Snow White

"Snow White" is a 19th-century German fairy tale that is today known widely across the Western world. The Brothers Grimm published it in 1812 in the first edition of their collection Grimms' Fairy Tales and numbered as Tale 53. The original German title was Sneewittchen, a Low German form, but the first version gave the High German translation Schneeweißchen, and the tale has become known in German by the mixed form Schneewittchen. The Grimms completed their final revision of the story in 1854.[1][2]

Snow White
Schneewittchen2.jpg
Schneewittchen by Alexander Zick
Folk tale
NameSnow White
Data
Aarne-Thompson grouping709
CountryGermany

The fairy tale features such elements as the magic mirror, the poisoned apple, the glass coffin, and the characters of the Evil Queen and the Seven Dwarfs. The seven dwarfs were first given individual names in the 1912 Broadway play Snow White and the Seven Dwarfs and then given different names in Walt Disney's 1937 film Snow White and the Seven Dwarfs. The Grimm story, which is commonly referred to as "Snow White",[3] should not be confused with the story of "Snow-White and Rose-Red" (in German "Schneeweißchen und Rosenrot"), another fairy tale collected by the Brothers Grimm.

In the Aarne–Thompson folklore classification, tales of this kind are grouped together as type 709, Snow White. Others of this kind include "Bella Venezia", "Myrsina", "Nourie Hadig", "Gold-Tree and Silver-Tree",[4] "The Young Slave", and "La petite Toute-Belle".

PlotEdit

 
The fable's antagonist the Evil Queen with the protagonist Snow White as depicted in The Sleeping Snow White by Hans Makart (1872)

At the beginning of the story, a queen sits sewing at an open window during a winter snowfall when she pricks her finger with her needle, causing three drops of red blood to drip onto the freshly fallen white snow on the black windowsill. Then, she says to herself, "How I wish that I had a daughter that had skin as white as snow, lips as red as blood and hair as black as ebony." Some time later, the queen gives birth to a baby daughter whom she names Snow White, but the queen dies in childbirth a short while later.[1][5]

A year later, Snow White's father, the king, marries again. His new wife is very beautiful, but she is a vain and wicked woman who practices witchcraft. The new queen possesses a magic mirror, which she asks every morning, "Magic mirror on the wall, who is the fairest one of all?" The mirror always tells the queen that she is the fairest. The queen is always pleased with that, because the magic mirror never lies. But when Snow White was seven years old, her fairness has surpassed her stepmother's fairness in the process. For example, when the queen asks her mirror, it tells her that Snow White is the fairest.[1][5]

This gives the queen a great shock. She becomes envious, and from that moment on, her heart turns against Snow White, whom the queen grows to hate increasingly with time. Eventually, the angry queen orders a huntsman to take Snow White into the forest to be killed; as proof that Snow White is dead, the queen demands that he returns with her heart, which she will consume in order to become immortal. The huntsman takes Snow White into the forest, but after raising his knife he finds himself unable to kill her when Snow White finds out about her stepmother's evil plan, tearfully begging, "Spare me this mockery of justice! I will run away into the forest and never come home again!"; after seeing the tears in the princess's eyes, the huntsman reluctantly agrees to spare Snow White and brings the queen the heart of a wild animal instead.[1][5]

After wandering through the forest for hours, Snow White discovers a tiny cottage belonging to a group of seven dwarfs. Since no one is at home, she eats some of the tiny meals, drinks some of their wine, and then tests all the beds. Finally, the last bed is comfortable enough for her and she falls asleep. When the dwarfs return home, they immediately become aware that there is a burglar in their house, because everything in their home is in disorder. Prowling about frantically, they head upstairs and discover the sleeping Snow White. She wakes up and explains to them about her stepmother's assassination attempt, and the dwarfs take pity on her and let her stay with them in exchange for a job as a housemaid. They warn her to be careful when alone at home and to let no one in while they are working in the mountains.[1][5]

10 years later, Snow White grows into a beautiful young maiden. Meanwhile, the queen, who already had gotten rid of Snow White after a decade, asks her mirror once again: "Magic mirror on the wall, who now is the fairest one of all?" The mirror tells her that not only is Snow White still the fairest in the land, she is currently hiding with the dwarfs.[1] The queen is furious when she learns that Snow White used her wits to fake her death by tricking the huntsman, and decides to kill the girl herself with three attempts. First, she appears at the dwarfs' cottage, disguised as an old peddler, and offers Snow White colorful, silky laced bodices as a present. The queen laces her up so tightly that Snow White collapses; the dwarfs return just in time, and Snow White revives when the dwarfs loosen the laces.[1][5] Next, the queen dresses up as a comb seller and convinces Snow White to take a beautiful comb as a present; she brushes Snow White's hair with the poisoned comb. The girl gets knocked out by the poison from the comb, but she is again revived by the dwarfs when they remove the comb from her hair; finally, the queen disguises herself as a farmer's wife and offers Snow White a poisoned apple. Snow White is hesitant to accept it, so the queen cuts the apple in half, eating the white (harmless) half and giving the red poisoned half to Snow White; the girl eagerly takes a bite, and then falls into a state of suspended animation, causing the Queen to finally triumph. This time, the dwarfs are unable to revive Snow White, and assuming that the queen has finally assassinated her after a decade, they place her in a glass casket as a funeral for her.[1][5]

A few days later, a prince stumbles upon a dead Snow White lying in her glass coffin during a hunting trip. After hearing her story from the Seven Dwarfs, the prince is allowed to take Snow White to her proper resting place back at her father's castle. All of a sudden, while Snow White is being transported, one of the prince's servants trips and loses his balance. This dislodges the piece of the poisoned apple from Snow White's throat, magically reviving her. [6] The Prince soon becomes overjoyed over this miracle, and declares his love for the alive and well Snow White, who, surprised to meet him face to face, humbly accepts his marriage proposal. Soon, the prince invites everyone in the land to their wedding, excluding Snow White's stepmother.

The queen, finally happy to be rid of Snow White after ten years, again asks her magic mirror who is the fairest in the land. The mirror says that there was a bride of a prince, who is more fairer than her. Unaware that the bride is her stepdaughter herself, the queen decides to visit the wedding and investigate. Once she arrives, the Queen becomes frozen with rage and fear when she finds out that the prince's bride is her stepdaughter, Snow White herself. The finally fed-up Queen tries to sow chaos and assassinate her again, but the prince recognizes her as a threat to Snow White after he learns the truth from his bride; as a punishment for the attempted murder of Snow White, the prince orders for the Queen to wear a pair of red-hot iron slippers and dance in them until she drops dead. With the evil Queen finally defeated and dead, Snow White's wedding with the prince can peacefully continue.

InspirationEdit

Many scholars have theorized about the possible origins of the tale. In 1994, a German historian named Eckhard Sander published Schneewittchen: Märchen oder Wahrheit? (Snow White: Fairy Tale or Truth?), claiming he had uncovered an account that may have inspired the story that first appeared in Grimm’s Fairy Tales. According to Sander, the character of Snow White was based on the life of Margaretha von Waldeck, a German countess born to Philip IV in 1533. At the age of 16, Margarete was forced by her stepmother, Katharina of Hatzfeld, to move away to Brussels. There, Margarete fell in love with a prince who would later become Philip II of Spain. Margarete's father and stepmother disapproved of the relationship as it was ‘politically inconvenient’. Margarete mysteriously died at the age of 21, apparently having been poisoned. Historical accounts point to the King of Spain who, in opposing the romance, may have dispatched Spanish agents to murder Margarete.[7]

Scholar Graham Anderson compares the story of Snow White to the Roman legend of Chione, recorded in Ovid's Metamorphoses. The name Chione means "Snow" in Greek and, in the story, she is described as the most beautiful woman in the land, so beautiful that the gods Apollo and Mercury both fell in love with her. Mercury put her to sleep with the touch of his caduceus and raped her in her sleep. Then Apollo, disguised as an old crone, approached her and raped her again. These affections led Chione to openly boast that she was more beautiful than the goddess Diana herself, resulting in Diana shooting her through the tongue with an arrow.[8][9]

Karlheinz Bartels, a pharmacist and scholar from Lohr am Main, a town in northwestern Bavaria, found evidence that Snow White was Maria Sophia Margarethe Catharina, Baroness von und zu Erthal, who was born in Lohr on June 25, 1725.[10][11] Her father, Philipp Christoph von und zu Erthal, was the local representative of the Prince Elector of Mainz.[12] After the death of Maria Sophia's birth mother in 1738, her father remarried in 1743. The stepmother, Claudia Elisabeth von Reichenstein, was domineering and employed her new position to the advantage of her children from her first marriage. A magic mirror referred to as “The Talking Mirror”, known as always telling the truth, can still be viewed today in the Spessart Museum in the Lohr Castle, where Maria Sophia's stepmother lived. This mirror was presumably a present from Maria Sophia's father to his second wife. It was a product of the Lohr Mirror Manufacture (Kurmainzische Spiegelmanufaktur).[13] Her gravestone was found in 2019.[14]

VariationsEdit

The principal studies of traditional Snow White variants are Ernst Böklen's, Schneewittchen Studien of 1910, which (re)prints fifty Snow White variants,[15] and studies by Steven Swann Jones.[16] In their first edition, the Brothers Grimm published the version they had first collected, in which the villain of the piece is Snow White's jealous biological mother. In a version sent to another folklorist prior to the first edition, additionally, she does not order a servant to take her to the woods, but takes her there herself to gather flowers and abandons her; in the first edition, this task was transferred to a servant.[17] It is believed that the change to a stepmother in later editions was to tone down the story for children.[18][19]

A popular version of Snow White is the 1937 American animated film Snow White and the Seven Dwarfs by Walt Disney. Disney's variation of Snow White gave the dwarfs names and included a singing Snow White. The Disney film also is the only version in which Snow White and her prince meet before she bites the apple; in fact, it is this meeting that sets the plot in motion. Instead of her lungs and liver, as written in the original, the huntsman is asked by the queen to bring back Snow White's heart. While the heart is mentioned, it is never shown in the box. Snow White is much more mature (an adolescent). And she is discovered by the dwarfs after cleaning the house, not vandalizing it. Furthermore, in the Disney movie the evil queen tries only once to kill Snow White (by a poisoned apple) and fails (this was likely to save time). She then dies by falling down a cliff and being crushed by a boulder, after the dwarfs had chased her through the forest. In the original, the queen is forced to dance to death.[20]

Many later versions omit the Queen's attempted cannibalism, eating what she believed to be the lungs and liver of Snow White. This may be a reference to old Slavic mythology which includes tales of witches eating human hearts.

In other traditionsEdit

Many other variations of the story exist across and outside Europe. In some of these variations the dwarfs are robbers, while the magic mirror is a dialogue with the sun or moon.[21][22][23][24]

  • In a version from Albania, collected by Johann Georg von Hahn,[25] the main character lives with 40 dragons, and her sleep is caused by a ring. The beginning of the story has a twist, in that a teacher urges the heroine to kill her evil stepmother so that she would take her place. The origin of this tale is debated; it is likely no older than the Middle Ages. In fact, there are possibly two Albanian versions of Snow White: one in which her stepmother tries to kill her, and another in which her two jealous sisters try to kill her.
  • "The Jealous Sisters" is another Albanian fairy tale. In both fairy tales the death is caused by a ring.[26]
  • Bidasari is a Malay tale written around 1750 which tells the story of a witch queen who asks her magic mirror about the prettiest lady in the kingdom.
  • In parallel to the stepmother's question of her magic mirror, the Indian epic poem Padmavat (1540) includes the line: "Who is more beautiful, I or Padmavati?, Queen Nagamati asks her new parrot, and it gives a displeasing reply...";
  • Nourie Hadig from Armenia was the daughter of a woman who asked the Moon, "Who is the most beautiful in the world?", and the response is always "Nourie Hadig". The mother plots to kill her daughter.[27][28]
  • The story in Russian writer Alexander Pushkin's poem The Tale of the Dead Princess and the Seven Knights (1833) is similar to that of Snow White, with knights replacing dwarfs.[29]
  • Hans Christian Andersen's "The Snow Queen" was too inspired by the Grimm version of "Snow White". His works also included a version of "Snow White." [30]

MediaEdit

 
The famous "Heigh-Ho" sequence from the 1937 adaption

In filmEdit

In televisionEdit

In literatureEdit

  • Snow White (1967), a postmodern novel by Donald Barthelme which describes the lives of Snow White and the dwarfs.
  • Snow White and the Seven Dwarfs (1971), a poem by Anne Sexton in her collection Transformations, in which she re-envisions sixteen of the Grimm's Fairy Tales.[34]
  • Snow White in New York (1986), a picture book by Fiona French set in 1920s New York.
  • "Snow, Glass, Apples", a 1994 short story written by Neil Gaiman, which all but explicitly rewrites the tale to make Snow White a vampire-like entity that is opposed by the Queen, while the prince is strongly implied to have necrophiliac tastes.
  • Tímakistan (2013), a novel by Andri Snær Magnason, an adaptation of Snow White.
  • Boy, Snow, Bird (2014), a novel by Helen Oyeyemi which adapts the Snow White story as a fable about race and cultural ideas of beauty.[35]
  • Winter (2015), a novel by Marissa Meyer loosely based on the story of Snow White.
  • Sadie: An Amish Retelling of Snow White (2018) by Sarah Price
  • Shattered Snow (2019), a time travel novel by Rachel Huffmire, ties together the life of Margaretha von Waldeck and the Grimm Brothers’ rendition of Snow White.
  • The Princess and the Evil Queen (2019), a novel by Lola Andrews, retells the story as a sensual love tale between Snow White and the Evil Queen.

In theatreEdit

In other mediaEdit

  • The Haunt of Fear (1953) was a horror comic which featured a gruesome re-imaging of Snow White.
  • Prétear (Prétear - The New Legend of Snow-White) is a manga (2000) and anime (2001) loosely inspired by the story of Snow White, featuring a sixteen-year-old orphan who meets seven magical knights sworn to protect her.
  • Sonne (2001) is a music video for the song by Neue Deutsche Härte band Rammstein, where the band are dwarfs mining gold for Snow White.
  • Fables (2002), a comic created by Bill Willingham, features Snow White as a major character in the series.
  • MÄR (Märchen Awakens Romance) is a Japanese manga (2003) and anime (2005) series where an ordinary student (in the real world) is transported to another reality populated by characters that vaguely resemble characters from fair tales, like Snow White, Jack (from Jack and the Beanstalk) and Dorothy from The Wizard of Oz.
  • Snow White with the Red Hair is a manga (2006) and anime (2015) which open with a loose adaptation of the fairy tale, with a wicked prince pursuing a girl with strikingly red hair.
  • Charmed (2008), an album by Sarah Pinsker, features a song called "Twice the Prince" in which Snow White realizes that she prefers a dwarf to Prince Charming.
  • Dark Parables (2010–present), a series of computer video games featuring fairy tales. Snow White appears as a recurring character in a few installments.
  • The Pucca Spring/Summer 2011 fashion show was inspired by Snow White and her wicked step mother, the Queen. The opening model, Stella Maxwell, was dressed as a Lolita-esque modern day Snow White in hoody, miniskirt and high heels.[36] Due to her towering shoes, she fell on the catwalk and dropped the red apple she was carrying.[37]
  • The Boys (2011), Girls' Generation's third studio album, features a concept photo by Taeyeon inspired by Snow White.
  • Joanne Eccles, an equestrian acrobat, won the title of Aerobatic World Champion (International Jumping of Bordeaux) in 2012. She interpreted Snow White during the first part of the event.
  • RWBY (2013) is a web series which features characters called "Weiss Schnee" and "Klein Sieben", German for "White Snow" and "Small Seven" (grammatically incorrect, though, since it would be "Weisser Schnee" and "Kleine Sieben").
  • The Wolf Among Us (2013), the Telltale Games video game based on the comic book series Fables.
  • In the Efteling amusement park, Snow White and the dwarfs live in the Fairytale Forest adjoining the castle of her mother-in-law.

TrademarkEdit

In 2013, the United States Patent and Trademark Office issued a trademark to Disney Enterprises, Inc. for the name "Snow White" that covers all live and recorded movie, television, radio, stage, computer, Internet, news, and photographic entertainment uses, excluding literary works of fiction and nonfiction.[38]

Religious interpretationEdit

Erin Heys'[39] "Religious Symbols" article at the website Religion & Snow White analyzes the use of numerous symbols in the story, their implications, and their Christian interpretations, such as the colours red, white, and black; the apple; the number seven; and resurrection.[40]

Other interpretationsEdit

The Brothers Grimm story of "Snow White" takes an unusual turn from its other fairy-tale counterparts in that it can be interpreted as a story with a lesson centered around desirable qualities for women. This includes an interpretation of the fairy tale revolving around the "realization of absolute beauty" as an ideal sought by both the Queen and Snow White.[41] The Queen's—Snow White's step-mother—defining characteristic is her cunning, or intelligence, whereas Snow White's is her beauty.[42] Snow White consistently foils the Queen's jealous attempts to kill her because strangers pity and help her due to her childlike innocence and beauty. For example, the huntsman, who was ordered to kill Snow White, describes her as a "pretty child" and lets her go, which carries over to when the seven dwarfs decide not to cast her out when they find Snow White in their home. Even when the Queen devises the poison apple and kills Snow White, she is saved by the Prince because he finds her to be "the fairest of them all." The Queen dies at the end of the story while Snow White lives happily ever after with the Prince, implying that the Queen's cunning was not enough to counter the power of Snow White's elegance. This suggests that the moral of the story is that beauty is more desirable than intelligence. Despite the modern connotations of this concept, one must consider the time period at which the story was written; Snow White as told by the Brothers Grimm was first published in 1812, where at the time, it was arguably common place for people to live according to traditional gender roles.

See alsoEdit

ReferencesEdit

  1. ^ a b c d e f g h Jacob Grimm & Wilhelm Grimm: Kinder- und Hausmärchen; Band 1, 7. Ausgabe (children's and households fairy tales, volume 1, 7th edition). Dietrich, Göttingen 1857, page 264–273.
  2. ^ Jacob Grimm; Wilhelm Grimm (2014-10-19). The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First ... ISBN 9781400851898. Retrieved 2016-04-05.
  3. ^ Bartels, Karlheinz (2012). Schneewittchen – Zur Fabulologie des Spessarts. Geschichts- und Museumsverein Lohr a. Main, Lohr a. Main. pp. 56–59. ISBN 978-3-934128-40-8.
  4. ^ Heidi Anne Heiner. "Tales Similar to Snow White and the 7 Dwarfs". Retrieved 22 September 2010.
  5. ^ a b c d e f English translation of the original
  6. ^ Grimm, Jacob; Grimm, Wilhelm (2014). Zipes, Jack (ed.). The Original Folk and Fairy Tales of the Brothers Grimm: the complete first edition. Princeton: Princeton University Press. ISBN 9780691160597. OCLC 879662315., I pp. 184-85.
  7. ^ Sander, Eckhard (1994). Schneewittchen: Marchen oder Wahrheit? : ein lokaler Bezug zum Kellerwald.
  8. ^ Ovid, Metamorphoses, Book XI, 289
  9. ^ Anderson, Graham (2000). Fairytale in the ancient world. Routledge. ISBN 978-0-415-23702-4. Retrieved 4 May 2017.
  10. ^ Bartels, Karlheinz (2012). Schneewittchen – Zur Fabulologie des Spessarts. Geschichts- und Museumsverein Lohr a. Main, Lohr a. Main; second edition. ISBN 978-3-934128-40-8.
  11. ^ Vorwerk, Wolfgang (2015). Das 'Lohrer Schneewittchen' – Zur Fabulologie eines Märchens. Ein Beitrag zu: Christian Grandl/ Kevin J.McKenna, (eds.) Bis dat, qui cito dat. Gegengabe in Paremiology, Folklore, Language, and Literature. Honoring Wolfgang Mieder on His Seventieth Birthday. Peter Lang Frankfurt am Main, Bern, Bruxelles, New York, Oxford, Warszawa, Wien. pp. 491–503. ISBN 978-3-631-64872-8.
  12. ^ Loibl, Werner (2016). Der Vater der fürstbischöflichen Erthals - Philipp Christoph von und zu Erthal (1689-1748). Geschichts- und Kunstverein Aschaffenburg e.V., Aschaffenburg 2016. ISBN 978-3-87965-126-9.
  13. ^ Loibl, Werner (2012). Die kurmainzische Spiegelmanufaktur Lohr am Main (1698–1806). Geschichts- und Kunstverein Aschaffenburg, Aschaffenburg 2012. ISBN 978-3-87965-116-0. ISBN 978-3-87965-117-7
  14. ^ "'Snow White' gravestone surfaces in Germany". 6 August 2019.
  15. ^ Ernst Böklen, Schneewittchenstudien: Erster Teil, Fünfundsiebzig Varianten im ergen Sinn (Leipzig: J. C. Hinrichs, 1910).
  16. ^ Steven Swann Jones, ‘The Structure of Snow White’, Fabula, 24 (1983), 56–71, reprinted and slightly expanded in Fairy Tales and Society: Illusion, Allusion, and Paradigm, ed. by Ruth B. Bottigheimer (Philadelphia: University of Philadelphia Press, 1986), pp. 165–84. The material is also repeated in a different context in his The New Comparative Method: Structural and Symbolic Analysis of the Allomotifs of Snow White (Helsinki: Academia Scientiarum Fennica, 1990).
  17. ^ Kay Stone, "Three Transformations of Snow White", in The Brothers Grimm and Folktale, ed. by James M. McGlathery (Urbana: University of Illinois Press, 1988), pp. 52–65 (pp. 57-58), ISBN 0-252-01549-5.
  18. ^ Maria Tatar, The Hard Facts of the Grimms' Fairy Tales, p 36, ISBN 0-691-06722-8
  19. ^ Orbach, Israel (1960). "The Emotional Impact of Frightening Stories on Children". Journal of Child Psychology and Psychiatry. 1 (3): 379–389. doi:10.1111/j.1469-7610.1993.tb00999.x. PMID 8463375.
  20. ^ Grimm's Complete Fairy Tales, p 194, ISBN 978-1-60710-313-4
  21. ^ Bolte, Johannes; Polívka, Jiri. Anmerkungen zu den Kinder- u. hausmärchen der brüder Grimm. Erster Band (NR. 1-60). Germany, Leipzig: Dieterich'sche Verlagsbuchhandlung. 1913. pp. 450-464.
  22. ^ Ashliman, D. L. A Guide to Folktales in the English Language: Based on the Aarne-Thompson Classification System. Bibliographies and Indexes in World Literature, vol. 11. Westport, Connecticut: Greenwood Press. 1987. ISBN 0-313-25961-5
  23. ^ *Amores, Monstserrat. Catalogo de cuentos folcloricos reelaborados por escritores del siglo XIX. Madrid: CONSEJO SUPERIOR DE INVESTIGACIONES CIENTÍFICAS, DEPARTAMENTO DE ANTROPOLOGÍA DE ESPAÑA Y AMÉRICA. 1997. pp. 120–121. ISBN 84-00-07678-8
  24. ^ Boggs, Ralph Steele. Index of Spanish folktales, classified according to Antti Aarne's "Types of the folktale". Chicago: University of Chicago. 1930. pp. 82-83.
  25. ^ Hahn, Johann Georg von (1864). Griechische und albanesische Märchen,, Volume 2, "Schneewittchen". W. Engelmann, Leipzig. pp. 134–143.
  26. ^ "The Jealous Sisters - Albanian Literature | Folktales". Albanian Literature. Retrieved 2016-04-05.
  27. ^ Adapted by Amy Friedman and Meredith Johnson (2 June 2013). "Nourie Hadig (an Armenian folktale)". Uclick. Retrieved 28 January 2015.
  28. ^ Orr, Christopher (2012-06-01). "'Snow White and the Huntsman': The Visuals Dazzle, the Performances Don't". The Atlantic. Retrieved 2013-06-04.
  29. ^ Pushkin, Alexander (1974). The Tale of the Dead Princess and the Seven Knights. Raduga Publishers.
  30. ^ Tsitsani, Pelagia (2011). "Fairy tales: a compass for children's healthy development – a qualitative study in a Greek island". 23. Cite journal requires |journal= (help)
  31. ^ "Update: Relativity Confirms Julia Roberts In Snow White Pic". Deadline.com.
  32. ^ Breznican, Anthony (2011-03-26). "Armie Hammer cast as prince in 'Snow White'". Entertainment Weekly. Retrieved 2011-03-28.
  33. ^ "Red Shoes and The 7 Dwarfs (2019)". Repelis (in Spanish). Retrieved 2019-12-19.
  34. ^ Anne Sexton (2001). Transformations. ISBN 9780618083435. Retrieved 2016-04-05.
  35. ^ "Helen Oyeyemi's 'Boy, Snow, Bird' turns a fairy tale inside out". LA Times. 2014-02-27. Retrieved 2016-04-05.
  36. ^ Davis, Mari. "Concept Korea Spring 2011".
  37. ^ Annabella Winsteald (17 March 2019). "Model Stella Maxwell FALLS during Pucca by Kwak Hyun Joo Spring/Summer 2011 - 3 ANGLES OF VIEW" – via YouTube.
  38. ^ "US Patent and Trademark Office – Snow White trademark status". Retrieved June 28, 2013.
  39. ^ Heys, Erin. "Home". Religion & Snow White. Archived from the original on October 23, 2014.CS1 maint: unfit url (link)
  40. ^ Heys, Erin. "Religious Symbols". Religion & Snow White. Archived from the original on October 28, 2014.CS1 maint: unfit url (link)
  41. ^ Takenaka, Nanae (September 4, 2016). "The Realization of Absolute Beauty: An Interpretation of the Fairytale Snow White". Journal of Analytical Psychology. 61 (4): 497–514. doi:10.1111/1468-5922.12237. PMID 27530170.
  42. ^ Takenaka, Nanae (2016). "The realization of absolute beauty: an interpretation of the fairytale Snow White". Journal of Analytical Psychology. 61 (4): 497–514. doi:10.1111/1468-5922.12237. ISSN 1468-5922. PMID 27530170.

Further readingEdit

  • Grimm, Jacob and Wilhelm & Applebaum, Stanley (Editor and Translator) (2003-01-01). Selected Folktales/Ausgewählte Märchen: A Dual-Language Book. Mineola, New York: Dover Publications, Inc. ISBN 0-486-42474-X.CS1 maint: uses authors parameter (link)
  • Jones, Steven Swann (1990). The New Comparative Method: Structural and Symbolic Analysis of the allomotifs of 'Snow White'. Helsinki: FFC., N 247.
  • Walt Disney's Snow White and the seven dwarfs : an art in its making featuring the collection of Stephen H. Ison (1st ed.). Indianapolis Museum of Art. ISBN 0786861444.
  • Da Silva, Francisco Vaz. "Red as Blood, White as Snow, Black as Crow: Chromatic Symbolism of Womanhood in Fairy Tales." Marvels & Tales 21, no. 2 (2007): 240–52. Accessed June 20, 2020. www.jstor.org/stable/41388837.
  • Hemming, Jessica. "Red, White, and Black in Symbolic Thought: The Tricolour Folk Motif, Colour Naming, and Trichromatic Vision." Folklore 123, no. 3 (2012): 310–29. Accessed June 20, 2020. www.jstor.org/stable/41721562.

External linksEdit