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Waheeda Rehman (born 3 February 1938[1][2][3]) is an Indian actress and dancer who has appeared in mainly Hindi films, as well as Telugu, Tamil, Bengali and Malayalam films. She is noted for her contributions to different genres of films and different roles from the 1950s, 1960s, and early 1970s. Her accolades consist of a National Film Award, two Filmfare Awards out of eight nominations, the Filmfare Lifetime Achievement Award and the Centenary Award for Indian Film Personality. Throughout her career, she has been frequently cited as one of Bollywood's "most beautiful" actresses by various media outlets, a title for which she has received substantial publicity.[4][5][6][7]

Waheeda Rehman
Waheeda Rehman (cropped).jpg
Rehman in 2019
Born (1938-02-03) 3 February 1938 (age 81)
Other namesWaheeda Rahman
OccupationActress • dancer
Years active1955–1991, 2002–present
Height5 ft 4 in (163 cm)
Shashi Rekhi
(m. 1974; died 2000)
HonoursPadma Bhushan (2011)

Although Rehman achieved her film debut in the Telegu film Rojulu Marayi (1955), she received recognition for her work in Hindi films directed by Guru Dutt, which included Pyaasa (1957), Kaagaz Ke Phool (1959), Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962), for which she received her first Filmfare nomination. She continued acting in the mid-1960s, starring in successful movies and establishing herself as one of the leading ladies in classic Indian cinema. Rehman's career reached its highest point when she won the Filmfare Award for Best Actress twice, for the Hindi blockbuster Guide (1965) and Neel Kamal (1968) and received nominations for Ram Aur Shyam (1967) and Khamoshi (1970).

Despite winning the National Film Award for Best Actress for portraying a clanswoman in love with a separate clansman in the commercial failure Reshma Aur Shera (1971), her career came to a standstill when she was reduced to motherly, supporting roles in films. Rehmen's notable performances in the 1970s are Kabhi Kabhie (1976), Namkeen (1982) and Lamhe (1991), and the latter film became her last film credit in the next 12 years until 2002, where she returned to the film industry.

In 2011, the Government of India honoured Rehman with the Padma Bhushan, the third-highest civilian award of the country. Apart from acting, Rehman is a philanthropist. She is an advocate for education[8] and is an ambassador for Rang De, an organization combating poverty in India.[9]

Early life and backgroundEdit

Waheeda Rehman was born on 3 February 1938 to a Dakhini Muslim family in Chengalpattu, Tamil Nadu, India. It is a common misconception that Rehman was born in Andhra Pradesh instead of Tamil Nadu.[10] Her father was Mohammed Abdur Rehman and her mother was Mumtaz Begum, and she was the youngest out of four daughters.[11] As a child, she and her sisters were trained Bharatnatyam in Chennai.[12] She studied in St. Joseph's Convent in Vishakapatnam when her father was posted there in the then Madras Presidency. Her father, who worked as a district commissioner, died in 1951 while she was in her early teens.[13][14]

Rehman's dream was to become a doctor, but due to her family's circumstances emotionally and financially, alongside her mother's illness, she abandoned her goal. In order to help her family, she accepted movie offers that stemmed from her dancing abilities.[15]

Acting careerEdit

Early work as a starting actress (1955–1959)Edit

Rehman began her career in films in the mid-1950s, usually dancing in item numbers. Her film debut occurred in the Telugu film Rojulu Maraayi (1955), in which she was encouraged by the producer of the film to join the cast, despite hesitance from her mother. It was a success, becoming a channel for more offers from filmmakers to Rehman. She was featured in Jayasimha (1955), Kaalam Maari Pochu (1956) and the first full-length color Tamil film Alibabavum 40 Thirudargalum (1956).

Rehman in Pyaasa (1957)

In the success party of Rojolu Maraayi, Hindi filmmaker Guru Dutt noticed her and decided to have her act in Hindi films. In later interviews, Rehman describes how she considers Dutt as her mentor.[16] Dutt brought her to Bombay (current-day Mumbai) to have her in a supporting role in his production CID (1956), directed by Raj Khosla. Because of the famous Hindi actresses of that era, such as Madhubala, Nargis and Meena Kumari, Rehman was pressurized into changing her name into "something sexy", but she was adamant on keeping her birth name, signifying her will to stay true to herself.[17] The success of the film caused Dutt to give Rehman her first leading role as a prostitute in Pyaasa (1957), which was also a commercial success and became one of Dutt's most acclaimed movies. By the time the decade was over, she had made a few more films with the filmmaker, including 12 O'Clock (1958) and Kaagaz Ke Phool (1959). After several years in the industry, her mother died.

Rehman also established a working relationship with Dev Anand, and together as a pair, they had a number of successful films to their credit. Including CID, other box office hits are Solva Saal (1958), Kala Bazar (1960) and Roop Ki Rani Choron Ka Raja (1961). Suresh Kohli of The Hindu writes on her performance in Solva Saal, "Though barely 22 then and only in her fourth Hindi release, Waheeda Rehman demonstrates her class: both in serious scenes demanding intensity and through sparkling, mischievous eye movements during lighter moments."[18]

Rise to recognition (1960–1964)Edit

Besides Kala Bazar, Rehman acted in three other films in 1960, which were Ek Phool Char Kaante, Girlfriend, and Chaudhvin Ka Chand. The last film was another partnership between Rehman and Dutt, and was the fourth-highest grossing Hindi film of 1961. It was considered a "saving" point in Dutt's career, after their last collaboration, Kaagaz Ke Phool, had a horrendous run at the box office. It also represented the strained relationship of the duo. Dutt's existing marriage and her film successes with other directors caused them to drift apart personally and professionally, although they continued to work together into the 1960s. Their last movie together was the drama Sahib Bibi Aur Ghulam (1962), starring Dutt, Meena Kumari, Rehman and Rehman herself in a supporting role, and the movie was a flop financially but was lauded[19] internationally by critics. The film presented Rehman her first Filmfare nomination in the category of Best Supporting Actress,[20] and the movie itself received nominations for the Golden Bear at the 13th Berlin International Film Festival and was selected as India's official entry to the Oscars.[21] Rehman and Dutt finally broke away in 1963, and a year later, Dutt was found dead on 10 October 1964 in Mumbai, reportedly from an overdose mixture of sleeping pills and alcohol.

The actress began to experiment with her roles when she ventured into Bengali film-making with Satyajit Ray's film Abhijan in 1962. As the years went on, she began to taste higher success when she was offered the leading actress roles in films and played parts that were deemed as unconventional for the typical Bollywood actress.[22] Rehman played a murder suspect in Baat Ek Raat Ki (1962), a girl embroiled in a sibling feud in Rakhi (1962) and an infertile woman in Ek Dil Sau Afsane (1963).

As a leading lady, she also started to star opposite of many familiar faces of Hindi Cinema; Sunil Dutt in Mujhe Jeene Do (1962), Nirupa Roy in Kaun Apna Kaun Paraya (1963), and Biswajit in the horror film Kohraa (1964), Majboor (1964), and the psychological-thriller Bees Saal Baad (1962)—the latter becoming the highest-grossing Hindi film of 1962.

At the end of 1964, Rehman became the third-highest paid actress in Bollywood, from 1959 to 1964.

Extreme success and peak (1965–1971)Edit

Vijay Anand's magnum opus, the 1965 romantic drama Guide presented Rehman with a different outlook of success that resulted in major fame and popularity to her name. The film itself was an adaptation of the same book written by R. K. Narayan, published in 1958. The main cast were Rehman and Dev Anand, and they were last seen together in Baat Ek Raat Ki, an average hit at the Indian box office. The film itself proved difficult for Rehman, as her character Rosie was rebellious, strong-willed and didn't fit the mold of the usual women Bollywood films portrayed.[23] However, the film was an instant success, becoming the fifth-highest grossing Hindi film of 1965 and a fan-favorite in Rehman's repertoire. Rehman's character was especially praised, with Trisha Gupta of Hindustan Times writing, "Rosie was triply unusual: a woman who walks out of an unhappy marriage, begins a romantic relationship with a man who isn’t her husband, and simultaneously embarks on a successful career as a dancer. She would be an unusual Hindi film heroine even today."[24] and her performance was ranked amongst her best. She won her first Filmfare Award—Filmfare Award for Best Actress—and soon after, she became a sought-over actress in the latter half of the 1960s. Guide became India's official entry to the Oscars and a staple film in Hindi cinema.

Her peak continued when she was paired with other well-established superstars, namely Dilip Kumar, Rajendra Kumar, Raj Kapoor, and Rajesh Khanna. Among her most acclaimed films of late 1960s include Teesri Kasam (1966), Ram Aur Shyam (1967), Neel Kamal (1968) and Khamoshi (1969). The last three movies all earned Rehman consecutive nominations for Filmfare Award for Best Actress each, with her winning[25] her second Filmfare Award in Neel Kamal. In her role in Khamoshi starring alongside Rajesh Khanna and Dharmendra, it is believed to be Rehman's finest acting performance. She plays a nurse who has gone mentally insane after falling in love with one of her patients, and eventually is sent to her own mental institution.

Other films that were commercially successful were Patthar Ke Sanam (1967) and Aadmi (1968), and box office failures include Dharti (1970) and Shatranj (1969). At the end of the 1960s, Rehman ranked a new record amongst herself in becoming the second-paid actress in Bollywood, from 1964-1969. She states herself, "For Solva Saal, my first film as a freelancer, I received ₹30,000. The highest I ever earned in my career was 7 lakh for a film."[26]

Character roles, career decline and marriage (1971)Edit

Her career continued throughout the 1960s, 1970s, and 1980s. She won the Filmfare Best Actress Award for her roles in Guide (1965), where she hit the peak of her career, and Neel Kamal (1968), but despite excellent offbeat roles in subsequent films, including a National Award-winning performance in Reshma Aur Shera (1971), some of the films failed at the box office. Seeing her films being successful, Waheeda decided to experiment with roles at this stage of career. She accepted Reshma Aur Shera, opposite her old co-star Sunil Dutt, with whom she had previously in the sixties had hits such as Ek Phool Char Kaante, Mujhe Jeene Do, Meri Bhabhi and Darpan. Her performance was appreciated by critics, but the film failed at the box office. But Waheeda continued to experiment with roles and accepted the offer to play a mother to Jaya Bhaduri in Phagun (1973). This, she regards the mistake of her career, as after this film flopped, suddenly people started offering her motherly roles to heroes.

(L-R) Nanda, Waheeda Rehman, Helen and Sadhana

Film expert Rajesh Subramanian reported that Manmohan Desai had approached Rehman, on behalf of Shammi Kapoor, during the making of Naseeb. In the song "John Jani Janardhan", Shammi Kapoor and Waheeda Rehman make a grand entry holding hands. Incidentally this was the first time the two stars appeared together on screen. Later she also did Manmohan Desai's Coolie and Allah Rakha.

From the mid-seventies, Waheeda's career as lead heroine ended and her career as character actor began. At around this time, Kamaljit, who starred opposite her in Shagoon (1964), proposed and they got married in 1974. After her appearance in Lamhe (1991), she retired from the film industry for 12 years.

In her new innings from the seventies, her successful films where she played pivotal roles include Kabhi Kabhie (1976),Trishul (1978), Jwalamukhi (1980), Namkeen and Namak Halaal (1982), Mashaal (1984), Chandni(1989) and Rang De Basanti(2006). She played the central character in the Mahesh Bhatt directed film Swayam that starred Akash Khurana and Anupam Kher. She also appeared in a tele-series being directed by Gulzar.

In recent years she made a comeback playing elderly mother and grandmother roles in Om Jai Jagadish (2002), Water (2005), Rang De Basanti (2006), 15, Park Avenue and Delhi 6 (2009) which were all critically acclaimed.

Personal lifeEdit

Rehman in 2012

A biography has been written and published in 2014 about Rehman, entitled Conversations with Waheeda Rehman,[27] which consist of interviews collected by author and director Nasreen Munni Kabir.

In the beginning of her career, Rehman had a fling with frequent collaborator Guru Dutt. At the time, Dutt was married with singer Geeta Dutt and had children. One of their films, Kaagaz Ke Phool, which chronicles a film director falling in love with an actress, is thought to be inspired by the ill-fated affair.[28] Eventually, the pair broke off due to personal and professional reasons in 1963. Dutt eventually died in 1964 due to mixing of alcohol and sleeping pills. Rehman is private about her life and often speaks about it, as said in an interview[29] at the launch of Conversations with Waheeda Rehman:

I don’t want to get into it. My private life should remain private. It is nobody’s business. I know we are public figures, so when I fight with my husband do you want to know about it?

On April 1974, Rehman married Shashi Rekhi (also known by his screen name Kamaljeet),[30] and both had worked together prior in the film Shagoon (1964). She has two children: Sohail Rekhi and Kashvi Rekhi, both whom are writers. After her marriage, she lived in a farmhouse in Bangalore. On 21 November 2000, her husband died following a prolonged illness. She moved back to her ocean-view bungalow in Bandra, Mumbai, where she currently lives.

In October 2004, a Waheeda Rehman film retrospective was held at the Seattle Art Museum and the University of Washington where Rehman participated in spirited-panel-and-audience discussions on her most memorable films; Pyaasa, Teesri Kasam and Guide.


Year Title Role Language
1955 Rojulu Marayi Telugu
1955 Jayasimha Princess Telugu
1955 Kaalam Maari Pochu Guest appearance in the song
"Yeru thooki povayae annae chinnanae"
1956 Alibabavum 40 Thirudargalum Lead dancer for "Salaam Babu, Salaam Babu, enaai paarunga" song Tamil
1956 CID Kamini Hindi
1957 Pyaasa Gulabo Hindi
1958 12 O'Clock Bani Choudhary Hindi
1958 Solva Saal Laaj Hindi
1959 Kaagaz Ke Phool Shanti Hindi
1960 Kala Bazar Alka Hindi
1960 Ek Phool Char Kaante Sushma Hindi
1960 Chaudhvin Ka Chand Jameela Hindi
1960 Girl Friend Hindi
1961 Roop Ki Rani Choron Ka Raja Rani Hindi
1962 Sahib Bibi Aur Ghulam Jaba Hindi
1962 Bees Saal Baad Radha Hindi
1962 Baat Ek Raat Ki Neela/Meena Hindi
1962 Rakhi Radha Hindi
1962 Abhijan Gulabi Bengali
1963 Mujhe Jeene Do Chameli Jaan Hindi
1963 Kaun Apna Kaun Paraya Asha Hindi
1963 Ek Dil Sau Afsane Sunita Hindi
1964 Kohra Rajashwari Hindi
1964 Shagoon Geeta Hindi
1964 Majboor Sushila Mehta Hindi
1965 Guide Rosie Marco/Miss Nalini Hindi
1966 Teesri Kasam Hira Bai Hindi
1966 Dil Diya Dard Liya Roopa Hindi
1967 Patthar Ke Sanam Taruna Hindi
1967 Ram Aur Shyam Anjana Hindi
1967 Palki Mehroo Hindi
1968 Neel Kamal Rajkumari Neel Kamal/Sita Hindi
1968 Aadmi Meena Hindi
1968 Baazi Elizabeth D'Silva Hindi
1969 Khamoshi Nurse Radha Hindi
1969 Shatranj Meena Thakur Hindi
1969 Meri Bhabhi Maya Hindi
1970 Prem Pujari Suman Mehra Hindi
1970 Man Ki Aankhen Guddi (Geeta) Hindi
1970 Dharti Jwala/Princess Chitralekha Hindi
1970 Darpan Madhvi Hindi
1971 Man Mandir Krishna and Radha Hindi
1971 Reshma Aur Shera Reshma Hindi
1972 Zindagi Zindagi Meeta Sharma Hindi
1972 Trisandhya Indu Hindi
1972 Subha O Sham Shirin Hindi
1972 Dil Ka Raja Laxmi Hindi
1972 Thrisandhya Malayalam
1973 Phagun Shanta Bangan/Shamrao Dhamle Hindi
1973 Justice Hindi
1974 Bangaaru Kalalu Telugu
1976 Aadalat Radha Hindi
1976 Kabhi Kabhie Anjali Malhotra Hindi
1978 Trishul Shanti Hindi
1979 Aaj Ki Dhara Hindi
1980 Jyoti Bane Jwala Malti Hindi
1980 Jwalamukhi Savita Devi Hindi
1982 Sawaal Anju D. Mehta Hindi
1982 Namak Halaal Savitridevi Hindi
1982 Namkeen Jugni (Jyoti) Hindi
1982 Dharam Kanta Radha Singh Hindi
1983 Himmatwala Savitri Hindi
1983 Mahaan Janki Hindi
1983 Coolie Salma Hindi
1983 Pyaasi Aankhen Hindi
1983 Ghungroo Rani Maa Hindi
1984 Sunny Gayatri Inderjeet Hindi
1984 Mashaal Sudha Kumar Hindi
1984 Maqsad Sharda Hindi
1985 Bayen Hath Ka Khel Hindi
1986 Simhasanam Telugu
1986 Singhasan Rajmata Vardhan Hindi
1986 Allah Rakha Adv.Salma Anwar Hindi
1989 Chandni Mrs. Khanna Hindi
1991 Lamhe Dai Jaan Hindi
1991 Swayam Hindi
1994 Ulfat Ki Nayee Manzilen Hindi
2002 Om Jai Jagadish Saraswati Batra Hindi
2005 Water Bhagavati (Narayan's Mother) Hindi
2005 Maine Gandhi Ko Nahin Mara Principal Khanna Hindi
2005 15 Park Avenue Mrs. Mathur/Mrs. Gupta English/Bengali
2006 Rang De Basanti Ajay's Mother Hindi
2006 Chukkallo Chandrudu Arjun's Grand-Mother Telugu
2009 Delhi 6 Dadi (Annapurna Mehra) Hindi
2013 Love in Bombay Hindi
2015 Arshinagar Bengali
2017 The Song of Scorpions Zubaida Hindi
2018 Vishwaroopam II Tamil-Hindi Bilingual





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External linksEdit