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Suraiya Jamaal Sheikh (15 June 1929 – 31 January 2004) was an Indian Muslim[6][7] Hindi/Hindustani film actress and playback singer in Bollywood in the 1940s to early 1960s, who remained unmarried throughout her life, after her love affair with actor Dev Anand was aborted by her maternal grandmother. She was the most popular singing star of the Indian sub-continent of her generation. Till 1943, as a child singer, Suraiya gave play-back for one actress, namely, Mehtab in three films and also in some of her own films for her roles as a child artiste. After this, she only sang for her own films as an actress, and as a heroine after 1946 till 1963. From 1948 to 1950, she became the singing superstar of Bollywood, earning the highest amount for her performances, over all the performing actors of the times, male or female, including Dev Anand, Raj Kapoor, Dilip Kumar, Nargis and Madhubala. She received 1.5 - 2 lakhs rupees for her role per film, when top male actors were getting 50 thousand to 1 lakh rupees. For a song, she commanded rupees 1000, while Lata was getting rupees 100-200 per song. [8] She was the only child of her parents. She had a natural talent for singing, acting and dancing from childhood. She received basic training in music, when her mother used to take her to Hindustani music teacher or 'masterji' for training. She first sang for a children's program for All India Radio in 1937. Later on Naushad gave her on the job 'training', while recording. She went on to become a most successful singing film star of Bollywood. She first sang for a children's program for All India Radio in 1937. She had received training in dancing from Mumtaz Ali, dancer-actor and father of famous comedian, Mehmood.[9] She was also known for her North Indian Muslim feudal style acting or 'adakari' in many of her films (Mirza Ghalib (film), Phool, Afsar, Shayar, Jeet (1949 film), Anmol Ghadi, Dastan).[10] This style 'endowed modernity with an aura of tradition' and brought nostalgic feudal tinge to the scenes. Her performance 'expertly integrated gestures, music and speech'.[10] Suraiya in her heydays was known as 'Malika-e-Husn' (queen of beauty), 'Malika-e-Tarannum' (queen of melody) and 'Malika-e-Adakaari' (queen of acting), all rolled into one.

Mallika-e-Tarranum (Melody Queen) [1][2][3][4]
Suraiya
Suraiya in film 'Shama Parwana' in 1954.jpg
Suraiya in the film Shama Parwana in 1954.
Background information
Birth name Suraiya Jamaal Sheikh
Also known as Baby Suraiya (early films)
Born (1929-06-15)15 June 1929
Gujranwala, Punjab, British India
(now in Punjab, Pakistan)
Died 31 January 2004(2004-01-31) (aged 74)
Krishna Mahal, Marine Drive, Mumbai, Maharashtra India
Genres
Occupation(s) Actress, Hindi films singing star.
Years active 1936–1963
Nationality Indian
Alma mater J.B. Petit High School for Girls, Fort, Mumbai.
Height 5 ft 4 in (1.63 m)[5]
Parents
  • Aziz Jamal Sheikh (father)
  • Mumtaz Begum (mother)
Awards (1) Gold Medal for film 'Kajal'(1948), (2) Her film, 'Mirza Ghalib' got President's Gold Medal (1955) (3) Screen Videocon Lifetime Achievement Award(1996) (4) Urdu Academy (Delhi) and Sahitya Academy Award (1998) for perpetuating Mirza Ghalib's memory (5) Bimal Roy Memorial Trophy (1999) (6) Dada Saheb Phalke Academy Award (2003) (7) "Best on screen beauty with the most ethnic look in 100 years" awarded by Indian Film Academy (2013)(posthumously) (8) 'Suraiya' stamp of Rs. 5/- issued by India Post in her name (2013)(posthumously)
Template:Zodiac sign = Gemini

Contents

Early lifeEdit

 
Suraiya as a child of six years in 1935

Suraiya[11] was born in Gujranwala, Punjab (British India) in a Muslim family to Mumtaz Begum and Aziz Jamaal Sheikh, who owned a furniture shop in Gujranwala.[12][13] Soon, her father moved to Lahore and Suraiya[14] was taken by her mother, Mumtaz Begum,[15][16] and maternal grandmother, Badshah Begum[17] to Bombay in early nineteen thirties, when she was one year old. Her maternal uncle, named Zahoor (also known as M. Zahoor) also came to Bombay and became a well known villain in films.[18] Suraiya's father, later came to live with her and he died on the day of 'Holi' in March 1963.[19][20] She attended New High School, now known as, J.B. Petit High School for Girls in Fort, Mumbai. Later, 1942 onwards, when she started singing for films as a 12 year old, her school principal Miss P.F. Patuck told her father not to let her be absent from school during school days. She sang for Mehtab in three films in 1942–43 and also acted and sang in a few films as a child artiste. In her childhood, Raju Bharatan, a few years younger to her who later became a famous music and sports writer, critic and correspondent, actor Raj Kapoor and composer Madan Mohan, both a few years older, were her neighbourhood friends. Raj Kapoor and Madan Mohan, both used to sing with her in A.I.R.(All India Radio), when she was a six-year-old girl. In fact, Madan Mohan first introduced her to A.I.R.(All India Radio) as a child singer.[21] Later in life, Raju Bharatan wrote extensively about Suraiya in his books, while Raj Kapoor was her hero in one of her films, Dastan (1950), and Madan Mohan composed music for her film, Khubsoorat (1952).

CareerEdit

As an actressEdit

 
Suraiya (aged 16) as heroine in film 'Parwana' in 1947

Suraiya[22] made her debut as a child artist in 'Madam Fashion' in 1936, as Miss Suraiya, along with Nargis as Baby Rani. The film was directed by Jaddan Bai, mother of Nargis, with Jaddan Bai herself as heroine, and music and songs, also written and sung by her.[23][24][25] Later, she got a prominent role as a child artiste with the help of her uncle M. Zahoor, who was then a popular villain in films. During a holiday from school in 1941, she accompanied him to Bombay's Mohan Studios to see the shooting of the film Taj Mahal (1941 film), which was being directed by Nanubhai Vakil. Vakil noticing the charm and innocence of young Suraiya, selected her to play the role of young Mumtaj Mahal.[9][26]

While she was singing for children's programs for All India Radio, Mumbai, as a six year old, Raj Kapoor and Madan Mohan who were her playmates in her neighbourhood and were 5–6 years older to her, used to be her co-artists. In fact, they first introduced her to AIR. Raj Kapoor, later, attained fame as an actor and a film maker, while Madan Mohan became well-known music director. Both were associated with her, later as an adult, as her hero and as her music director respectively in films. In AIR, Zulfiqar Ali Bukhari was then the Station Director at the Bombay Radio Station. Once, music director Naushad Ali heard Suraiya's voice, he chose her to sing as a 13-year-old for Mehtab in Abdul Rashid Kardar's film Sharda[27] (1942). He became Suraiya's mentor and she sang some of the best songs of her career under his baton. Later he gave hits after hits when Suraiya became full-fledged singing star in Anmol Ghadi (1946), Dard (1947), Dillagi (1949) and Dastaan (1950). Naushad Ali composed approximately 51 songs for Suraiya, coming at 2nd place after Husnlal Bhagatram for composing the highest number of songs for Suraiya.

 
Suraiya in the film 'Char Din' in 1949 opposite Shyam
 
Suraiya in a 1950 film (Jaanwar)
 
Suraiya in a film role

As a child artist, she acted and also sang in Tamanna (1942), Station Master (1942), and Hamari Baat(1943). As an adult, Suraiya initially played as a co-star with the heroine in K. Asif's Phool, Mehboob Khan's Anmol Ghadi (1946), (which was written by Aghajani Kashmeri also known as Kashmiri) and Dard (1947). She acted as a heroine in the film Tadbir (1945) on the recommendation of K. L. Saigal, who liked her voice during a rehearsal of a song for Jayant Desai's film 'Samrat Chandragupt' (1945) in which she was acting. He recommended her name to Desai opposite himself in 'Tadbir' (1945).[28] She went on to co-star with K. L. Saigal in Omar Khayyam (1946) and Parwana (1947 film). Although by then she had a couple of hit songs, but the four solo songs which she sang in Parwana for music director Khwaja Khurshid Anwar made her a genuine singer-film star. She had high regards for Khwaja Khurshid Anwar for whom she sang thirteen songs during 1943 to 1949 period. More opportunities arose for Suraiya after reigning famous actress Noor Jehan and Khursheed Bano migrated to Pakistan following the Partition of India in 1947.

As an actress, Suraiya had an edge over her contemporaries Kamini Kaushal and Nargis, because she could sing her own songs. After three hits Pyar Ki Jeet (1948), Bari Bahen (1949), and Dillagi (1949), she became the highest paid film star, earning 1-2 lakhs of rupees per film, when male actors got much less. When 'Pyar Ki Jeet' was released, it drew large crowds outside Suraiya's house that had to be controlled by posting an inspector and four constables outside her house. During the premiere of 'Badi Behan', there was a very large crowd outside the cinema hall and the police had to lathi-charge when Suraiya was walking into the hall. People even pulled at her clothes, so that after that, Suraiya stopped going to the premieres of her films.[29] But her reign at the very top was till 1952, after which, she reduced her assignments. She made a comeback in Waaris and Mirza Ghalib (film) (1954). Rustom Sohrab (1963) was the last film of her career.

In the late 1940s, she worked with Dev Anand. While shooting the film Vidya (1948), she became romantically involved with Dev Anand. The two of them were paired in seven films together: Vidya (1948), Jeet (1949), Shair (1949), Afsar (1950), Nili (1950), Do Sitare (1951) and Sanam (1951), all of which were successful at the box office. In these films, Suraiya was always first-biller in the credits, indicating that she was a bigger star than Dev Anand. She fell in love with him during the shooting of the song Kinare Kinare Chale Jaayenge from the film 'Vidya' in 1948. While shooting the scene in a river, the boat they were in capsized, and Dev Anand saved Suraiya from drowning. From 1948 to 1951, their love affair was the talk of the tinsel world. During the shooting of the film 'Jeet', Dev Anand proposed to her and gave her a diamond ring worth rupees three thousand, a huge sum in those days. Suraiya was glad to be proposed, but soon her grandmother found out about her engagement and threw her ring into the sea. Her maternal grandmother opposed the relationship, mainly because they were Muslims and Dev Anand was a Hindu. Suraiya and Dev Anand were stopped from acting together after her last film with Dev Anand in 1951 by her grandmother. Thereafter, Suraiya remained unmarried by her own choice for the rest of her life.[30]

 
Dev Anand with Suraiya at a party

From the late forties to the early fifties, she remained the highest paid, as well as, the most popular star of the Indian cinema[8]

 
Jawaharlal Nehru and Suraiya talking after a special screening of film 'Mirza Ghalib' in Rashtrapati Bhawan (President's Residence) in 1954

Her reign at the top was from 1947 to 1952.Her contract with A. R. Kardar ended with Deewana, after which she reduced her assignments in films. She made national news with Sohrab Modi's film Mirza Ghalib (1954), which won a national award, the President's Gold medal for the Best Feature Film. In the film, she made vivid, the role of the married Ghalib's lover. Along with an emotionally fluid performance where her expressions of love, expectation and hurt just seemed to merge into one another, the queen of cadence also recorded songs, which are still regarded by many as the definitive Ghalib renditions and the standard by which Ghalib's gazal singing is measured. No less a personality than Pandit Jawaharlal Nehru praised her singing and acting by saying, Tumne Mirza Ghalib Ki Rooh Ko Zinda Kar Diya, (You have brought Mirza Ghalib to life).

After Mirza Ghalib, she acted in movies like Bilwamangal (1954), Waris (1954), Shama Parwana (1954), Kanchan (1955) (which was released in 1949 as Amar Kahani and re-released as 'Kanchan'), Inam (1955), Mr. Lambu (1956), Trolly Driver (1958), Miss 1958 (1958), Maalik (1958) and Shama (1961). In mid-fifties, Suraiya told Lata once that she would soon be cutting down on her films. Lata told her not to do so.[31] Rustom Sohrab (1963) was her last film. The song, 'Yeh kaisi ajab daastan ho gayi hai'[32] from the film, which was one of her finest songs, was also her last, as with this song Suraiya also said 'adieu' to her singing career, along with her film career. Suraiya in an interview said that during the shooting of the film, she suffered from low blood pressure, which was the reason of her giving up her acting career.[33]

As a heroine, Suraiya acted with the following actors as heroes in her films, namely, Prithviraj Kapoor, Raj Kapoor, Shammi Kapoor, Dev Anand, K. L. Sehgal, Ashok Kumar, Ajit, Kamal Kapoor, Rehman, Surendra, Shyam (Chopra), Amar Nath, Karan Dewan, Jairaj, Mukesh, C. H. Atma, Talat Mehmood, Sheikh Mukhtar, Naseer Khan (Dileep Kumar's brother), Vijay Dutt (Guru Dutt's brother), Prem Nath, Bharat Bhushan, Suresh, Wasti, Moti Lal, Jayant, Nusrat.

Her film 'Jaanwar' in early nineteen fifties with Dilip Kumar as hero (and K. Asif as director) was left incomplete by her, as she refused to act in the film, because of rough behaviour by Dilip Kumar during the shooting of the film, when he tore her blouse and bruised her back so badly that it took a month to heal. Later, director producer K. Asif wanted a kissing scene. Suraiya knew that censors would not pass it. When she asked Asif how he would get through the censors, he could not satisfy her and she withdrew fronm the film. There was another story also, that Dilip Kumar and K.Asif were hand in glove to exploit Suraiya for some reason. So they did some torrid scene and kept on repeating it for four days. Fed up with this ghastly behaviour of the two, Suraiya refused to act for them and withdrew from the film. [34] [35] In 1953, she refused film 'Anarkali' as heroine, a role which went to Bina Rai.[36]

As a singerEdit

 
Suraiya recording a song for film 'Pagalkhana' (1952)(incomplete) for Vasant Desai (composer)(with hair) and P.L. Santoshi (director)(balding)

Suraiya had a very sweet voice from childhood. She could sing all types of songs with ease, whether sad, with pathos in her voice, or romantic with amorous love, or comic with playful jest. Suraiya was initially, not a classically trained singer in Hindustani music, knowing the 'grammar' or theory of Hindustani music, yet she was a practical singer by nature. She became the most outstanding singing star of her times from 1945 to 1963 and reached dizzying heights during 1947–1950 in her popularity as an actress.

 
Suraiya photo of film 'Dillagi' (1949) with her autograph
 
Suraiya in 'Bari Behan' in 1949 opposite Rehman (hero) and Geeta Bali (supporting actress).
 
Suraiya at 'Marine Chateau' apartment, Bombay in 1950 with Chetan Anand in a party at Nargis's home.
 
Suraiya and Raj Kapoor in film 'Dastan' (1950)
 
Suraiya and Dev Anand in film 'Sanam' in 1951
 
Suraiya with music director Madan Mohan, wife Sheila and Lata Mangeshkar in 1953 after Madan Mohan's marriage

Suraiya's first song as a child-singer was "Boot karun main polish babu" (as a playback singer) in the film Nai Duniya (1942), composed by Naushad. She went on to sing playback for Mehtab for Sharda, Kanoon and Sanjog (1942–43) under him, when her principal, Miss P.F. Puttack, took a strong view of her truancy from school, and her ‘adventure’ came to an abrupt halt. As a singer, Suraiya sang as a playback singer for actress Mehtab in Sharda (1942), Kanoon (1943) and Sanjog (1943), with Naushad as the music director and A R Kardar as director and producer. At first, seeing baby Suraiya, Mehtab was hesitant to have her as her playback singer, but on hearing her, she wanted Suraiya to sing all her songs in her films.

Even in later years, in 1946, Mehtab was so attached to Suraiya's singing, that she requested Suraiya to record disc versions of her songs in her film Shama (1946), produced by Sohrab Modi, when Suraiya had become a busy heroine and had left singing playback in films for Mehtab. Suraiya then sang for Mehtab, in her own disc versions, available in YouTube, which were recorded by Shamshad Begum in the film.[37][38][39][40]

Suraiya debuted with Manna Dey in his first Hindi film song and their only duet 'Jago ayee usha'[41] in 'Tamanna' in 1942, for which his uncle, famous K. C. Dey was the music director. Again in 1942, Suraiya paired with Rajkumari in 'Station-Master' for the song 'sajan ghar aye'.

A few years later, the great singer actor, K.L. Saigal was so impressed by the singing of 16 years old youthful Suraiya, that he readily agreed to have her opposite him in the film 'Tadbir' as a heroine and a singer in 1945. Saigal again opted for Suraiya as his heroine and a singer in films 'Omar Khayyam' (1946) and 'Parwana' (1947). 'Parwana' was Saigal's last film and was released after his death.[9]

Later, Suraiya continued to work with music director Naushad in a few films and in 1946, she appeared with actress Noor Jehan in Anmol Ghadi as a co-star and Naushad as the music director. She sang three songs in the film, which became popular, of which 'Man Leta Hai Angdai' went viral throughout the country. Musical film 'Dillagi' (1949), under Kardar's direction, with Naushad's music, became a silver jubilee hit, with Suraiya becoming a national rage with her songs and acting.[42] In a span of 22 years, she gave a number of hits. In her honey-rich voice, songs like "Woh paas rahain, ya door rahein",[43] 'Tere naino ne chori kiya',[44] 'Tu mera chaand, main teri chandni',[45] "Yaad karun tori batiya"[46] and the rare classical number, 'Man mor hua matwala'[47] created hysteria in the country.

Khurshid Anwar was the music director in Suraiya's three films, viz. 'Ishara (1943)', 'Parwana (1947)' and 'Singar (1949)'. Suraiya sang 13 songs in these films. Some outstanding songs of 'Parwana' are "Jab tumhi nahin apne",[48] "Mere munderey na bol",[49] and "Papi papiha re".[50]

With music directors duo, Husnlal Bhagatram, Suraiya worked in 11 films and recorded the highest number of songs for any music director from 1948 to 1958. The films were Pyar Ji Jeet (1948), Aaj Ki Raat (1948), Naach (1949), Balam (1949), Bari Behen(1949), Amar Kahani(1949), Sanam (1951), Shama Parwana(1954), Kanchan (1955), Trolley Driver (1955).[51] Her song 'O, door janewale, wada na bhul jana'[52] in 'Pyar Ki Jeet' in 1948 became a hit all over India.

Suraiya did only three films with music composer Sachin Dev Burman, viz. Vidya(1948) (with Dev Anand), Afsar (1949) (with Dev Anand) and Lal Kunwar (1952)), as she was associated with other composers and SD Burman came late into the scene in Bombay. Yet, most of their songs are memorable. 'Man mor hua Matwala'[53] (Afsar), 'Nain Dewane'[54] (Afsar), 'Layi khushi ki dunia'[55] (with Mukesh in 'Vidya') and 'Preet sataye teri yaad na'[56](Lal Kunwar) being some of them.[57]

All of Suraiya's songs from her film 'Mirza Ghalib' (1954) (music director: Ghulam Mohammed) have become classical songs and have enhanced the beauty of Ghalib's ghazals for the connoisseur and the layman alike. The songs 'Yeh na thi hamari kismat',[58] 'Nukta- cheen hai gam-e-dil',[59] 'Dil-e-nadan tujhe hua kya hai',[60] 'Aah Ko Chahiye',[61] 'Rahiye ab aisi jagha'[62] are the finest examples of ghazal singing.

Another movie of Suraiya, which has evergreen songs, is 'Shama' (1961). The lyrics were written by the stalwart lyricist Kaifi Azmi and the music composer was another 'Great', Ghulam Mohammed. The memorable songs sung by Suraiya are 'Mast aankhon mein shararat',[63] 'Dhadakte Dil Ki Tamanna ho',[64]'Aap se pyaar hua jata hai'.[65]

Suraiya was the only singing actress, who also worked as a heroine and co-star with many other singing-stars of her times, including Noor Jehan (Anmol Ghadi), C. H. Atma (Bilwamangal), Talat Mahmood (Maalik and Waris), Mukesh (Mashuqa), K.L. Saigal (Tadbeer, Omar Khaiyyam and Parwana) and Surendra (1857 and Anmol Ghadi). Her last film as a singing actress was Rustom Sohrab, with the song "Yeh kaisi ajab dastan ho gayi hai",[66] being her last, yet one of the most remembered songs.

Suraiya was recognized as the first Melody Queen of the sub - continent and was the first singer to be given the honorific "Malika-e-Tarannum" (Melody Queen) for her singing talent before partition, ahead of any other singer.

Suraiya could sing in all octaves, though she mostly sang her songs in lower octaves, as many of them were 'ghazals' and 'geets'. An example of her higher octave song is from the film 'Tadbir' (1945), viz. 'Jaag Ae Sonewale',[67] with music by Lal Mohammad, who composed music in just four films, but was masterly in each one of them.[68]

Suraiya's songs, as a tribute to her, are played every year on her death anniversary on 31 January by Radio Sri Lanka (Hindi music) and are recorded on YouTube by eraksoldies.[69]

Craze for SuraiyaEdit

In the late 1940s and early 50s, craze for Suraiya amongst her fans was at its peak. Her house at Marine Drive was always mobbed by her fans and suitors, when her car used to come out or enter the gates. Most of the fans were obsessed with her. "She was a screen goddess and a mellifluous singer, who had the world at her feet."(Tribune). Even one of them (actress Veena's brother) went on a fast outside her house, so that she would acquisce and marry him. Another crazy fan came with a 'barat'(wedding party) and dowry from Lahore, and yet another, kept a photograph of hers in the 'Puja' (temple at home) and would not eat without worshipping her. Even street singers would make money singing songs fom her film 'Pyar ki Jeet'. At the other extreme, even Kanti Desai, son of the Chief Minister, Bombay State, Morarji Desai (later Prime Minister of India), invited her to a private party, but she refused politely. It is said that Kanti Desai tried hard, even threatening her, but to no consequence.[70][71] Actor Dharmendra was a great fan of Suraiya. He is said to have seen her film 'Dillagi' (1949) forty times in his teens, walking miles from his hometown, Sahnewal in Punjab, to watch her movies.[72]

Suraiya's glamour statement and fashionEdit

Suraiya was known for her glamour, dresses and jewellery in films like ' Mirza Ghalib', 'Pyar Ki Jeet', 'Dillagi', 'Sanam', 'Dastan', 'Diwana' and 'Shama Parwana', while many of her films had simple, non-glamourous roles. In real life, Suraiya was known for her love for ethnic dresses and jewellery. At functions, she wore her jewellery to her maximum advantage and wore make-up. She kept her image of actress Suraiya alive in her viewers mind till her later life. [73] Journalist Suresh Kohli reported in 'Deccan Herald' in 2011, that during the 1977 Filmfare Awards function, hush descended on the scene, when heavily be-jewelled Suraiya, dressed in green brocade saree and sporting a 'bindi' and escorted by Filmfare editor B.K.Karanjia, walked towards Dev Anand, her favourite hero, former lover, marriage proposer and friend, whom she could not marry, under pressure.

Personal life and love affair with Dev AnandEdit

 
Suraiya with Mumtaz Begum (mother), Badshah Begum (maternal grandmother) and Frank Capra (director-producer of Hollywood) in 1952 during his visit to the International Film Festival in India.
 
Suraiya in 1952.
 
Gregory Peck at Suraiya's home, Krishna Mahal, Mumbai in 1954

Suraiya was an ardent fan of the Hollywood star Gregory Peck, who paid her a surprise visit with actor, Al Nasir at mid-night from Hotel Ambassador near her home on January 5, 1954. Gregory Peck had come to Bombay for delivering the first Filmfare Awards, but was late because of flight delay from Ceylon.[70][74][75] In 1952, Suraiya had given Frank Capra, a signed photograph of hers to be delivered to her idol, Gregory Peck, when Capra came to India for 20 days to attend the International Film Festival. Gregory Peck told Suraiya that "he found my photograph which I sent him through Mr. Capra so beautiful that he had it on the wall of his bedroom! He did, and he actually asked me to act with him in a picture."

In the late 1940s, Dev Anand used to enact Gregory Peck's mannerisms to please Suraiya, as she was a fan of Gregory Peck and she often expressed this to Dev Anand. Their love-affair continued for four years from 1948 to 1951. Dev Anand nick-named Suraiya "Nosey", while to Suraiya Dev Anand was "Steve", a name chosen from a book Dev Anand had given her.[76][77] Suraiya also called Dev Anand "Devina" and Dev Anand called Suraiya "Suraiyana", while faking Italian accent. (Later on Dev Anand named his daughter 'Devina' as told to Suraiya, 'Star & Style', February, 1987). Suraiya was so much in love with Dev Anand that she let Lata sing some of the songs picturized on her in her films, in order to get more time to be with Dev Anand. Her love for Dev Anand was so intense, that she was ready to forgo her singing star career for Dev, who was even more passionate about her. "All I could then think of was my love for Dev - Suraiya as a singing star and her career be damned!"(in 'A Journey Down Memory Lane' by Raju Bharatan).[78] During the shooting of director Rana Pratap's film 'Jeet', both Dev Anand and Suraiya, with the help of the film members, namely Durga Khote (actress), Dwarka Divecha (cinematographer) and others, had made plans for marriage in a temple, and elopement, but at the last minute, an assistant director, jealous of their marriage, informed Suraiya's grandmother, who dragged her home from the scene.[79][80] Speaking to journalist Sheila Vesuna, Suraiya said, "Eventually, my grandmother succeeded in separating us. Dev was deeply hurt and offended by my lack of courage. But I was afraid for him. In retrospect, I don't think anything would have happened if I'd been bold enough. But I was terrified of my grandmother. And was heartbroken. But time is the greatest healer."[81] Suraiya's grandmother, Badshah Begum, who controlled the family, was fiercely opposed to Suraiya marrying Dev Anand. She was also supported by Suraiya's maternal uncle, Zahoor and some film persons, viz. composer Naushad, director-producer AR Kardar, lyricist Naqshab (Nadira's first husband) and director M. Sadiq. During the shooting of Dev Anand's own production 'Afsar' (1950), under the banner of 'Navketan', Suraiya's grandmother started to oppose their romance openly and started interfering even in the shooting of their love scenes.[82]

Kamini Kaushal, who worked with Suraiya and Dev Anand in 'Shair' (1949), said in an interview to Filmfare in January 2014, that Suraiya would pass on her letters to her be delivered to Dev Anand, when her grandmother started keeping an eye on their love-affair. She said that Dev Anand was non-aggressive, not someone to put his foot down and say, "I'll marry her".[83] Dev Anand in a TV interview with Simi, "Rendezvous with Simi Garewal", after Suraiya's death in January 2004, revealed that Suraiya, who had gladly accepted his ring first, never told him the reason for her later refusal of the marriage proposal, and that she was coerced to say "no" to him by her grandmother. In an interview with 'Stardust', June 1972, Suraiya revealed that she lacked courage to resist her family and that Dev Anand truly loved her. "When I refused to marry Dev Anand, he called me a coward. Maybe I was one. I admit I didn't have the courage to take a step I was not absolutely sure of. Perhaps, it was a folly, perhaps a mistake, or perhaps destiny".[84] Dev Anand in the interview with Simi, said that after she had said "no" to him, much later, she probably regretted it. But, by then, he had gone much ahead.[85]

The principal reason of opposition by the grandmother and her advisers was that Dev Anand was of a different religion and the covert one was that Suraiya was the only earning member of the family. Naqshab, even brought a copy of Koran to make her swear that she would not marry Dev Anand (February 1987, 'Star and Style' interview of both Dev Anand and Suraiya by Sheila Vesuna). The film people had also their own professional and personal interests in opposing an early marriage of their popular singing star.[19][86][87] Rather, M. Sadiq, who was a married man, himself wanted to marry her. Suraiya's parents wanted her to marry Dev Anand, but being a mellow couple, their voice was ignored by the grandmother. In the 'Star and Style' interview, Suraiya said that she gave in only when both her grandmother and her maternal uncle threatened to get Dev Anand killed. Suraiya told during this interview, that during the shooting of the film 'Neeli', when she told Dev Anand that she did not want her to be the cause of his death, he slapped her across the face and called her a "coward". She did not mind Dev Anand slapping her, because she knew how much he loved her. Dev Anand later kept on apologising for days about his behaviour.

The painful dalliance with Dev Anand, left her bruised emotionally, a phase from which many said she never recovered.[88] A retreat from the public atmosphere was followed by a return in films like Mirza Ghalib (1954) for which she received praise even from the Prime Minister, Jawahar Lal Nehru, but she never attained the dizzy public popularity she had attained earlier on. Suraiya refused to marry anyone in future, in spite of efforts by her family to persuade her to marry certain film directors and businessmen of their community. M. Sadiq, film director, actor Rehman were some of the film persons who were interested in marrying Suraiya.[89] Dev Anand who was very depressed on her reluctant refusal to marry him, and was counselled by his brother Chetan Anand to recover and stand up from the break up, went on to marry Kalpana Kartik after four years in 1954 in a hurried simple marriage, but as he said in his auto-biography, Suraiya was his first true love. Elsewhere, he has said to Shekhar Hattangadi that in spite of his marriage to Kalpana Kartik after his failed love affair that "Suraiya was the love and passion of his life and that I will always cherish her memory".[90] While Suraiya was alive in October 2003, Dev Anand accepted the fact that "Suraiya was my first and only real love. I wanted to marry her and she was willing. But her Muslim family objected to my being a Hindu, and created a big row over the communal issue. Remember, she was already a big singing star when we first met, and I was a nobody. Fans mobbed her, her songs were on the air, and her star image added to the attraction."[91] In an interview to A Ganesh Nadar of rediff.com, reminiscing about Suraiya in his autobiography, Dev Anand said, "The book would not be honest without mentioning her. Parting with her was painful. I met her for the last time on the terrace of her building in Marine Drive (in south Mumbai). That was the saddest day of my life."[92]

Suraiya and Dev Anand later did meet on a few occasions in parties as friends in Mumbai in their lifetime. Suraiya gave up her professional career as an actress and singer in 1963, and even later on refused to sing for music directors, like Naushad and for music companies like HMV and Polydor, despite several requests by them. She went on to live life away from media glare and public eye thereafter, except appearing on a very few public occasions, like during Noor Jehan's visit to India in 1982. She did give a few interviews for magazines and some media people from India and Pakistan in the 1970s and 80s. Only later in life in the 1990s and thereafter, she accepted awards and mementos and appeared on a few public occasions.

Later life and last daysEdit

Suraiya's maternal grandmother, Badshah Begum, who played a major part in her career and even personal life, later went to Pakistan to live with her brother, and she was left alone with her mother, Mumtaz Begum. The time with her mother were her happy years, when her mother took care of her daily needs and she would occasionally go to her film world friends. She had a few friends like old timer Jairaj, Nimmi, Nirupa Roy and Tabassum, whom she met once in while.[93]

After her mother's death in 1987, Suraiya started feeling lonely in her rented apartment (owned by Aswin Shah)[94] in Krishna Mahal, Marine Drive in Mumbai, where she lived from the early 1940s until her death in 2004 at the age of 74. She possessed several apartments in Worli and a house and orchard in Lonavala.[95]

Suraiya met Asha Bhonsle on 10 December 1993 at Raju Bharatan daughter Shilpa's wedding reception at Bombay's Vile Parle, where Raju Bharatan asked Suraiya in a chat along with Asha, whether the two had sung a song together, to which Suraiya said, "regrettably no", forgetting that the two had sung a duet together in 1954 in 'Shama Parwana', titled 'jake lage naina, wo paiye nahi chaina'.[96]

Tabassum, who worked with Suraiya in 'Bari Behan' and 'Moti Mahal' as her younger sister, met her often at her home, or rang Suraiya from her home. During Suraiya's last few months of her life, Tabassum said "It's sad that she had shut her doors to the world in her last days. Sometimes when I visited her, I’d find papers and milk collected at her door. She never opened the door. But she’d talk comfortably with me on the phone. I remember our last conversation. I asked her, "Aapa kaisi hain?"(Elder sister, how are you?") She replied in verse, "Kaisi guzar rahi hai sabhi poochte hai mujhse, kaise guzaarti hoon koi nahin poochta."( "Everbody asks me, how are you, but nobody asks me, how I spend my days and nights".)(As told to Farhana Farook in 2012)"[97]

She died on 31 January 2004 aged 74, after being hospitalized for a few days. In her last six months, she was taken care of by her neighbour and family friends, Dhimant Thakar's family, with whom she stayed during this period. She was very close to the two daughters (Amee and Camy) of Dhimant Thakar.[98][99][100][101][102][103][104] She was admitted for a brief period for hypoglacemia, ischemia and insulinoma to Harkshandas hospital in South Mumbai by Thakars'.

In the hospital, actor Sunil Dutt, music director, Naushad and Pratap A. Rana, writer-producer of her films, "Jeet" and "Vidya", visited her during this period. She died at 9.25 am on 31 January 2004.[105][106] Actor Dharmendra, who was her ardent fan, also attended her funeral.[107] She was buried at Badakabarastan in Marine Lines, Mumbai.[108]

After her death, Suraiya's property at Worli and her house at Krishna Mahal, where she lived on rent for over 70 years at Marine Drive, went into legal dispute, as she did not leave behind an explicit will.[109][110][111] While the house at Krishna Mahal was claimed by her her adopted family (and lawyer) and her cousin, Mehfooz Ahmed (maternal uncle M. Zahoor's son) in Dubai, her property was claimed by the adopted family of her lawyer (based on his daughter being a nominee in Suraiya's papers and gift to her as 'hiba'), and her cousin.[112]. No relatives from her father's side claimed anything from her property. In 2006, Mumbai High Court, granted Mehfooz Ahmed, born in Lahore in 1943 and staying in Dubai, the right to administer Suraiya's estate, as she died without a will. In 2008, her maternal cousin brother (Mehfooz Ahmed) who never met her for over 40 years before her death, got the right to the rented house at Krishna Mahal, valued at 7.5 crores rupees, as a tenant by the High Court judgement (according to Mumbai's old rent control laws) over her family lawyer. The house owner Ashwin Shah did not contest the case. The cousin had no objection to the house being sold.[113]

Honours and recognitionsEdit

In 1948, Suraiya was awarded a gold medal by the noted theatre personality, Adi Pherozeshah Marzban, for her role in Kajal(film), in which she acted as a sixteen year old to a sixty-year-old woman.[114]

In the 4 April 1952 issue of the newly launched film magazine 'Filmfare', Suraiya's coloured photograph appeared on the front-cover of the during the first year, second month of its publication, the first issue of which came out in March 1952.[115]

Suraiya featured regularly in 'Lux' soap campaigns in magazines and 'Lux' calendars in the 1950s.[116][117]

In 1955, Mirza Ghalib (film), a film in which Suraiya acted, was awarded the President's Gold Medal for the Best Feature Film of 1954 (first Hindi film) during the 2nd National Film Awards and her acting and singing was highly appreciated and extolled by the then Prime Minister, Jawahar Lal Nehru at Rastrapati Bhawan, during the special screening of the movie, which Suraiya said was bigger than an Oscar.[70]

In 1994, a retrospective of Suraiya's films was held at Mumbai by the 'Cine Club' during 21–26 March 1994, which was inaugurated by the then Cabinet Minister of Maharashtra, Vilas Rao Deshmukh (later Chief Minister of Maharashtra), in Suraiya's presence, wherein she gave an introductory talk about her films and the prevailing trends in Bollywood films. This event is recorded in YouTube as 'Suraiya-Khusboo ka Safar'[118] in four parts.

In 1996, Suraiya was awarded the Screen Lifetime Achievement Award, presented to her by the actor-politician Sunil Dutt.[106][119] Dressed in a splendid white salwar kameez, Suraiya was overwhelmed with emotion on the occasion, and said in her ever sweet voice that she had had a long association with the film industry. She was deeply moved to note that the people continued to remember her after so many years. When the anchor-actor, Javed Jafri asked her to sing a few lines of any of her songs, she refused. Indian Express reported, "As a star, she still remembers the meaning of letting a legend live. Heroines are captured forever on the silver screen and the public memory must never be updated."[30]

In December, 1998, she was especially honoured for perpetuating Mirza Ghalib's memory by her acting and songs by the then Prime Minister, Atal Behari Vajpayee during Mirza Ghalib celebrations in New Delhi conducted by the Urdu Academy and Sahitya Academy.[120]

In 1999, she was honoured with the Bimal Roy Memorial Trophy, instituted by the Bimal Roy Memorial and Film Society, Mumbai.[121][122]

In 1999, Suraiya was specially invited as the Chief Guest to present the Zee Cine Lifetime Acievement Award to Lata Mangeshkar, the event being conducted by Amin Sayani.[123]

On April 30, 2003, Suraiya, "the unforgettable diva of yesteryears", as described by the Times of India, was honoured by the Dadasaheb Phalke Academy and Screen World Publication at a special function on the 134th birth anniversary of Dada Phalke, the occasion was chaired by the Cultural Minister of Maharashtra, Ashok Chavan.[124] The Times of India reported, "Dressed in crimson red zardosi churidar with sparkling long dangling earrings, the singing rage of the 40's, Suraiya received a standing ovation as she went on the dais to receive a small token of appreciation from the Dadasaheb Phalke Academy and Screen World Publication, organisers of the show".

On 3 May 2013, a postage stamp, bearing her image in various roles, was released by the India Post owned by the Government of India to honour her on the occasion of the '100 Years of Indian Cinema'.[125]

In 2013, in a poll conducted by the ethnic Indian brand Seven East, in association with the International Indian Film Academy, as part of the 100 years of Indian Cinema, Suraiya was voted as the "Best On Screen Beauty with the Most Ethnic Look", followed by film Indian actresses Mumtaz, Waheeda Rehman, Madhubala, Meena Kumari, Sharmila Tagore and Hema Malini.[126]

Amin Sayani, renowned radio and TV anchor and music historian selected Suraiya song 'Wo pas rahe ya door rahe' from film 'Badi Behan', as one of the top songs among the 12 songs during the period 1949-1953.[127]

In 1954, Suraiya's duet 'Rahi Matwale' from the film 'Waris' with Talat Mehmood was selcted the 5th top songs of the year, chosen by listeners in 'Binaca Geet Mala' on Radio Ceylon.[128]

A building in which Suraiya owned flats in Worli, Mumbai is named 'Suraiya Apartments' and a road in Nagargaon, Lonavala, District Pune, where she had some property is named 'Suraiya Road' after her.

Even now, in India, jewellery is sold by Suraiya's name by many online companies, because of styles popularized by her in her films and by her adornments, like 'Suraiya' earrings and 'Suraiya' bangles. .[129] [130]

Suraiya's personalityEdit

Speaking about Suraiya, Dev Anand said in an interview, "Suraiya and I fell in love when we started working together. She was a very nice girl who radiated warmth and friendliness. She was an established star but had no airs about her. I was passionately in love with her. I was young, It was my first love and very intense." [79]

Suraiya continued to be so mesmerized by Dev Anand's memories and her love for him, that in a much later interview with Raju Bharatan, she always kept referring to him as "my Dev', when talking about Dev Anand and her aborted love-affair (aborted by her granny, AR Kardar (producer-director) and Naushad (music-director)). "I should have stood up to my granny, then and there. Gone ahead and wed my Dev. But, I was too much under Granny's thumb and the moment was gone. What hurt like hell was their "Woh Hindu hai" ("He is a Hindu") line on which they based their opposition. I owe so much to Kardar and Naushad (for her professional life), but I will never forgive them for the one-track outlook they adopted in creating hurdle after hurdle for me in the purely personal matter of my marrying my Dev"."[131]

Suraiya had a calm temperament and never showed any bitterness or rancour that is often found in people who have tasted the fruits of success and have to move on. On the contrary, there was a sense of relief from having escaped from the applause, bright lights and camera.(Interview to 'Society Magazine' in January,1982.) [18]

Suraiya never boasted of her singing and acting ability, in spite of her immense popularity in her times. About her singing, she remarked to Raju Bharatan in his book 'Lata Mangeshkar- a Biography', "Noorjehan was born great, Lata achieved greatness, I had singing greatness thrust upon me".

The centre of attraction of Suraiya's beauty were her large expressive eyes, which were so magnetic that songs were written about her eyes. A song which was sung by her in 'Pyar ki jeet' (1948) on the eyes, 'tere naino ne chori kiya', where her eyes were shown to advantage on screen, catapulted her to be the reigning superstar of her times, fetching her rupees one and a half lakh per film, the highest in those times, when heroes were getting less than one lakh rupees.[132]

Suraiya was well built with strong bones from her teenage years, although she was not so in her earlier days. In a film, Prithviraj Kapoor, who was the hero of her film, found it difficult to carry her up the stairs, when he had to shoot repeteadly for a scene in the film.[133]

Suraiya loved dolls. Wherever she traveled, she always brought back dolls. She also loved lamps and bought many antique lamps. There were antiques, awards and paintings around the house. She was obviously a lover of art. ('Amee Shah, daughter of her lawyer and a family friend Dhimant Thakar, after her demise on rediff.com').

Suraiya read a lot and was especially fond of Urdu Shaiyari. She was reticent by nature and kept only a few close friends.

Amee Shah revealed that she often spoke about Nargis. Nargis had lived only four buildings away and they were childhood friends. Suraiya had lived in Krishna Mahal since she was four years old. In her childhood days, Raj Kapoor used to come there often, to take Nargis and Suraiya (aunty) to All India Radio.

Suraiya liked Adnan Sami and often copied the way he moved his hands (in the fashion of the "lift kara de" song). Though she had put on weight after she stopped acting, she had become slim again during her last five years.

She had photos of personalities close to her and of VIPs, adorning her drawing room, as seen after her demise. Among them was her mother, Mumtaz Begum, Raj Kapoor posing with her much after her retirement, C.M., Vilas Rao Deshmukh bestowing her an award, among others. She had a very large sized photograph of hers on the walls of her adulthood after retirement in her usual glamorous fashion. She had her drawing room very tastefully decorated.

In her youth, Suraiya was friendly with elderly journalist, B.K. Karanjia, editor of Filmfare and Screen. She stood by him when a section of the movie industry did not support his hosting 'Constellation Nite', for a charitable cause (scarcity in the State) for a technical reason. The event was held on 10 May 1953 at the Lloyd's Reclamation Grounds at Marine Drive. When she went on stage to sing a song from the film 'Pagalkhana' with Vasant Desai wielding the baton, Dilip Kumar was so moved at the end, that he went on stage to garland her on the stage, which brought the whole house down.( 'Counting my Blessings' by B.K. Karanjia.)[134][135]

Suraiya on her co-actorsEdit

During her 28 years long career, Suraiya worked with several actors and actresses. During her interviews in 1952 and later, she described the qualities of her co-stars in great detail.[136]

She worked with Prithviraj Kapoor in 'Ishara' in 1943, when she was only thirteen and Prithviraj Kapoor was in his mid forties. He encouraged her as his heroine, in spite of the age difference. She said that she respected him very much and the respect increased with years.

Suraiya described Raj Kapoor as a "bombshell" on the sets and predicted in 1952 that he would make a great producer-director in future, as he was very imaginative.

Suraiya worked with K.L. Saigal in three films during 1945 and 1946, when she was 15–16 years old. To her working with Saigal was a great honour and a privilege, as he was the king of romance and singing at that time.

She was the heroine of actor Shyam and worked with him in three films, viz 'Dillagi', 'Nach' and 'Char Din', before he died suddenly of a fall from a horse on the sets in 1951. She said that she often thought of him as the Errol Flynn of India, as he was a merry person, jocular and talkative. Suraiya confided that Shyam was quite close to her family and even often teased her granny.

Ashok Kumar with whom Suraiya worked in one film, 'Khiladi' (1950), was very humorous on the sets, although he appeared to be a serious person. To her, Ashok Kumar matured much as a polished actor after 'Mahal' (1949).

Ajit, her hero in 'Moti Mahal' appeared to be a shy person to her at first, although to his fans, he was a "tough" guy. He did not mind people saying anything about him. He was nicknamed "John Hal" on the sets.

Her hero of several films Rehman was a "thinking actor", who often played chess with her, a game she did not like much. He was generally serious, but could be witty at times with his jokes, which he wanted others to listen to.

Jairaj, actor and hero in many of her films, had been known to her since her childhood. She knew him as a very generous and straightforward person, who was taken advantage of by many persons. He too was often a guest at her home on Sundays for lunch.

Nasir Khan, younger brother of Dilip Kumar, acted in 'Lal Kunwar' (1952) could do well under a good director. He was much interested in puzzles and often asked puzzles on the sets from his co-aristes.

Suraiya acted with Motilal as his heroine in three films, 'Do Dil', 'Aaj Ki Raat' and 'Lekh'. Motilal made a perfect lover on the sets, as he was a 'natural actor'.

Mukesh acted in 'Mashuka' (1953) with her and was self-conscious on the sets at first and Suraiya had to guide her at first.

Suraiya said that she had known Surendra since her childhood when he was already a grown-up person. She acted in two films with Surendra, viz. 'Anmol Ghadi' (1946) and '1857' (1946). Surendra once told her, when she was acting as a heroine opposite him, that he had saved her as a child from a car on the road when she was a toddler.

According to Suraiya, Dev Anand was a debonair, handsome actor, who acted in the maximum number of films (seven) with her. Although, Dev Anand believed himself to be a "tough" guy, he actually was not. He had a habit of pulling Suraiya's hair between takes. He could play all types of roles, but hated singing roles. His greeting "hello" to all, while entering the sets, was known to everyone. In an interview in 1972 [137], Suraiya described him as a very sensitive person. Though, her maternal grandmother and her son treated her very badly, he bore it all till he could take it no more. Yet, he proposed to her, which she did not accept under pressure and threat from her grandmother and her son, with whom the grandmother later left for Pakistan.

Suraiya spoke highly of Noor Jehan, a few years her senior in acting, in an interview to 'Times of India' newspaper on 25 December 2000. "Noor Jehan was my ideal. Noor Jehan was the most affectionate person, an ideal mother and a top class career woman. She was one of the greatest singer actresses the world has ever seen and the film industry has yet to produce another like her. I was only 14 years when I acted with Noor Jehan and was not a trained singer. But both Noor Jehan and Naushad encouraged me to sing in the film "Anmol Ghadi", I got a small role in the film but got noticed because of her. The film was a big hit and celebrated diamond jubilee in Novelty Cinema. It was a great experience with Noor Jehan, as she was friendly, witty and used to crack jokes and also used to give me tips for make up. She was like my sister, a great mother and a fighter who carried on with her career despite being a single mother".

Competition with LataEdit

Although Suraiya had no feeling of competition with Lata in her singinging career, as Suraiya was an established singing star when Lata was starting her music career and as Suraiya sang only for her own films, yet cine magazines attributed in 50s and 60s that there was competition between them. This was discussed even after her death with Lata, who said that that there was no question of competition, as Suraiya sang for herself. But Lata said although she was much awed by Suraiya's star status in her heydays, she was not very close to her. Even Suraiya remarked in Raju Bhartan's book, 'A journey down the melody lane' that Lata was stand-offish with her when she met Lata in 1994 after Suraiya's retrospctive of her films was shown in 1994 and in 1999 when she presented Lata the 'Zee Lifetime Achievement' award. In 1962, when Lata got food-poisoning, cine magazines spread rumours that Suraiya had got her food poisoned. Both Lata and Suraiya ridiculed the story, when asked about the rumours. Suraiya said that there was no question of rivalry as she herself suggested Lata's name in the film 'Balam' in 1949 as a singer for her film, as she was too involved with her hero in films, Dev Anand. Much later after Suraiya's death in 2004, Lata remarked that she was aghast that people could write such things about Suraiya. There was never any competiton between them. Lata broke her silence after Suraiya's death and mentioned "I can’t claim to have been close friends with her. But whenever we met she was really warm, though mischiefmakers, the Narad Muni’s of our industry, tried to spoil our relationship. I remember they spread the rumour , "Suraiya gave Lata something to eat which has spoilt her voice." When press persons asked me about this I was aghast , "Suraiyaji ke baarey mein aisa kaise soch sakte hain?" She was a star in her own right. And because she was an actress she felt no sense of rivalry with me or I with her…"

Tributes to SuraiyaEdit

On her death on 31 January 2004, the then Prime Minister of India, Atal Behari Vajpayee in a condolence message said Suraiya was "not only a good actress but a talented singer" and "the legendary singer was endowed with a mellifluous voice".

Information and Broadcasting Minister Ravi Shankar Prasad said Suraiya was "one of the most popular singing superstars of the forties and her famous honey voice and rich songs will remain popular for all times to come. Her contribution to the development of the Indian cinema will be remembered for long".[138]

O.P. Dutta, director-writer, the only living director (when she died) to have worked with her in "Pyar Ki Jeet" remembered her as "a lonely heart and a bundle of unforgettable qualities"."Suraiya, Bano to me, was a bundle of unforgettable qualities. A sublime voice, the ring in the voice, the perfect diction, the effortless rendering. But she always insisted that she was no singer." "There were congratulations all around (on her success in his film). But Suraiya insisted she was no great shakes as an actress. The argument was over when she gave a sterling performance in 'Bari Bahen'. The success made Suraiya smile that unforgettable smile that could send a thousand hearts aflutter. She was right at the top and I was very happy for her."[139]

Dilip Kumar, veteran actor, said on her passing away, "She was a caring girl, very affectionate, particularly with junior artistes,". "Suraiya will be sorely missed, even though she had been a recluse for decades."[140]

Dev Anand said on her death, "I felt sad when she died. One does feel sad at death. I did not go to her funeral because I would have been reminded of her past. I cried from a distance.".[141] In an interview with Simi Grewal in her show, 'Rendezvous with Simi Grewal', Dev Anand paid his ultimate tribute to Suraiya, speaking poignantly about their failed love affair and Suraiya's loneliness in life. He said "in her death, maybe she was relieved of her sorrows in life".[142]

Lata Mangeshkar, Suraiya's co-singer in her films 'Balam', 'Sanam' and 'Diwana', narrated to Subash K. Jha of 'The Times of India' newspaper, "My eyes mist over when I remember Suraiyaji's stardom. Oh-ho-ho ho! 'Kya naam tha unka'! ('How popular was she!'). I used to just gaze at her long sleek car ('Cadillac'). I remembered her car's number by heart. 'Humlog sochte thay kitne bade artiste hain'! ('We would feel in awe, how big an artiste was she!'). People say Suraiyaji's death is a big loss to the film industry. But who went to see her when she was alive?"

Singer Nitin Mukesh said Suraiya had played heroine opposite his father, playback legend Mukesh, in the movie, 'Mashooka' (1953), as the lead actor.‘‘Papa was very fond of her. She met me at a couple of award functions and was always affectionate.’’[143]

Jaya Bhaduri, actress and wife of actor Amitabh Bachan, poignantly remembered Suraiya in 2004 just after her death, while receiving "Sansui Lifetime Achievement Award", saying that more tributes should have come her way, on how big an artiste she was.[144]

Earlier, in 1974, Sulakshana Pandit, then an upcoming actress cum singer, in an interview to Hindi film magazine 'Mayapuri' said "I want to to be a heroine cum singer like Suraiya. Her voice was fabulous, and she sang her own songs for films. I want to do the same." [145]

Editor of the film weekly, 'Screen (magazine)', Rauf Ahmed, remembered her, "She was the uncrowned queen of her time, a dazzling singing star. She took off from where Noor Jehan left when she went to Pakistan. When Suraiya acted with Dev Anand and Raj Kapoor, she was bigger than all of them"."...(For the Screen Videocon Lifetime Achievement Award (1996)), it was difficult to bring Suraiya to the Screen Awards ceremony. Till the last moment, we didn’t know if she would arrive to collect the award," he said.[146]

The Outlook (magazine) wrote after her death: "She evoked the kind of hysteria [in the late 1940s] that can be compared only with Rajesh Khanna in his heyday from 1969 to 1972. Ask any old-timer and they would confirm that people bunked offices, schools and colleges, even shops closed on the opening day of her films, to see her films first day, first show."[147]

The Hindu newspaper wrote about Suraiya, "What can you say about a lady, who was courted by Dev Anand, respected by Pandit Jawaharlal Nehru, but feared by Lata Mangeshkar! That she was beautiful, talented, adored by millions, but died a lonely single woman? Or, that she was the best ever superstar singer-actress of Indian films, yet walked away to a self-imposed exile at the height of her glory? Yes, Suraiya was all this, plus "a riddle, wrapped in a mystery, inside an enigma" who resolutely shunned screen and media once she departed from the arc lights."[148]

Suraiya's songs, as a tribute to her, are played every year on her death anniversary on 31 January by Radio Sri Lanka (Hindi music) (formerly Radio Ceylon) and are recorded on YouTube by eraksoldies.[69][149]

Suraiya's interviews, features and booksEdit

During her lifetime

There have been numerous features and articles in various national magazines on Suraiya during her lifetime. Some of these magazines were 'The Illustrated Weekly of India', 'Stardust', 'Society', 'Star & Style' and 'Filmfare'. The details of available articles/references are as follows:

(1) 'Suraiya, yesterday and today' (six pages), a feature and interview by Raju Bharatan in magazine 'The Illustrated Weekly of India' in the 25 November 1979 issue.[150]

(2) 'Why did Suraiya break Dev Anand's heart?', a feature and interview in magazine 'Society' by Deepa Arora in the January 1982 issue.[151]

(3) 'Will Suraiya ever forget Dev Anand', a feature and interview in film magazine 'Stardust' in the June 1972 issue.[152]

(4) 'Suraiya on her co-artistes', in a film magazine in 1952[153]

(5) 'Suraiya: A voice from the past', a feature and interview by Sheila Vesuna.[154][155]

(6) 'Dev Anand – Suraiya Love Story … in their own words', a feature and interview of both Suraiya and Dev Anand in 'Star and Style' by Sheila Vesuna, February, 1987.

Books on Suraiya

Although no major book has been written, wholly about Suraiya, a number of books have been written in which Suraiya has come alive, featuring her in a major way in various chapters. Some of these books are:

(1) 'Naushadnama ; the life and music of Naushad ' by Raju Bharatan

(2) 'A journey down melody lane' by Raju Bharatan.

(3) 'Romancing with life' (Autobiography) by Dev Anand

(4) 'Counting my blessings' by B. K.Karanjia.

Suraiya's speeches, audio interviews

(1) 'Suraiya-khushboo ka safar' (video) on YouTube, featuring Suraiya's speech on inauguration of retrospective of her films in March 1994.[156][157][158][159]

(2) 'Suraiyaji in a radio program' (audio) on YouTube, featuring Suraiya's presentation of her film songs in 'Vividh Bharati' (of All India Radio)[160]

(3) 'Suraiya talks about Khurshid Anwar' (audio), featuring Suraiya's interview about composer Khurshid Anwar.[161]

(4) 'Lata Mangeshkar gets (Zee) Lifetime Achievement Award' from Suraiya (Video on YouTube) featuring Suraiya presenting the Zee TV award to Lata Mangeshkar[162]

(5) 'Amin Shayani Geetmala ki chaon mein'[163]

(6) 'Geetmala Ki Chhaon Mein with Ameen Sayani - Episode 6 Stars Interview Special'[164]

(7) 'VBS- 31- 01- 2016- AAJ KE FANKAR- SURAIYA' contains an excerpt of Suraiya's interview with Vividh Bharti. [165]

Dev Anand remembers Suraiya

Dev Anand was closely emotionally involved with Suraiya during 1948–1951. He describes various facets of her personality in the following videos.

(1) 'Rendezvouz with Simi Garewal Dev Anand Part-1'[142] The TV interview of Dev Anand was conducted by Simi Garewal after Suraiya's death in 2004. Dev Anand comes out about their love-affair in quite a detailed way, and how he felt for Suraiya till her end. He said he did not go to meet her in her last days in the hospital, because he did not want to make a show of his sorrows. "Your sorrows are the citadels of your loneliness, not to be shared with the world", he said.

(2) Dev Anand remembered Suraiya in an interview with Karan Thapar in 'Face to Face' for BBC in 2002.[166] He said, he was in totally in love with Suraiya. His affair with Suraiya refined him and made a man out of him. About the question on eloping with Suraiya, he said he did not favour elopement. If he had married, it would have been with consent of her family.

(3) In, possibly, his last interview on his birthday on 26 September 2011, Dev Anand said, if he cried for any girl in his life, it was Suraiya.[167]

FilmographyEdit

Suraiya acted in the following films, along with singing her own songs in most of them.[168] Three of Suraiya's films were left incomplete. 'Jaanwar' with Dilip Kumar (early 50s) was abandoned by Suraiya, owing to misbehaviour with her by the lead actor, Dilip Kumar and producer director, K. Asif.[169][170] 'Pagalkhana' (also, in early 50s), with Bharat Bhushan as lead actor, was abandoned by the producer director P.L. Santoshi after eight reels, because of financial constraints.[171] An English version of 'Wajid Ali Shah', starring Suraiya and Ashok Kumar in 1953, being filmed by British film director, Herbert Marshall, was shelved after being made for some time.[172]

Year Film Director Producer Role Cast Music Director Other notes (singing, others)
1936 Madam Fashion Jaddan Bai Sangam Films (Jaddan Bai) -- Jaddan Bai (Heroine), Baby Suraiya, Baby Rani (later Nargis), Nazmi Begum, Ansari (Hero), Aashiq Hussain, P. Bose, Misra, Yusuf, M.P. Sinha Jaddan Bai Child Artist
1937 Usne Kya Socha I. A. Hafesjee Imperial Film Ghaznavi, Jamshedji, Ratan Bai, W. M. Khan, Anant Kumar Marathe, Asuji, Mukhtar, Rustam Poonawala & Suraiya Child artist
1939 Gul-e-Bakawali (in Punjabi) Barkat Mehra D.M. Pancholi -- Suraiya, Noor Jehan, Salim Raza, Hem Lata, Jabeen Ghulam Haidar Child artist
1941 Taj Mahal Nanubhai Vakil Mohan Pictures Baby Mumtaz Kumar, Sarojini, S. Nazir (Hero), Suraiya, Indurani, Khalil, Ram Marathe, Mubarak Madhavlal Damodar Major break as a child artist
1942 Boot Polish (only sang a solo song, no acting) A.R.Kardar Circo Production no role (only playback singer) Jairaj, Shobhana Samarth Naushad Suraiya's first song 'Boot karon mai polish, babu'
1942 Station Master C.M. Luhar Prakash Usha Pratima Devi, Jagdish Sethi, Prem Adib (Hero), Jeevan, Umakant, Kaushalya, Shakir, Amirbai, Suraiya, Gulab, Ratnamala Naushad Supporting role—2 duets with Rajkumari Dubey---

Silver Jubilee film

Tamanna Phani Majumdar Laxmi Production Jagdish Sethi, Shanta Kumari, Jairaj, Leela Desai, K. C. Dey, Karan Dewan, Suraiya, Rani K.C. Dey Supporting role—Suraiya's first duet with Manna Dey 'Jago, jago aye usha' (Also Manna Dey's first film song in Hindi).
1942 Sharda A.R.Kardar Kardar Productions only as a playback singer for Mehtab Amir Banu

Shyam Kumar

Mehtab (Heroine)

Naushad Only as a playback singer-2 solos, 1 duet with Nirmala Devi
1943 Kanoon A. R. Kardar Kardar Productions only as a playback singer for Mehtab Shahu Modak, Mehtab (Heroine), Gajanan Jagirdar, Nirmala Devi, Ulhas and Badri Prasad, A. Shah, Jetha, Amirali, Amir Bano, Padma. Naushad Only as a playback singer—2 solos, 3 duets with Shyam Kumar
1943 Sanjog A.R. Kardar Kardar Productions only as a playback singer for Mehtab Noor Mohammad 'Charlie', Mehtab (Heroine), Anwar Hussain,

Ulhas, Wasti, Raj Kumari, Shukal Chanda Bai

Ghulam Mohammad, Naushad Only as singer—3 solos, 2 duets with Noor Mohammad Charlie
1943 Ishara J. K. Nanda D. R. D. Production Suraiya (Heroine), Jagdish Sethi, Pratima Devi, K. N. Singh, Prithviraj Kapoor (Hero), Swarnalata, Suraiya, Satish, Vatsala Kumtekar, Masood Khurshid Anwar co-star---2 solos
Humari Baat M. I. Dharamsey Bombay Talkies Arun Kumar, Kamta Prasad, Dulari, Suraiya, Devika Rani (Heroine), David Abraham, Shah Nawaz, Raj Kapoor, Prabha, Mumtaz Ali, Jairaj (Hero) Anil Biswas Supporting role—4 duets with Arun Kumar Mukherjee
1945 Yateem Zia Sarhady Gautam Chitra E. Billimoria, Chandraprabha (Heroine), Yakub, Suraiya, Uday Kumar (Hero), Bhudo Advani, David Abraham, Lalita Pawar, Charlie Khurshid Anwar Supporting role
Tadbir Jayant Desai Jayant Desai Production Sugana Rehana, Jilloo Maa, K. L. Saigal (Hero), Mubarak, Suraiya, Salvi, Rewa Shankar, Shashi Chand Kapoor (Sr.), Shalini Lal Mohammed Heroine—3 solos, 2 duets with K.L. Sehgal
Samrat Chandragupta Jayant Desai Jayant Desai Production Ishwarlal, Mubarak, Nayampally, Renuka Devi, Suraiya, Sulochana Chatterji C. Ramchandra Supporting role---3 solos
Phool K. Asif Famous Pictures Wasti, Veena, Suraiya (Heroine), Prithviraj(Hero), Yakub, Dixit, Ashraf Khan, Agha, Mazhar Khan, M. Esmail, Jilloo Maa, Sitara, Durga Khote Ghulam Haider Supporting role—3 solos
1945 Main Kya Karoon Sudhir Sen Flora Pictures Shah Nawaz, Suraiya, Pahari Sanyal, Hansa Wadkar, Bikram Kapoor, E. Billimoria Ninu Majumdar co-star---3 solos and 2 duets with Hamida Banu
1946 Shama (only recorded disc versions for actress Mehtab at her request. Did not act in the film) Sibtain Fazli Minerva Movietone (Producer: Sohrab Modi) Mehtab, Ulhas, Wasti, Anwari, Prakash, Jafri Begum, Amir Bano, Sadat Ali, Chanda Ghulam Haider 3 solos (record versions for Mehtab)
1946 Jag Biti M. Sadiq Din Pictures Suraiya, Shakir, Sulochana Chatterji (Heroine), Abbas, Himalayawala, Bibi, Sadiq Ali Ghulam Haider co-star—3 solos
1857 Mohan Sinha Muarai Pictures Wasti, Surendra (Hero), Suraiya (Heroine), Nigar, Madan Puri, Leela, Menaka, Ganju, Munshi Khanjar, LaxmiSuraiya, Shakir, Sulochana Chatterji, Abbas, Himalayawala, Bibi, Sadiq Ali Sajjad Hussain Heroine—4 solos and 1 duet with Surendra
Anmol Ghadi Mehboob Khan Mehboob Production Basanti Surendra (Hero), Noorjahan (Heroine), Suraiya (Co-Heroine), Zahur Raja, Leela Misra, Anwari, Bhudo Advani, Murad, Amir Banu Naushad co-star withh Noor Jehan--- 3 solos ---Silver Jubilee film
Omar Khaiyyam Mohan Sinha Muarai Pictures Suraiya (Heroine), K.L. Saigal (Hero), Wasti, Benjamin, Shakir, Leela, Madan Puri, Muzammil Lal Mohammed Heroine---4 solos
1947 Parwana J.K. Nanda Jeet Productions Gopi K. N. Singh, K. L. Saigal (Hero), SuraiyaIheroine), S. Nazir, Azurie, Najam Khurshid Anwar Heroine---4 solos
Natak S.U.Sunny Kardar Productions Pratima Devi, Amar (Hero), Suraiya (Heroine), Sofia, Kanwar, Shyam Kumar, Amir Ali, Nazir Vedi, Nawab, Suleman Naushad Heroine---5 solos, one duet with Amar
Do Dil Jagdish Sethi Jamana Production Badri Prasad, Motilal, Suraiya (Heroine), Karan Dewan (Hero), Gulab Gobind Ram Heroine---4 solos, 2 duets with Mukesh
Dard A.R. Kardar Kardar Productions Pratima Devi, Badri Prasad, Husn Banu, Munawwar Sultana (Heroine), Nusrat (Hero), Suraiya (Co-Heroine), Shyam Kumar (Villain) Naushad Co-star with Munnawar Sultana---4 solos, one duet with Uma Devi---Silver Jubilee film
Dak Bangla M.Sadiq Indian National M. Esmail, Suraiya (Heroine), Gope, Kamal Kapoor (Hero), Wasti Naresh Bhattacharya Heroine---4 solos, 1 duet with Mukesh, 1 duet with Indrabadan Bhatt
1948 Aaj ki Raat D.D Kashyap Famous Pictures Motilal (Hero), Suraiya (Heroine), Yakub, Leela Misra, Raj Mehra, Anita Sharma, Sangeeta, Shah Nawaz Husnlal Bhagatram Heroine---5 solos, 2 duets with G M Durrani
Vidya G.Tripathi Jeet Pictures Vidya Suraiya (Heroine), Maya Banerji, Gulam Mohamed, Madan Puri, Amibai Karnataki, Cuckoo, Munshi Khanjar, Dev Anand (Hero) S.D. Burman Heroine---4 solos, 1 duet with Mukesh
Shakti S.I. Hasan Greater Bombay Pictures Kailash, Karan Dewan (Hero), Suraiya (Heroine), Sofia, Maya Devi, Seeta Bose, Cuckoo, Mumtaz Ali, Murad Ram Prasad Heroine---4 solos
Rang Mahal Pandit Anand Kumar Eastern Pictures Suresh (Hero), Suraiya (Heroine), Anant Marathe, Lalita Pawar, Shah Nawaz K. Datta Heroine---2 solos, 1 duet with Suresh
Pyar Ki Jeet O.P. Dutta Famous Pictures Gyani, Rehman (Hero), Suraiya (Heroine), Gope, Raj Mehra, Manorama, Leela Misra, Yashodhara Katju, Niranjan Sharma Husnlal Bhagatram Heroine---3 solos, 2 duets with Meena Kapoor and Surinder Kaur---Hit film
Kajal M.Sadiq Ratan Pictures Suraiya (Heroine), Jayant (Hero), Gope, Sharda, Ram Kamlani, Cuckoo, Wasti, Amir Banu Ghulam Mohammed 4 solos, 1 duet with Rafi
Gajre R.D.Mathur Ailled Art Production Motilal (Hero), Suraiya (Heroine), Agha, Nihal, Sangeeta, Geeta Nizami, Sankatha Prasad, Murad Anil Biswas Heroine---4 solos
1949 Singaar J.K.Nanda Haldia Nanda Production Jairaj (Hero), Suraiya (Heroine), Madhubala, Madan Puri, Randhir, K. N. Singh, Durga Khote Khurshid Anwar Heroine---4 solos, 1 duet with Surinder Kaur
Shair Chawla Jagat Pictures Vidya Cuckoo, Dev Anand (Hero), Kamini Kaushal, Murad, Suraiya (Heroine), Agha, Sulochana, Shyama, Dulari Ghulam Mohammed Heroine—5 solos
Naach Ravindra Dave Kuldip Pictures Shyam (Hero), Suraiya (Heroine), Kuldip, Raj Mehra, Gulab, Yashodhara Katju, Sofia, Shyama, Wasti, Om Prakash Husnlal Bhagatram 5 solos, 1 duet with Rafi
Lekh G.Rakesh Liberty Art Production Anand Pal, Cuckoo, Motilal (Hero), Suraiya (Heroine), Ishu, Jagirdar, Sitara Krishan Dayal 4 solos, 1 duet with Mukesh
Jeet Mohan Sinha Raj Kriti Chitra Jeet Shree Bhagwan, Durga Khote, Dev Anand (Hero), Suraiya (Heroine), Kanhaiyalal, Madan Puri, Suraiya Choudhary, Habib Anil Biswas 5 solos, 1 duet with Shankar Dasgupta, 1 duet with Geeta Dutt, Vinod
Duniya S.F Hussain Fazli Bros Anwari, Karan Dewan (Hero), Suraiya (Heroine), Yakub, Bhudo Advani, Shakila, Zubeida, Jankidas C. Ramchandra 7 solos, 1 duet with Rafi
Dillagi A.R.Kardar Kardar Production Chandabai, Amir Banu, Shyam (Hero), Suraiya (Heroine), Sharda, Amar Naushad 6 solos, 1 duet with Shyam Kumar (singer, co- actor, not hero Shyam (this film)---Silver Jubilee film
Char Din M.Sadiq Ratan Pictures Badri Prasad, Om Prakash, Shyam (Hero), Suraiya (Heroine), Jayant, Randhir, Mohana, Shyama, Cuckoo Shyam Sunder 5 solos
Balam Homi Wadia Wadia Movietone Wasti (Hero), Nigar Sultana, Suraiya (Heroine), Masood, Jayant, Agha Husnlal Bhagatram 4 solos, 1 duet with Lata, 1 duet with Rafi
Badi Bahen D.D. Kashyap Famous Pictures Suraiya (Heroine), Ulhas, Gulab, Roop Kamal, Tabassum, Shanti Madhok, Niranjan Sharma, Ram Avtaar, Geeta Bali, Pappu, Rehman (Hero), Pran Husnlal Bhagatram 4 solos---Hit film
Amar Kahani Baij Sharma Kamal Kunj Chitra Jairaj (Hero), Suraiya (Heroine), Mehta, Ranjana Husnlal Bhagatram 6 solos
1950 Shaan Jayant Desai Kuldip Pictures Pratima Devi, Cuckoo, Suraiya (Heroine), Sapru, Manorama, David Abraham, Rehman (Hero) Hansraj Behl 4 solos, 2 duets with Rafi
Nilli Ratibhai Punatkar Ranjit Film Company Vidya Suraiya (Heroine), Agha, Shyama, Dulari, Cuckoo, Dev Anand (Hero) S. Mohinder 6 solos, 1 duet with G.M. Durrani
Khiladi Talwar Talwar Films Ashok Kumar (Hero), Suraiya (Heroine), Kumar, Indu, E. Tarapore, Anoop Kumar, Narbada Shanker, Sunder, Cuckoo Hansraj Behl 4 solos, 2 duets with Rafi
Kamal Ke Phool D.D. Kashyap Famous Pictures Badri Prasad, Suraiya (Heroine), Jeevan, Raj Mehra, Leela Misra, Niranjan Sharma, Shakuntala, Amarnath (Hero) Shyam Sunder 5 solos
Dastan A.R. Kardar Musical Pictures Pratima Devi, Raj Kapoor (Hero), Al Nasir, Murad, Suraiya (Heroine), Veena, Suresh, Shakila Naushad 6 solos, 3 duets with Rafi—Silver Jubilee film
Afsar Chetan Anand Nav Ketan Rashid Khan, Suraiya (Heroine), Manmohan Krishna, Kanhaiyalal, Krishna Dhawan, Zohra Sehgal, Anand Pal, Dev Anand (Hero) S.D. Burman 5 solos, 1 duet with Geeta Dutt
1951 Shokiyan Kidar Sharma Ambitious Pictures Nazira, Shanta Kanwar, Premnath (Hero), Suraiya (Heroine), Jeevan, Kamlesh, Achla Sachdev, Rajendra Vyas, Ramesh Sinha Jamal Sen 3 solos, 1 duet with Lata
Sanam Nandlal Jaswantlal United Technicians Vidya Jilloo Maa, Pratima Devi, Suraiya (Heroine), Gope, Meena Kumari, Dev Anand (Hero), K. N. Singh Husnlal Bhagatram 4 solos, 2 duets with Rafi, 1 duet with SD Batish, 1 trio with Shamshad and SD Batish, 1 duet with Lata
Rajput Lekhraj Bhakri Jubilee Pictures Shakuntala, Jairaj (Hero), Suraiya (Heroine), Sapru, Kuldip Kaur, Mumtaz, Maruti, Randhir Hansraj Behl 4 solos
Do Sitare D.D. Kashyap Famous Pictures Suraiya (Heroine), Kuldip Kaur, Mumtaz, Baij Sharma, Prem Nath, Dev Anand (Hero), Shakuntala Anil Biswas 4 solos
1952 Resham Lekhraj Bhakri Jubilee Pictures Sunder, Jairaj (Hero), Suraiya (Heroine), Sapru, Naaz, Achla Sachdev, Khurshid, Ramesh Thakur, Jagdish Hansraj Behl 4 solos
Moti Mahal Ravindra Dave Nigaristan Films Vidya Ajit (Hero), Veera, Suraiya (Heroine), Jeevan, Tabassum, Satish Hansraj Behl 3 solos, 1 duet with Shamshad begum
Lal Kunwar Ravindra Dave Nigaristan Films Nasir Khan (Hero), Suraiya (Heroine), Jairaj, Usha Kiran, Agha, Durga Khote S.D.Burman 4 solos
Khubsoorat S.F. Hussain Fazli Bros. Nasir Khan (Hero), Suraiya (Heroine), Yakub, Bhudo Advani, Zubeida, Jankidas Madan Mohan 4 solos
Goonj Phani Majumdar Kwarta Art Production Bhagwan, Suresh (Hero), Suraiya (Heroine), Sapru, Majnu, Madan Puri, Randhir, Ravikant Sardul Sharma 5 solos, 1 duet with Rafi
Diwana A.R.Kardar Kardar Production Suresh (Hero), Suraiya (Heroine), Sumitra Devi, Shyam Kumar, Ramesh, Madan Puri, Banerjee, Amirbai Karnataki, Amir Ali Naushad 4 solos, 1 duet with Lata—Silver Jubilee film
1953 Mashuqa Shanti Kumar Chitrakar Suraiya (Heroine), Agha, Kuldip Kaur, Durga Khote, Amirbai Karnataki, Mukesh (Hero) Roshan 4 solos, 2 duets with Lata
1954 Mirza Ghalib Sohrab Modi Minerva Movietone Bharat Bhushan (Hero), Murad, Durga Khote, Jagdish Sethi, Suraiya (Heroine), Nigar Sultana, Mukri, Baij Sharma, Kumkum, Sadat Ali, Iftekhar, Roshan Ghulam Mohammed 5 solos, 1 duet with Talat
Bilwamangal D.N. Madhok Minar Movies Vidya C. H. Atma (Hero), Suraiya (Heroine), Nirupa Roy, Ulhas, Asha Mathur Bulo C Rani 5 solos, 2 duets with C.H.Atma
Waris Nitin Bose Minerva Movietone Shobha Jagdish Sethi, Suraiya (Heroine), Talat Mehmood (Hero), Nadira, Sadat Ali, Meheli Modi, Yakub, Achla Sachdev, Roopmala Anil Biswas 3 solos, 4 duets with Talat
Shama Parwana D.D. Kashyap Kashyap Production Shammi Kapoor (Hero), Suraiya (Heroine), Roop Mala, Ulhas, Sunder, Mubarak Husnlal Bhagatram 4 solos, 3 duets with Rafi, 1 duet with Asha
1955 Kanchan Baij Sharma Kamal Kunj Chitra Jairaj (Hero), Suraiya (Heroine), Mehta, Ranjana Husnlal Bhagatram 6 solos
Inam M.I. Dharamsey Zodiac Pictures Pratima Devi, Nasir Khan (Hero), Suraiya (Heroine), Yakub, Bimla Kumari, Mukri S. N. Tripathi 3 solos, 1 duet with Mohantara Ajinkya
1956 Mr. Lambu N.A.Ansari Sheikh Mukhtar Bhagwan, Helen, Sheikh Mukhtar (Hero), Suraiya (Heroine), Kamaljeet, Vijayalaxmi, N. A. Ansari, Minoo Mumtaz O.P.Nayyar 2 solos, 1 duet with Rafi
1958 Trolly Driver Gajanan Jagirdar Divya Jyot Production Rehman (Hero), Cuckoo, Pratima Devi, Bhagwan, Suraiya (Heroine), Jagirdar, Usha Kiran, Madan Puri Husnlal Bhagatram 2 solos, 1 duet with Rafi, 3 unavailable
Miss 1958 Kuldip Kahar A.K. Movies Om Prakash, Suraiya (Heroine), Karan Dewan (Hero), Madan Puri, Naaz, Krishna Kumari N. Dutta 1 solo
Malik S.M. Yusuf Sunny Art Productions Jagdeep, Lalita Pawar, Roopmala, Suraiya (Heroine), Talat Mehmood (Hero), Jeevan, Mukri, Radhakrishen, Kumar Ghulam Mohammed 1 solo, 2 duets with Talat
1958 Taqdeer (not her film)-- 2 songs sung by her for her earlier incomplete film. These were used by the music director and picturized on Shyama. A S Arora Neela Productions Karan Dewan (Hero), Shyama (Heroine), Asha Mathur, Madan Puri, Helen, S K Prem Dhani Ram

(Lyrics by Verma Malik)

2 songs ((1)Hawa uda kar layi; and (2)o, bewafa kar ke jafa) sung by her for an incomplete film- used by MD in 'Taqdeer'
1961 Shama Lekhraj Bhakri Tasveeristan Kumud Tripathi, Nimmi, Vijay Dutt (Hero)(Guru Dutt's brother), Suraiya (Heroine), Kumar, Kammo, Tarun Bose, Mumtaz Begum, Tuntun, Leela Misra, Renu Maker Ghulam Mohammed 3 solos
1963 Rustam Sohrab[173] Vishram Bedekar Ramsay Productions Murad, Prithviraj Kapoor (Hero), Suraiya (Heroine), Premnath (Co-Hero), Mumtaz, Azad, Merlyn, Hiralal, P. Kailash, Sajjan Sajjad Hussain 1 solo, her last song ('Yeh kaisee ajab dastan ho gayi hai')

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External linksEdit