Giovanni Paolo Panini

Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was a painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his vedute—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. In this they resemble the capricci of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV.[1]

Giovanni Paolo Panini
Giovanni Paolo Pannini by Blanchet.jpg
Portrait of Panini by Louis Gabriel Blanchet
Born(1691-06-17)17 June 1691
Died21 October 1765(1765-10-21) (aged 74)
NationalityItalian
Known forpainter
Notable work
veduta

BiographyEdit

As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and with stage designer Francesco Galli-Bibiena. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti.

In Rome, Panini earned a name for himself as a decorator of palaces. Some of his works included the Villa Patrizi (1719–1725), the Palazzo de Carolis (1720), and the Seminario Romano (1721–1722). In 1719, Panini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Académie de France, where he is said to have influenced Jean-Honoré Fragonard. In 1754, he served as the prince (director) of the Accademia di San Luca.

The Spanish monarchs appreciated his work in such a way that, commissioned by Filippo Juvarra, he sent paintings to decorate the Lacquer Room of the Royal Palace of La Granja de San Ildefonso. In addition, King Carlos IV, when he was Prince, bought several of his works that are still preserved in the Prado Museum and in the royal palaces.[2]

Panini died in Rome on 21 October 1765.[1]

LegacyEdit

Panini's studio included Hubert Robert and his son Francesco Panini. His style influenced other vedutisti, such as his pupils Antonio Joli and Charles-Louis Clérisseau, as well as Canaletto and Bernardo Bellotto, who sought to meet the need of visitors for painted "postcards" depicting the Italian environs.[citation needed] Some British landscape painters, such as Marlow, Skelton and Wright of Derby, also imitated his capricci.[citation needed]

In addition to being a painter and architect, Panini was a professor of perspective and optics at the French Academy of Rome. His masterful use of perspective was later the inspiration for the creation of the "Panini Projection", which is instrumental in rendering panoramic views. [1][2]

Panini's works are held in the permanent collections of many museums worldwide, including the Prado Museum,[2] the Louvre,[3] the Museo Nazionale di Capodimonte,[4] the Museo Thyssen-Bornemisza,[4] the Hermitage,[4] the Pushkin Museum,[4] the Staatsgalerie Stuttgart,[4] the Staatliche Museen,[4] the Palazzo del Quirinale,[4] the Toledo Museum of Art,[5] the University of Michigan Museum of Art,[6] the Brooklyn Museum,[7] the Saint Louis Art Museum,[8] the Detroit Institute of Arts,[9] the Museum of Fine Arts Boston,[10] the Getty Center,[11] the Metropolitan Museum of Art,[12] the Nelson-Atkins Museum of Art,[13] the Virginia Museum of Fine Arts,[14] the Walters Art Museum,[15] the Harvard Art Museums,[16] the Philadelphia Museum of Art,[17] and the Indianapolis Museum of Art.[18]

GalleryEdit

Death Leap of Marcus

ReferencesEdit

  1. ^ a b Anna Maria Ferrari. "Panini, Giovanni Paolo." Grove Art Online. Oxford Art Online. 27 March 2010.
  2. ^ a b "Panini, Giovanni Paolo - Colección - Museo Nacional del Prado". www.museodelprado.es. Retrieved 28 December 2020.
  3. ^ "Louvre Museum Official Website". cartelen.louvre.fr. Retrieved 2021-02-19.
  4. ^ a b c d e f g "Web Gallery of Art, searchable fine arts image database". www.wga.hu. Retrieved 2021-02-19.
  5. ^ "St. Peter's Square, Rome". emuseum.toledomuseum.org. Retrieved 2021-02-19.
  6. ^ "Exchange: Landscape with Classical Ruins". exchange.umma.umich.edu. Retrieved 2021-02-19.
  7. ^ "Brooklyn Museum". www.brooklynmuseum.org. Retrieved 2021-02-19.
  8. ^ "Interior of St. Peter's, Rome". Saint Louis Art Museum. Retrieved 2021-02-19.
  9. ^ "View of the Colosseum". www.dia.org. Retrieved 2021-02-19.
  10. ^ "Picture Gallery with Views of Modern Rome". collections.mfa.org. Retrieved 2021-02-19.
  11. ^ "Three Figure Studies (Getty Museum)". The J. Paul Getty in Los Angeles. Retrieved 2021-02-19.
  12. ^ www.metmuseum.org https://www.metmuseum.org/art/collection/search/437244?searchField=All&sortBy=Relevance&ft=Giovanni+Paolo+Panini&offset=0&rpp=20&pos=1. Retrieved 2021-02-19. Missing or empty |title= (help)
  13. ^ "Giovanni Paolo Panini – Artists/Makers – The Nelson-Atkins Museum of Art". art.nelson-atkins.org. Retrieved 2021-02-19.
  14. ^ "The Colosseum and the Arch of Constantine (Primary Title) - (65.27)". Virginia Museum of Fine Arts |. Retrieved 2021-02-19.
  15. ^ "Giovanni Paolo Panini |". The Walters Art Museum. Retrieved 2021-02-19.
  16. ^ Harvard. "From the Harvard Art Museums' collections Adoration of the Magi". harvardartmuseums.org. Retrieved 2021-02-19.
  17. ^ "Philadelphia Museum of Art - Collections Object : Roman Monuments". www.philamuseum.org. Retrieved 2021-02-19.
  18. ^ "Roman Capriccio: The Pantheon and Other Monuments". Indianapolis Museum of Art Online Collection. Retrieved 2021-02-19.
  19. ^ "Christ casting the Money Changers out of the Temple - The Collection - Museo Nacional del Prado". www.museodelprado.es. Retrieved 28 December 2020.
  20. ^ "The pool at Bethesda". Museo Nacional Thyssen-Bornemisza. Retrieved 2020-12-28.

Further readingEdit

  • Arisi, Ferdinando (1986). Gian Paolo Panini e i fasti della Roma del '700 [Gian Paolo Panini and events in 18th c. Rome.] (in Italian). ISBN 88-7003-016-4.
  • Arisi, Ferdinando,Giovanni Paolo Panini 1691-1765, Milano, 1993.
  • Horak, Marco, Ritornato a Piacenza il dipinto di Panini passato all'asta lo scorso anno a Londra: si tratta dell' "opera prima", pendant di quello esposto alla Glauco Lombardi di Parma, in "Strenna Piacentina 2013", Piacenza, 2013.
  • Horak, Marco, Quell'opera prima di Panini gemella del dipinto esposto al Lombardi di Parma, in "L'Urtiga - Quaderni di cultura Piacentina", Piacenza, n. 4, 2013.
  • Horak, Marco, L'opera prima del Panini in una collezione privata, in "Panorama Musei", anno XVIII, n.3, dicembre 2013
  • Horak, Marco, G.P. Panini al Fine Art Museum di San Francisco, in "Panorama Musei", anno XXI, n. 2, settembre 2016
  • Horak, Marco, Giovanni Ghisolfi tra Salvator Rosa e Giovanni Paolo Panini, Piacenza, 2020

External linksEdit