fact and fiction, with both the narrator and the author having lost their fathers in the Holocaust?
• ... that in Lady of Sherwood, Jennifer Roberson chose to write about the demise of Richard I because the "death of a popular monarch always provide fodder for novelists"?
• ... that blind poet María Josefa Mujía was Bolivia's first woman writer after its independence?
• ... that De Scheepsjongens van Bontekoe, the 1924 Dutch children's book based on a real-life shipwreck in 1618, has sold more than 250,000 copies?
• ... that Iosif Vulcan changed the name of a young literary debutant to Mihai Eminescu, later Romania's national poet?

Today in literature

18 April

• 1556 - Luigi Alamanni, Italian poet died
• 1864 - Richard Harding Davis, American author born
• 1874 - Oskar Ernst Bernhardt, German author born
• 1875 - Ivana Brlic-Mazuranic, Croatian writer born
• 1915 - Joy Gresham, American writer born
• 1947 - Kathy Acker, American author born
• 1964 - Ben Hecht, American writer died

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