Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820 (the Classical period), this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period.
"Magnetic Rag" (July 21, 1914) is a ragtime composition for piano by Scott Joplin. It is significant for being the last rag which Joplin published in his lifetime, three years before his death in 1917. It is also unique in form and in some of the musical techniques employed in the composition. "Magnetic Rag" was written by Joplin at the end of his career, when interest in ragtime was waning. He was suffering from the latter stages of syphilis, the disease from which he died only three years later. Possibly as a result of Joplin's mood at this time, the piece expresses a melancholy almost entirely unheard in his earlier works. While many of Joplin's piano rags fit the classic rag scheme, "Magnetic Rag" is unique in its form of AABBCCDDAA. Due to its novelty at the time, the form has been described as "progressive".
Wilhelm Richard Wagner (; German pronunciation: [ˈʁi.çaʁt ˈvaɡ.nɐ]; 22 May 1813, Leipzig, Germany – 13 February 1883, Venice, Italy) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Unlike most other great opera composers, Wagner wrote both the scenario and libretto for his works.
Richard Wagner was born at no. 3 ('the House of the Red and White Lions'), the Brühl, in Leipzig, on 22 May 1813, the ninth child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service. Wagner's father died of typhus six months after Richard's birth, following which Wagner's mother, Johanna Rosine Wagner, began living with the actor and playwright Ludwig Geyer, who had been a friend of Richard's father. In August 1814 Johanna Rosine married Geyer, and moved with her family to his residence in Dresden. For the first 14 years of his life, Wagner was known as Wilhelm Richard Geyer. Wagner may later have suspected that Geyer was in fact his biological father, and furthermore speculated incorrectly that Geyer was Jewish.
Geyer's love of the theatre was shared by his stepson, and Wagner took part in his performances. In his autobiography, Wagner recalled once playing the part of an angel. The boy Wagner was also hugely impressed by the Gothic elements of Weber's Der Freischütz. In late 1820, Wagner was enrolled at Pastor Wetzel's school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He could not manage a proper scale but preferred playing theatre overtures by ear. Geyer died in 1821, when Richard was eight. Consequently, Wagner was sent to the Kreuz Grammar School in Dresden, paid for by Geyer's brother. The young Wagner entertained ambitions as a playwright, his first creative effort (listed as 'WWV 1') being a tragedy, Leubald begun at school in 1826, which was strongly influenced by Shakespeare and Goethe. Wagner was determined to set it to music; he persuaded his family to allow him music lessons.
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Music is, by its very nature, essentially powerless to express anything at all.
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Emphasis on the common emotive or affective origins of music and words in the first cries of humankind undermines words.
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Music is the wine which inspires one to new generative processes, and I am Bacchus who presses out this glorious wine for mankind and makes them spiritually drunken.
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I give bird songs to those who dwell in cities and have never heard them, make rhythms for those who know only military marches or jazz, and paint colors for those who see none.
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Music is enough for a life — but a life is too short for music.
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The aim of music is not to express feelings but to express music.
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Music conveys a prophetic message, revealing a higher form of life towards which mankind evolves.
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The Well-Tempered Clavier (Das Wohltemperirte Clavier in the original old German spelling), BWV 846–893, is a collection of solo keyboard music composed by Johann Sebastian Bach. He first gave the title to a book of preludes and fugues in all 24 major and minor keys, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study".
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