The VVitch: A New England Folktale
The Witch (also known by its full name, The VVitch: A New England Folktale) is a 2015 American-Canadian period supernatural horror film written and directed by Robert Eggers in his feature directorial debut. The film stars Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger and Lucas Dawson. The Witch follows a Puritan family encountering forces of evil in the woods beyond their New England farm, forces that may be either real or imagined.
Theatrical release poster
|Directed by||Robert Eggers|
|Written by||Robert Eggers|
|Music by||Mark Korven|
|Edited by||Louise Ford|
|Language||Early Modern English|
|Box office||$40.4 million|
An international co-production of the United States and Canada, the film premiered at the 2015 Sundance Film Festival on January 27, 2015 and was widely released by A24 on February 19, 2016. The film received positive reviews and was a box office success, grossing $40 million against a budget of $4 million.
In 1630s New England, English settler William and his family — wife Katherine, daughter Thomasin, son Caleb, and fraternal twins Mercy and Jonas — are banished from a Puritan Plymouth Colony over a religious dispute. The family build a farm near a large, secluded forest and Katherine has a newborn child, Samuel. One day, Thomasin is playing peekaboo with Samuel when the baby abruptly disappears and it is soon revealed that a witch has stolen the unbaptized Samuel, killing him and using his remains to make a flying ointment.
Katherine, devastated by Samuel's disappearance, spends her days crying and praying. While hunting with William, Caleb asks if Samuel's unbaptized soul will reach Heaven. William denies Caleb for raising the question and later reveals to Caleb that he traded Katherine's silver cup for hunting supplies. That night, Katherine questions Thomasin about the disappearance of her cup and suspects her to be responsible for Samuel's abduction. After the children retire to bed, they overhear their parents discussing sending Thomasin away to serve another family.
Early the next morning, Thomasin finds Caleb preparing to check a trap in the forest and forces him to take her with him by threatening to awaken their parents. In the woods, the two spot a hare, which sends their horse into a panic and their dog Fowler promptly chases. Caleb pursues, while the horse throws Thomasin off, knocking her unconscious. Caleb becomes lost in the woods and stumbles upon Fowler's disemboweled body. Deep in the woods, he comes across a hovel, where a beautiful young woman emerges and seduces him. However, once Caleb is close enough, the woman’s arm becomes old and decrepit and grabs Caleb. William finds Thomasin and takes her home where Katherine angrily chastises Thomasin for taking Caleb into the woods before William reluctantly admits that he sold Katherine's cup.
Caleb is found outdoors in the rain that night, naked and delirious from an unknown illness. When he awakens the next day, Caleb expels a bloody apple from his mouth; Katherine believes it to be witchcraft. Caleb passionately proclaims his love to Christ before he dies, though Katherine believes Caleb to have been under some sort of spell. The twins then accuse Thomasin of witchcraft and, in retaliation, Thomasin reveals to the parents that the twins have had conversations with Black Phillip, the family's billy goat. Enraged, William boards both Thomasin and the twins inside the goat house. Thomasin overhears William break down and confess to God that he has been prideful and made his family leave their old village out of stubbornness rather than sincere religious devotion. Later in the night, the three children are woken by the sounds of rustling in the goat house and discover an old woman drinking milk from the goats. Meanwhile, inside the house, Katherine awakens to a vision of Caleb holding Samuel. After a brief discussion, Caleb offers Samuel to Katherine so she may breast feed the baby but the baby is shown to be in fact a crow that is pecking away at her breast.
The next day William awakens and walks outside to find the stable destroyed, the goats eviscerated, the twins missing and an unconscious Thomasin lying nearby with blood-stained hands. As Thomasin awakens, Black Phillip gores William before her eyes. An unhinged Katherine, who now blames Thomasin for the tragedies that have beset the family, attacks Thomasin, who stabs her mother to death in self-defense.
Alone, Thomasin enters the stable and urges Black Phillip to speak to her. The goat responds by asking if Thomasin would like to "live deliciously" and materializes into a tall, black-clad man. Black Phillip orders Thomasin to remove her clothes and to sign her name in a book that appears before her. Thomasin follows Black Phillip into the forest, where she joins a coven of witches holding a Witches' Sabbath around a bonfire. The coven begins to levitate and a laughing Thomasin joins them, ascending above the trees.
- Anya Taylor-Joy as Thomasin
- Ralph Ineson as William
- Kate Dickie as Katherine
- Harvey Scrimshaw as Caleb
- Ellie Grainger as Mercy
- Lucas Dawson as Jonas
- Julian Richings as The Governor
- Bathsheba Garnett as Witch
- Sarah Stephens as Young Witch
- Charlie as Black Phillip (goat form)
- Wahab Chaudhry as Black Phillip (voice, human form)
- Axtun Henry Dube and Athan Conrad Dube as Samuel
Eggers, who was born in New Hampshire, was inspired to write the film by his childhood fascination with witches and frequent visits to the Plimoth Plantation as a schoolboy. After unsuccessfully pitching films that were "too weird, too obscure", Eggers realized that he would have to make a more conventional film. He said at a Q&A, "If I'm going to make a genre film, it has to be personal and it has to be good." The production team worked extensively with British and American museums, as well as consulting experts on 17th-century British agriculture.
Eggers wanted to film the picture on location in New England but the lack of tax incentives meant he had to settle for Canada. This proved to be somewhat of a problem for Eggers, because he could not find the forest environment he was looking for in the country. They had to go "off the map", eventually finding a location (Kiosk, Ontario) that was "extremely remote"; Eggers said that the nearest town "made New Hampshire look like a metropolis".
The casting took place in England, as Eggers wanted authentic accents to represent a family newly arrived in Plymouth.
In order to give the film an authentic look, Eggers shot only "with natural light and indoors, the only lighting was candles". Eggers also chose the spelling of the film's title as "The VVitch" in its title sequence and on posters, stating that he found this spelling in a Jacobean era pamphlet on witchcraft, along with other period texts.
In December 2013, costume designer Linda Muir joined the crew, and consulted 35 books in the Clothes of the Common People in Elizabethan and Early Stuart England series to plan the costumes. The costumes were made with wool, linen, or hemp. Muir also lobbied for a larger costume budget.
Mark Korven wrote the film's score, which aimed to be "tense and dissonant", while focusing on minimalism. Eggers vetoed the use of any electronic instruments and "didn't want any traditional harmony or melody in the score", and so Korven chose to create music with atypical instruments, including the nyckelharpa and the waterphone. He knew that the director liked to retain a degree of creative control, so he relied on loose play centered on improvisation "so that [Eggers] could move notes around whenever he wanted".
The film had its world premiere at the 2015 Sundance Film Festival, on January 27, 2015. The film was also screened in the Special Presentations section of the 2015 Toronto International Film Festival, on September 18, 2015.
A24 and DirecTV Cinema acquired distribution rights to the film. The film received very positive reactions in advance screenings, so the studios decided to give the film a wide theatrical release in the United States, on February 19, 2016.
The film was released on Blu-ray and digital HD on May 17, 2016 in the USA. The discs' extras include outtakes, audio commentary, a documentary—The Witch: A Primal Folktale, which summarizes the cast and crew's making of the film—and a 30-minute question-and-answer session filmed in Salem, Massachusetts featuring director Eggers, lead actress Anya Taylor-Joy, and historians Richard Trask and Brunonia Barry.
The VVitch grossed $25.1 million in the United States and Canada and $15.3 million in other territories for a worldwide total of $40.4 million.
In North America, pre-release tracking suggested that the film would gross $5–7 million from 2,046 theaters in its opening weekend, trailing fellow newcomer Risen ($7–12 million projection) but similar to opener Race ($4–7 million projection). The film grossed $3.3 million on its first day and $8.8 million in its opening weekend, finishing fourth at the box office behind Deadpool ($56.5 million), Kung Fu Panda 3 ($12.5 million) and Risen ($11.8 million).
On Rotten Tomatoes, the film has an approval rating of 90% based on 317 reviews, with an average rating of 7.77/10. The website's critical consensus reads, "As thought-provoking as it is visually compelling, The VVitch delivers a deeply unsettling exercise in slow-building horror that suggests great things for debuting writer-director Robert Eggers." Metacritic reports a weighted average score of 83 out of 100, based on 46 critics, indicating "universal acclaim". Audiences polled by CinemaScore gave the film an average grade of "C–" on an A+ to F scale, while PostTrak reported filmgoers gave it a 55% overall positive score and a 41% "definite recommend".
Writing in Variety, Justin Chang commented that "A fiercely committed ensemble and an exquisite sense of historical detail conspire to cast a highly atmospheric spell in The VVitch, a strikingly achieved tale of a mid-17th-century New England family's steady descent into religious hysteria and madness." Yohana Desta of Mashable stated that The Witch is a "stunningly crafted experience that'll have you seeking out a church as soon as you leave the theater". Peter Travers, in his Rolling Stone review, gave the film 31⁄2 stars, and wrote of the film: "Building his film on the diabolical aftershocks of Puritan repression, Eggers raises The VVitch far above the horror herd. He doesn't need cheap tricks. Eggers merely directs us to look inside." Stephanie Zacharek summarized the movie in Time as "a triumph of tone", writing that "Although Eggers is extremely discreet—the things you don't see are more horrifying than those you do—the picture's relentlessness sometimes feels like torment." Gregory Wakeman, writing for CinemaBlend, rated it five stars, writing that "[its] acting, lighting, music, writing, production design, cinematography, editing, and direction all immediately impress. While, at the same time, they combine to create an innately bewitching tale that keeps you on tenterhooks all the way up until its grandiose but enthralling finale." Ann Hornaday wrote in The Washington Post that the film joins the ranks of horror films such as The Exorcist, The Omen, and Rosemary's Baby, saying that The VVitch "comports itself less like an imitator of those classics than their progenitor... a tribute to a filmmaker who, despite his newcomer status, seems to have arrived in the full throes of maturity, in full control of his prodigious powers." Jay Bauman of RedLetterMedia named the film his favorite film of 2016, labelling it "a masterpiece".
However, some critics as well as audiences were less pleased with the film; Ethan Sacks, of the New York Daily News, wrote that while the film does not suffer from the cinematography, acting, or setting, early on it "seems that The VVitch is tapping a higher metaphor for coming of age...or religious intolerance...or man's uneasy balance with nature...or something. It doesn't take long into the film's hour and a half running time, however, to break that spell." Critics have noted that the film has received backlash from audiences regarding the film's themes and slow approach to horror; Lesley Coffin criticized A24, saying it was "a huge mistake" to market The VVitch as a terrifying horror film:
Not because it doesn't fit into the genre of horror, but because of the power of expectations. The less you know about this movie the better your experience will be, but everyone who saw it opening weekend probably walked in with too much knowledge and hype to really get as much out of it as they could have if the film had the veil of mystery.
HitFix writer Chris Eggertson was critical of mainstream Hollywood; he said that The VVitch "got under [his] skin profoundly", though he argued that it "did not have the moment-to-moment, audience-pleasing shocks that moviegoers have become accustomed to thanks to movies like Sinister and The Purge and Paranormal Activity and every other Blumhouse and Platinum Dunes title in the canon."
Horror authors Stephen King and Brian Keene both reacted positively towards the film; King tweeted significant praise for the film, stating, "The VVitch scared the hell out of me. And it's a real movie, tense and thought-provoking as well as visceral", while Keene, on social media, stated, "The VVitch is a gorgeous, thoughtful, scary horror film that 90% of the people in the theater with you will be too stupid to understand." Jason Coffman expressed his "frustration" toward viewers who felt The Witch was "boring", saying:
[T]hese detractors have targeted [these] films that work within the genre but are also examples of how genre cinema can explore concepts and themes in ways that less fantastic stories cannot. In short, the rejection of these films appears to people outside of horror fandom as a rejection of cinema as an art form.
Julia Alexander of Polygon states that The VVitch "asks people to try and understand what life would have been like for a family of devout Christians living in solitude, terrified of what may happen if they go against the word of God". In The Atlantic, Alissa Wilkinson stated that many films featured at the 2015 Sundance Film Festival—The VVitch, along with Last Days in the Desert, Don Verdean, and I Am Michael—reveal a "resurgence of interest in the religious" and described The VVitch as "a chilling circa-1600 story of the devil taking over a devout, Scripture-quoting family". Eve Tushnet commented in an article in TAC, which was also published in First Things, that The VVitch's view of witchcraft is "not revisionist" and further states that the film is "pervaded by the fear of God. There are occasional references to His mercy but only as something to beg for, not something to trust in".
William is absolutely devoted to leading his family in holiness and the ways of the Lord, which should be a good thing. But the fruit of William's rigorous focus on dogmatic piety isn't a lifting of burdens, which we're told should happen in Matthew 11:30, or a joyful celebration of living life to the fullest, as is referenced in John 10:10; rather it is deep fear and morbid meditations on hell, damnation and the forces of spiritual darkness.
Josh Larsen of Think Christian, however, offered a Christian explanation of the conclusion of the film, stating that in "encountering evil, the family in the film veers wildly back and forth between 'triumphalism' and 'defeatism,' two theological extremes" and "in refusing to allow for grace, they become easy pickings for the witch".
Nevertheless, Emily VanDerWerff of Vox stated that:
A24 could have just as easily courted the approval of, say, theologians who have a fondness for Calvinism. The VVitch takes place in Colonial America, and it unfolds from the perspective of period Christians who genuinely believe the woods around their tiny farm contain some sort of evil, supernatural being—and are ultimately proved correct.
|List of awards and nominations|
|Award||Date of ceremony||Category||Recipient(s)||Result||Ref(s)|
|Austin Film Critics Association||December 28, 2016||Best First Film||The Witch||Won|||
|Breakthrough Artist Award||Anya Taylor-Joy||Nominated|
|Boston Society of Film Critics||December 11, 2016||Best New Filmmaker||Robert Eggers||Won|||
|Bram Stoker Awards||April 29, 2017||Superior Achievement in a Screenplay||Robert Eggers||Won|||
|Chicago Film Critics Association||December 15, 2016||Best Art Direction||The Witch||Nominated|||
|Most Promising Filmmaker||Robert Eggers||Won|
|Critics Choice Awards||December 11, 2016||Best Sci-Fi/Horror Movie||The Witch||Nominated|||
|Empire Awards||March 19, 2017||Best Horror||The Witch||Won|||
|Best Female Newcomer||Anya Taylor-Joy||Won|
|Fangoria Chainsaw Awards||October 2, 2017||Best Film||The Witch||Won|||
|Best Actress||Anya Taylor-Joy||Won|
|Best Supporting Actor||Ralph Ineson||Nominated|
|Best Score||Mark Korven||Nominated|
|Golden Tomato Awards||January 12, 2017||Best Horror Movie 2016||The Witch||Won|||
|Golden Trailer Awards||May 4, 2016||Best Horror||"Family"||Won|||
|Best Horror TV Spot||"Life"||Nominated|
|Best Sound Editing in a TV Spot||"Paranoia"||Won|
|Gotham Awards||November 28, 2016||Breakthrough Actor||Anya Taylor-Joy||Won|||
|Bingham Ray Breakthrough Director Award||Robert Eggers||Nominated|
|Independent Spirit Awards||February 25, 2017||Best First Screenplay||Robert Eggers||Won|||
|Best First Feature||The Witch|
|London Film Critics' Circle||January 22, 2017||Young British/Irish Performer of the Year||Anya Taylor-Joy (also for Morgan and Split)||Nominated|||
|London Film Festival||October 18, 2015||Sutherland Award||Robert Eggers||Won|||
|New York Film Critics Online||December 11, 2016||Best Debut Director||Robert Eggers||Won|||
|Online Film Critics Society||January 3, 2017||Best Picture||The Witch||Nominated|||
|San Diego Film Critics Society||December 12, 2016||Breakthrough Artist||Anya Taylor-Joy||Nominated|||
|San Francisco Film Critics Circle||December 11, 2016||Best Production Design||Craig Lathrop||Nominated|||
|Saturn Awards||June 28, 2017||Best Horror Film||The Witch||Nominated|||
|Best Performance by a Younger Actor||Anya Taylor-Joy||Nominated|
|Seattle Film Critics Society||January 5, 2017||Best Picture of the Year||The Witch||Nominated|||
|Best Director||Robert Eggers||Nominated|
|Best Cinematography||Jarin Blaschke||Nominated|
|Best Costume Design||Linda Muir||Nominated|
|Best Youth Performance||Anya Taylor-Joy||Won|
|Best Villain||Charlie and Wahab Chaudary (as Black Phillip)||Nominated|
|St. Louis Gateway Film Critics Association||December 18, 2016||Best Horror/Science-Fiction Film||The Witch||Won|||
|Sundance Film Festival||February 1, 2015||Directing Award||Robert Eggers||Won|||
|Grand Jury Prize||Robert Eggers||Nominated|
|Toronto Film Critics Association||December 11, 2016||Best First Feature||The Witch||Won|||
|Washington D.C. Area Film Critics Association||December 5, 2016||Best Youth Performance||Anya Taylor-Joy||Nominated|||
|Best Art Direction||Craig Lathrop||Nominated|
- "The Witch (15)". British Board of Film Classification. February 18, 2016. Retrieved February 18, 2016.
- Grierson, Tim (January 24, 2015). "The Witch". Screen Daily. Retrieved May 8, 2016.
- "Record-breaking year for Canada at the 2015 Sundance Film Festival". Telefilm Canada. January 14, 2015. Archived from the original on August 16, 2016. Retrieved May 8, 2016. Cite uses deprecated parameter
- "2016 Feature Film Study" (PDF). Film L.A. Inc. May 2017. Retrieved June 29, 2017.
- "The Witch (2016)". Box Office Mojo. Retrieved August 24, 2016.
- Wickman, Forrest (February 23, 2016). "All The Witch's Most WTF Moments, Explained: A Spoiler-Filled Interview With the Director". Slate. Retrieved September 10, 2019.
- Wickman, Forrest; Eggers, Robert (February 23, 2016). "All The Witch's Most WTF Moments, Explained: A Spoiler-Filled Interview With the Director". Slate. Retrieved February 29, 2016.
- Abramovitch, Seth (March 2, 2016). "Black Phillip: The Real Story Behind the Breakout Goat From 'The Witch'". The Hollywood Reporter. Retrieved February 12, 2017.
- Anielski, Ryan (October 21, 2015). "How Robert Eggers Combined History and Childhood Horrors in 'The Witch'". IndieWire. Retrieved February 9, 2016.
- Bitel, Anton (March 11, 2016). "Voices of the Undead: Robert Eggers on The Witch". Sight & Sound. British Film Institute. Retrieved April 17, 2016.
- Smith, Nicola (March 18, 2016). "New Hampshire Director Sifts His Home Soil". Valley News. Retrieved July 22, 2018.
- Bloom, Jessica (March 15, 2016). "Designer-Turned-Director Robert Eggers Discusses His Horror Film 'The Witch'". Format. Retrieved September 26, 2016.
- Ankenbauer, Sam (May 27, 2016). "Dressing The Witch: An Interview with Costume Designer Linda Muir". Bright Lights Film Journal. Retrieved March 24, 2017.
- Barkan, Jonathan (February 26, 2016). "We Interviewed Composer Mark Korven About His Terrifying Score for 'The Witch'". Bloody Disgusting. Retrieved July 24, 2017.
- Fusco, Jon (September 16, 2016). "How Mark Korven Avoided the Temptations of Temp Music to Score 'The Witch'". No Film School.com. Retrieved August 5, 2017.
- "Sundance Institute Announces Films in Premieres and Documentary Premieres for 2015 Sundance Film Festival". Sundance Institute. December 8, 2014. Retrieved February 16, 2016.
- "The Witch". Sundance Film Festival. Retrieved February 16, 2016.
- Punter, Jennie (August 18, 2015). "Sandra Bullock's 'Our Brand Is Crisis,' Robert Redford's 'Truth' to Premiere at Toronto". Variety. Retrieved September 28, 2015.
- "The Witch". TIFF.net. Archived from the original on January 24, 2016. Retrieved February 16, 2016. Cite uses deprecated parameter
- Sneider, Jeff (January 24, 2015). "Sundance: A24, DirecTV Buy Robert Eggers' 'The Witch' (Updated)". TheWrap. Retrieved February 16, 2016.
- Lang, Brent (February 17, 2016). "Box Office: 'Deadpool' Still a Juggernaut; 'The Witch' Generating Heat". Variety. Retrieved February 27, 2016.
- D'Alessandro, Alexander (February 19, 2016). "'Deadpool' Destroying Rivals With $56M Weekend; 'Risen' Burning 'Witch'". Deadline Hollywood. Retrieved February 20, 2016.
- "The Witch". DVDsReleaseDates.com. Retrieved May 7, 2016.
- Serafino, Jason (May 17, 2016). "Review: 'The Witch' Blu-Ray Adds Historical Context To One Of The Most Unique Horror Films In Years". Tech Times. Retrieved May 17, 2016.
- D'Alessandro, Anthony (February 17, 2016). "'Deadpool' Still Cool In Weekend 2 With Superhero Set To Pass $200M – Box Office Preview". Deadline Hollywood. Retrieved July 31, 2019.
- D'Alessandro, Anthony (February 21, 2016). "'Deadpool' Strong With Second Weekend Of $55M; 'Risen' Takes $11.8M, 'Witch' At $8.7M". Deadline Hollywood. Retrieved April 13, 2018.
- "The Witch (2016)". Rotten Tomatoes. Fandango Media. Retrieved September 10, 2019.
- The VVitch: A New England Folktale at Metacritic
- Chang, Justin (January 23, 2015). "Sundance Film Review: 'The Witch'". Variety. Retrieved September 8, 2015.
- Desta, Yohana (February 18, 2016). "'The Witch' is a film so f*cked up, Satan would see it twice". Mashable.com. Retrieved February 21, 2016.
- Travers, Peter (February 18, 2016). "'The Witch' Movie Review". Rolling Stone. Retrieved April 26, 2016.
- Zacharek, Stephanie (February 16, 2016). "'The Witch' Movie Review: A Supercreepy New England Folktale". TIME. Retrieved April 26, 2016.
- Wakeman, Gregory (January 2015). "The Witch". Cinemablend. Retrieved April 26, 2016.
- Hornaday, Ann (February 18, 2015). "17th-century horror film 'The Witch' creeps you out long after credits roll". The Washington Post. Retrieved April 26, 2016.
- Sacks, Ethan (February 17, 2016). "'The Witch' casts a spell on critics though it's not good". New York Daily News. Retrieved April 26, 2016.
- "Is The Witch Really a Horror Movie?". MoviePilot.com. February 18, 2016. Archived from the original on March 4, 2016. Retrieved April 26, 2016. Cite uses deprecated parameter
- Coffin, Lesley (February 22, 2016). "The Witch Review: Beware of High Expectations". The Mary Sue. Retrieved April 26, 2016.
- Eggertsen, Chris (February 22, 2016). "Why do so many horror fans hate The Witch?". Hitfix.com. Archived from the original on March 2, 2016. Retrieved April 26, 2016. Cite uses deprecated parameter
- Miska, Brad (February 16, 2016). "'The Witch' Scared the Hell Out of Stephen King!". Bloody Disgusting. Retrieved April 26, 2016.
- Keene, Brian [@BrianKeene] (February 21, 2016). "THE VVITCH is a gorgeous, thoughtful, scary horror film that 90% of the people in the theater with you will be too stupid to understand" (Tweet). Retrieved April 26, 2016 – via Twitter.
- Coffman, Jason (February 19, 2016). "This is why we can't have nice things: "The Witch" and horror fandom's gatekeepers". Medium.com. Retrieved April 26, 2016.
- Alexander, Julia (February 17, 2016). "The Witch review: A terrifying tale of depravity". Polygon. Retrieved February 23, 2016.
- Wilkinson, Alissa (March 18, 2015). "Can Indie Filmmakers Save Religious Cinema?". The Atlantic. Retrieved February 23, 2016.
Last Days in the Desert was the obvious “Bible film” at this year's Sundance. But the festival's lineup revealed a resurgence of interest in the religious: In Don Verdean, an affectionately satirical comedy, Sam Rockwell stars as a “Biblical archaeologist” who becomes a pawn in a war between two rival local ministers. The VVitch, a pristine horror debut from writer/director Robert Eggers, is a chilling circa-1600 story of the devil taking over a devout, Scripture-quoting family. I Am Michael, executive produced by Gus Van Sant, tells the true story of Michael Glatze (played by James Franco), a former gay activist who denounced homosexuality and became a Christian pastor. Other films like Z for Zachariah and Me, Earl, and the Dying Girl subtly draw on questions and motifs that animate Biblical narratives and questions.
- Tushnet, Eve (February 26, 2016). "Out in the Fields with God". The American Conservative. Retrieved March 5, 2016.
- Tushnet, Eve (March 4, 2016). "First Links — 3.4.16". First Things.com. Retrieved March 5, 2016.
- "The Witch Movie Review (2016)". Plugged In. 2015. Retrieved February 28, 2016.
- Larsen, Josh (February 24, 2016). "Should Christians be afraid of The Witch?". Think Christian. Retrieved February 28, 2016.
- VanDerWerff, Emily (February 18, 2016). "Why Satanists have given new horror movie The Witch their endorsement". Vox. Retrieved February 23, 2016.
- Anderson, Erik (December 15, 2016). "Austin Film Critics Association (AFCA) Nominations: The Handmaiden Lands Top Mentions, Trevante Rhodes Double Nominated". AwardsWatch.com. Retrieved December 15, 2016.
- Miller, Neil (December 15, 2016). "2016 Austin Film Critics Awards Nominees, 'Moonlight' and 'Arrival' lead the way in AFCA's 2016 nominations". Medium.com. Archived from the original on June 17, 2017. Retrieved December 15, 2016. Cite uses deprecated parameter
- Shanley, Patrick (December 11, 2016). "'La La Land' Named Best Picture by Boston Society of Film Critics". The Hollywood Reporter. Retrieved December 11, 2016.
- Bennett, Angela (February 23, 2017). "2016 Bram Stoker Awards Final Ballot". Horror World. Retrieved February 26, 2017.
- "The 2016 Chicago Film Critics Association Award Nominees". Chicago Film Critics Association. December 11, 2016. Archived from the original on December 20, 2016. Retrieved December 12, 2016. Cite uses deprecated parameter
- "La La Land Leads with 12 Nominations for the 22nd Annual Critics' Choice Awards". Critics' Choice. December 1, 2016. Archived from the original on December 3, 2016. Retrieved December 1, 2016. Cite uses deprecated parameter
- Nugent, John (March 19, 2017). "Three Empire Awards 2017: Rogue One, Tom Hiddleston and Patrick Stewart Win Big". Empire. Retrieved March 19, 2017.
- "The 2017 Fangoria Chainsaw Awards Winners and Full Results!". Fangoria. October 2, 2017. Archived from the original on December 14, 2017. Retrieved October 9, 2017. Cite uses deprecated parameter
- "Golden Tomato Awards - Best-Reviewed Horror Movies 2016". Rotten Tomatoes. January 12, 2017.
- "The 17th Annual Golden Trailer Award Nominees". Golden Trailer.com. Archived from the original on November 10, 2016. Retrieved October 27, 2016. Cite uses deprecated parameter
- Cox, Gordon (October 20, 2016). "Gotham Awards Nominations 2016: 'Manchester By The Sea' Leads with Four". Variety. Retrieved October 20, 2016.
- Warren, Matt (November 22, 2016). "2017 Film Independent Spirit Awards Nominations Announced!". Independent Spirit Awards. Retrieved November 22, 2016.
- "'Moonlight' and 'Love and Friendship' Lead London Film Critics' Circle Nominations". Variety. December 20, 2016. Retrieved December 20, 2016.
- "59th BFI London Film Festival award winners" (Press release). BFI. October 26, 2015. Retrieved October 27, 2015.
- "'Moonlight' Named Best Picture by New York Film Critics Online Association". The Hollywood Reporter. December 11, 2016. Retrieved December 11, 2016.
- "20th Annual Online Film Critics Society Awards Nominations". Online Film Critics Society. December 27, 2016. Retrieved December 27, 2016.
- "2016 Award Nominations". San Diego Film Critics Society. December 9, 2016. Archived from the original on December 14, 2016. Retrieved December 9, 2016. Cite uses deprecated parameter
- "2016 Award Winners". San Diego Film Critics Society. December 12, 2016. Archived from the original on December 14, 2016. Retrieved December 12, 2016. Cite uses deprecated parameter
- Flores, Marshall (December 9, 2016). "San Francisco Film Critics Circle Nominations!". AwardsDaily.com. Retrieved December 10, 2016.
- Nordyke, Kimberly (December 12, 2016). "'Moonlight' Named Best Picture by San Francisco Film Critics Circle". The Hollywood Reporter. Retrieved December 12, 2016.
- McNary, Dave (March 2, 2017). "Saturn Awards Nominations 2017: 'Rogue One,' 'Walking Dead' Lead". Variety. Retrieved March 3, 2017.
- "The 2016 Seattle Film Award Nominees". Seattle Film Critics Society. December 21, 2016. Retrieved December 21, 2016.
- ""Moonlight" Awarded Best Picture by Seattle Film Critics Society". Seattle Film Critics Society. January 5, 2017. Retrieved January 5, 2017.
- "2016 StLFCA Annual Award Winners". St. Louis Gateway Film Critics Association. December 12, 2016. Retrieved December 12, 2016.
- Umstead, Ben (January 31, 2015). "Sundance 2015 Award Winners". Twitch Film. Archived from the original on December 8, 2015. Retrieved February 1, 2015. Cite uses deprecated parameter
- Vlessing, Etan (December 12, 2016). "'Moonlight' Named Best Film by Toronto Film Critics". The Hollywood Reporter. Retrieved December 12, 2016.
- "The 2016 WAFCA Awards". The Washington, D.C. Area Film Critics Association. December 3, 2016. Retrieved December 4, 2016.