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Rock Against Racism (RAR), a political and cultural movement, emerged in 1976 in reaction to a rise in racist attacks on the streets of the United Kingdom, and increasing support for the neo-Nazi National Front at the ballot box. Between 1976 and 1982 RAR activists organised national Carnivals and tours, as well as local gigs and clubs throughout the country. RAR brought together black and white fans in their common love of music, in order to discourage young people from embracing racism. The musicians came from all pop music genres, something reflected in one of RAR's slogans: "Reggae, soul, rock'n'roll, jazz, funk and punk". The movement was founded, in part, as a response to racist statements by well-known rock musicians.[1]

Rock Against Racism
Rock Against Racism.jpg
GenrePunk, reggae, etc.
Years active1976–1982

Contents

HistoryEdit

Originally conceived as a one-off concert with a message against racism, Rock Against Racism was founded in 1976 by Red Saunders, Roger Huddle, Jo Wreford, Pete Bruno and others. According to Huddle, "it remained just an idea until August 1976", when Eric Clapton made a drunken declaration of support for former Conservative minister Enoch Powell (known for his anti-immigration Rivers of Blood speech) at a concert in Birmingham.[2] Clapton told the crowd that England had "become overcrowded" and that they should vote for Powell to stop Britain from becoming "a black colony". He also told the audience that Britain should "get the foreigners out, get the wogs out, get the coons out", and then he repeatedly shouted the National Front slogan "Keep Britain White".[3][4] Saunders, Wreford and Bruno, who were members of the agit-prop theatre group, Kartoon Klowns, together with Huddle, responded by writing a letter to NME expressing their opposition to Clapton's remarks. They claimed these were all the more disgusting because he had his first hit with a cover of Bob Marley's 'I Shot the Sheriff': "Come on Eric... Own up. Half your music is black... Who shot the Sheriff, Eric? It sure as hell wasn't you!" At the end of the letter, they called for people to help form a movement called Rock Against Racism, and they received hundreds of eager replies from fans who recognised the hypocrisy and wanted to proclaim the black roots of the music they loved.[2]

At this time other well-known rock musicians also made inflammatory statements, including David Bowie who expressed support for fascism and admiration for Adolf Hitler in interviews with Playboy, NME and a Swedish publication. Bowie was quoted as saying: "I think Britain could benefit from a fascist leader. After all, fascism is really nationalism... I believe very strongly in fascism, people have always responded with greater efficiency under a regimental leadership." He was also quoted as saying: "Adolf Hitler was one of the first rock stars" and "You've got to have an extreme right front come up and sweep everything off its feet and tidy everything up."[5] Bowie caused further controversy by allegedly making a Nazi salute while riding in a convertible, although he has always strongly denied this, insisting that a photographer simply caught him in the middle of waving.[6] He later retracted and apologised for his statements, blaming them on a combination of an obsession with occultism and Friedrich Nietzsche, as well as his excessive drug use at the time. He said: "I have made my two or three glib, theatrical observations on English society and the only thing I can now counter with is to state that I am NOT a fascist."[5]

 
Rock Against Racism march in Trafalgar Square, 1978

The first RAR gig took place at the Princess Alice pub in London's East End in November 1976; Carol Grimes and Matumbi were the main acts. At the end of the gig the bands took part in a jam, something which was to become a signature of RAR's gigs at a time when it was still rare for black and white musicians to perform together. In the same year RAR launched its revolutionary fanzine, Temporary Hoarding, going on to produce 15 issues over the next five years. By 1977 local RAR groups were springing up all over the country, including in Leeds, Birmingham, Manchester, Hull, Newcastle, Edinburgh, Glasgow, Belfast, Sheffield, Cardiff, Swansea, Bristol, and across London. Eventually there were more than 200 throughout the UK. Across the globe, several RAR groups started in the United States, in New York, San Francisco and Chicago, and also in Ireland, France, Belgium, Sweden, Holland, Germany, Norway, South Africa and Australia. Musicians not only played for RAR, many took part in organising gigs and clubs. For instance, in Leeds, Gang of Four, The Mekons and Delta 5 were all actively involved in their local RAR group. As were Au Pairs and The Beat in Birmingham, and Misty In Roots and The Ruts in Southall, London. Tom Robinson, who was an early supporter of the movement, played several gigs with his band, TRB, and came occasionally to meetings of the RAR Central Collective. The Collective - which included writers, graphic artists, photographers, musicians and fans - oversaw RAR's national events and comprised elected representatives: from Temporary Hoarding (Ruth Gregory, David Widgery and Syd Shelton); from RAR central office (Kate Webb, John Dennis and Wayne Minter), as well as Red Saunders and Clarence Baker from Misty in Roots. Other members who regularly participated in meetings included Lucy Whitman (who wrote for Temporary Hoarding as Lucy Toothpaste}, Roger Huddle and Robert Galvin.

Carnivals Against RacismEdit

With support for the movement growing, in 1978 RAR organised two national Carnivals in London in conjunction with the Anti-Nazi League (ANL) to counteract the rising number of racist attacks in the UK. These were held in poor but vibrant multi-racial areas. On 30 April 100,000 people marched six miles from Trafalgar Square to the East End of London (a National Front hotspot) for an open-air concert at Victoria Park in Hackney.[7][8][9][10] The concert featured The Clash,[9][11][12] Steel Pulse, Tom Robinson Band, X-Ray Spex, Jimmy Pursey (from Sham 69) and Patrik Fitzgerald.[13] The Southall-based reggae band Misty In Roots led the parade from the back of a lorry. For the second Carnival, on 24 September, a similar number of people marched from Hyde Park, crossing the Thames they arrived at Brockwell Park in Brixton for a concert featuring Aswad, Elvis Costello and Stiff Little Fingers.[14] Further Carnivals were organised by local RAR and ANL groups, often with the help of sympathetic councils and trade unions. The biggest of these, in August, attracted 40,000 to the Northern Carnival in Manchester. There, over a couple of days, Buzzcocks, Steel Pulse, The Fall, Graham Parker and the Rumour, Exodus, and China Street all performed; a week later at the Deeply Vale Festival, a Rock Against Racism day was held. There were also large Carnivals that year in Edinburgh, Cardiff and Brent.

In 1981, Leeds RAR organized the last RAR Carnival at Potternewton Park in Chapeltown. Bands who played included The Specials, Aswad, Au Pairs and Misty in Roots.

Militant EntertainmentEdit

In the run-up to the UK general election of 1979, RAR organised the Militant Entertainment Tour which traveled 2000 miles across the country visiting Cambridge, Leicester, Cromer, Coventry, Sheffield, Leeds, Middlesbrough, Lancaster, Edinburgh, Stirling, Aberdeen, Bradford, Liverpool, Manchester, Birmingham, Nottingham, Cardiff, Llanelli, Exeter, Plymouth, Newport, and Bristol. The tour's grand finale was at the Alexander Palace in North London. Forty bands played on the tour, including: Barry Forde Band, Leyton Buzzards, The Piranhas, Stiff Little Fingers, 15, 6, 17, The Mekons, Carol Grimes, The Band, Alex Harvey, Gang of Four, Angelic Upstarts, Aswad, The Ruts, Crisis, UK Subs, Exodus and John Cooper Clarke.

In April 1979 a sister organisation, Rock Against Sexism (RAS) was founded by a group of women concerned about sexism in the music industry. Lucy Toothpaste, from RAR became a lead organiser. Many RAR bands were involved and Kate Webb and others from RAR also helped organise some of RAS's concerts.

Also In April, a demonstration organised by the Southall Youth Movement against the National Front, who were standing candidates in the upcoming general election, was attacked by the police. This resulted in the death of schoolteacher, Blair Peach, and dozens of injuries including the head wounds suffered by Clarence Baker from Misty in Roots, which left him in a coma for several months. RAR quickly organised two benefit concerts at The Rainbow Theatre in North London, called 'Southall Kids Are Innocent'. The Clash, Pete Townshend of The Who, The Enchanters, The Pop Group, Misty in Roots, Aswad, The Members and The Ruts all performed.

LegacyEdit

In 2002, some music fans, concerned about a resurgence of nationalist and racist activity in the UK, organised a new group under the name of one of RAR's best-known slogans: 'Love Music Hate Racism'. They put on a concert at The Astoria in London featuring Mick Jones, Buzzcocks, and The Libertines.[15] Other acts involved in the campaign include Ms. Dynamite and The Eighties Matchbox B-Line Disaster.

Around the globe anti-racist music fans continue to stage concerts, festivals and rallies in support of multi-culturalism, warning of the dangers of neo-fascist hatred.

Further readingEdit

  • Beating Time by David Widgery (1986)
  • Rock Against Racism by Syd Shelton (2016)
  • Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone and Red Wedge by Daniel Rachel (2016)
  • Reminiscences of RAR: Rocking Against Racism 1976-1979. Edited by Roger Huddle and Red Saunders (Redwords, 2016)

See alsoEdit

ReferencesEdit

  1. ^ Vulliamy, Ed (4 March 2007). "Blood and glory". The Guardian. Retrieved 16 September 2018.
  2. ^ a b Huddle, Roger. Lee Billingham (June 2004). "Anti-Fascism: That Was Then, This is Now". Socialist Review (286).
  3. ^ "Clapton's shocking rant - When popstars talk politics - Pictures - Music - Virgin Media". 18 February 2009. Archived from the original on 18 February 2009. Retrieved 16 September 2018. Cite uses deprecated parameter |dead-url= (help)
  4. ^ Bainbridge, Luke (14 October 2007). "The ten right-wing rockers". The Guardian. London. Retrieved 22 May 2010.
  5. ^ a b "Standing by the Wall: The Quotable David Bowie". 28 June 2001. Archived from the original on 28 June 2001. Retrieved 16 September 2018. Cite uses deprecated parameter |dead-url= (help)
  6. ^ 'GOODBYE TO ZIGGY AND ALL THAT', article in Melody Maker, October 1977 Archived 31 July 2008 at the Wayback Machine
  7. ^ "Archived copy". Archived from the original on 21 April 2010. Retrieved 21 January 2010. Cite uses deprecated parameter |dead-url= (help)CS1 maint: archived copy as title (link)
  8. ^ "TRB - Rock Against Racism". 1 April 2009. Archived from the original on 1 April 2009. Retrieved 16 September 2018. Cite uses deprecated parameter |dead-url= (help)
  9. ^ a b Hazan, Jack; David Mingay, Ray Gange, Joe Strummer, Mick Jones, Paul Simonon, Nicky Headon, Buzzy Enterprises, Epic Music Video (2006). Rude Boy (Documentary, Rockumentary). New York, NY, United States: Epic Music Video. ISBN 0-7389-0082-6. OCLC 70850190. 2nd edition digitally restored and remastered sound.
  10. ^ [1]
  11. ^ Letts Don; Joe Strummer, Mick Jones, Paul Simonon, Topper Headon, Terry Chimes, Rick Elgood, The Clash (2001). The Clash, Westway to the World (Documentary). New York, NY: Sony Music Entertainment; Dorismo; Uptown Films. Event occurs at 47:42. ISBN 0-7389-0082-6. OCLC 49798077.
  12. ^ Green, Johnny; Garry Barker (2003) [1997]. A Riot of Our Own: Night and Day with The Clash (3rd ed.). London: Orion. pp. 63–68. ISBN 0-7528-5843-2. OCLC 52990890.
  13. ^ "The Anti Nazi League/Rock Against Racism Rallies". UK Rock Festivals. Retrieved 8 March 2016.
  14. ^ Manzoor, Sarfraz (21 April 2008). "The year rock found the power to unite". The Guardian. London.
  15. ^ NME (8 March 2004). "ROCK AGAINST RACISM!". NME. Retrieved 3 January 2019.

External linksEdit