Cecilia Bartoli, Cavaliere OMRI (Italian: [tʃeˈtʃiːlja ˈbartoli]; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Bellini, Mozart and Rossini, as well as for her performances of lesser-known Baroque and Classical music. She is known for having the versatility to sing soprano and mezzo roles.
Bartoli at the Centre for Fine Arts, Brussels, 2008
|Born||4 June 1966|
|Education||Conservatorio di Santa Cecilia|
|Occupation||Opera singer and recitalist|
- 1 Biography
- 2 Discography
- 3 References
- 4 Sources
- 5 External links
Bartoli is considered a coloratura mezzo-soprano with an unusual timbre. According to Chernin, et Stendhal, her distinguished voice is known for its "fully developed sumptuousness of the lower register, the vibrancy of the middle range...the top was limpid and powerful." She is one of the most popular (and one of the top-selling) opera singers of recent years.
Bartoli was born in Rome. Her parents, Silvana Bazzoni and Pietro Angelo Bartoli, were both professional singers and gave her her first music lessons. Her first public performance was at age nine as the shepherd boy in Tosca. Bartoli later studied at the Conservatorio di Santa Cecilia in Rome. At the age of 19, she made her singing debut and appeared on Italian televison show Fantastico. She did not win the competiton but was asked to sing with Paris Opera for a homage concert for Maria Callas.
Bartoli came to prominence in her early twenties. She made her professional opera début in 1987 at the Arena di Verona. The following year she undertook the role of Rosina in Rossini's The Barber of Seville at the Cologne Opera, the Schwetzingen Festival and the Zurich Opera earning rave reviews. Working with the conductors Daniel Barenboim and Nikolaus Harnoncourt, Bartoli focused on Mozart roles, such as Zerlina in Don Giovanni and Dorabella in Così fan tutte, and from then on her career has developed internationally.
In 1990 she made her début at the Opéra Bastille as Cherubino in Mozart's Le nozze di Figaro and her debut at the Hamburg State Opera as Idamantes in Mozart's Idomeneo. This was followed by her La Scala début as Isolier in Le comte Ory in 1991, a performance which solidified her reputation as one of the world's leading Rossini singers.
In 1996, she made her debut at the Metropolitan Opera as Despina in Così fan tutte and returned in 1997 to sing the title role of La Cenerentola and in 1998 to sing the role of Susanna in Le nozze di Figaro. In 2000 she sang in another Mozart soprano role, Donna Elvira in Don Giovanni, at the Deutsche Oper Berlin. In 2001 she made a long-awaited Royal Opera House début, taking the roles of Euridice and the Genio in the London stage première of Haydn's L'anima del filosofo.
Work in baroque musicEdit
In addition to Mozart and Rossini, Bartoli has spent much of her time performing and recording baroque and early classical era music of such composers as Gluck, Vivaldi, Haydn and Salieri. In early 2005, she sang Cleopatra in Handel's Giulio Cesare, a role written for a soprano, but which is in mezzo-soprano range. She often performs with the baroque Ensemble Il Giardino Armonico. In 2012, Bartoli produced a project called Mission. It preimered the works of Agostino Steffani, a not as remembered Baroque performer. Bartoli produced the music of the composer in CD form as well as an extended music video that portays her as the priest-composer Agostino in the palace of Versallies. It is known for its historic and visual accuracy of the Baroque period. Cecilia Bartoli’s performance and production of Mission reflect the music and aesthetic of Steffani’s time period through the setting, wardrobe, and cinematography." Caverly, C. “Bartoli's Mission: A Modern Woman and Baroque Music.” MHS 123 Music and Technology in the Twentieth Century, 28 Nov. 2017, gcornish.digitalscholar.rochester.edu/MHS123_Fall2017/assignments/music-video-review/bartolis-mission-a-modern-woman-and-baroque-music/.
Work in bel cantoEdit
In 2007/08 Bartoli devoted her time to studying and recording the early 19th century repertoire – the era of Italian Romanticism and bel canto – and especially the legendary singer Maria Malibran, the 200th anniversary of whose birth was celebrated in March 2008. The album Maria was released in September 2007. In May 2008, Bartoli played the title role written for Malibran in a revival of Fromental Halévy's 1828 opera Clari at the Zurich Opera. In June 2010 she sang the title role of Bellini's Norma for the first time with conductor Thomas Hengelbrock in a concert in the Konzerthaus Dortmund. In March 2011, Bartoli toured five Australian cities with two programs, drawn from Sacrificium and Maria.
In 2012 Bartoli became the artistic director of the Salzburg Whitsun Festival, an extension of the traditional Salzburg Festival, which produces performances during Whitsun (Pentecost) weekend. Forgoing the academic programming of her predecessors, she reformulated the festival's programming—returning to "the old recipe of organizing beautiful programs and inviting great artists"—resulting in record ticket sales and placing the festival on the international opera calendar. In 2012, she sang Cleopatra in Handel's Giulio Cesare, in 2013 the title role in Vincenzo Bellini's Norma, and in 2014 Rossini's La Cenerentola.
In 2011, Bartoli won a fifth Grammy Award for Best Classical Vocal Performance for Sacrificium. In 2012 she was voted into the magazine's Gramophone's Hall of Fame. She is a 2012 recipient of the Herbert von Karajan Music Prize.
- Chevalier of the Ordre des Arts et des Lettres France (1995)
- Commander of the Order of Cultural Merit Monaco (November 1999)
Bartoli lives with her husband, the Swiss baritone Oliver Widmer, on the Goldküste shore of Lake Zurich, Switzerland, and in Rome, part of the year. The couple married in 2011 after 12 years together. Bartoli lived in Monaco in the early 2010s.
- Rossini: La scala di seta (Fonit Cetra, 1988)
- Rossini: Il barbiere di Siviglia (Decca, 1989)
- Mozart: Così fan tutte (Erato, 1990)
- Mozart: Lucio Silla (Teldec 1991)
- Rossini: La Cenerentola (Decca, 1993)
- Puccini: Manon Lescaut (Decca, 1993)
- Mozart: Le nozze di Figaro (DG, 1994)
- Mozart: La clemenza di Tito (Decca, 1995)
- Haydn: Orfeo ed Euridice (Decca, 1997)
- Rossini: Il turco in Italia (Decca, 1998)
- Mozart: Mitridate (Decca, 1999)
- Haydn: Armida (Teldec 2000)
- Handel: Rinaldo (Decca, 2000)
- Mozart: Don Giovanni (Arthaus, 2001, DVD)
- Bellini: La sonnambula (Decca, 2008)
- Halevy: Clari (Decca, 2008, DVD)
- Bellini: Norma (Decca, 2013)
Recitals with orchestraEdit
- Rossini Arias (1989)
- Mozart Arias (1991)
- Rossini Heroines (1992)
- Mozart Portraits (1994)
- Mozart Arias (1996)
- The Vivaldi Album (1999)
- Cecilia and Bryn (1999)
- Gluck Italian Arias (2001)
- The Salieri Album (2003)
- Opera Proibita (2005)
- Viva Vivaldi! Arias & Concertos (Arthaus, 2005, DVD)
- Maria (A Tribute to Maria Malibran) (2007)
- Sacrificium (Arias written for castrati) (2009)
- Mission (Arias and duets of Agostino Steffani) (2012)
- St. Petersburg (2014)
- Antonio Vivaldi (2018)
Recitals with pianoEdit
- Rossini Recital (1990)
- If You Love Me – "Se tu m'ami": Eighteenth-century Italian Songs (1992)
- The Impatient Lover – Italian Songs by Beethoven, Schubert, Mozart, Haydn) (1993)
- Chant D'Amour (1996)
- An Italian Songbook (1997)
- Live in Italy (1998)
Recitals with celloEdit
- Rossini: Stabat Mater (1990)
- Mozart: Requiem (1992)
- Scarlatti: Salve Regina, Pergolesi: Stabat Mater, Salve Regina (1993)
- Rossini: Stabat Mater (1996)
- Rossini Cantatas Volume 2
- A Portrait (1995)
- The Art of Cecilia Bartoli (2002)
- Sospiri (2010)
- Wroe, Nicholas (13 October 2001). "The Guardian profile: Cecilia Bartoli – Classic case of success". The Guardian. Retrieved 29 December 2013.
Bartoli is not only selling more CDs than ever before, she is doing so with a repertoire that would have been thought arcane even at the height of the classical boom
- Her mother's song got some peasant power (in Italian)
- Blyth, Grove Music Online
- Loomis, George (27 May 2008). "Zurich Opera and Cecilia Bartoli revive Halévy's opera Clari". International Herald Tribune. Retrieved 3 March 2009.
- Julia Gaß (30 June 2010). "Norma-Debüt der Bartoli mit Jubelorkan gefeiert". Ruhr Nachrichten (in German). Archived from the original on 7 October 2011. Retrieved 1 July 2010.
- "Flying visit" by Hugh Canning, The Australian (12 February 2011)
- Loomis, George (28 May 2014). "Cecilia Bartoli Soars at Salzburg". The New York Times. Archived from the original on 16 July 2014. Retrieved 1 September 2014.
- Past Winners Search, grammy.com
- "Cecilia Bartoli (mezzo-soprano)". Gramophone. Retrieved 11 April 2012.
- Sovereign Ordonnance n° 14.274 of 18 November 1999 : promotions or nominations
- "Cecilia Bartoli Makes The Gold Coast and Rome Her Home". Archived from the original on 28 March 2012. Retrieved 28 August 2012.
- Alan Jackson. "Cold Call Alan Jackson calls Cecilia Bartoli.", The Times, London, 10 May 2003