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The Omen is a 1976 supernatural horror film directed by Richard Donner, and written by David Seltzer. The film stars Gregory Peck, Lee Remick, David Warner, Harvey Spencer Stephens, Billie Whitelaw, Patrick Troughton, Martin Benson, and Leo McKern. The first installment of The Omen franchise, The Omen concerns a young child replaced at birth by American Ambassador Robert Thorn (Peck) unbeknownst to his wife (Remick), after their own son was murdered at the hospital, enabling the son of Satan to grow up with wealth and power. They are surrounded by mysterious and ominous deaths, unaware that the child, Damien, is the Antichrist.

The Omen
Omen ver4.jpg
Theatrical release poster
by Tom Jung
Directed byRichard Donner
Produced byHarvey Bernhard
Written byDavid Seltzer
Music byJerry Goldsmith
CinematographyGilbert Taylor
Edited byStuart Baird
Distributed by20th Century Fox
Release date
  • June 6, 1976 (1976-06-06) (UK)
  • June 25, 1976 (1976-06-25) (US)
Running time
111 minutes
  • United Kingdom[1]
  • United States[1]
Budget$2.8 million[2]
Box office$60.9 million[3]

Released theatrically by 20th Century Fox in June 1976, The Omen received acclaim from critics and was a commercial success, grossing over $60 million at the box office and becoming one of the highest-grossing films of 1976. The film earned two Oscar nominations, and won for Best Original Score for Jerry Goldsmith, his only Oscar win. A scene from the film appeared at #16 on Bravo's The 100 Scariest Movie Moments. The film spawned a franchise, starting with Damien: Omen II, released two years later, followed by a third installment, Omen III: The Final Conflict, in 1981, and in 1991 with Omen IV: The Awakening. A remake was released in 2006.


In Rome, American diplomat Robert Thorn is in a hospital where his wife Katherine gives birth to a boy, who—he is told—dies. Moments later Robert is informed of a plan by the hospital chaplain, Father Spiletto, to secretly adopt an orphan whose mother died giving birth to him. Robert agrees, but does not reveal to his wife that the child is not theirs. They name the child Damien.

Later Robert is appointed U.S. Ambassador to the United Kingdom. Not long afterwards mysterious events plague the Thorns: A large Rottweiler dog appears near the Thorn home; Damien's nanny publicly hangs herself at his fifth birthday party; a new nanny, Mrs. Baylock, arrives unannounced to replace her; the five-year old Damien violently resists entering a church; and zoo animals are terrified of Damien. Katherine becomes increasingly afraid of Damien and distances herself from him.

Father Brennan, a Catholic priest, tries to warn the Ambassador about Damien's mysterious origins, hinting that he is not human. The priest later tells Robert that Katherine is pregnant and that Damien will prevent her from having the child. Afterward, Brennan is impaled and killed by a lightning rod thrown from the roof of a church during a sudden storm. Katherine tells Robert that she is pregnant and wants an abortion.

Learning of Father Brennan's death, photographer Keith Jennings begins investigating Damien. He notices shadows in photographs of the nanny and of Father Brennan that seem to presage their bizarre deaths. A photo of Keith himself shows the same shadow. Keith shows Robert the photos and tells him he also believes that Damien is a threat and that he wants to help Robert. While Robert is away, Damien knocks Katherine over an upstairs railing to the floor below, causing her to miscarry.

Keith and Robert travel to Rome to investigate Damien's birth. They learn that a fire destroyed the hospital records and the maternity and nursery wards five years earlier; most of the staff on duty died in the fire. Robert and Keith trace Father Spiletto to St. Benedict's Abbey in Subiaco, where he is recuperating from his injuries. Stricken mute, blind in his right eye and paralyzed in his right arm, Spiletto writes the name of an ancient Etruscan cemetery in Cerveteri, where Damien's biological mother is buried. Robert and Keith find a jackal carcass in the grave, and in the grave next to it, a child's skeleton with a shattered skull. These are Damien's unnatural "mother" and the remains of the Thorns' own child, murdered at birth so that Damien could take his place. Keith reiterates Father Brennan's belief that Damien is the Antichrist, whose coming is being supported by a conspiracy of Satanists. A pack of wild Rottweiler dogs drive Robert and Keith out of the cemetery. Robert calls Katherine and tells her she must leave London. He says their friend Tom will arrive shortly to pick her up and take her to the airport to fly to Rome. Katherine, sensing how serious Robert is, agrees.

As Katherine struggles to change her clothes with her large humerus cast, she hears someone behind her. She turns to see Mrs. Baylock, who then pushes Katherine out the window to her death, crashing through the roof of a parked ambulance. Robert and Keith travel to Israel to find Carl Bugenhagen, an archaeologist and expert on the Antichrist. Bugenhagen explains that if Damien is the Antichrist he will possess a birthmark in the shape of three sixes, under his hair if nowhere else. Robert learns that the only way to kill the Antichrist is with seven mystical daggers from Megiddo. Appalled by the idea of murdering a child, Robert discards the daggers. When Keith tries to retrieve them, he is decapitated by a sheet of window glass sliding off a truck, matching the shadow across his neck which had presaged his death.

Returning home, Robert examines Damien for the birthmark, finding it on the child's scalp. Mrs. Baylock attacks him and, in the ensuing struggle, Robert kills her. He loads Damien and the daggers into a car and drives to the nearest church. Due to his erratic driving, he is followed by the police. Robert drags the screaming child to the altar and lays him down. The child pleads with his father to stop, but Robert raises the first dagger and asks God to forgive him, just as the police arrive. The officer orders Robert to put down the dagger or else he will shoot. Robert looks at them, then begins to plunge the dagger towards Damien, upon which the officer fires his gun.

The double funeral of Katherine and Robert is attended by the President of the United States. A smiling Damien is then revealed, standing beside them. Just before the credits roll, Revelation 13:18 appears: "Here is wisdom, let him that hath understanding, count the number of the beast, for it is the number of a man and his number is 666".



According to producer Harvey Bernhard, the idea of a motion picture about the Antichrist came from Bob Munger, a friend of Bernhard's. When Munger told him about the idea back in 1973, the producer immediately contacted screenwriter David Seltzer and hired him to write a screenplay. It took a year for Seltzer to write the script.[4]

The movie was considered by Warner Bros, who thought it might be ideal for Oliver Reed.[5]

According to Richard Donner, Lee Remick's reaction during the baboon scene was authentic.[4]


Bernhard claims Gregory Peck had been the choice to portray Ambassador Thorn from the beginning. Peck got involved with the project through his agent, who was friends with producer Harvey Bernhard. After reading the script, Peck reportedly liked the idea that it was more of a psychological thriller rather than a horror film and agreed to star in it.[4][6]

Despite Bernhard's claim,[4] William Holden was also considered for the role. Holden turned it down, claiming he didn’t want to star in a film about the devil. Holden later would portray Thorn's brother, Richard, in the sequel, Damien: Omen II (1978).[7] A firm offer was made to Charlton Heston on July 19, 1975. He turned the part down on July 27, not wanting to spend an entire winter alone in Europe and also concerned that the film might have an exploitative feel if not handled carefully.[8] Roy Scheider and Dick Van Dyke were also considered for the role of Robert Thorn.[9] Charles Bronson was also offered the role.


Filming began in October 1975 and wrapped in late January 1976. Scenes were shot on location in Bishops Park in Fulham, London and Guildford Cathedral in Surrey.[10][11]

The church featured in the Bishop's Park neighbourhood is All Saints' Church, Fulham, on the western side of Putney Bridge Road.


The Omen
Soundtrack album by
GenreFilm music
Label20th Century Fox
ProducerJerry Goldsmith
Professional ratings
Review scores
AllMusic     [12]

An original score for the film, including the movie's theme song "Ave Satani," was composed by Jerry Goldsmith, for which he received the only Oscar of his career. The score features a strong choral segment, with a foreboding Latin chant. The refrain to the chant is, "Sanguis bibimus, corpus edimus, tolle corpus Satani," Latin for, "We drink the blood, we eat the flesh, raise the body of Satan," interspersed with cries of "Ave Satani!" and "Ave Versus Christus" (Latin, "Hail, Satan!" and "Hail, Antichrist!").[citation needed] Aside from the choral work, the score includes lyrical themes portraying the pleasant home life of the Thorn family, which are contrasted with the more disturbing scenes of the family's confrontation with evil.[citation needed]

Original Soundtrack (1990)Edit

All music is composed by Jerry Goldsmith.

The Omen: Original Motion Picture Soundtrack
1."Ave Satani"Jerry GoldsmithJerry Goldsmith2:32
2."The New Ambassador" Jerry Goldsmith2:33
3."The Killer Storm" Jerry Goldsmith2:51
4."A Sad Message" Jerry Goldsmith1:42
5."The Demise of Mrs. Baylock" Jerry Goldsmith2:52
6."Don't Let Him" Jerry Goldsmith2:48
7."The Piper Dreams"Carol GoldsmithCarol Goldsmith2:39
8."The Fall" Jerry Goldsmith3:42
9."Safari Park" Jerry Goldsmith2:04
10."The Dogs Attack" Jerry Goldsmith5:50
11."The Homecoming" Jerry Goldsmith2:43
12."The Altar" Jerry Goldsmith2:00

Deluxe Edition Soundtrack (2001)Edit

For the film's 25th anniversary, a deluxe version of the soundtrack was released with eight additional tracks.

All music is composed by Jerry Goldsmith.

The Omen: Deluxe Edition Soundtrack
1."Ave Satani"Jerry GoldsmithJerry Goldsmith2:35
2."On This Night" Jerry Goldsmith2:36
3."The New Ambassador" Jerry Goldsmith2:34
4."Where Is He?" Jerry Goldsmith:56
5."I Was There" Jerry Goldsmith2:27
6."Broken Vows" Jerry Goldsmith2:12
7."Safari Park" Jerry Goldsmith3:24
8."A Doctor, Please" Jerry Goldsmith1:44
9."The Killer Storm" Jerry Goldsmith2:54
10."The Fall" Jerry Goldsmith3:45
11."Don't Let Him" Jerry Goldsmith2:49
12."The Day He Died" Jerry Goldsmith2:14
13."The Dogs Attack" Jerry Goldsmith5:54
14."A Sad Message" Jerry Goldsmith1:44
15."Beheaded" Jerry Goldsmith1:49
16."The Bed" Jerry Goldsmith1:08
17."666" Jerry Goldsmith:44
18."The Demise of Mrs. Baylock" Jerry Goldsmith2:54
19."The Altar" Jerry Goldsmith2:07
20."The Piper Dreams"Carol GoldsmithCarol Goldsmith2:41

40th Anniversary Edition Soundtrack (2016)Edit

A limited edition soundtrack was released for the film's 40th anniversary with six additional tracks and a bonus track.

All music is composed by Jerry Goldsmith.

The Omen: 40th Anniversary Edition Soundtrack
1."Ave Satani"Jerry GoldsmithJerry Goldsmith2:34
2."On This Night" Jerry Goldsmith2:35
3."The New Ambassador" Jerry Goldsmith2:35
4."Where Is He?" Jerry Goldsmith:55
5."Fatal Fall/It's All For You" Jerry Goldsmith:42
6."The Dog" Jerry Goldsmith:24
7."I Was There" Jerry Goldsmith2:24
8."Have No Fear" Jerry Goldsmith:36
9."Broken Vows" Jerry Goldsmith2:12
10."Safari Park" Jerry Goldsmith3:21
11."A Doctor, Please" Jerry Goldsmith1:43
12."She'll Die" Jerry Goldsmith1:43
13."The Killer Storm" Jerry Goldsmith2:55
14."The Fall" Jerry Goldsmith3:45
15."Don't Let Him" Jerry Goldsmith2:48
16."The Day He Died" Jerry Goldsmith2:14
17."Father Spiletto" Jerry Goldsmith1:09
18."The Dogs Attack" Jerry Goldsmith5:53
19."Mother's Death" Jerry Goldsmith:48
20."A Sad Message" Jerry Goldsmith1:44
21."Beheaded" Jerry Goldsmith1:48
22."The Bed" Jerry Goldsmith1:08
23."666" Jerry Goldsmith:46
24."The Demise of Mrs. Baylock" Jerry Goldsmith2:54
25."The Altar" Jerry Goldsmith2:04
26."The Piper Dreams"Carol GoldsmithCarol Goldsmith2:39
27."The Omen Suite" Diego Navarro, Tenerife Film Orchestra10:52


Box office performanceEdit

The Omen was released following a successful $2.8 million marketing campaign inspired by the one from Jaws one year prior, with two weeks of sneak previews, a novelization by screenwriter David Seltzer, and the logo with "666" inside the film's title as the centerpiece of the advertisement.[13] The film was a massive commercial success in the United States. It grossed $4,273,886 in its opening weekend (a then record for Fox)[14] and $60,922,980 domestically on a tight budget of $2.8 million.[15][16] The film was the fifth highest-grossing movie of 1976.

Critical receptionEdit

Richard Eder of The New York Times called it "a dreadfully silly film" but "reasonably well-paced. We don't have time to brood about the sillinesses of any particular scene before we are on to the next. There is not a great deal of excitement, but we manage to sustain some curiosity as to how things will work out."[17] Variety praised Richard Donner's direction as "taut" and the performances as "strong," and noted that the script, "sometimes too expository, too predictable, too contrived, is nonetheless a good connective fibre."[18] Roger Ebert gave the film 2.5 stars out of 4.[19] Gene Siskel of the Chicago Tribune also awarded 2.5 stars out of 4, lauding the "firepower sound track" and several "memorable" scenes, but finding the story "goofy."[20] Kevin Thomas of the Los Angeles Times called it "an absolutely riveting, thoroughly scary experience, a triumph of sleek film craftsmanship that will inevitably but not necessarily unfavorably be compared to The Exorcist."[21] Tom Shales of The Washington Post declared, "It's probably the classiest Exorcist copy yet, but as a summer thriller, it can hardly challenge the human appeal and exhilarating impact of last year's Jaws ... Seltzer, busy justifying his baloney premise with Biblical quotations, forgets about narrative logic or empathetic characters."[22] Gene Shalit called the film "a piece of junk," and Judith Crist said it "offers more laughs than the average comedy."[23] Jack Kroll of Newsweek called it "a dumb and largely dull movie."[24] Duncan Leigh Cooper of Cineaste wrote, "Despite its improbable story line and abundance of gratuitous violence, THE OMEN does succeed in its attempt to frighten, terrorize, and just plain scare the pants off most of the audience. Impressive performances ... plus a chilling mock-religious score by Jerry Goldsmith and the skillful direction of Richard Donner, all contribute to the suspension of disbelief required to draw the audience into the film's web of terror."[25] Richard Combs of The Monthly Film Bulletin described the film as "[a] matter-of-fact exercise in Satanic blood and thunder, both less grandiloquently and less pretentiously put together than The Exorcist ... In fact, the narrative is so straightforward, and so mundanely concerned with developing ever more ingenious ways, at a rapidly increasing clip, of disposing of its starry cast, that the spiritual torment is skimped."[26]

In 1978, two years after its release, the film was included in Michael Medved and Harry Dreyfuss's book The Fifty Worst Films of All Time. It was the most recent movie featured.[23]

Retrospective reviews of the film have been more favorable. On review aggregator website Rotten Tomatoes, the film has an approval rating of 85% based on 46 reviews and an average rating of 7.2/10. The site's consensus reads: "The Omen eschews an excess of gore in favor of ramping up the suspense -- and creates an enduring, dread-soaked horror classic along the way".[27] On Metacritic, the film has a weighted average score of 62 out of 100 based on 11 critics, indicating "generally favorable reviews".[28]

The movie boasted a particularly disturbing scene, in which a character willingly and joyfully hangs herself at a birthday party attended by young children. It also features a violent decapitation scene (caused by a horizontal sheet of plate glass), one of mainstream Hollywood's first: "If there were a special Madame Defarge Humanitarian Award for best decapitation," wrote Kim Newman in Nightmare Movies (1988), "this lingering, slow-motion sequence would get my vote."

The Omen was ranked number 81 on the American Film Institute's 100 Years... 100 Thrills,[29] and the score by Jerry Goldsmith was nominated for AFI's 100 Years of Film Scores.[30] The film was ranked #16 on Bravo's 100 Scariest Movie Moments.[31] Similarly, the Chicago Film Critics' Association named it the 31st scariest film ever made.[32] The film has been ranked as one of the best horror films of 1976 by[33]

Awards and nominationsEdit

The film received numerous accolades for its acting, writing, music and technical achievements. Jerry Goldsmith won the Academy Award for Best Original Score and received an additional nomination for Best Original Song for "Ave Satani". Goldsmith's score was also nominated for a Grammy award for Best Album of Original Score Written for a Motion Picture. Billie Whitelaw was nominated for a BAFTA film award for Best Supporting Actress for her performance. She was also awarded the Evening Standard British Film Award for Best Actress. The film also received recognition by the Hollywood Foreign Press Association. Harvey Stephens was nominated for a Golden Globe for Best Acting Debut – Male. David Seltzer's original screenplay was nominated by the Writers Guild of America for Best Drama Written Directly for the Screen and for the Edgar Allan Poe Award for Best Motion Picture. The film was nominated for the Saturn Award for Best Horror Film and Gregory Peck received the Saturn Award for Best Actor in a Horror Film. Gilbert Taylor won the Best Cinematography Award from the British Society of Cinematographers.[34]

In popular cultureEdit

The film was spoofed in Mad Magazine #189, March 1977,[35] as "The Ominous"—written by Dick DeBartolo with art by Harry North—and on Saturday Night Live as "The Ointment".

In 1998, Damien appeared in an episode of South Park, confronting Jesus Christ, but he makes friends with the gang, except Eric Cartman. In its tenth season, South Park also used an excerpt from Goldsmith's score at the end of the episode "Tsst" over the closing credits when Eric Cartman relapses. He smiles into the camera as Damien did and the theme plays.[citation needed]

In the television series That 70's Show, the eighth episode of the first season shows the main characters going to a drive-in to see this film. Clips from the original trailer play for about 6–7 seconds. During the drive in sequence, a clip of Damien's birthday party plays in the background which scares the viewers sitting in their cars.

The novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Neil Gaiman and Terry Pratchett satirizes the apocalypse and several events of the film, including the baby swap.

The protagonist in the short story "Moment of Truth" by Wayne Stellini, published in Offset (no. 14), is named Damien. He awaits the assistance of the diplomatic Mr. Thorn, whom he internally refers to as The Man, to get him out of trouble.[36]

International versionsEdit

Outside the United States, The Omen was titled into other languages. The Spanish-speaking countries used the title La profecía. Italian versions title it Il presagio, while the DVD title adds to such a title (in the form of Omen - Il presagio.) The German version of the film is titled Das Omen. The title Pretkazanje was used in the Serbian-/Croatian-speaking countries. De vervloeking is the Flemish version, shown in Belgium. Tegnet is in the Danish language and was used for the Denmark release. The titles Ennustus (Finnish) and Spådom (Swedish) are versions that circulated in Finland. La malédiction was used as the French title in France, Luxembourg and the Canadian province of Quebec. Sweden, Japan and Poland simply showed it under Omen. It was released in Turkey as Kehanet and Ómen in Hungary. Zenklas was the title used in Lithuania. In Tamil, the movie titled, Jenma Natchathiram, was influenced by The Omen. In Brazil, it's called A Profecia; in Portugal, O Génio do Mal.[37]


  • David Seltzer, The Omen (Futura, 1976).
  • Joseph Howard, Damien: Omen II (Futura, 1978).
  • Gordon McGill, Omen III: The Final Conflict (Futura, 1980).
  • Gordon McGill, Omen IV: Armageddon 2000 (Futura, 1983).
  • Gordon McGill, Omen V: The Abomination (Futura, 1985).

Both The Omen and its novelization were written by David Seltzer (the book preceded the movie by two weeks as a marketing gimmick). For the book, Seltzer augmented some plot points and character backgrounds and changed minor details (such as character names — Holly becomes Chessa Whyte, Keith Jennings becomes Haber Jennings, Father Brennan becomes Father Edgardo Emilio Tassone). The second and third novels were more direct adaptations of those films' screenplays. Gordon McGill retroactively changed the time period of The Omen to the 1950s in order to make The Final Conflict (featuring an adult Damien) take place explicitly in the 1980s.

The fourth novel, Omen IV: Armageddon 2000, was entirely unrelated to the fourth movie, but continued the story of Omen III following the one-night stand between Damien Thorn and Kate Reynolds in that film. This affair included an act of sodomy and thence Kate gave rectal "birth" to another diabolical entity called "the Abomination" in the Omen IV novel. This novel attempted to address the apparent contradiction of whether the Antichrist could be slain by just one of the "Seven Sacred Daggers of Megiddo" as premised in Omen III, or only by all of them as stated in the first book and film. According to Omen IV, one dagger could kill Damien's body but not his soul, which complies loosely with the explanation given in the original film. Damien's acolyte Paul Buher (played by Robert Foxworth in the second movie) is a major character in the fourth book and achieves redemption in its climax.

Omen V: The Abomination begins with a "memorial" listing all of the characters who had been killed throughout the saga up to that point and cements Damien's life in the period of 1950–1982. The novel closes with the chronicle of Damien's life about to be written by the character Jack Mason. Its last few lines are identical to the beginning of David Seltzer's novel, thus bringing the story full circle.


The Omen was remade with the same title in 2006, starring Liev Schrieber and Julia Stiles in the Gregory Peck and Lee Remick roles. The film was successful at the box office, grossing 119 million dollars worldwide, but gained mixed to negative reviews, with critical praise reserved for Mia Farrow in the Billie Whitlaw role from the original.

See alsoEdit


  1. ^ a b "The Omen (1976)". British Film Institute. Retrieved June 21, 2016.
  2. ^ Aubrey Solomon, Twentieth Century Fox: A Corporate and Financial History, Scarecrow Press, 1989 p258
  3. ^ "The Omen, Box Office Information". Box Office Mojo. Retrieved January 23, 2012.
  4. ^ a b c d The Omen Interviews with Gregory Peck 1976 at YouTube
  5. ^ What Makes Alan Ladd Jr. Hollywood's Hottest Producer? By CHARLES HIGHAM. New York Times (1923-Current file) [New York, N.Y] 17 July 1977: 61.
  6. ^ Getting Gregory Peck in The Omen - Richard Donner on YouTube
  7. ^ For Omen 2, William Holden Changed His Mind About Working With the Devil
  8. ^ Heston, Charlton, The Actor's Life, E.P. Dutton, 1978, p453
  9. ^ Nayman, Adam (21 April 2016). "The Omen lost its unholy power long before Damien came to TV". The A.V. Club. Retrieved 16 September 2017.
  10. ^ "The Omen film locations". 11 October 2014. Retrieved 14 February 2015.
  11. ^ "Time Out 1000 Things to Do in London". Time Out Guides. 2010. Cite journal requires |journal= (help)
  12. ^ Tognazzini, Anthony. "Jerry Goldsmith: The Omen [1976] [Original Motion Picture Soundtrack]". Retrieved December 9, 2015.
  13. ^ Wyatt, Justin (1998). "Chapter 3: From Roadshowing to Saturation Release: Majors, Independents, and Marketing/ Distribution Innovations". In Lewis, Jon (ed.). The new American cinema. Duke University Press. pp. 79–80. ISBN 0-8223-2115-7.
  14. ^ "'The Omen' Sets Somes Records For Fox with $4.3 Mil in 3 Days". Daily Variety. June 29, 1976. p. 1.
  15. ^ "Box Office Information for The Omen". Box Office Mojo. Retrieved May 21, 2010.
  16. ^ "Box Office and Business Information for The Omen". Retrieved May 21, 2010.
  17. ^ Eder, Richard (June 26, 1976). "The Screen: 'Omen' Is Nobody's Baby". The New York Times: 12.
  18. ^ "The Omen". Variety: 23. June 9, 1976.
  19. ^ Ebert, Roger (June 28, 1976). "The Omen". Retrieved November 2, 2018.
  20. ^ Siskel, Gene (June 29, 1976). "'The Omen' another shocker based on 'sound' principle". Chicago Tribune. Section 3, p. 5.
  21. ^ Thomas, Kevin (June 25, 1976). "'The Omen' a Scare Package". Los Angeles Times. Part IV, p. 1.
  22. ^ Shales, Tom (June 26, 1976). "A Deadly Thriller". The Washington Post: C1, C4.
  23. ^ a b Medved, Harry; Dreyfuss, Randy (1978). The Fifty Worst Films of All Time (and how they got that way). Popular Library. p. 171. ISBN 0-445-04139-0.
  24. ^ Kroll, Jack (July 12, 1976). "Deviled Ham". Newsweek: 69.
  25. ^ Cooper, Duncan Leigh (Winter 1976–77). "The Omen". Cineaste. 7 (4): 46.CS1 maint: date format (link)
  26. ^ Combs, Richard (August 1976). "The Omen". The Monthly Film Bulletin. 43 (511): 170.
  27. ^ "The Omen (1976)". Rotten Tomatoes. Fandango. Retrieved May 11, 2018.
  28. ^ "The Omen (1976) Reviews". Metacritic. CBS Interactive. Retrieved May 11, 2018.
  29. ^ "AFI's 100 Years... 100 Thrills" (PDF). American Film Institute. Retrieved May 21, 2010.
  30. ^ AFI's 100 Years of Film Scores Ballot
  31. ^ "Bravo's The 100 Scariest Movie Moments". Archived from the original on October 30, 2007. Retrieved May 21, 2010.
  32. ^ "Chicago Critics' Scariest Films". Retrieved May 21, 2010.
  33. ^ "The Greatest Films of 1976". AMC Retrieved May 21, 2010.
  34. ^ "The Omen: Award Wins and Nominations". Retrieved May 21, 2010.
  35. ^ "Mad Magazine #189 at".
  36. ^ B. Young, et al. (ed), Offset, no. 14, Victoria University, 2014, pp.62-66,<"Archived copy". Archived from the original on 2015-02-19. Retrieved 2015-02-19.CS1 maint: archived copy as title (link)>
  37. ^ The Omen on IMDb

External linksEdit