Wesley Wales Anderson (born May 1, 1969) is an American filmmaker. His films are known for their eccentricity and unique visual and narrative styles. Cited by some critics as a modern-day example of the work of an auteur, three of Anderson's films—The Royal Tenenbaums (2001), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014)—appeared in BBC Culture's 2016 poll of the greatest films since 2000.
Wesley Wales Anderson
May 1, 1969
Houston, Texas, U.S.
|Alma mater||University of Texas at Austin (BA)|
|Relatives||Eric Chase Anderson (brother)|
Anderson was nominated for the Academy Award for Best Original Screenplay for The Royal Tenenbaums (2001), Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014), as well as the Academy Award for Best Animated Feature for the stop-motion films Fantastic Mr. Fox (2009) and Isle of Dogs (2018). With The Grand Budapest Hotel, he received his first Academy Award nominations for Best Director and Best Picture, and won the Golden Globe Award for Best Motion Picture – Musical or Comedy and the BAFTA Award for Best Original Screenplay. He currently runs the production company American Empirical Pictures, which he founded in 1998. He won the Silver Bear for Best Director for Isle of Dogs in 2018.
Wesley Wales Anderson was born on May 1, 1969, in Houston, Texas, to Texas Ann Anderson (née Burroughs), a realtor and archaeologist, and Melver Leonard Anderson, who worked in advertising and public relations. He is the second of three boys; his parents divorced when he was eight. His older brother, Mel, is a physician, and his younger brother, Eric Chase Anderson, is a writer and artist whose paintings and designs have appeared in several of Anderson's films, such as The Royal Tenenbaums. Anderson is of English, Swedish and Norwegian ancestry.
He graduated from St. John's School in Houston in 1987, which he later used as a prominent location throughout Rushmore. As a child, Anderson made silent films on his father's Super 8 camera which starred his brothers and friends, although his first ambition was to be a writer. Anderson worked part-time as a cinema projectionist while attending the University of Texas at Austin, where he met his roommate and future collaborator Owen Wilson in 1989. In 1991 he graduated with a B.A. in philosophy.
Anderson's first film was Bottle Rocket (1996), based on a short film of the same name that he made with Luke and Owen Wilson. It was a crime caper about a group of young Texans aspiring to achieve major heists. It was well reviewed but performed poorly at the box office.
His next film was Rushmore (1998), a quirky comedy about a high school student's crush on an elementary school teacher starring Jason Schwartzman, Bill Murray, and Olivia Williams. It was a critical and financial success. The film launched Murray's second act as a respected actor within independent cinema. Murray has since appeared in every Anderson film to date. At the 1999 Independent Spirit Awards, Anderson won the Best Director award and Murray won Best Supporting Male. Murray also earned a nomination for Golden Globe Award for Best Supporting Actor – Motion Picture. In 2000, filmmaker Martin Scorsese praised Bottle Rocket and Rushmore. Since its release, Rushmore has gained cult status, and in 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant".
Anderson's next comedy-drama, The Royal Tenenbaums, was released in 2001. The film focuses on a successful and artistic New York City family and its ostracized patriarch played by Gene Hackman. The film also starred Anjelica Huston as the ex-wife and Ben Stiller, Luke Wilson, and Gwyneth Paltrow as the children. The film was a box-office and critical success. It represented his greatest financial success until Moonrise Kingdom in 2012, earning more than $50 million in domestic box-office receipts. The Royal Tenenbaums was nominated for an Academy Award and ranked by an Empire poll as the 159th greatest film ever made.
Anderson's next feature was The Life Aquatic with Steve Zissou (2004) about a Jacques Cousteau-esque documentary filmmaker played by Bill Murray. The film also starred Owen Wilson, Cate Blanchett, Willem Dafoe, Jeff Goldblum, Anjelica Huston, and Michael Gambon. The film serves as a classic example of Anderson's style, but its critical reception was less favorable than his previous films, and its box office did not match the heights of The Royal Tenenbaums. In September 2006, Steely Dan's Walter Becker and Donald Fagen released a tongue-in-cheek "letter of intervention" for Anderson's artistic "malaise" following the disappointing commercial and critical reception of The Life Aquatic with Steve Zissou, proclaiming themselves to be fans of World Cinema and of Anderson in particular. They offered Anderson their soundtrack services for The Darjeeling Limited, including lyrics for a title track.
The Darjeeling Limited (2007) was about three emotionally distant brothers traveling together on a train in India. It reflected the more dramatic tone of The Royal Tenenbaums but faced criticisms similar to The Life Aquatic with Steve Zissou. Anderson has acknowledged that he went to India to film the movie partly as a tribute to Indian filmmaker Satyajit Ray, whose "films have also inspired all my other movies in different ways" (the film is dedicated to him). The film starred Anderson staples Jason Schwartzman and Owen Wilson in addition to Adrien Brody, and the script was co-written by Anderson, Schwartzman, and Roman Coppola.
Anderson has also made several notable short films. In addition to the original Bottle Rocket short, he made the Paris-set Hotel Chevalier (2007), which was created as a prologue to The Darjeeling Limited and starred Jason Schwartzman alongside Natalie Portman, and the Italy-set Castello Cavalcanti (2013), which was produced by Prada and starred Jason Schwartzman as an unsuccessful race-car driver. Additionally, he has directed a number of television commercials for companies such as Stella Artois and Prada, including an elaborate American Express ad, in which he starred as himself. Anderson wrote a script for Brian Glazer for an English-language remake of Patrice Leconte's My Best Friend. In 2010 he said that he did not plan to direct the film, tentatively called The Rosenthaler Suite.
In 2009, Anderson's stop-motion-animated film adaptation based on the Roald Dahl book Fantastic Mr Fox was released. Voice talents included George Clooney, Meryl Streep, Owen Wilson, Bill Murray, Willem Dafoe, Jason Schwartzman, Adrien Brody, and Michael Gambon. The film was highly praised among critics and nominated for the Academy Award for Best Animated Feature, although it barely made back its production budget.
In 2012, Anderson's film Moonrise Kingdom was released, debuting at the Cannes Film Festival, where it competed for the Palme d'Or. The film is a coming-of-age comedy set in a fictional New England town. The film includes ensemble performances from Bill Murray, Edward Norton, Bruce Willis, Frances McDormand, and Tilda Swinton. The film was emblematic of Anderson's style and earned Anderson another Academy Award nomination for his screenplay. The film was also a financial success, earning $68.3 million at the box office against a budget of only $16 million.
In 2014, Anderson's next film, The Grand Budapest Hotel, was released and starred Ralph Fiennes, Tony Revolori, Saoirse Ronan, Jeff Goldblum, Willem Dafoe, F. Murray Abraham, as well as several of his regular collaborators, including Bill Murray, Owen Wilson, Tilda Swinton and Jason Schwartzman. It is mostly set in the 1930s and follows the adventures of M. Gustave, the hotel's concierge, making "a marvelous mockery of history, turning its horrors into a series of graceful jokes and mischievous gestures," according to The New York Times. The film represented one of Anderson's greatest critical and commercial successes, grossing nearly $175 million worldwide and earning dozens of award nominations, including nine Oscar nominations with four wins for Best Production Design, Best Costume Design, Best Makeup, and Best Original Score. These nominations also included his first for Best Director.
Anderson returned to stop-motion animation with Isle of Dogs. Production on the film started in the United Kingdom in October 2016, and it was released in March–April 2018. The film received Academy Award nominations for Best Animated Feature and Best Original Score.
Anderson's next film, The French Dispatch, is set in post-war France and stars Benicio Del Toro, Jeffrey Wright, Bill Murray, Frances McDormand, Owen Wilson, Willem Dafoe, Adrien Brody, Tilda Swinton and Timothée Chalamet. Its release was delayed due to the COVID-19 pandemic, finally premiering at the Cannes Film Festival on July 12, 2021, with a general release in the United States on October 22, 2021. In the meantime, Searchlight Pictures released in September 2021 an animated music video of Christophe's "Aline" covered by Jarvis Cocker, directed by Anderson with animations by Javi Aznarez.
In November 2021, Anderson finished filming his latest feature entitled Asteroid City, but very few details have transpired to the press. In May 2021 it was announced that it would be filmed in the Spanish city of Chinchón, where a huge diorama set reproducing Monument Valley were under construction. The film stars Tom Hanks, Margot Robbie, Scarlett Johansson, Adrien Brody, Tilda Swinton, Bryan Cranston, Jeff Goldblum, Hope Davis, and Jeffrey Wright among many others.
In January 2022, it was announced that Anderson would direct an adaptation of Roald Dahl's short story collection The Wonderful Story of Henry Sugar and Six More for Netflix, which holds the rights to Dahl's works, with Benedict Cumberbatch, Dev Patel, Ralph Fiennes, and Ben Kingsley set to star.
Anderson's cinematic influences include Pedro Almodóvar, Satyajit Ray, Hal Ashby, and Roman Polanski. Anderson has a unique directorial style that has led several critics to consider him an auteur. Wes Anderson is considered a central figure in the American Eccentric Cinema tradition.
Themes and storiesEdit
Anderson has chosen to direct mostly fast-paced comedies marked by more serious or melancholic elements, with themes often centered on grief, loss of innocence, dysfunctional families, parental abandonment, adultery, sibling rivalry and unlikely friendships. His movies have been noted for being unusually character-driven, and by turns both derided and praised with terms like "literary geek chic". The plots of his movies often feature thefts and unexpected disappearances, with a tendency to borrow liberally from the caper genre.
Anderson has been noted for extensive use of flat space camera moves, symmetrical compositions, knolling, snap-zooms, slow-motion walking shots, a deliberately limited color palette, and hand-made art direction often utilizing miniatures. These stylistic choices give his movies a highly distinctive quality that has provoked much discussion, critical study, supercuts, mash-ups, and even parody. Many writers, critics, and even Anderson himself, have commented that this gives his movies the feel of being "self-contained worlds," or a "scale model household". According to Jesse Fox Mayshark, his films have "a baroque pop bent that is not realist, surrealist or magic realist," but rather might be described as "fabul[ist]". In 2019, the company Murals Wallpaper from the UK launched a line of wallpapers inspired by the visual design of Anderson's films.
From The Life Aquatic with Steve Zissou on, Anderson has relied more heavily on stop motion animation and miniatures, even making entire features with stop motion animation with Fantastic Mr. Fox and Isle of Dogs.
Anderson frequently uses pop music from the 1960s and '70s on the soundtracks of his films, and one band or musician tends to dominate each soundtrack. Rushmore prominently featured Cat Stevens and British Invasion groups; The Royal Tenenbaums featured Nico; The Life Aquatic with Steve Zissou, David Bowie, including both originals and covers performed by Seu Jorge; The Darjeeling Limited and Rushmore, the Kinks; Fantastic Mr. Fox, the Beach Boys; and Moonrise Kingdom, Hank Williams. (Much of Moonrise Kingdom is filled with the music of Benjamin Britten, which is tied to a number of major plot points for that film.) The Darjeeling Limited also borrowed music styles from Satyajit Ray's films. The Grand Budapest Hotel, which is mostly set in the 1930s, is notable for being the first Anderson film to eschew using any pop music, and instead used original music composed by Alexandre Desplat. Its soundtrack won Desplat the Academy Award for Best Original Score, the BAFTA Award for Best Film Music, and World Soundtrack Award for Best Original Score of the Year. The soundtracks for his films have often brought renewed attention to the artists featured, most prominently in the case of "These Days", which was used in The Royal Tenenbaums.
Anderson's work has been classified as postmodern, on account of his nostalgic attention to detail, his subversion of mainstream conventions of narrative, his references to different genres in the same film, and his love for eccentric characters with complex sexual identities.
Anderson is in a romantic relationship with Lebanese writer, costume designer, and voice actress Juman Malouf, who is the daughter of novelist Hanan al-Shaykh. Malouf gave birth to the couple's daughter, Freya, in 2016. She is named after a character from the film The Mortal Storm.
Anderson currently lives in Paris but spent most of his adult life in New York City. He is the brother of author, illustrator and actor Eric Chase Anderson, who illustrated the Criterion Collection releases of some of Anderson's films (Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou and The Darjeeling Limited) and provided the voice of Kristofferson Silverfox in Fantastic Mr. Fox.
In popular cultureEdit
Anderson's distinctive filmmaking style has led to numerous homages and parodies. Notable examples include:
- In 2011, Italian indie pop band I Cani released a song titled Wes Anderson, with lyrics alluding to the tropes present in Anderson's movies.
- In 2013, Saturday Night Live did a parody of Wes Anderson's take on a horror film with a film trailer for the fictional The Midnight Coterie of Sinister Intruders. The trailer starred Edward Norton as Owen Wilson, Noel Wells as Gwyneth Paltrow, Kate McKinnon as Tilda Swinton, and Alec Baldwin as the narrator.
- In 2015, the film-dedicated YouTube channel Patrick (H) Willems made a parody video titled What if Wes Anderson Directed X-Men?. The video has 3 million views.
- In 2015, Anderson designed the interior for Bar Luce, a café located in Fondazione Prada in Milan.
- In November 2017, Family Guy aired its Season 16 episode titled Three Directors, about Peter Griffin's firing from his job at the brewery, as told in the idiosyncratic styles of directors Quentin Tarantino, Wes Anderson, and Michael Bay.
- A package in the popular programming language R was named after Wes Anderson. It features several palettes derived from the Tumblr blog "Wes Anderson Palettes", which creates appealing color palettes inspired by frames of Anderson's movies.
- A book titled Accidentally Wes Anderson, based on the popular Instagram account, was published in October 2020. The book features photographs of locations and people which fit the aesthetic of Wes Anderson's films.
- In January 2021, The Simpsons aired its Season 32 episode titled The Dad-Feelings Limited. The title of the episode references Wes Anderson's 2007 film The Darjeeling Limited. The episode itself tells the origin story of the Simpsons character Comic Book Guy, and refers to several Wes Anderson styles and tropes including a Royal Tenenbaums-esque chronicling of the character’s elaborate family tree.
|1996||Bottle Rocket||Sony Pictures Releasing|
|1998||Rushmore||Buena Vista Pictures|
|2001||The Royal Tenenbaums|
|2004||The Life Aquatic with Steve Zissou|
|2007||The Darjeeling Limited||Fox Searchlight Pictures|
|2009||Fantastic Mr. Fox||20th Century Fox|
|2012||Moonrise Kingdom||Focus Features|
|2014||The Grand Budapest Hotel||Fox Searchlight Pictures|
|2018||Isle of Dogs|
|2021||The French Dispatch||Searchlight Pictures|
|TBA||Asteroid City||Focus Features / Universal Pictures|
|TBA||The Wonderful Story of Henry Sugar||Netflix|
Awards and nominationsEdit
|Year||Title||Academy Awards||BAFTA Awards||Golden Globe Awards|
|2001||The Royal Tenenbaums||1||1||1||1|
|2009||Fantastic Mr. Fox||2||2||1|
|2014||The Grand Budapest Hotel||9||4||11||5||4||1|
|2018||Isle of Dogs||2||2||2|
|2021||The French Dispatch||3||1|
Anderson's films feature many recurring actors, including the Wilson brothers (Owen, Luke, and Andrew), Bill Murray, Jason Schwartzman, Anjelica Huston, Willem Dafoe, Jeff Goldblum, Edward Norton, Adrien Brody, Bob Balaban, and Tilda Swinton. Robert Yeoman has served as director of photography for all of Anderson's live-action films, while Mark Mothersbaugh composed Anderson's first four films, with Alexandre Desplat with six films, taking over composing since Fantastic Mr. Fox. Randall Poster has served as music supervisor for all of Anderson's films since Rushmore. Anderson has frequently co-written his films alongside various writers including Owen Wilson, Jason Schwartzman, Noah Baumbach, Roman Coppola, and Hugo Guinness.
- "The Unique Filmmaking Style of Wes Anderson". The Los Angeles Times. Archived from the original on October 25, 2013. Retrieved October 18, 2013.
- "The 21st Century's 100 greatest films". BBC. August 23, 2016. Archived from the original on January 31, 2017. Retrieved December 15, 2016.
- "Baftas 2015: Boyhood wins top honours but Grand Budapest Hotel checks out with most". The Guardian. February 8, 2015. Retrieved November 13, 2020.
- "Wes Anderson". Variety. November 13, 2013. Archived from the original on April 28, 2017.
- Tartaglione, Nancy (February 24, 2018). "Berlin Film Festival Winners: 'Touch Me Not' Is Golden Bear; Wes Anderson Takes Best Director For 'Isle Of Dogs' – Full List". Deadline Hollywood. Retrieved February 25, 2018.
- "Texas B. Anderson Realtor Biography". Greenwood King Properties. Archived from the original on September 20, 2015. Retrieved October 29, 2015.
- "Wes Anderson". Film Reference. 2010. Archived from the original on February 4, 2010.
- "Wes Anderson". Yahoo Movies. 2010. Archived from the original on December 25, 2011.
- "Wes Anderson returns to form with Mr Fox". The Times. 2009.
- "FamilySearch: Sign In". FamilySearch.
- Collin, Robbie (February 19, 2014). "Wes Anderson interview". The Daily Telegraph. Archived from the original on December 20, 2014. Retrieved December 19, 2014.
- "Wild, Wild Wes". The New Yorker. November 2, 2009. Archived from the original on September 27, 2014. Retrieved December 19, 2014.
- "Printing – Wes Anderson – Interview Magazine". Interview Magazine. November 14, 2013. Archived from the original on October 14, 2016. Retrieved October 3, 2016.
- "Tour Wes Anderson's High School AKA the Set of Rushmore". The Atlantic. Archived from the original on July 2, 2012. Retrieved October 18, 2013.
- "Obvious History: Wes Anderson and Owen Wilson staged a break-in in their apartment". Interview Magazine. March 29, 2018. Retrieved March 5, 2021.
- "Owen Wilson". Archived from the original on October 2, 2013. Retrieved October 17, 2013.
- "Wes Anderson". Biography. Retrieved March 5, 2021.
- "Bottle Rocket". Box Office Mojo. Archived from the original on September 30, 2007. Retrieved August 7, 2007.
- "Bottle Rocket". Rotten Tomatoes. Archived from the original on December 30, 2012. Retrieved December 26, 2012.
- "Film By Film: Wes Anderson On Wes Anderson". Empire Magazine. March 2014. Archived from the original on March 6, 2014. Retrieved March 6, 2014.
- "Rushmore". Rotten Tomatoes. Archived from the original on February 6, 2013. Retrieved December 26, 2012.
- Scorsese, Martin (March 2000). "Wes Anderson". Esquire. Archived from the original on January 30, 2012. Retrieved July 31, 2011.
- Bort, Ryan (December 15, 2016). "'Rushmore' and 'The Lion King' among films added to the Library of Congress Film Registry". Newsweek. Retrieved November 22, 2019.
- "EMPIRE's 500 Greatest Movies of All Time". EMPIRE. Archived from the original on July 22, 2012. Retrieved July 5, 2012.
- "Wes is having trouble with the reception". SCREEN Machine. Archived from the original on July 22, 2013. Retrieved July 5, 2012.
- Becker, Walter; Fagen, Donald (July 2020). "Attention Wes Anderson". Steely Dan. Archived from the original on August 25, 2007. Retrieved July 5, 2020.
- "On Ray's Trail". The Statesman. Archived from the original on January 3, 2008. Retrieved October 19, 2007.
- "Wilson & Anderson reminisce over a cup of Darjeeling". Production Weekly. August 2006. Archived from the original on January 14, 2007. Retrieved August 22, 2007.
- "Wes Anderson Honors Fellini in a Delightful New Short Film". Slate. November 12, 2013. Archived from the original on November 13, 2013. Retrieved November 12, 2013.
- "Wes Anderson's 5 Best Commercials". Indiewire. May 1, 2013. Archived from the original on June 30, 2013. Retrieved November 1, 2021.
- Vanairsdale, S.T. (January 18, 2010). "Wes Anderson on Awards Season, Animation and Why He Hasn't Seen Avatar". Movieline.
- "Wes Anderson". Los Angeles Times. March 8, 2012. Archived from the original on May 17, 2012. Retrieved May 20, 2012.
- Eisenberg, Eric (October 31, 2012). "Wes Anderson Says The Grand Budapest Hotel Is Mostly Set in the Late 1920s". Cinema Blend. Archived from the original on November 29, 2012. Retrieved November 18, 2012.
- Scott, A. O. (March 6, 2014). "Bittersweet Chocolate on the Pillow – Wes Anderson's 'Grand Budapest Hotel' Is a Complex Caper". New York Times. Archived from the original on October 22, 2014. Retrieved September 25, 2014.
- "IMDb: The Grand Budapest Hotel (2014) – Awards". IMDb. Archived from the original on March 2, 2015. Retrieved March 7, 2015.
- "Wes Anderson to Direct Stop-Motion Animated Film About Dogs". October 12, 2015. Retrieved December 21, 2016.
- Derschowitz, Jessica (December 21, 2016). "Wes Anderson officially announces new animated film Isle of Dogs". Entertainment Weekly. Archived from the original on December 22, 2016. Retrieved December 21, 2016.
- Cabin, Chris (October 27, 2016). "Wes Anderson Confirms His Stop-Motion Animated Dog Movie Is In Production". Collider. Archived from the original on December 20, 2016. Retrieved December 21, 2016.
- Hayes, Britt (October 27, 2016). "Wes Anderson Is Currently Filming His New Stop-Motion Animated Movie About Dogs". Screen Crush. Archived from the original on October 28, 2016. Retrieved October 27, 2016.
- "Oscar Nominations 2019: The Complete List". Variety. January 22, 2019.
- Rubin, Rebecca (May 27, 2021). "Wes Anderson's 'The French Dispatch' Sets New Theatrical Release Date". Variety. Retrieved May 27, 2021.
- Zemler, Emily (September 23, 2021). "An Animated Jarvis Cocker Stars in Very Wes Anderson Music Video for 'The French Dispatch'". Rolling Stone. Retrieved October 14, 2021.
- Searchlight Pictures (September 22, 2021). THE FRENCH DISPATCH | "Aline" Music Video | Directed by Wes Anderson.
- Burch, Noel (1979). "Film's Institutional Mode of Representation and the Soviet Response". October. 11: 77–96. doi:10.2307/778236. ISSN 0162-2870. JSTOR 778236.
- Dazed (May 16, 2021). "Wes Anderson is shooting a new film in Spain this summer". Dazed. Retrieved June 7, 2021.
- Belinchón, Gregorio (May 14, 2021). "Wes Anderson rodará su nueva película en Madrid". EL PAÍS (in Spanish). Retrieved May 16, 2021.
- "Bill Murray confirms new film with Wes Anderson is called 'Asteroid City'". NME. Retrieved January 7, 2021.
- Leishman, Rachel (January 6, 2022). "Wes Anderson to Direct Roald Dahl's 'The Wonderful Story of Henry Sugar,' Starring Benedict Cumberbatch". Collider.
- "Wes Anderson To Direct Adaptation Of Roald Dahl's 'The Wonderful Story Of Henry Sugar' Starring Benedict Cumberbatch, Ralph Fiennes, Dev Patel And Ben Kingsley". Deadline Hollywood. Retrieved January 7, 2021.
- Bernal, Fernando (March 2, 2018). "Wes Anderson: "Almodóvar me influyó mucho para crear los Tenenbaums"". El País. Retrieved March 20, 2018.
- Seitz, Matt Zoller (April 6, 2009). "The Substance of Style, Pt 3. Examining the Wes Anderson–Hal Ashby connection". Moving Image Source. Archived from the original on March 21, 2015. Retrieved September 25, 2014.
- "'Moonrise Kingdom' Director Wes Anderson on 'Stealing' From Kubrick, Polanski". The Hollywood Reporter. June 11, 2012. Archived from the original on June 21, 2012. Retrieved February 20, 2013.
- Brody, Richard (November 2, 2009). "Wild, Wild Wes". The New Yorker. Archived from the original on September 27, 2014. Retrieved December 15, 2016.
- Redmond, Sean; Batty, Craig (April 9, 2014). "Wes Anderson is one of cinema's great auteurs: discuss". The Conversation. Archived from the original on December 20, 2016. Retrieved December 15, 2016.
- Frank, Priscilla (March 19, 2014). "Hypnotic Video Explores Wes Anderson's Quirky Obsession With Symmetry". The Huffington Post. Archived from the original on December 20, 2016. Retrieved December 15, 2016.
- Blume, Lesley M. M. (March 10, 2014). "What You Should Know About Wes Anderson". Vanity Fair. Archived from the original on December 25, 2016. Retrieved December 15, 2016.
- "American Eccentric Cinema". Bloomsbury Publishing.
- "The James Clayton Column: Wes Anderson and auteurs with an identity". Den of Geek. March 7, 2014. Retrieved January 29, 2020.
- Lyttelton, Jessica Kiang,Oliver; Kiang, Jessica; Lyttelton, Oliver (September 24, 2015). "Ranked: Wes Anderson's Most Memorable Characters". IndieWire. Retrieved January 29, 2020.
- Klein, Joshua; et al. "Wes Anderson". They Shoot Pictures, Don't They?. Archived from the original on August 10, 2014. Retrieved July 28, 2014.
- Buono, Alex. "How We Did It: The Midnight Coterie of Sinister Intruders". www.alex-buono.com. Archived from the original on July 9, 2014. Retrieved July 28, 2014.
- Chabon, Michael (January 31, 2013). "Wes Anderson's Worlds". New York Review of Books. Archived from the original on July 29, 2014. Retrieved July 28, 2014.
- Mayshark, Jesse Fox (2007). Post-pop Cinema: The Search for Meaning in New American Film. Greenwood Publishing Group, 2007. ISBN 978-0-275-99080-0.
- "Wes Anderson gets a wallpaper collection – let the over-decorating begin!". The Guardian. April 24, 2019.
- Vera, Noel. "Courtesan au chocolat". Businessworld. Archived from the original on September 23, 2015. Retrieved July 28, 2014.
- Moeckel, Casey (June 11, 2012). "The Music of Wes Anderson's Cinematic World". Songlyrics.com. Retrieved July 28, 2014.
- Inman, Davis (January 2, 2012). "Jackson Browne, 'These Days'". American Songwriter. Archived from the original on October 15, 2014.
- "Elements of Mise en Scene in Postmodern Cinema". Cult Critic. December 22, 2016. Retrieved April 8, 2022.
- Dilley, Whitney Crothers (2017). The Cinema of Wes Anderson: Bringing Nostalgia to Life. Wallflower Press. ISBN 978-0-231-54320-0.
- Brody, Richard. "How "Moonrise Kingdom" Fits into Wes Anderson's Canon". The New Yorker. Archived from the original on October 3, 2013. Retrieved September 27, 2013.
- Brody, Richard. "Wild, Wild Wes". The New Yorker. Archived from the original on September 27, 2014. Retrieved February 28, 2015.
- Crocker, Lizzie (November 8, 2015). "Meet Juman Malouf—Y.A. Fiction's New Spellbinder And Wes Anderson's Muse". The Daily Beast. Retrieved October 23, 2021.
- "Celebrity Sightings – Day 2 – The 10th Rome Film Fest Photos and Images | Getty Images". www.gettyimages.fi. Archived from the original on March 15, 2017. Retrieved March 14, 2017.
- Heyman, Marshall (December 20, 2015). "Holiday Window Gazing With Juman Malouf". The Wall Street Journal. ISSN 0099-9660. Archived from the original on March 15, 2017. Retrieved March 14, 2017.
- ARTE Cinema (March 10, 2017), Leçon de cinéma par Wes Anderson – ARTE Cinema, archived from the original on August 10, 2017, retrieved March 14, 2017
- Amsden, David. "The Life Obsessive With Wes Anderson". New York. Archived from the original on November 11, 2013. Retrieved October 27, 2013.
- Kahn, Howie (February 26, 2014). "The Life Aesthetic With Wes Anderson". The Wall Street Journal. Archived from the original on January 2, 2015. Retrieved December 19, 2014.
- "Wes Anderson interview: 'I always try to do something different to what I've done before". Time Out Paris (in French). Archived from the original on March 15, 2017. Retrieved March 14, 2017.
- Standen, Dirk (October 19, 2010). "Paper Chase: The Art of Eric Chase Anderson". Style.com. Archived from the original on February 22, 2014. Retrieved November 16, 2013.
- I CANI - WES ANDERSON, retrieved February 19, 2022
- "Wes Andersons Horror Trailer". YouTube. Retrieved October 25, 2020.
- "What if Wes Anderson Directed X-Men?". YouTube. Retrieved March 4, 2015.
- "Bar Luce – Fondazione Prada". www.fondazioneprada.org. Retrieved July 28, 2022.
- "Family Guy: "Three Directors" Parodies Tarantino, Michael Bay & Wes Anderson". Screen Rant. February 13, 2020. Retrieved February 13, 2020.
- "Wes Anderson". www.r-project.org. Retrieved October 16, 2020.
- "Wes Anderson Palettes". wesandersonpalettes.tumblr.com. Retrieved October 16, 2020.
- "A New Book Compiles Photos of Idiosyncratic, Quirky Destinations that Look Just Like Wes Anderson Films". Colossal. October 21, 2020. Retrieved October 24, 2020.
- "TV Recap: "The Simpsons" Season 32, Episode 11 – "The Dad-Feelings Limited"". Laughing Place. January 4, 2021. Retrieved January 4, 2021.
- D'Alessandro, Anthony (July 20, 2022). "Focus Features & Universal Reteam With Wes Anderson For 'Asteroid City'". Deadline. Retrieved July 21, 2022.
- Gottlieb, Meryl (March 21, 2018). "The actors who have appeared in the most Wes Anderson films — from Bill Murray to Owen Wilson". Retrieved August 4, 2021.
- Munton, Rebecca (May 20, 2021). "10 Recurring Wes Anderson Collaborators Also In The French Dispatch". Retrieved August 4, 2021.
- "Actors In The Most Wes Anderson Movies". ranker.
- "Directors' Trademarks: Wes Anderson". Cinelinx. June 1, 2018. Retrieved August 7, 2021.
- "Inside a Wes Anderson-Designed Luxury Train". Architectural Digest. October 11, 2021. Retrieved October 12, 2021.
- "Special Issue: Wes Anderson, Austin Auteur". Texas Studies in Literature and Language. 60 (2). 2018. ISSN 1534-7303.
- Seitz, Matt Zoller (2013). The Wes Anderson Collection. New York, New York: Harry N. Abrams. ISBN 978-0-8109-9741-7.
- Browning, Mark (2011). Wes Anderson: why his movies matter. Santa Barbara, Calif: Praeger. ISBN 978-1-59884-352-1.
- "Special Issue: Wes Anderson & Co". New Review of Film and Television Studies. 10 (1). 2012. ISSN 1740-0309.
- MacDowell, James (2010). "Notes on Quirky" (PDF). Movie: A Journal of Film Criticism. Warwick University (1).
- Kunze, Peter C., ed. (2014). The films of Wes Anderson: Critical essays on an Indiewood icon. New York, NY: Palgrave Macmillan. ISBN 978-1-349-48692-2.