Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock with extended artistic elements, glam rock, highlighting showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Wolfmother, 2007 (from Hard rock)
Image 2Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 3Drum notation for a backbeat (from Hard rock)
Image 4Kiss onstage in Boston in 2004 (from Hard rock)
Image 5Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 6Buddy Holly and his band, the Crickets (from Rock and roll)
Image 7Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 8Little Richard in 1957 (from Rock and roll)
Image 9Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 10Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 11Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 12Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 13Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 14Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 15Golden Earring receives a gold record in 1970. (from Hard rock)
Image 16Chuck Berry in 1957 (from Rock and roll)
Image 17"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 18The Who on stage in 1975 (from Hard rock)
Image 19Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 20Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 21Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 22Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)

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Thin Lizzy are an Irish hard rock band formed in Dublin in 1969. Thin Lizzy initially consisted of bass guitarist, lead vocalist and principal songwriter Phil Lynott, drummer Brian Downey, guitarist Eric Bell and organist Eric Wrixon, although Wrixon left after a few months. Bell left at the end of 1973 and was briefly replaced by Gary Moore, who himself was replaced in mid-1974 by twin lead guitarists: Scott Gorham, who remained with the band until their break-up in 1983, and Brian Robertson, who remained with the band until 1978 when Moore re-joined. Moore left a second time and was replaced by Snowy White in 1980, who was himself replaced by John Sykes in 1982. The line-up was augmented by keyboardist Darren Wharton in 1980. The singles "Whiskey in the Jar" (1972), "The Boys Are Back in Town" (1976) and "Waiting for an Alibi" (1979) were international hits, and several Thin Lizzy albums reached the top ten in the UK. The band's music reflects a wide range of influences, including blues, soul music, psychedelic rock and traditional Irish folk music, but is generally classified as hard rock or sometimes heavy metal.

Lynott led the group throughout their fourteen-year recording career of twelve studio albums, writing or co-writing almost all the band's material. He was the first Black Irishman to achieve commercial success in the field of rock music. Thin Lizzy featured several guitarists throughout their history, with Downey and Lynott as the rhythm section, on the drums and bass guitar. As well as being multiracial, the band drew their early members not only from both sides of the Irish border but also from both the Catholic and Protestant communities during The Troubles.

After Lynott's death in 1986, various incarnations of the band emerged over the years based initially around guitarists Gorham and Sykes, though Sykes left the band in 2009. Gorham later continued with a new line-up including Downey. In 2012, Gorham and Downey decided against recording new material as Thin Lizzy so a new band, Black Star Riders, was formed to tour and produce new releases. Thin Lizzy have since reunited for occasional concerts.

Rolling Stone magazine describes the band as distinctly hard rock, "far apart from the braying mid-70s metal pack". AllMusic critic John Dougan has written that "As the band's creative force, Lynott was a more insightful and intelligent writer than many of his ilk, preferring slice-of-life working-class dramas of love and hate influenced by Bob Dylan, Bruce Springsteen and virtually all of the Irish literary tradition." (Full article...)

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Paul Maurice Kelly (born 13 January 1955) is an Australian rock music singer-songwriter and guitarist. He has performed solo, and has led numerous groups, including the Dots, the Coloured Girls, and the Messengers. He has worked with other artists and groups, including associated projects Professor Ratbaggy and Stardust Five. Kelly's music style has ranged from bluegrass to studio-oriented dub reggae, but his core output straddles folk, rock and country. His lyrics capture the vastness of the culture and landscape of Australia by chronicling life about him for over 30 years. David Fricke from Rolling Stone calls Kelly "one of the finest songwriters I have ever heard, Australian or otherwise". Kelly has said, "Song writing is mysterious to me. I still feel like a total beginner. I don't feel like I have got it nailed yet."

After growing up in Adelaide, Kelly travelled around Australia before settling in Melbourne in 1976. He became involved in the pub rock scene and drug culture and recorded two albums with the Dots. Kelly moved to Sydney by 1985, where he formed Paul Kelly and the Coloured Girls. The band was renamed Paul Kelly and the Messengers, initially only for international releases, to avoid possible racial interpretations of the word "coloured". At the end of the 1980s, Kelly returned to Melbourne, and in 1991 he disbanded the Messengers.

Kelly's Top 40 singles include "Billy Baxter", "Before Too Long", "Darling It Hurts", "To Her Door" (his highest-charting local hit in 1987), "Dumb Things" (appeared on United States charts in 1988) and "Roll on Summer". Top-20 albums include Gossip, Under the Sun, Comedy, Songs from the South (1997 compilation), ...Nothing but a Dream, Stolen Apples, Spring and Fall, The Merri Soul Sessions, Seven Sonnets and a Song, Death's Dateless Night (with Charlie Owen), Life Is Fine (his first number-one album) and Nature. Kelly has won 14 Australian Recording Industry Association (ARIA) Music Awards, including his induction into their hall of fame in 1997. Dan Kelly, his nephew, is a singer and guitarist in his own right. Dan performed with Kelly on Ways and Means and Stolen Apples. Both were members of Stardust Five, which released a self-titled album in 2006. On 22 September 2010, Kelly released his memoir, How to Make Gravy, which he described as "it's not traditional; it's writing around the A–Z theme – I tell stories around the song lyrics in alphabetical order". His biographical film Paul Kelly: Stories of Me, directed by Ian Darling, was released to cinemas in October 2012.

In 2001, the Australasian Performing Right Association (APRA) listed the Top 30 Australian songs of all time, which included Kelly's To Her Door, and Treaty, written by Kelly and members of Yothu Yindi. Aside from Treaty, Kelly wrote or co-wrote several songs on Indigenous Australian social issues and historical events. He provided songs for many other artists, tailoring them to their particular vocal range. The album Women at the Well from 2002 had 14 female artists record his songs in tribute. (Full article...)

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Agharta is a 1975 live double album by American jazz trumpeter, composer, and bandleader Miles Davis. By the time he recorded the album, Davis was 48 years old and had alienated many in the jazz community while attracting younger rock audiences with his radical electric fusion music. After experimenting with different line-ups, he established a stable live band in 1973 and toured constantly for the next two years, despite physical pain from worsening health and emotional instability brought on by substance abuse. During a three-week tour of Japan in 1975, the trumpeter performed two concerts at the Festival Hall in Osaka on February 1; the afternoon show produced Agharta, and the evening show was released as Pangaea the following year.

Davis led a septet at the concert; saxophonist Sonny Fortune, bassist Michael Henderson, and guitarist Pete Cosey were given space to improvise against a dense backdrop of riffs, electronic effects, cross-beats, and funk grooves from the rhythm section – drummer Al Foster, guitarist Reggie Lucas, and percussionist James Mtume. Davis controlled their rhythmic and musical direction with hand and head gestures, phrases played on his wah-wah processed trumpet, and drones from an accompanying electronic organ. The evolving nature of the performance led to the widespread misunderstanding that it had no compositional basis, while its dark, angry, and somber musical qualities were seen as a reflection of the bandleader's emotional and spiritual state at the time.

Agharta was first released in Japan by CBS/Sony in August 1975 just before Davis temporarily retired due to increasingly poor health and exhaustion. At the record label's suggestion, it was titled after the legendary subterranean city. Davis enlisted Japanese artist Tadanori Yokoo to design its artwork, which depicted the cityscape of an advanced civilization with elements inspired by Eastern subterranean myths, Afrofuturism, and ufology. An alternate cover was produced for its 1976 release in North America by Columbia Records.

A highly divisive record, Agharta further challenged Davis' jazz audience and was widely panned by contemporary critics; reviewers found the music discordant and complained of Cosey's loud guitar sounds and Davis' sparse trumpet playing. It was reevaluated positively in subsequent years, however, as a generation of younger musicians was influenced by the band's abrasive music and cathartic playing, particularly Cosey's effects-laden free improvisations. Agharta has since been viewed as an important jazz-rock record, a dramatically dynamic group performance, and the culmination of Davis' electric period spanning the late 1960s and mid-1970s. (Full article...)

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"Free as a Bird" is a single released in December 1995 by English rock band the Beatles. The song was originally written and recorded in 1977 as a home demo by John Lennon. In 1995, 25 years after their break-up and 15 years after Lennon's murder, his then surviving bandmates Paul McCartney, George Harrison and Ringo Starr released a studio version incorporating the demo.

The single was released as part of the promotion for The Beatles Anthology video documentary and the Anthology 1 compilation album. For the Anthology project, McCartney asked Lennon's widow Yoko Ono for unreleased material by Lennon to which the three remaining ex-Beatles could contribute. "Free as a Bird" was one of three such songs (along with "Real Love" and, decades later, "Now and Then") for which McCartney, Harrison, and Starr contributed additional instrumentation, vocals, and arrangements. Jeff Lynne, who had worked with Harrison on Harrison's album Cloud Nine and as part of the Traveling Wilburys, co-produced.

The song peaked at No. 2 on the UK Singles Chart and No. 6 on the US Billboard Hot 100. It also became a top-ten hit in at least 10 other countries, including Australia, Canada, Hungary and Sweden. It won the 1997 Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was the Beatles' 34th top-ten single in the United States, giving the group at least one Top 40 hit in four different decades.

The accompanying music video was produced by Vincent Joliet and directed by Joe Pytka. Shot from the point of view of a bird in flight, it includes allusions to numerous Beatles songs. (Full article...)

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Credit: Carlos Delgado CC-BY-SA

Paweł Mąciwoda, bassist of German rock band Scorpions, in Madrid, Spain in 2014.

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Post-Britpop is an alternative rock subgenre and is the period in the late 1990s and early 2000s, following Britpop, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like Oasis and Blur, but with less overt British concerns in their lyrics and making more use of American rock and indie influences, as well as experimental music. Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of Britpop, such as Radiohead and the Verve, and new acts such as Travis, Keane, Snow Patrol, Stereophonics, Feeder, and particularly Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s. (Full article...)