Portal:Comedy

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In a modern sense, comedy (from the Greek: κωμῳδία, kōmōidía) is a genre of fiction that refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially in theatre, television, film, stand-up comedy, books or any other medium of entertainment. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters. The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old." A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse in ruses which engender very dramatic irony which provokes laughter.

Satire and political satire use comedy to portray persons or social institutions as ridiculous or corrupt, thus alienating their audience from the object of their humor. Parody subverts popular genres and forms, critiquing those forms without necessarily condemning them.

Other forms of comedy include screwball comedy, which derives its humor largely from bizarre, surprising (and improbable) situations or characters, and black comedy, which is characterized by a form of humor that includes darker aspects of human behavior or human nature. Similarly scatological humor, sexual humor, and race humor create comedy by violating social conventions or taboos in comic ways. A comedy of manners typically takes as its subject a particular part of society (usually upper-class society) and uses humor to parody or satirize the behavior and mannerisms of its members. Romantic comedy is a popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those who are falling in love.

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Truthiness is a satirical term created by television comedian Stephen Colbert to describe things that a person claims to know intuitively or "from the gut" without regard to evidence, logic, intellectual examination, or actual facts. Colbert created this definition of the word during the inaugural episode of his satirical television program The Colbert Report, as the subject of a segment called "The Wørd". It was named Word of the Year for 2005 by the American Dialect Society and for 2006 by Merriam-Webster. By using the term as part of his satirical routine, Colbert sought to criticize the use of "truthiness" as an appeal to emotion and tool of rhetoric in contemporary socio-political discourse. He particularly applied it to U.S. President George W. Bush's nomination of Harriet Miers to the Supreme Court and decision to invade Iraq in 2003.

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Credit: Ralph F. Stitt

The Marx Brothers were a popular team of sibling comedians who appeared in vaudeville, stage plays, film, and television.

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Did you know...

...that the first feature film of director Paul Verhoeven is Business Is Business, a 1971 comedy film about two prostitutes in Amsterdam?

.. that comedian Al Madrigal's first television series, The Ortegas, was dropped from the Fox Network schedule in 2003 before any episodes were broadcast?

... that the Indiana-based Upland Brewing Company provided beer bottles and props to lend Indiana authenticity to the "Boys' Club" episode of Parks and Recreation?

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Charlie Chaplin (1889–1977) was a British comic actor, filmmaker, and composer who rose to fame in the silent era. Chaplin became a worldwide icon through his screen persona "the Tramp" and is considered one of the most important figures of the film industry. His first screen appearance came in February 1914, after which he produced the popular features The Kid (1921), The Gold Rush (1925), and The Circus (1928). Chaplin refused to move to sound films in the 1930s, instead producing City Lights (1931) and Modern Times (1936) without dialogue. He became increasingly political and his next film, The Great Dictator (1940), satirised Adolf Hitler. The 1940s was a decade marked with controversy for Chaplin, and his popularity declined rapidly. Accused of communist sympathies, he was forced to leave the United States. The Tramp was abandoned in his later films, which include Monsieur Verdoux (1947), Limelight (1952), and A King in New York (1957). Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his films. His work is characterised by slapstick combined with pathos, and continues to be held in high regard.

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If I can get you to laugh with me, you like me better, which makes you more open to my ideas. And, if I can persuade you to laugh at a particular point that I make, by laughing at it you acknowledge it as true.

— John Cleese

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