Always (1989 film)
Theatrical release poster by John Alvin
|Directed by||Steven Spielberg|
|Based on||A Guy Named Joe |
by Dalton Trumbo
Frederick Hazlitt Brennan
|Music by||John Williams|
|Edited by||Michael Kahn|
|Distributed by||Universal Pictures|
|Box office||$74.1 million|
Always is a remake of the 1943 romantic drama A Guy Named Joe set during World War II. The main departure from the 1943 film is the altering of the setting from WWII to that of a modern aerial firefighting operation. The film, however, follows the same basic plot line: the spirit of a recently dead expert pilot mentors a newer pilot, while watching him fall in love with the girlfriend he left behind. The names of the four principal characters of the earlier film are all the same, with the exception of the Ted Randall character, who is called Ted Baker in the remake, and Pete's last name is Sandich instead of Sandidge.
Pete Sandich (Dreyfuss) is an aerial firefighter whose excessive risk taking in the air deeply troubles his girlfriend, Dorinda Durston (Hunter), a pilot who doubles as a dispatcher. It also concerns Pete's best friend, Al Yackey (Goodman), a fellow firefighter pilot.
After yet another risky and nearly fatal flight that Pete casually shrugs off, Al suggests he accept a safer job training firefighting pilots in Flat Rock, Colorado. Pete refuses until Dorinda tearfully confronts him, confessing her perpetual fear and anguish that he will be killed. Pete relents, and tells Dorinda he will accept the training job.
Pete accepts one last mission, despite Dorinda's gloomy premonition. During the fire bombing run, Al's engine catches fire and is about to explode. Pete makes a dangerously steep dive and skillfully douses Al's engine with a fire-retardant slurry, saving Al. As Pete struggles to regain control from the dive, he flies directly through the forest fire, igniting his own engine and exploding the plane.
Pete strolls through a burnt-out forest. Coming to a small clearing, he meets Hap (Hepburn), who explains Pete died and now has a new purpose: like spirits did for him during his lifetime, he will provide Spiritus ("the divine breath") to guide others who will interpret his words as their own thoughts.
Six months have elapsed in the real world, though time is often non-linear from Pete's perspective. Al wants a grieving Dorinda to move past Pete's death. He takes her with him to Colorado to work at the flight school where Pete is to guide a new firefighting pilot, Ted Baker (Johnson). More months pass, and, to Pete's anguish, Ted falls in love with Dorinda as she begins emerging from her year-long mourning. Pete attempts to sabotage the budding romance, but Hap reminds him that his life ended; he was sent to inspire Ted, but also to bid Dorinda farewell.
Ted, with Pete's inspiration, plans a dangerous rescue mission of trapped firefighters. Unable to bear another loss, Dorinda takes Ted's aircraft to do the job herself. Pete, unseen to Dorinda, fails to dissuade her. With Pete's guidance, Dorinda saves the firefighters. On the return flight, Pete tells her everything he wanted to say in life.
Dorinda makes an emergency water landing in a lake. As the sinking plane's cockpit floods, Dorinda seems reluctant to escape. Pete appears before her and, offering his hand, leads her to the surface. As Dorinda (now alone) wades ashore, Pete releases her heart to allow Ted to replace him.
Dorinda walks back to the airbase and embraces Ted. Pete smiles and heads in the opposite direction to assume his place in Heaven.
As appearing in screen credits (main roles identified):
- Richard Dreyfuss as Pete Sandich
- Holly Hunter as Dorinda Durston
- John Goodman as Al Yackey
- Brad Johnson as Ted Baker
- Audrey Hepburn as Hap
- Roberts Blossom as Dave
- Keith David as Powerhouse
- Ed Van Nuys as Nails
- Marg Helgenberger as Rachel
- Dale Dye as Don
- Brian Haley as Alex
- James Lashly as Charlie
- Michael Steve Jones as Grey
- Doug McGrath as Bus Driver
Spielberg confided that while making Jaws in 1974, he and Dreyfuss had traded quips from A Guy Named Joe, considered a "classic" war film, that they both wanted to remake.[Note 1] As an "inside joke," a clip from A Guy Named Joe is included in a scene in Poltergeist, which Spielberg had produced. Dreyfuss had seen the 1943 melodrama "at least 35 times." For Spielberg, who recalled seeing it as a child late at night, "it was one of the films that inspired him to become a movie director," creating an emotional connection to the times that his father, a wartime air force veteran had lived through. The two friends quoted individual shots from the film to each other and when the opportunity arose, years later, were resolved to recreate the wartime fantasy.[Note 2]
Principal photography began on May 15, 1989; production took place in northwestern Montana in the Kootenai National Forest, with some scenes filmed in and around Libby. Some 500 of its residents were recruited for the film as extras to act as wildland firefighters. The scenes where the plane flies over the lake at the beginning and lands in the lake at the end of the movie were filmed at Bull Lake, south of Troy. The scenes set in "Flat Rock, Colorado," were filmed at and around the Ephrata airport in eastern Washington. The scene where Pete and Hap are walking through the wheat field was filmed at Sprague, southwest of Spokane, where they spent two weeks filming in June. Footage of Yellowstone National Park's 1988 fires was used for the fire sequences. Sound stages were also used at Universal Studios in Los Angeles, California, and production wrapped in August 1989.
Hepburn retired from acting and died four years later in 1993.
Two Douglas A-26 Invader fire bombers (Douglas B-26C Invader No. 57] and Douglas TB-26C Invader No. 59) were prominently featured in Always. The flying for the film was performed by well-known film pilot Steve Hinton and Dennis Lynch, the owner of the A-26s.[Note 3]
A number of other aircraft also appeared in Always: Aeronca 7AC Champion, Bellanca 8KCAB Super Decathlon, Beechcraft Model 18, Cessna 337 Super Skymaster, Cessna 340, Consolidated PBY-5A Catalina, de Havilland Canada DHC-6-300 Twin Otter, Douglas C-54 Skymaster, Fairchild C-119C Flying Boxcar, McDonnell Douglas DC-10 and North American B-25J Mitchell. Two helicopters were also seen: Bell 206 JetRanger and Bell UH-1B Iroquois.
Always opened at #5 at that week's box office, grossing $3,713,480, competing with Christmas Vacation, Tango & Cash (opening the same weekend), The War of the Roses and Back to the Future Part II. Although now considered only a modest financial success when compared to other Spielberg ventures, the film brought back returns grossing $43,858,790 in the U.S. and $30,276,000 on foreign territories, for a $74,134,790 worldwide total.
Roger Ebert of the Chicago Sun-Times considered it "dated" and more of a "curiosity," calling it Spielberg's "weakest film since his comedy 1941". Variety gave it a more generous review: "Always is a relatively small scale, engagingly casual, somewhat silly, but always entertaining fantasy." The film has received a 67% rating on Rotten Tomatoes based on 24 reviews.
Awards and nominationsEdit
Always was nominated in 1991 for the Saturn Award as Best Fantasy Film, while Jerry Belson was nominated for the Best Writing category of the award at the Academy of Science Fiction, Fantasy & Horror Films (USA). A number of critics have now considered the film as the progenitor of a new crop of "ghost" genre films, including Ghost (1990).
- The character Pete Sandich, played by Richard Dreyfuss, whistles "Garryowen" and the theme to Leave It to Beaver.
- "Smoke Gets in Your Eyes," performed live in the film by J. D. Souther and played later on tape by The Platters, is what romantic couple Sandich & Durston refers to as "our song".
- The album is released in 1990, featuring tracks of the orchestral score of the film, composed and conducted by John Williams.
- Originally intended to be an MGM project, the film underwent a protracted 10-year gestation, with Tom Cruise reputedly being considered for the Ted Baker role.
- A noticeably frail Audrey Hepburn appeared in Always in her last film role. Her cameo was an opportunity to raise money for her favourite cause; much of Hepburn's one million dollar plus salary was donated to UNICEF.
- A combination of aerial photography, rear projection and models was used to create the aerial sequences.
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