Portal:Opera

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The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Selected article

The first Mélisande, Mary Garden
Pelléas et Mélisande (Pelléas and Mélisande) is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play Pelléas et Mélisande. It premiered at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera that Debussy completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds a mysterious young woman, Mélisande, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud’s younger half-brother Pelléas, arousing Golaud’s jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande’s relationship, even forcing his own child, Yniold, to spy on the couple. Pelléas decides to leave the castle but arranges to meet Mélisande one last time and the two finally confess their love for one another. Golaud, who has been eavesdropping, rushes out and kills Pelléas. Mélisande dies shortly after, having given birth to a daughter, with Golaud still begging her to tell him "the truth".
Title page of the libretto for Verdi's I Lombardi alla prima crociata printed for the opera's premiere season at La Scala in 1843. Verdi dedicated the score to Maria Luigia, the Habsburg Duchess of Parma, who died a few weeks after the premiere. I Lombardi was part of a long tradition of operas set against the background of the medieval Crusades which dates from the 17th century. In 1847 the opera was significantly revised for performances in Paris with the title Jérusalem and became Verdi's first grand opera.

In this month

John McCormack photographed in 1910

Selected biography

Jessie Bond
Jessie Bond (10 January 1853 – 17 June 1942) was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company. Bond began a concert singing career in Liverpool by 1870, after which, at the age of 17, she entered into a brief, unhappy marriage. After leaving her abusive husband, she continued her concert career and studied at the Royal Academy of Music. At the age of 25, Bond began her theatrical career, creating the role of Cousin Hebe in Gilbert and Sullivan's H.M.S. Pinafore. After this, she created roles of increasing importance with the D'Oyly Carte Opera Company in a series of successful comic operas, including the title role in Iolanthe (1882), Pitti Sing in The Mikado (1885), and others. During the 1890s, she continued performing on the West End, while being courted by Lewis Ransome, a civil engineer. In 1897, at the age of 44, Bond married Ransome and left the stage. They were happily married for 25 years; however, she survived Ransome by twenty years, living to the age of 89.

Selected quote

Geraldine Farrar
I can think of but two people who honestly can be said to possess vocal mastery: they are Caruso and John McCormack. Those who have only heard the latter do little Irish tunes, have no idea of what he is capable. I have heard him sing Mozart as no one else I know of can.

Selected audio

From Jules Massenet's Le Cid (1885). Sung by Enrico Caruso in 1916 for the Victor Talking Machine Company.

Did you know?

1896 advertisement for the Théâtrophone

WikiProjects

Main topics

Opera history: Origins of opera • Italian opera • Opera in German • French opera • Opera in English • Polish opera • Russian opera • Hungarian opera • Armenian opera • Opera in Latin America

Opera topics

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics • List of operas by composer • Important operas • Major opera composers • Opera librettists • Opera houses • Opera companies • Opera festivals • Opera directors • Operetta composers • Orphean operas • Zarzuela composers • Opera genres • Operas set in the Crusades • The Record of Singing • Bayreuth canon

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