Portal:Rock music

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Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock with extended artistic elements, glam rock, highlighting showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 2Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 3Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 4Drum notation for a backbeat (from Hard rock)
Image 5Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 6Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 7Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 8Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 9Wolfmother, 2007 (from Hard rock)
Image 10Chuck Berry in 1957 (from Rock and roll)
Image 11Buddy Holly and his band, the Crickets (from Rock and roll)
Image 12Little Richard in 1957 (from Rock and roll)
Image 13Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 14Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 15The Who on stage in 1975 (from Hard rock)
Image 16Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 17Golden Earring receives a gold record in 1970. (from Hard rock)
Image 18"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 19Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 20Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 21Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 22Kiss onstage in Boston in 2004 (from Hard rock)

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Slayer is an American thrash metal band from Huntington Park, California, formed in 1981 by guitarists Kerry King and Jeff Hanneman, drummer Dave Lombardo and bassist/vocalist Tom Araya. Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax. Slayer's current lineup consists of King, Araya, drummer Paul Bostaph and guitarist Gary Holt, who initially joined as a touring member in 2011 before joining the band permanently after Hanneman's death in 2013. Drummer Jon Dette was also a member of the band.

In the original lineup, King, Hanneman and Araya contributed to the band's lyrics, and all of the band's music was written by King and Hanneman. The band's lyrics and album art, which cover topics such as serial killers, torture, genocide, organized crime, secret societies, occultism, terrorism, religion or antireligion, fascism, racism and war, have generated album bans, delays, lawsuits and criticism from religious groups. However, its music has been highly influential, being cited by many bands as an influence musically, visually and lyrically; the band's third album, Reign in Blood (1986), has been described as one of the heaviest and most influential thrash metal albums.

Slayer released twelve studio albums, three live albums, a box set, six music videos, two extended plays and a cover album. Four of the band's studio albums have received gold certification in the United States. Slayer sold 5 million copies in the United States from 1991 to 2013, according to Nielsen SoundScan. The band has received five Grammy Award nominations, winning one in 2007 for the song "Eyes of the Insane" and one in 2008 for the song "Final Six", both of which were from the album Christ Illusion (2006). After more than three decades of recording and performing, Slayer announced in January 2018 that it would embark on a farewell tour, which took place from May 2018 to November 2019, after which the band disbanded. Slayer later announced their reunion in February 2024. (Full article...)

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George Roger Waters (born 6 September 1943) is an English musician and singer-songwriter. In 1965, he co-founded the rock band Pink Floyd as the bassist. Following the departure of the songwriter, Syd Barrett, in 1968, Waters became Pink Floyd's lyricist, co-lead vocalist and conceptual leader until his departure in 1985.

Pink Floyd achieved international success with the concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979), and The Final Cut (1983). By the early 1980s, they had become one of the most critically acclaimed and commercially successful groups in popular music. Amid creative differences, Waters left in 1985 and began a legal dispute over the use of the band's name and material. They settled out of court in 1987. Waters's solo work includes the studio albums The Pros and Cons of Hitch Hiking (1984), Radio K.A.O.S. (1987), Amused to Death (1992), and Is This the Life We Really Want? (2017). In 2005, he released Ça Ira, an opera translated from Étienne and Nadine Roda-Gils' libretto about the French Revolution.

In 1990, Waters staged one of the largest rock concerts in history, The Wall – Live in Berlin, with an attendance of 450,000. As a member of Pink Floyd, he was inducted into the US Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. Later in 2005, he reunited with Pink Floyd for the Live 8 global awareness event, the group's only appearance with Waters since 1981. He has toured extensively as a solo act since 1999. He performed The Dark Side of the Moon for his world tour of 2006–2008, and The Wall Live, his tour of 2010–2013, was the highest-grossing tour by a solo artist at the time.

Waters incorporates political themes in his work and is a prominent supporter of Palestine in the Israeli–Palestinian conflict. He has called for the removal of the Israeli West Bank Barrier, supports the Boycott, Divestment and Sanctions movement against Israel, and describes Israel's treatment of Palestinians as apartheid. Some of his comments, such as his likening of Israel to Nazi Germany, and elements of his live shows, drew accusations of antisemitism, which Waters dismissed as a conflation of anti-Semitism with anti-Zionism. (Full article...)

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Tommy is the fourth studio album by the English rock band the Who, first released on 19 May 1969. Primarily written by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker.

Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and he attempted to translate Baba's teachings into music. Recording of the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at Woodstock, the 1969 Isle of Wight Festival, the University of Leeds, the Metropolitan Opera House, and the 1970 Isle of Wight Festival. The live performances of Tommy drew critical praise and revitalised the band's career.

Upon its release, Tommy was acclaimed by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. In 1998, Tommy was inducted into the Grammy Hall of Fame.

Subsequently, the rock opera was developed into other media, including a Seattle Opera production in 1971, an orchestral version by Lou Reizner in 1972, a film in 1975, and a Broadway musical in 1992. Tommy has been reissued several times on CD, including a remix by Jon Astley in 1996, a deluxe Super Audio CD in 2003, and a super deluxe box set in 2013, including previously unreleased demos and live material. (Full article...)

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"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.

The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song.

Dylan's song has four verses, of which the Byrds only used the second for their recording. Dylan's and the Byrds' versions have appeared on various lists ranking the greatest songs of all time, including an appearance by both on Rolling Stone's list of the 500 best songs ever. Both versions received Grammy Hall of Fame Awards.

The song has a bright, expansive melody and has become famous for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini. The lyrics call on the title character to play a song and the narrator will follow. Interpretations of the lyrics have included a paean to drugs such as LSD, a call to the singer's muse, a reflection of the audience's demands on the singer, and religious interpretations. (Full article...)

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Credit: Rama

Juliette Lewis of Juliette and the Licks at the Eurockéennes of 2007.

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Did you know (auto-generated)

... that the neofolk album The Lone Furrow features several guest vocalists from heavy metal bands, and critics thought it might appeal to fans of that genre?
... that the heavy metal musician Leah has sometimes been called "the metal Enya"?
... that Dutch radio and TV presenter Hanneke Kappen presented the second Dutch radio show dedicated to heavy metal music?
... that the Liverpool Echo described British rock and roll star Tommy Steele as "quite unable to sing and play the guitar at the same time" when reviewing his first album?
... that Greg Cooper based the character of suffragist Kate Sheppard in punk-rock musical That Bloody Woman on Bette Midler in concert in Cleveland?
... that before charting on the UK Albums Chart with Are We There Yet?, the indie rock musician James Marriott had made a career of mocking other YouTubers' music?

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Progressive rock (shortened as prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an emergence of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. (Full article...)