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Cosmicism is the literary philosophy developed and used by the American writer H. P. Lovecraft in his weird fiction.[1] Lovecraft was a writer of philosophically intense horror stories that involve occult phenomena like astral possession and alien miscegenation, and the themes of his fiction over time contributed to the development of this philosophy.



The philosophy of cosmicism states that there is no recognizable divine presence, such as a god, in the universe, and that humans are particularly insignificant in the larger scheme of intergalactic existence, and perhaps are just a small species projecting their own mental idolatries onto the vast cosmos.[2][citation needed] This also suggests that the majority of undiscerning humanity are creatures with the relative significance of insects and plants, when compared to the universe.[citation needed]

The most prominent theme in cosmicism is the insignificance of humanity. Cosmicism shares many characteristics with nihilism, though one important difference is that cosmicism tends to emphasize the insignificance of humanity and its doings, rather than summarily rejecting the possible existence of some higher purpose (or purposes). For example, in Lovecraft's Cthulhu stories, it is not the absence of meaning that causes terror for the protagonists, as it is their discovery that they have absolutely no power to change anything in the vast, indifferent universe that surrounds them.[citation needed] In Lovecraft's stories, whatever meaning or purpose may be invested in the actions of the cosmic beings is completely inaccessible to the human characters.[citation needed]

Lovecraft's cosmicism was a result of his complete disdain for all things religious[citation needed], his feeling of humanity's existential helplessness in the face of what he called the "infinite spaces" opened up by scientific thought, and his belief that humanity was fundamentally at the mercy of the vastness and emptiness of the cosmos.[3] In his fictional works, these ideas are often explored humorously ("Herbert West–Reanimator," 1922), through fantastic dream-like narratives ("The Dream Quest of Unknown Kadath," 1927), or through his well-known Cthulhu Mythos ("The Call of Cthulhu," 1928, and others). Common themes related to cosmicism in Lovecraft's fiction are the insignificance of humanity in the universe[4] and the search for knowledge ending in disaster.[5]

Lovecraft's work also tended to impress fear of the other onto the reader, such as in The Dunwich Horror and Dagon, often portraying that which is unknown as a terrible threat to the rest of humanity. This is possibly a reflection of his own personal views, which were often insular and paranoid.

Cosmic indifferentismEdit

Though cosmicism appears deeply pessimistic, H.P. Lovecraft thought of himself as neither a pessimist nor an optimist but rather a "scientific" or "cosmic" indifferentist,[6] a theme expressed in his fiction. In Lovecraft's work, human beings are often subject to powerful beings and other cosmic forces, but these forces are not so much malevolent as they are indifferent toward humanity.[7] This indifference is an important theme in cosmicism. The noted Lovecraft scholar S. T. Joshi asserts that "Lovecraft constantly engaged in (more or less) genial debates on religion with several colleagues, notably the pious writer and teacher Maurice W. Moe. Lovecraft was a strong and antireligious atheist; he considered religion not merely false but dangerous to social and political progress."[8] As such, Lovecraft's cosmicism is not religious at all, but rather a version of his mechanistic materialism. Lovecraft thus embraced a philosophy of cosmic indifferentism. He believed in a meaningless, mechanical, and uncaring universe that human beings, with their naturally limited faculties, could never fully understand. His viewpoint made no allowance for religious beliefs which could not be supported scientifically. The incomprehensible, cosmic forces of his tales have as little regard for humanity as humans have for insects.[9]

Though personally irreligious, Lovecraft used various "gods" in his stories, particularly the Cthulhu-related tales, to expound cosmicism. However, Lovecraft never conceived of them as supernatural, but extraterrestrials who understand and obey a set of natural laws which to human understanding seem magical. These beings (the Great Old Ones, Outer Gods and others) — though dangerous to humankind — are portrayed as neither good nor evil, and human notions of morality have no significance for these beings. Indeed, they exist in cosmic realms beyond human understanding. As a symbol, this is representative of the kind of universe that Lovecraft believed in.[10] Though some of these beings have - and in some cases create - cults to honor them, to the vast majority of these beings the human race is so insignificant that they aren't given any consideration whatsoever.

See alsoEdit


  1. ^ Joshi, The Annotated H. P. Lovecraft, p. 12.
  2. ^
  3. ^ Fritz Leiber "A Literary Copernicus,"Discovering H. P. Lovecraft, ed. Darrell Schweitzer (1987).
  4. ^ Price, "Lovecraft's 'Artificial Mythology'", An Epicure in the Terrible, p. 247.
  5. ^ Price, "Introduction", The New Lovecraft Circle, pp. xviii–xix. Price writes: "One seeks forbidden knowledge, whether wittingly or, more likely, unwittingly, but one may not know till it is too late... The knowledge, once gained, is too great for the mind of man. It is Promethean, Faustian knowledge. Knowledge that destroys in the moment of enlightenment, a Gnosis of damnation, not of salvation."
  6. ^ William F. Touponce (2013). Lord Dunsany, H.P. Lovecraft, and Ray Bradbury: Spectral Journeys. Scarecrow Press. p. 62. ISBN 978-0-8108-9220-0.
  7. ^ Price, "Lovecraft's 'Artificial Mythology'", p. 249.
  8. ^ S.T. Joshi Interview - Acid Logic e-zine
  9. ^ Mariconda, "Lovecraft's Concept of 'Background'", pp. 22–3, On the Emergence of "Cthulhu" & Other Observations.
  10. ^ Burleson, "The Lovecraft Mythos", Survey of Science Fiction Literature, p. 1284.