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The Thing (also known as John Carpenter's The Thing) is a 1982 American science-fiction horror film directed by John Carpenter and written by Bill Lancaster, based on the 1938 novella by John W. Campbell, Jr.. It tells the story of an group of American researchers in Antarctica who encounter the eponymous "Thing", a parasitic extraterrestrial life form that assimilates other organisms and in turn imitates them. The group is quickly overcome by paranoia and conflict as they learn that they can no longer trust each other and that any one of them can be the Thing. The film stars Kurt Russell as the team's helicopter pilot R.J. MacReady, and features A. Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas Waites in supporting roles.

The Thing
The Thing (1982) theatrical poster.jpg
Theatrical release poster by Drew Struzan
Directed by John Carpenter
Produced by David Foster
Lawrence Turman
Screenplay by Bill Lancaster
Based on Who Goes There?
by John W. Campbell, Jr.
Starring Kurt Russell
Music by Ennio Morricone
Cinematography Dean Cundey
Edited by Todd Ramsay
The Turman-Foster Company
Distributed by Universal Pictures
Release date
  • June 25, 1982 (1982-06-25)
Running time
109 minutes
Country United States
Language English
Budget $15 million[1]
Box office $19.6 million (North America)[2]

Carpenter considers The Thing to be the first part of his Apocalypse Trilogy, followed by Prince of Darkness and In the Mouth of Madness. Although the films are narratively unrelated, each features a potentially apocalyptic scenario; should "The Thing" ever reach civilization, it would be only a matter of time before it consumes all life on Earth. Carpenter acknowledged that the work of H.P. Lovecraft also inspired the film.

On June 25, 1982, The Thing opened in 840 theaters, and it was the #8 movie of the week at the box office. It remained in the top 10 for three weeks. The lower-than-expected performance has been attributed to many factors, the main ones being the runaway success of Steven Spielberg's E.T. the Extra-Terrestrial, which was also released by Universal Studios two weeks earlier and featured a more optimistic view of alien visitation, and that another major adult-oriented science fiction film, Ridley Scott's Blade Runner, was released by Warner Bros. the same day. Since its release, The Thing has become a cult following. The film was eventually reappraised by critics, and is now considered to be one of the greatest horror films ever made. The film subsequently spawned a novelization in 1982; a comic book miniseries adaptation, entitled The Thing from Another World, published by Dark Horse Comics in 1991; a video game sequel, also titled The Thing, in 2002; a prequel film with the same title in 2011; and a board game called The Thing: Infection at Outpost 31 in 2017.



In Antarctica 1982, a Norwegian helicopter pursues an Alaskan Malamute to an American research station. The commotion draws out the American team who witness the Norwegian pilot accidentally blow up the helicopter, while the surviving Norwegian shouts at the Americans, but they cannot understand him. He raises his gun towards the team, and is shot dead by Garry, the station commander. The Americans send their pilot R.J. MacReady and Dr. Copper to investigate the Norwegian camp, where they find a charred ruin and frozen corpses. Outside they discover the burned remains of a two-faced humanoid corpse; they recover the body to the American station. Their biologist, Blair, autopsies the remains and finds a normal set of human organs.

Clark kennels the Malamute with the station's sled dogs, where it soon metamorphoses, and absorbs the dogs. Alerted by the disturbance, the team arrives and Childs uses a flamethrower to incinerate the creature. Blair autopsies the new creature, and learns that it can perfectly imitate other organisms. The recovered Norwegian data leads the Americans to a gigantic excavation site containing a partially buried flying saucer, and a smaller, human-sized dig site. Norris estimates that the saucer has been buried for at least 100,000 years. Meanwhile, Blair grows paranoid, believing that the creature could assimilate all life on Earth in a matter of years. Fuchs confides to MacReady his concerns about Blair, and that Blair's research shows that the dead creature's remains are still alive at the cellular level. The station implements controls to reduce the risk of assimilation.

The "dead" creature assimilates an isolated Bennings, but Windows interrupts before the process and MacReady burns the Bennings-Thing. Blair sabotages all of the vehicles, kills the remaining sled dogs, and destroys the radio to prevent escape. The team imprison him in a tool shed. Copper suggests a test to compare each members blood against uncontaminated blood held in storage, but after learning that the blood stores have been destroyed, the men lose faith in Garry, and MacReady takes command.

MacReady, Windows, and Nauls later find Fuchs' burnt corpse outside and surmise he committed suicide to avoid assimilation. Windows returns to base while MacReady and Nauls investigate MacReady's disturbed shack. On their return, Nauls abandons MacReady in the snowstorm, believing he has been assimilated after finding MacReady's torn clothes in the shack. The team debate whether to allow MacReady into the base, but he breaks in and holds the group at bay with dynamite. During the encounter, Norris appears to suffer a heart attack.

Copper attempts to revive him with a defibrillator, causing the Norris-Thing to transform and bite off Copper's arms. MacReady incinerates the monster, but its head separates from the body and attempts to escape before MacReady burns that too. MacReady is then forced to kill Clark in self-defense when he refuses to follow MacReady's orders. Macready hypothesizes that the Norris-Thing's head demonstrates that every part of the Thing is an individual life form with its own survival instinct. He sequentially tests blood samples with a heated piece of wire. Everyone passes the test except for Palmer, whose blood flees from the hot wire. Palmer transforms and infects Windows, before both are killed by MacReady.

Childs is left on guard while the others go to test Blair. They find that Blair has escaped, and has been using vehicle components to craft a small spaceship. They return to the camp to find Childs missing and the power generator destroyed. MacReady speculates that the Thing intends to freeze the remaining team members and return to hibernation until a rescue team arrives. MacReady, Garry, and Nauls decide to detonate the station to destroy the Thing. As they set explosives, Blair kills Garry, and Nauls disappears. Blair transforms into an enormous creature and destroys the detonator. MacReady triggers the explosives using a stick of dynamite, destroying the base.

MacReady sits nearby as the camp burns, and Childs returns, claiming he became lost in the storm while pursuing Blair. Exhausted and slowly freezing to death, they acknowledge the futility of their distrust and share a bottle of scotch.


Kurt Russell (left) and Keith David in 2015



The film is based on John W. Campbell, Jr.'s novella Who Goes There?, which was more loosely adapted by Howard Hawks and Christian Nyby as the 1951 film The Thing from Another World.[4] Carpenter acknowledged that the work of H.P. Lovecraft also inspired the film.[5][6]

In 1980, Fantasy Newsletter reported that Wilbur Stark had bought the rights to several old RKO fantasy films, intending to remake them. It suggested the most significant of these purchases was The Thing From Another World.[7] When The Thing came to be made, Stark was executive producer.[8]

A number of early drafts for the film were written by Tobe Hooper and Kim Henkel, co-creators of The Texas Chain Saw Massacre.[9] The final screenplay was written in 1981 by Bill Lancaster, son of Burt Lancaster.[10] Carpenter later recalled that he did not meet or collaborate with any of the screenwriters.[11]

According to the sign post outside the camp, the Antarctic research team is stationed at the United States National Science Institute Station 4. However, in early drafts of the script, the base was called, "U.S. Outpost 31".[12] When making a recording of events, Kurt Russell's character, MacReady, signs off as, "R.J. Macready, helicopter pilot, U.S. Outpost #31".

The Thing was Carpenter's eighth time directing a full-length feature and his first film under the production of a major film studio (Universal Studios).

The Thing was the fourth film shot by cinematographer Dean Cundey (following Carpenter's Halloween, The Fog, and Escape from New York) and the third to feature Kurt Russell as the lead actor. Russell would appear in two additional Carpenter films following The Thing: Big Trouble in Little China and Escape from L.A. Most of the special creature effects were designed and created by Rob Bottin and his crew, with the exception of the dog creature, which was created by Stan Winston.[13] Winston was brought in when Bottin's team found themselves overloaded with work on the other creatures seen in the film.[13]

Two names were changed from Bill Lancaster's second draft of the script.[12] The character Windows was originally named Sanchez, who was described as "hating it here" and "lousy at his job". The second character changed is the Norwegian rifleman, who was identified as "Jans Bolan" in a deleted scene from his dogtags and named Lars according to the 2011 prequel.

Principal photographyEdit

The film was shot near the small town of Stewart in northern British Columbia. The research station in the film was built by the film crew during summer, and the film shot in sub-freezing winter conditions. The only female presence in the film is the voice of a chess computer, voiced by Carpenter regular (and then-wife) Adrienne Barbeau, as well as the female contestants viewed on a videotaped episode of Let's Make a Deal.

The film took three months to shoot on six artificially frozen sound stages in Los Angeles, with many of the crew and actors working in cold conditions.[10] The final weeks of shooting took place in northern British Columbia, near the border with Alaska, where snow was guaranteed to fall.[10] John Carpenter filmed the Norwegian camp scenes at the end of production. The Norwegian camp was simply the remains of the American outpost after it was destroyed by an explosion.[13]

The film was shot anamorphically for the 2.39:1 "scope" ratio.

In the documentary Terror Takes Shape on the DVD, film editor Todd C. Ramsay states that he made the suggestion to Carpenter to film a "happy" ending for the film, purely for protective reasons, while they had Russell available. Carpenter agreed and shot a scene in which MacReady has been rescued and administered a blood test, proving that he is still human. Ramsay follows this by saying that The Thing had two test screenings, but Carpenter did not use the sequence in either of them, as the director felt that the film worked better with its eventual nihilistic conclusion. The alternate ending with MacReady definitively proven to be human has yet to be released.

One of the film's associate producers, Larry J. Franco, has a credited cameo as the Norwegian rifleman from the beginning of the film. Director John Carpenter and his then-wife Adrienne Barbeau have uncredited cameos as a man in the Norwegian video footage and the voice of the chess computer, respectively.

Although the production's helicopter pilots are not characters within the film and only serve as body doubles when the helicopters are in flight, they are listed under the credits. Nate Irvin is listed as Helicopter Pilot and William Zeman is listed as Pilot.

According to the 1998 DVD release, the "Blair Monster" was to have had a much larger role in the final battle. However, due to the limitations of stop-motion animation, the monster appears for only a few seconds in the film.


The film's musical score was composed by Ennio Morricone, a rare instance of Carpenter not scoring one of his own films,[14] although Carpenter did score a few pieces of music with Alan Howarth which were also used in the final film.[15] In 2012, Morricone recalled,

Regarding The Thing, by John Carpenter, I've asked him, as he was preparing some electronic music with an assistant to edit on the film, "Why did you call me, if you want to do it on your own?" He surprised me, he said - "I got married to your music. This is why I've called you." I was quite amazed, he called me because he had my music at his wedding. Then when he showed me the film, later when I wrote the music, we didn't exchange ideas. He ran away, nearly ashamed of showing it to me. I wrote the music on my own without his advice. Naturally, as I had become quite clever since 1982, I've written several scores relating to my life. And I had written one, which was electronic music. And [Carpenter] took the electronic score.[16]

Though they did not speak a common language, Carpenter and Morricone collaborated on the soundtrack. Carpenter said that he urged Morricone toward a more minimalist direction.[17] MCA released the soundtrack in 1982; Varèse Sarabande released it 1991 on compact disc.[18] It was also available as an isolated score track on the 1998 DVD release, but is not present on the 2005 edition. The soundtrack has since gone out of print. A re-recording of the soundtrack, produced and arranged by Alan Howarth and Larry Hopkins, is currently available. It is the only version of the soundtrack that contains the unused Carpenter and Howarth pieces.[citation needed]

Three unused tracks from Morricone's original soundtrack for The Thing—"Eternity", "Bestiality" and "Despair"—were used in the 2015 Quentin Tarantino film The Hateful Eight, also starring Kurt Russell.[19]


Box officeEdit

The Thing opened #8 and remained in the top 10 at the box office for three weeks.[20] The film was released in the United States on June 25, 1982 in 840 theaters and was issued an "R" rating by the Motion Picture Association of America. It debuted at #8 at the box office, with an opening weekend gross of $3.1 million. It went on to make $19,629,760 domestically.[2] Carpenter and other writers have speculated that the film's poor performance was due to the release of E.T. the Extra-Terrestrial two weeks earlier, with its more optimistic scenario of alien visitation (which received a "PG" rating from the MPAA).[21][22] The Thing also opened on the same day as Ridley Scott's science fiction film Blade Runner, which debuted at #2.[23][24]

Home mediaEdit

After its cinema run, the film was released on VHS, RCA VideoDisc, and laserdisc, and a re-edited version was created for television by TBS and Universal Studios's executive Sid Sheinberg, who recut the film to add narration and an alternate ending.[25]

The Thing has subsequently been released twice on DVD by Universal in 1998 and 2005. The 1998 edition was a Universal Collector's Edition, featuring The Thing: Terror Takes Shape, an extensive 83-minute documentary. It details all aspects of the film and features interviews from many of the people involved. There are detailed stories from the cast and crew concerning the adapted screenplay, the special effects, the post-production, the critical reception, and more. Other features include deleted scenes, the alternative ending shown in the television version, a theatrical trailer and production notes. Additionally, John Carpenter and Kurt Russell provide commentary throughout the film.[citation needed] An anamorphic widescreen transfer was not included, but this omission was remedied with the second DVD/HD DVD release in October 2004, which featured identical supplements to the 1998 release, with the exception of the isolated score track from the documentary. The film was released on Blu-ray Disc in Europe on October 6, 2008.[citation needed]

Unlike the American version of The Thing released on Blu-ray, the European version features most of the extras from the 1998 and 2005 DVD releases. These extras include the documentary The Thing: Terror Takes Shape although several extras, most notably the alternate ending, were not included. The Blu-ray version also includes various Blu-ray-only features, such as a HD version of the film (although the extras are still presented in 480i/p, depending on the extra) as well as a picture-in-picture mode that pops up at various points of the film. Although the feature is new, the footage included in the picture-in-picture mode is all taken from The Thing: Terror Takes Shape documentary.[citation needed]

In October 2017 the film was remastered in 4K from the original negative and re-released on Blu-ray by Arrow Video.[26]


Critical responseEdit

"I take every failure hard. The one I took the hardest was The Thing. My career would have been different if that had been a big hit...The movie was hated. Even by science-fiction fans. They thought that I had betrayed some kind of trust, and the piling on was insane. Even the original movie's director, Christian Nyby, was dissing me."
—John Carpenter on the reception of The Thing[27]

The film received negative reviews upon release.[28] The film's makeup special effects were simultaneously lauded and lambasted for being technically brilliant but visually repulsive and excessive. Film critic Roger Ebert called the film "disappointing", though said he found it scary and that it was "a great barf-bag movie." However, he criticized what he felt were poor characterizations and illogical plot elements, ultimately giving the film 2½ stars out of 4.[29] In his review for The New York Times, Vincent Canby called it "a foolish, depressing, overproduced movie that mixes horror with science fiction to make something that is fun as neither one thing or the other. Sometimes it looks as if it aspired to be the quintessential moron movie of the 80s."[30] Time magazine's Richard Schickel wrote, "Designer Rob Bottin's work is novel and unforgettable, but since it exists in a near vacuum emotionally, it becomes too domineering dramatically and something of an exercise in abstract art."[31]

In his review for The Washington Post, Gary Arnold called the film "a wretched excess."[32] Jay Scott, in his review for the Globe and Mail, called the film "a hell of an antidote to E.T."[33] In his review for Newsweek, David Ansen wrote, "Astonishingly, Carpenter blows it. There's a big difference between shock effects and suspense, and in sacrificing everything at the altar of gore, Carpenter sabotages the drama. The Thing is so single-mindedly determined to keep you awake that it almost puts you to sleep."[34] David Denby of New York magazine wrote that the original story may have influenced Invasion of the Body Snatchers and Alien, but a new adaptation seems derivative.[35] In his book Science Fiction (1984), Phil Hardy described the film as a "surprising failure" and "Carpenter's most unsatisfying film to date."[36] The review noted that the narrative "seems little more than an excuse for the various set-pieces of special effects and Russell's hero is no more than a cypher compared to Kenneth Tobey's rounded character in Howard Hawks' The Thing".[36]

It is now considered to be one of the greatest horror films ever made.[37][38]


The Thing received nominations from the Academy of Science Fiction, Fantasy and Horror Films for Best Horror Film and Best Special Effects, but lost to Poltergeist and E.T. the Extra-Terrestrial, respectively. The film was nominated in the Razzie Awards for Worst Musical Score.[39]


Retrospective acclaimEdit

Despite negative contemporary reviews, the film has been reappraised substantially in the years following its release. An early positive review of the film was provided by Peter Nicholls in 1992, who called The Thing "a black, memorable film [which] may yet be seen as a classic".[40] The Thing now maintains an 83% "Certified Fresh" rating on Rotten Tomatoes; the site's consensus states: "Grimmer and more terrifying than the 1950s take, John Carpenter's The Thing is a tense sci-fi thriller rife with compelling tension and some remarkable make-up effects."[41] It has been listed as one of the best of 1982 by and[42][43] The film ranked #97 on Rotten Tomatoes' Journey Through Sci-Fi (100 Best-Reviewed Sci-Fi Movies), and a scene from The Thing was listed as #48 on Bravo's 100 Scariest Movie Moments.[44] Similarly, the Chicago Film Critics Association named it the 17th scariest film ever made.[45] The Thing was named "the scariest movie . . . ever!" by the staff of the Boston Globe.[37] In 2008, the film was selected by Empire magazine as one of The 500 Greatest Movies of All Time.[46] John Kenneth Muir, writing in Horror Movies of the 1980s, called it "Carpenter's most accomplished and underrated directorial effort". Muir goes on to say that it is "the best science fiction-horror film of 1982, an incredibly competitive year, and perhaps even the best genre motion picture of the decade".[38]

In 2011, The New York Times asked prominent horror filmmakers what film they had found the scariest. Two, John Sayles and Edgar Wright, cited The Thing. "The theater was full, and I had to sit in the front row," Sayles recalled.[47]

Cultural impactEdit

The Thing went on to gain a cult following.[48]

The Thing is annually viewed by members of the winter crew at the Amundsen–Scott South Pole Station during the first evening of winter. Another traditional feature is The Shining.[49] It is also viewed by scientific personnel at the Summit Camp on the apex of the Greenland Ice Sheet.[citation needed]

In the 2007 Halloween Horror Nights event at Universal Studios in Orlando, Florida, the film property was designed as a haunted attraction called "The Thing: Assimilation".[50] Guests walked through Outpost 3113, a military facility where the remains of Outpost 31 were brought for scientific research. Scenes and props from the film were recreated for the attraction, including the bodies of MacReady and Childs. In 2009, the icon house of the 2007 event, Silver Screams, contained a room based on the film.

In 2011, Universal Studios also featured haunted attractions based on the 2011 prequel at both the Florida and the Hollywood editions of Halloween Horror Nights.[51]

Carpenter considers The Thing to be the first part of his Apocalypse Trilogy,[52] followed by Prince of Darkness and In the Mouth of Madness.


In September 2000, as part of the third series of its "Movie Maniacs" line of toys, McFarlane Toys released two figures based on the film. One was the Blair Monster[53] seen near the ending of the film, and the other is the Norris Creature seen during the defibrillator scene. The latter included a smaller figurine of the disembodied head with spider legs also seen in the film. SOTA Toys, under its Now Playing line, released a boxed set of MacReady action figure in the kennel scene, showing the Thing imitating the dogs, as well as a bust of the Norris Spider Head.[54]

In 2017, Mondo collaborated with the Project Raygun division of USAopoly to release a board game based on the film, entitled The Thing: Infection at Outpost 31.[55][56]


The Sci Fi Channel planned to do a four-hour mini-series sequel to the film in 2003. Carpenter stated that he believed the project should proceed, but the Sci Fi Channel later removed all mention of the project from their homepage. In February 2009, a positive review of the abandoned screenplay for the Sci-Fi miniseries was published on Corona's Coming Attractions.[57]

In 2004, John Carpenter said in an Empire magazine interview that he has a story idea for The Thing II, which centers around the two surviving characters, MacReady and Childs. However, Carpenter felt that due to the higher price associated with his fee, Universal Studios will not pursue his storyline. Carpenter indicated that he would be able to secure both Kurt Russell and Keith David for the sequel. In his story, Carpenter would explain the age difference of the actors between the two installments by having frostbite on their face due to the elements until rescued. The assumption of the sequel would rely on a radio signal being successfully transmitted by Windows before Blair destroyed the communications room. Thus, after the explosion of the base camp, the rescue team would arrive and find MacReady and Childs still alive. Carpenter has not disclosed any other details.[58]

In September 2006, it was announced in Fangoria magazine that Strike Entertainment, the production company behind Slither and the Dawn of the Dead remake, was looking for a writer or writers to write a theatrical prequel to The Thing.[59] After accepting a script from Eric Heisserer, Strike Entertainment began production to the prequel, also titled The Thing and was filmed in 2010.[60] In the prequel, the Norwegian crew discovers the alien three days prior to the dog-thing arriving at Outpost 31. Surviving characters of the prequel, Matias and Lars, become the two Norwegians chasing the dog by helicopter in the opening of the 1982 film. The 2011 film was directed by Matthijs van Heijningen Jr., shot in Toronto, and released on October 14 of that year.[61]

In other mediaEdit

The Thing From Another World#1

A novelization of the film based on the second draft of the screenplay was published in 1982 by Alan Dean Foster. Although the novel is generally true to the film, there are minor differences: the Windows character is named Sanders, and an episode in which MacReady, Bennings and Childs chase after several infected dogs which escape into the Antarctic wastes was added (this sequence was featured in Lancaster's second draft of the screenplay). The disappearance of Nauls is also explained in the novel; pursued by the Blair-Thing into a dead end, he kills himself rather than allow it to assimilate him.

Dark Horse Comics published four comic sequels to the film in the form of three mini-series and one serial (The Thing from Another World, The Thing from Another World: Climate of Fear, The Thing from Another World: Eternal Vows, which sees the return of MacReady as he pursues the Thing to New Zealand's Stewart Island, and The Thing from Another World: Questionable Research (which was serialized in Dark Horse Comics #13-16), again featuring the character of MacReady as the lone human survivor of Outpost #31 and depicting Childs as infected (The Thing From Another World: Climate of Fear issue 3 of 4).[62] Questionable Research explores a parallel reality where MacReady is not around to stop the Thing and a suspicious scientist must prevent its spread after it has wreaked destruction on Outpost 31. The comic series was titled The Thing from Another World after the original 1951 Howard Hawks film in order to avoid confusion and possible legal conflict with Marvel Comics' Fantastic Four member, the Thing. Much later, Dark Horse released a digital comic called The Thing: The Northman Nightmare as a prelude to the film's 2011 prequel.[63]

In January 2010, Clarkesworld Magazine published "The Things", a short story by Peter Watts which retells the film events from the alien's point of view and paints it in a much more sympathetic light by describing the Thing as an alien with an innocent impulse to share with the human race its power of communion and its frightened, not to mention severely saddened, reaction when they attack it. The story received a nomination to the Hugo Award in 2011.[64] The Thing Itself (2015), a novel by British author Adam Roberts, remixes The Thing with Kantian philosophy.

In 2002, The Thing was released as a survival horror third-person shooter for PC, PlayStation 2, and Xbox, acting as a sequel to the film. The video game differs from the comics in that Childs is dead of exposure, and the audiotapes are present (they were removed from Outpost 31 at the start of The Thing from Another World: Questionable Research). At the completion of the game, R.J. MacReady is found alive and helping the main character complete the last mission. The game used elements of paranoia and mistrust intrinsic to the film. Some retailers, such as GameStop, offered a free copy of the 1998 DVD release as an incentive for reserving the game.[65][66][67] In 2011, a region of the Entropia Universe was created based on the theme of The Thing.[68]


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  • Hardy, Phil, ed. (1984). Science Fiction. New York : Morrow. ISBN 0-688-00842-9. 

Further readingEdit

See alsoEdit

External linksEdit