An ensemble cast or main cast is made up of cast members in which the principal actors and performers are assigned roughly equal amounts of importance and screen time in a dramatic production.[1][2]



The structure of an ensemble cast contrasts with the popular Hollywood centralization of a sole protagonist, as the ensemble leans more towards a sense of "collectivity and community".[3]

Ensemble casts in film were introduced as early as September 1916, with D. W. Griffith's silent epic film Intolerance, featuring four separate though parallel plots.[4] The film follows the lives of several characters over hundreds of years, across different cultures and time periods.[5] The unification of different plot lines and character arcs is a key characteristic of ensemble casting in film; whether it's a location, event, or an overarching theme that ties the film and characters together.[4]

Films that feature ensembles tend to emphasize the interconnectivity of the characters, even when the characters are strangers to one another.[6] The interconnectivity is often shown to the audience through examples of the "six degrees of separation" theory, and allows them to navigate through plot lines using cognitive mapping.[6] Examples of this method, where the six degrees of separation is evident in films with an ensemble cast, are in productions such as Babel, Love, Actually and Crash, which all have strong underlying themes interwoven within the plots that unify each film.[4]


Other forms of narrative for films with ensemble casts having more or less equal amounts of screen time is demonstrated in recent productions such as The Avengers, where the cast and their characters have already been established in individual films prior to its release.[7] In The Avengers, there is no need for a protagonist in the feature as each character shares equal importance in the narrative, successfully balancing the ensemble cast.[8] Referential acting is a key factor in executing this balance, as ensemble cast members "play off each other rather than off reality".[3]

Other films with ensemble casts include:


Ensemble casting also became more popular in television series because it allows flexibility for writers to focus on different characters in different episodes. In addition, the departure of players is less disruptive to the premise than it would be if the star of a production with a regularly structured cast were to leave the series. The television series Friends is an archetypal example of an ensemble cast occurring in an American sitcom. Ensemble casts of 20 or more actors are common in soap operas, a genre that relies heavily on the character development of the ensemble.[19] The genre also requires continuous expansion of the cast as the series progresses, with soap operas such as Days of Our Lives and The Bold and the Beautiful staying on air for decades.[20]

In recent years, there have been numerous successes for television in ensemble casting; the most notable being the epic fantasy HBO series Game of Thrones. The Emmy Award winning series features one of the largest ensemble casts on the small screen.[21] The series is notorious for major character deaths, resulting in constant changes within the ensemble.[22] Other programmes include the Netflix original series Orange Is the New Black, known for its diverse cast, and flashbacks to almost all of the characters.

See alsoEdit


  1. ^ Random House: ensemble acting Linked 2013-07-17
  2. ^ Steven Withrow; Alexander Danner (2007). Character design for graphic novels. Focal Press/Rotovision. p. 112. ISBN 9780240809021. Retrieved 2009-09-05. 
  3. ^ a b "Mathijs, E. (2011). Referential acting and the ensemble cast. Screen, 52(1), 89--96. Retrieved from
  4. ^ a b c Smith, L. (2012). Ensemble film, postmodernity and moral mapping. Screening The Past, 35. Retrieved from
  5. ^,. (2014). Intolerance (1916). Retrieved 20 June 2014, from
  6. ^ a b "Silvey, V. (2009). Not Just Ensemble Films: Six Degrees, Webs, Multiplexity and the Rise of Network Narratives. FORUM: University Of Edinburgh Postgraduate Journal Of Culture & The Arts, 0(08). Retrieved from
  7. ^ Child, B. (2012). Avengers Assemble disarms the critics. the Guardian. Retrieved 20 June 2014, from
  8. ^ Bean, J. (2011). Joss Whedon talks in depth about the ensemble cast of 'The Avengers' - Hypable. Hypable. Retrieved 20 June 2014, from
  9. ^ Brian B. (2016). "CONTEST: Win Eternal Sunshine of the Spotless Mind on DVD!". MovieWeb. Retrieved 12 January 2016. 
  10. ^ Jon Blistein (19 December 2013). "Meet New, Peculiar Characters at 'The Grand Budapest Hotel'". Rolling Stone. Retrieved 12 January 2017. 
  11. ^ Hope Schreiber (11 June 2013). "The 25 Best Comedy All-Star Casts in Movies". Complex. Retrieved 11 January 2017. 
  12. ^ a b Dustin Rowles (18 September 2014). "The Ten WORST Movies with the BEST Ensemble Casts". Pajiba. Retrieved 15 January 2017. 
  13. ^ Doug Barry (2 February 2013). "The Story of How Movie 43 Tricked Its Ensemble Cast to Appear in Movie 43". Jezebel. Retrieved 15 January 2017. 
  14. ^ a b c Chris Agar (7 February 2014). "10 Great Movie Cast Ensembles". ScreenRant. Retrieved 15 January 2017. 
  15. ^ Eric Eisenberg (2015–2016). "Quentin Tarantino's Original Pulp Fiction Casting Wish List Is Really Intriguing". CinemaBlend. Retrieved 15 January 2017. 
  16. ^,. (2014). Empire's Review Of The Decade | 10 Best Ensemble Casts | Empire | Retrieved 22 June 2014, from
  17. ^ Wales, G. (2012). 50 Greatest Ensemble Casts. Total Film. Retrieved 22 June 2014, from
  18. ^ Ben Read (30 January 2014). "Seth Rogen, James Franco And More Join Animated 'Sausage Party'". The Hollywood News. Retrieved 12 January 2017. 
  19. ^ Ford, S. (2008). Soap operas and the history of fan discussion. Transformative Works and Cultures, 1. Retrieved from
  20. ^ Jenkins, H. (2010). The Survival of Soap Opera (Part Two):The History and Legacy of Serialized Television. Retrieved 24 June 2014, from
  21. ^ Campbell, S. (2014). David Cameron: 'I'm a Game of Thrones fan' - Telegraph. Retrieved 17 June 2014, from
  22. ^,. (2012). The Game of Thrones: Nobody wins, everybody dies –Opinion ABC Religion & Ethics Australian Broadcasting Corporation). Retrieved 17 June 2014, from