Poltergeist (1982 film)
Poltergeist is a 1982 American supernatural horror film directed by Tobe Hooper. Steven Spielberg wrote and produced, but had a clause in his contract to prevent him from directing another movie while he made E.T. the Extra-Terrestrial. Therefore, Hooper was selected to direct based on his work on The Texas Chain Saw Massacre. It is the first and most successful entry in the Poltergeist film series. Set in a California suburb, the plot focuses on a family whose home is invaded by malevolent ghosts that abduct the family's younger daughter.
Theatrical release poster
|Directed by||Tobe Hooper|
|Story by||Steven Spielberg|
|Music by||Jerry Goldsmith|
|Cinematography||Matthew F. Leonetti|
|Edited by||Michael Kahn|
SLM Production Group
|Distributed by||MGM/UA Entertainment Co.|
|Box office||$121.7 million|
Released by Metro-Goldwyn-Mayer on June 4, 1982, the film was a major critical and commercial success, achieving in being the eighth highest-grossing film of 1982. Years since its release, the film has been recognized as a classic within the horror genre and has gained a cult following. Aside for being nominated for three Academy Awards, a scene from the film was ranked as #80 on Bravo's 100 Scariest Movie Moments and the Chicago Film Critics Association named it the 20th scariest film ever made. The film also appeared at #84 on American Film Institute's 100 Years...100 Thrills, a list of America's most heart-pounding movies.
Steven and Diane Freeling live a quiet life in an Orange County, California planned community called Cuesta Verde, where Steven is a successful real estate developer and Diane looks after their children Dana, Robbie, and Carol Anne. Carol Anne awakens one night and begins conversing with the family's television set, which is displaying static following a sign-off. The following night, while the Freelings sleep, Carol Anne fixates on the television set as it transmits static again. Suddenly, a ghostly white hand emerges from the television, followed by a violent earthquake. As the shaking subsides, Carol Anne announces "They're here".
Bizarre events occur the following day: a drinking glass of milk spontaneously breaks, silverware bends and furniture moves of its own accord. The phenomena seem benign at first, but quickly begin to intensify. That night, a gnarled backyard tree comes alive and grabs Robbie through the bedroom window. While Steven rescues Robbie, Carol Anne is sucked through a portal in her closet. The Freelings realize she has been taken when they hear her voice emanating from the television set that is tuned to an empty channel.
A group of parapsychologists from UC Irvine — Dr. Lesh, Ryan, and Marty — come to the Freeling house to investigate and determine that the Freelings are experiencing a poltergeist intrusion. They discover that the disturbances involve more than just one ghost. Steven also finds out in an exchange with his boss, Lewis Teague, that Cuesta Verde is built where a cemetery was once located.
After Dana and Robbie are sent away for their safety, Lesh and Ryan call in Tangina Barrons, a spiritual medium. Tangina states that the ghosts inhabiting the house are lingering in a different "sphere of consciousness" and are not at rest. Attracted to Carol Anne's life force, these spirits are distracted from the real "light" that has come for them. Tangina then adds that there is also a demon known as the "Beast", who has Carol Anne under restraint in an effort to restrain the other spirits.
The assembled group discovers that the entrance to the other dimension is through the children's bedroom closet, while the exit is through the living room ceiling. As the group attempts to rescue Carol Anne, Diane passes through the entrance tied by a rope that has been threaded through both portals. Diane manages to retrieve Carol Anne, and they both drop to the floor from the ceiling, unconscious and covered in ectoplasmic residue. As they recover, Tangina proclaims afterward that the house is now "clean".
Shortly thereafter, the Freelings begin the process of moving elsewhere by packing up their belongings. During their last night in the house, Steven leaves for the office in order to quit his job and Dana goes on a date, leaving Diane, Robbie, and Carol Anne alone in the house. The "Beast" then ambushes Diane and the children, aiming for a second kidnapping by attempting to restrain Robbie and Diane. Robbie is attacked by a clown doll in his bedroom, and Diane is attacked by an unseen force that moves her up the wall and over the ceiling in her room. The unseen force drives Diane to the backyard dragging her into the swimming pool. Skeletons surround her as she tries to swim to escape, but she manages to climb out of the pool and make her way back into the house. She rescues the children, and they eventually escape to the outside only to discover coffins and rotting corpses erupting out from the ground in their yard and throughout the neighborhood.
As Steven and Dana return home to the mayhem, Steven confronts Teague after realizing that rather than relocating the cemetery for the development of Cuesta Verde, Teague merely had the headstones moved and the bodies left behind. The Freelings flee Cuesta Verde while the house implodes into the portal, to the astonishment of onlookers. The family checks into a hotel for the night, and Steven rolls the television outside into the walkway.
- Craig T. Nelson as Steven Freeling
- JoBeth Williams as Diane Freeling
- Heather O'Rourke as Carol Anne Freeling
- Dominique Dunne as Dana Freeling
- Oliver Robins as Robbie Freeling
- Zelda Rubinstein as Tangina Barrons
- Beatrice Straight as Dr. Lesh
- Richard Lawson as Ryan
- Martin Casella as Marty
- James Karen as Mr. Teague
- Michael McManus as Ben Tuthill
A clause in his contract with Universal Studios prevented Spielberg from directing any other film while preparing E.T. the Extra-Terrestrial. Time and Newsweek tagged the summer of 1982 "The Spielberg Summer" because E.T. and Poltergeist were released a week apart in June. As such a marketable name, some began to question Spielberg's role during production. Suggestions that Spielberg had greater directorial influence than the credits suggest were aided by his comments:
Tobe isn't... a take-charge sort of guy. If a question was asked and an answer wasn't immediately forthcoming, I'd jump in and say what we could do. Tobe would nod agreement, and that became the process of collaboration.
The Directors Guild of America "opened an investigation into the question of whether or not Hooper's official credit was being denigrated by statements Spielberg has made, apparently claiming authorship." Co-producer Frank Marshall told the Los Angeles Times that "the creative force of the movie was Steven. Tobe was the director and was on the set every day. But Steven did the design for every storyboard and he was on the set every day except for three days when he was in Hawaii with Lucas." However, Hooper stated that he "did fully half of the storyboards."
The Hollywood Reporter printed an open letter from Spielberg to Hooper in the week of the film's release.
Regrettably, some of the press has misunderstood the rather unique, creative relationship which you and I shared throughout the making of Poltergeist.
I enjoyed your openness in allowing me... a wide berth for creative involvement, just as I know you were happy with the freedom you had to direct Poltergeist so wonderfully.Through the screenplay you accepted a vision of this very intense movie from the start, and as the director, you delivered the goods. You performed responsibly and professionally throughout, and I wish you great success on your next project.
Several members of the Poltergeist cast and crew have over the years consistently stated that Spielberg was the 'de facto director' of the picture, while other actors have claimed Hooper directed the film. In a 2007 interview with Ain't It Cool News, Rubinstein discussed her recollections of the shooting process. She said that "Steven directed all six days" that she was on set: "Tobe set up the shots and Steven made the adjustments." She also alleged that Hooper "allowed some unacceptable chemical agents into his work," and felt that "Tobe was only partially there."
Hooper was so nice and just happy to be there. He creatively had input. Steven developed the movie, and it was his to direct, except there was anticipation of a director’s strike, so he was “the producer” but really he directed it in case there was going to be a strike and Tobe was cool with that. It wasn’t anything against Tobe. Every once in a while, he would actually leave the set and let Tobe do a few things just because. But really, Steven directed it.
Poltergeist was awarded the BAFTA Award for Best Special Visual Effects and was nominated for the Academy Award for Best Visual Effects, losing that award to Spielberg's other summer hit, E.T. The Extra Terrestrial.
The music for Poltergeist was written by veteran composer Jerry Goldsmith. He wrote several themes for the score including the lullaby "Carol Anne's Theme" to represent blissful suburban life and the young female protagonist, an elegant semi-religious melody for dealings of the souls caught between worlds, and several dissonant, atonal blasts during moments of terror. The score went on to garner Goldsmith an Academy Award nomination for Best Original Score, though he lost to fellow composer John Williams for E.T. the Extra-Terrestrial.
After being unreleased for nearly 15 years, Goldsmith's score received its first soundtrack album release on March 4, 1997 by Rhino Movie Music as Poltergeist: Original Motion Picture Soundtrack. A two-disc soundtrack album later followed on December 9, 2010 by Film Score Monthly featuring additional source and alternate material. The 2010 release also included previously unreleased tracks from Goldsmith’s score to The Prize (1963). The following track list is based on the 2010 album release.
There is an alternate version of "Carol Anne's theme" which has lyrics. That version is unofficially titled "Bless this House" (which is a line from the chorus). It was not featured in the film, but was part of the original album.
|Disc One – The Film Score|
|1.||"The Star Spangled Banner"||1:30|
|5.||"The Clown/They're Here/Broken Glass"||3:52|
|6.||"The Hole/TV People"||1:26|
|12.||"Let’s Get Her/Rebirth"||16:02|
|13.||"Night of the Beast"||3:51|
|14.||"Escape From Suburbia"||7:29|
|15.||"No TV/End Credits (Carol Anne's Theme)"||4:20|
|Disc Two – The 1982 Soundtrack Album|
|1.||"Carol Anne’s Theme"||3:29|
|3.||"Escape From Suburbia"||6:18|
|6.||"Night of the Beast"||2:16|
|9.||"Twinkle, Twinkle, Little Star"||0:36|
|11.||"The Calling (alternate)"||2:05|
|12.||"Carol Anne’s Theme (orchestra only)"||3:15|
|13.||"The Clown (alternate)"||1:16|
|14.||"Escape From Suburbia (alternate)"||7:31|
|15.||"Carol Anne’s Theme (original edit and alternate vocal)"||3:15|
Poltergeist initially received an R rating from the MPAA. As the PG-13 rating did not come into effect until 1984, which might have been an appropriate rating for Poltergeist, Steven Spielberg and Tobe Hooper disagreed with the R rating and managed to have the film changed to a PG rating on appeal.
Poltergeist was released theatrically by Metro-Goldwyn-Mayer on June 4, 1982. The film was a commercial success and grossed $76,606,280 in the United States, making it the highest-grossing horror film of 1982 and eighth overall for the year.
The film was well received by critics and is considered by many as a classic of the horror genre as well as one of the best films of 1982. Andrew Sarris, in The Village Voice, wrote that when Carol Anne is lost, the parents and the two older children "come together in blood-kin empathy to form a larger-than-life family that will reach down to the gates of hell to save its loved ones." In the Los Angeles Herald-Examiner, Peter Rainer wrote:
Buried within the plot of Poltergeist is a basic, splendid fairy tale scheme: the story of a little girl who puts her parents through the most outrageous tribulation to prove their love for her. Underlying most fairy tales is a common theme: the comforts of family. Virtually all fairy tales begin with a disrupting of the family order, and their conclusion is usually a return to order.
The film has continued to receive recognition over 30 years after its release. It maintains an 88% "Certified Fresh" rating on Rotten Tomatoes. Poltergeist was selected by The New York Times as one of The Best 1000 Movies Ever Made. The film also received recognition from the American Film Institute. The film ranked number 84 on AFI's 100 Years…100 Thrills list, and the line "They're here" was named the 69th greatest movie quote on AFI's 100 Years…100 Movie Quotes.
The film received three Academy Award nominations: Best Original Score, Best Sound Effects Editing, and Best Visual Effects, all of them losing to Spielberg's other film E.T. The Extra Terrestrial.
|1983||Academy Award||Academy Award for Best Sound Editing||Nominated|
|Academy Award for Best Visual Effects||Nominated|
|Academy Award for Best Original Score||Nominated|
|Saturn Award||Saturn Award for Best Horror or Thriller Film||Won|
|Saturn Award for Best Make-up||Won|
|Saturn Award for Best Supporting Actress – Zelda Rubinstein||Won|
|Saturn Award for Best Actress – JoBeth Williams||Nominated|
|Saturn Award for Best Director – Tobe Hooper||Nominated|
|Saturn Award for Best Music – Jerry Goldsmith||Nominated|
|British Academy Film Awards||BAFTA Award for Best Special Visual Effects||Won|
|Young Artist Awards||Young Artist Award for Best Younger Supporting Actress – Heather O'Rourke||Nominated|
Reissues and sequelsEdit
The film was reissued on October 29, 1982 to take advantage of the Halloween weekend. It was shown in theaters for one night only on October 4, 2007 to promote the new restored and remastered 25th anniversary DVD, released five days later. This event also included the documentary "They Are Here: The Real World of Poltergeists", which was created for the new DVD.
The film spawned two sequels. In 1986, Poltergeist II: The Other Side retained the family but introduced a new motive for the Beast's behavior, tying him to an evil cult leader named Henry Kane, who led his religious sect to their doom in the 1820s. As the Beast, Kane went to extraordinary lengths to keep his "flock" under his control, even in death. The original motive of the cemetery's souls disturbed by the housing development was thereby altered; the cemetery was now explained to be built above a cave where Kane and his flock met their ends.
Poltergeist III in 1988 finds Carol Anne as the sole original family member living in an elaborate Chicago skyscraper owned and inhabited by her aunt, uncle and cousin. Kane follows her there and uses the building's ubiquitous decorative mirrors as a portal to the Earthly plane.
In 2008, MGM announced that Vadim Perelman would helm a remake, to be written by Juliet Snowden and Stiles White. The reboot of the Poltergeist series was put on hold in 2010, because of MGM's financial problems. However, on February 18, 2011, MGM announced they still had plans for the remake. On June 20, 2013, it was announced that MGM and 20th Century Fox would co-finance a "revisionist" version of Poltergeist, directed by Gil Kenan. Production started in late 2013. Sam Raimi, Rob Tapert and Roy Lee produced the film, which stars Sam Rockwell, Jared Harris, and Rosemarie DeWitt. The film was released on May 22, 2015.
Poltergeist was released on VHS, Betamax, CED, and LaserDisc in 1982. In 1997, MGM released Poltergeist on DVD in a snap case, and the only special feature was a trailer. In 1998, Poltergeist was re-released on DVD with the same cover and disc as the 1997 release, but in a keep case and with an eight-page booklet. In 1999, it was released on DVD again by Warner Home Video in a snap case with the same disc, but a different cover. Warner Home Video tentatively scheduled releases for the 25th anniversary edition of the film on standard DVD, HD DVD and Blu-ray in Spain and the US on October 9, 2007. The re-release was billed as having digitally remastered picture and sound, and a two-part documentary: "They Are Here: The Real World of Poltergeists", which makes extensive use of clips from the film. The remastered DVD of the film was released as scheduled, but both high-definition releases were eventually canceled. Warner rescheduled the high definition version of the film and eventually released it only on the Blu-ray format on October 14, 2008.
A novelization was written by James Kahn, adapted from the film's original screenplay. The copyright is 1982 by Amblin' Enterprises, Inc. It was printed in the United States through Warner Books, with the first printing in May 1982. While the film focuses mainly on the Freeling family, much of the book leans toward the relationship between Tangina and Dr. Lesh away from the family. The novel also expands upon many scenes that took place in the film, such as the Freelings' living room being visited by night by outer dimensional entities of fire and shadows, and an extended version of the kitchen scene in which Marty watches the steak crawl across a countertop. In the book, Marty is frozen in place and is skeletonized by spiders and rats. There are also additional elements not in the film, such as Robbie's mysterious discovery of the clown doll in the yard during his birthday party, and a benevolent spirit, "The Waiting Woman", who protects Carol Anne in the spirit world.
Two separate Seth MacFarlane series also parody the movie. The 2006 Family Guy episode, "Petergeist" parodies Poltergeist. While attempting to build a multiplex in his backyard, Peter discovers an Indian burial ground. When he takes an Indian chief's skull, a poltergeist invades the Griffins’ home. The episode used some of the same musical cues heard in the film and recreates several of its scenes.American Dad! also parodied the film with the season 10 episode "Poltergasm", in which the Smith house has become haunted by Francine's unsatisfied sex drive.
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