Shelley Alexis Duvall (born July 7, 1949) is an American former actress, producer, writer and singer. Over the duration of her career, Duvall garnered critical acclaim for her portrayals of various eccentric characters. Her accolades include a Cannes Film Festival Award for Best Actress, a Peabody Award, two Emmy Award nominations, and a BAFTA Award nomination.
Duvall in 1975
Shelley Alexis Duvall
July 7, 1949
|Education||South Texas Junior College|
(m. 1970; div. 1974)
|Partner(s)||Paul Simon (1976–1978)|
A native of Texas, Duvall began her career in the 1970s appearing in various films by director Robert Altman, including Brewster McCloud (1970), McCabe & Mrs. Miller (1971), Thieves Like Us (1974), Nashville (1975), and 3 Women (1977), the latter of which won her the Cannes Award for Best Actress and a BAFTA nomination for Best Actress. She had a supporting role in Annie Hall (1977) before starring in lead roles as Olive Oyl in Altman's Popeye (1980), and Wendy Torrance in Stanley Kubrick's horror film The Shining (1980). She subsequently appeared in Terry Gilliam's fantasy filmTime Bandits (1981), the short comedy-horror film Frankenweenie (1984), and the comedy Roxanne (1987).
In the 1980s, Duvall ventured into producing television programming aimed at children and youth. Between 1982 and 1987, she created, hosted, and appeared in Faerie Tale Theatre, a live-action anthology series based on popular fairy tales. She subsequently created and hosted Tall Tales & Legends (1985–1987), which earned an Emmy Award nomination in 1988, followed by the young adult-aimed horror series Nightmare Classics (1989), which she created and produced.
The 1990s saw Duvall continuing to appear in film, including supporting roles in Steven Soderbergh's thriller The Underneath (1995), and the Henry James adaptation The Portrait of a Lady (1996), directed by Jane Campion. Duvall's most recent performance was in Manna from Heaven (2002), after which she retired from acting.
Life and careerEdit
1949–1969: Early lifeEdit
Shelley Alexis Duvall was born July 7, 1949 in Fort Worth, Texas, the first child of Bobbie Ruth Crawford (née Massengale, 1929-2007), a real estate broker, and Robert Richardson "Bobby" Duvall (1919–1995), a cattle auctioneer-turned-lawyer (not to be confused with actor Robert Duvall, to whom Shelley is not related). Duvall has three younger brothers: Scott, Shane, and Stewart. Duvall spent her first years living in various locations throughout Texas due to her father's work, before the family settled in Houston when she was five years old.
Duvall was an artistic and energetic young child, eventually earning the nickname "Manic Mouse" from her mother. She also became interested in science at a young age, and as a teenager aspired to become a scientist. After graduating from high school in 1967, Duvall sold cosmetics at Foley's and attended South Texas Junior College, where she majored in nutrition and diet therapy.
1970–1977: Career beginnings and successEdit
Duvall married artist Bernard Sampson in 1970. Around this time, she met Robert Altman at a party while he was shooting Brewster McCloud (1970) on location in Texas. Several crew members for the film was fascinated by Duvall's upbeat presence and unique physical appearance, and asked her to be part of the feature. Duvall reflected on committing to the project: "I got tired of arguing, and thought maybe I am an actress. They told me to come. I simply got on a plane and did it. I was swept away." Duvall had never left Texas before Altman offered her the film role. She flew to Hollywood and subsequently appeared as the free-spirited love interest to Bud Cort's reclusive Brewster in Brewster McCloud.
Altman subsequently chose Duvall for roles as an unsatisfied mail-order bride in McCabe & Mrs. Miller (1971), and the daughter of a convict and mistress to Keith Carradine's character in Thieves Like Us (1974). Duvall's marriage to Sampson disintegrated as her acting career accelerated, and they divorced in 1974. Next, Duvall appeared as a spaced-out groupie in Altman's ensemble comedy Nashville (1975), and a sympathetic Wild West woman in Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976).
The same year, Duvall left Altman to star as Bernice, a wealthy girl from Wisconsin in PBS’s adaptation of F. Scott Fitzgerald’s short story Bernice Bobs Her Hair (1976). She also hosted an evening of Saturday Night Live and appeared in 5 sketches: "Programming Change," "Video Vixens," "Night of the Moonies," "Van Arguments" and "Goodnights."
In 1977, Duvall starred as Mildred "Millie" Lammoreaux in Altman's psychological thriller 3 Women, portraying a woman living in a dreary California desert town. Duvall's performance garnered the award for Best Actress at the 1977 Cannes Film Festival and the LAFCA Award for Best Actress, as well as a BAFTA nomination. She next appeared in a minor role in Woody Allen's Annie Hall (1977). While she was shooting Annie Hall in New York, Duvall met singer/songwriter Paul Simon. The couple began a relatonship and lived together for two years. Their relationship ended when Duvall introduced Simon to her friend, actress Carrie Fisher; Fisher took up with Simon.
1978–1990: Big-budget films and producingEdit
Duvall's next role was Wendy Torrance in The Shining (1980) directed by Stanley Kubrick. Jack Nicholson states in the documentary Stanley Kubrick: A Life in Pictures that Kubrick was great to work with but that he was "a different director" with Duvall. Because of Kubrick's methodical nature, principal photography took a year to complete. Kubrick and Duvall argued frequently, although Duvall later said she learned more from working with Kubrick on The Shining than she did on all her earlier films. In order to give The Shining the psychological horror it needed, director Stanley Kubrick antagonized his actors. The film's script was changed so often that Nicholson stopped reading each draft. Kubrick intentionally isolated Duvall and argued with her often. Duvall was forced to perform the exhausting baseball bat scene 127 times. Afterwards, Duvall presented Kubrick with clumps of hair that had fallen out due to the extreme stress of filming.
Shelley Duvall is like a precious piece of china with a tinkling personality. She looks and sounds like almost nobody else, and if it is true that she was born to play the character Olive Oyl (and does so in Altman's new musical Popeye), it is also true that she has possibly played more really different kinds of characters than almost any other young actress of the 1970s.
Her role of Pansy in Terry Gilliam's Time Bandits (1981) followed. Shortly before the release of the film, it was reported that Duvall and actor Stanley Wilson (who portrayed the town barber in Popeye) were set to marry. However, no further reports were released regarding this. In 1982, Duvall narrated, hosted and was executive producer of the children's television program Faerie Tale Theatre. She starred in seven episodes of the series; "Rumpelstiltskin" (1983), "Rapunzel" (1983), "The Nightingale" (1983), "Snow White and the Seven Dwarfs" (1984), "Puss in Boots" (1985), and "Aladdin and His Wonderful Lamp" (1986). Since the program's first episode "The Frog Prince", which starred Robin Williams and Teri Garr, Duvall produced 27 hour-long episodes of the program. In 1985, she created Tall Tales & Legends, another one-hour anthology series for Showtime, which featured adaptations of American folk tales. As with Faerie Tale Theatre, the series starred well-known Hollywood actors with Duvall as host, executive producer, and occasional guest star. The series ran for nine episodes and garnered Duvall an Emmy nomination.
While Duvall was producing Faerie Tale Theatre, it was reported that she was to star as the lead in the film adaptation of Tom Robbins’s Even Cowgirls Get the Blues, which starred Mick Jagger, Jerry Hall, her sister Cindy Hall and Sissy Spacek. The project was delayed and when it released in 1993 it starred an entirely different cast. She also landed roles in films and television series: the mother of a boy whose dog is struck by car in Tim Burton's short film Frankenweenie (1984), and as Laura Burroughs in Booker (also 1984), a biographical television short based on the life of Booker T. Washington, directed by Stan Lathan. Next, Duvall appeared a lonely and timid woman who receives a message from a flying saucer in The Twilight Zone episode "The Once and Future King/A Saucer of Loneliness", and the friend of Steve Martin's character in the comedy Roxanne (1987).
In 1988, Duvall founded a new production company called Think Entertainment to develop programs and television movies for cable channels. She created Nightmare Classics (1989), a third Showtime anthology series that featured adaptations of well-known horror stories by authors including Edgar Allan Poe. Unlike the previous two series, Nightmare Classics was aimed at a teenage and adult audience. It was the least successful series that Duvall produced for Showtime and ran for only four episodes.
1991–present: Later films and retirementEdit
In 1991, Duvall portrayed Jenny Wilcox, wife of Charlie Wilcox (Christopher Lloyd) in the Hulk Hogan action-adventure film Suburban Commando. In October that year, Duvall released two compact discs, Hello, I'm Shelley Duvall... Sweet Dreams that features Duvall singing lullaby songs and Hello, I'm Shelley Duvall... Merry Christmas, on which Duvall sings Christmas songs.
The following year, Think Entertainment joined the newly formed Universal Family Entertainment to create Duvall's fourth Showtime original series, Shelley Duvall's Bedtime Stories, which featured animated adaptations of children's storybooks with celebrity narrators and garnered her a second Emmy nomination. Duvall produced a fifth series for Showtime, Mrs. Piggle Wiggle, before selling Think Entertainment in 1993 and retiring as a producer. Duvall's production work gained her six CableACE Awards and one Peabody Award. A year later, Duvall landed a guest spot on the television series L.A. Law as Margo Stanton, a show dog owner and breeder who presses charges against the owner of a Welsh Corgi that mated with her prize-winning Afghan Hound.
After the 1994 Northridge earthquake, Duvall relocated from her Benedict Canyon, Los Angeles home to Blanco, Texas. She subsequently appeared as the vain, over-friendly, but harmless Countess Gemini—sister to the calculating Gilbert Osmond (John Malkovich)—in Jane Campion's 1996 adaptation of the Henry James novel The Portrait of a Lady. A year later, she played a beatific nun in the comedy film Changing Habits and a besotted, murderous, ostrich-farm owner in Guy Maddin's fourth feature Twilight of the Ice Nymphs. The same year she played Chris Cooper's character's gullible wife who yearns for a better life in Horton Foote's made-for-television film, Alone. Duvall continued to make film and television appearances throughout the late-1990s. In 1998, she played Drew Barrymore's mother in the comedy Home Fries and Hilary Duff's aunt in the direct-to-video children's film Casper Meets Wendy. Near the end of the decade, she returned to the horror genre with Tale of the Mummy (1998) and The 4th Floor (1999).
In the 2000s, Duvall accepted minor roles, including the mother of Matthew Lawrence's character in the horror-comedy Boltneck (2000) and Haylie Duff's aunt in the independent family film Dreams in the Attic, which was sold to the Disney Channel but was never released. Her most recent acting appearance was a small role in the 2002 independent film Manna from Heaven.
Duvall has lived out of public view since her retirement in 2002. In November 2016, USA Today reported that she appeared to be suffering from mental illness. A segment featuring Duvall on Dr. Phil in 2016 drew significant criticism from the public, with many suggesting that Duvall's mental illness was being exploited. In the segment, Duvall refused offered treatment.
- Hello, I'm Shelley Duvall...Merry Christmas (1991)
- Hello, I'm Shelley Duvall...Sweet Dreams (1991)
Awards and nominationsEdit
|1977||3 Women||LAFCA Award||Best Actress||Won|
|Cannes Film Festival||Best Actress||Won|
|NSFC Award||Best Actress||Nominated|
|NYFCC Award||Best Actress||Nominated|
|1978||BAFTA Award||Best Actress||Nominated|
|1981||The Shining||Razzie Award||Worst Actress||Nominated|
|1984||Faerie Tale Theatre||Peabody Award||Won|
|1988||Tall Tales & Legends||Emmy Award||Outstanding Children's Program||Nominated|
|1992||Shelley Duvall's Bedtime Stories||Emmy Award||Outstanding Animated Program (for Programming Less Than One Hour)||Nominated|
|1998||The Adventures of Shirley Holmes||Gemini Award||Best Performance by an Actress in a Guest Role Dramatic Series||Nominated|
- "Shelley Duvall". Biography.com. The Biography Channel. Retrieved September 13, 2017.
- Taylor, Clarke (November 6, 1977). "How Did Shelley Duvall Become a Star?". Boca Raton News. Retrieved April 12, 2014.
- Colacello, Bob; Warhol, Andy (November 30, 2016) . "Shelley Duvall Before 'The Shining'". Interview. Archived from the original on August 14, 2019.
- Kort, Michele (December 15, 1991). "Shelley Duvall Grows Up: There's a Lot of the Kid Left in the Tenacious Producer Who Put Cable on the Map and Breathed New Life into Children's TV". Los Angeles Times. Los Angeles, California.
- Kleiner, Dick (July 12, 1992). "Ask Dick". Santa Maria Times. Santa Maria, California. p. C2 – via Newspapers.com.
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- Dingus, Anne (July 1999). "What Part Did Shelley Duvall Beat Out Gilda Radner For?". Texas Monthly. Archived from the original on May 27, 2014.
- Hischak, Thomas S. (2014). American Literature on Stage and Screen: 525 Works and Their Adaptations. Jefferson, North Carolina: McFarland. p. 23. ISBN 978-0-786-49279-4.
- "Season 2: Episode 21". Saturday Night Live Transcripts. Retrieved April 12, 2014.
- "BAFTA Awards Search: 1978 Film Actress". BAFTA Awards. Retrieved September 13, 2017.
- Armstrong, Lois (March 16, 1981). "Olive's Wasn't the Only 'Popeye' Love Story—Shelley Duvall Snagged a Prince Charming Too". People. Archived from the original on April 16, 2014.
- Video on YouTube[dead link]
- "Roles that Drove Actors Over the Edge," Shelly Duvall: The Shining, http://www.looper.com/1970/roles-drove-actors-edge/ Accessed 3 November 2015.
- Ebert, Roger (January 4, 1981). "Shelley Duvall Was Ripe for Role of Olive". The New York Times.
- "Shelley Duvall Announces Plans to Marry This Year". St. Petersburg Times. St. Petersburg, Florida. April 13, 1981.
- Wilson, Earl (November 25, 1981). "It's Thumbs Up for Shelley Duvall". The Milwaukee Sentinel.
- "Booker (1984)". British Film Institute. Archived from the original on August 14, 2019.
- Nanwalt, Sasha (August 6, 1989). "Television; Shelley Duvall Tries Scaring Up A New Audience". The New York Times. Archived from the original on June 4, 2014.
- "Shelley Duvall Filmography". AFI Catalog of Feature Films. American Film Institute. Archived from the original on August 14, 2019.
- "Hello, I'm Shelley Duvall...Sweet Dreams by Shelley Duvall". MTV. Retrieved August 14, 2019.
- "Shelley Duvall Discography". MTV. Retrieved August 14, 2019.
- "Shelley Duvall turns to entertainment for children". Entertainment Weekly. May 15, 1992. Archived from the original on September 9, 2017.
- "LA Law Season 8 Episode 19 :: "Tunnel of Love"". Youtube.com. Youtube.com. Retrieved June 4, 2014.
- Horowitz, Joy (April 21, 1992). "Shelley Duvall and the Tales She Tells to Children". The New York Times.
- "Shelley Duvall". Texas Monthly. July 1, 1999.
- Ebert, Roger. "Interview with Shelley Duvall". Retrieved August 14, 2019.
- 'Bro Bob'. "Actress Haylie Duff - The Beginning". haileyduff.com. Retrieved October 3, 2016.
... the sad thing was that all these efforts never resulted in the film being sold to anyone.
- "'Shining' actress Shelley Duvall tells Dr. Phil she's mentally ill". USA Today. November 16, 2017. Retrieved August 14, 2019.
- De Moraes, Lisa (November 18, 2016). "'Dr. Phil' Airs Hour Of Ill & Confused Shelley Duvall For November Sweep Broadcast, Triggering Hollywood Outrage". Deadline Hollywood. Archived from the original on November 23, 2016.