Connemara (/ˌkɒnɪˈmɑːrə/ CON-ə-MAR-ə; Irish: Connemara [ˌkʊnˠəˈmˠaɾˠə]) is a region on the Atlantic coast of western County Galway, in the west of Ireland. The area has a strong association with traditional Irish culture and contains much of the Connacht Irish-speaking Gaeltacht, which is a key part of the identity of the region and is the largest Gaeltacht in the country. Historically, Connemara was part of the territory of Iar Connacht (West Connacht). Geographically, it has many mountains (notably the Twelve Pins), peninsulas, coves, islands and small lakes. Connemara National Park is in the northwest. It is mostly rural and its largest settlement is Clifden.

Connemara highlighted in red, and Joyce Country or Partry highlighted in green
A view of the Connemara coast from Diamond Hill
A view of Derryclare from the N59 road.


"Connemara" derives from the tribal name Conmhaicne Mara, which designated a branch of the Conmacne, an early tribal grouping that had a number of branches located in different parts of Connacht. Since this particular branch of the Conmacne lived by the sea, they became known as the Conmacne Mara (sea in Irish is muir, genitive mara, hence "of the sea").


One common definition of the area is that it consists of most of west Galway, that is to say the part of the county west of Lough Corrib and Galway city, contained by Killary Harbour, Galway Bay and the Atlantic Ocean.[1] Some more restrictive definitions of Connemara define it as the historical territory of Conmhaícne Mara, i.e. just the far northwest of County Galway, bordering County Mayo. The name is also used to describe the Gaeltacht (Irish-speaking areas) of western County Galway, though it is argued that this too is inaccurate as some of these areas lie outside of the traditional boundary of Connemara.[2] There are arguments about where Connemara ends as it approaches Galway city, which is definitely not in Connemara — some[who?] argue for Barna, on the outskirts of Galway City, some for a line from Oughterard to Maam Cross, and then diagonally down to the coast, all within rural lands.[citation needed]

The wider area of what is today known as Connemara was previously a sovereign kingdom known as Iar Connacht, under the kingship of the Ó Flaithbertaigh, until it became part of the English-administered Kingdom of Ireland in the 16th century.


Twelve Bens

Connemara lies in the territory of Iar Connacht, "West Connacht," within the portion of County Galway west of Lough Corrib, and was traditionally divided into North Connemara and South Connemara. The mountains of the Twelve Bens and the Owenglin River, which flows into the sea at An Clochán / Clifden, marked the boundary between the two parts. Connemara is bounded on the west, south and north by the Atlantic Ocean. In at least some definitions, Connemara's land boundary with the rest of County Galway is marked[citation needed] by the Invermore River otherwise known as Inbhear Mór[3] (which flows into the north of Kilkieran Bay), Loch Oorid (which lies a few kilometres west of Maam Cross) and the western spine of the Maumturks mountains. In the north of the mountains, the boundary meets the sea at Killary, a few kilometres west of Leenaun.

The coast of Connemara is made up of multiple peninsulas. The peninsula of Iorras Ainbhtheach (sometimes corrupted to Iorras Aithneach) in the south is the largest and contains the villages of Carna and Kilkieran. The peninsula of Errismore consists of the area west of the village of Ballyconneely. Errisbeg peninsula lies to the south of the village of Roundstone. The Errislannan peninsula lies just south of the town of Clifden. The peninsulas of Kingstown, Coolacloy, Aughrus, Cleggan and Renvyle are found in Connemara's north-west. Connemara includes numerous islands, the largest of which is Inis mór which is the biggest island, County Galway Inis mór; other islands include Omey, Inishark, High Island, Friars Island, Feenish and Maínis.

The territory contains the civil parishes of Moyrus, Ballynakill, Omey, Ballindoon and Inishbofin (the last parish was for a time part of the territory of the Clann Uí Mháille, the O Malleys of the territory of Umhall, County Mayo), and the Roman Catholic parishes of Carna, Clifden (Omey and Ballindoon), Ballynakill, Kilcumin (Oughterard and Rosscahill), Roundstone and Inishbofin.[citation needed]


The main town of Connemara is Clifden, which is surrounded by an area rich with megalithic tombs.

The famous "Connemara Green marble" is found outcropping along a line between Streamstown and Lissoughter. It was a trade treasure used by the inhabitants in prehistoric times. It continues to be of great value today. It is available in large dimensional slabs suitable for buildings as well as for smaller pieces of jewellery. It is used for the pendant for the Chief Scout's Award, the highest award in Scouting Ireland.[citation needed]

Clan systemEdit

The east of what is now Connemara was once called Delbhna Tír Dhá Locha, and was ruled by Kings who claimed descent from the Delbhna and Dál gCais of Thomond and kinship with King Brian Boru.[4] The Kings of Delbhna Tír Dhá Locha eventually took the title and surname Mac Con Raoi (since anglicised as Conroy or King).[citation needed]

The Chief of the Name of Clan Mac Con Raoi directly ruled as Lord of Gnó Mhór, which was later divided into the civil parishes of Kilcummin and Killannin. Due to the power they wielded through their war galleys, the Chiefs of Clan Mac Con Raoi were traditionally considered to be, along with the Chiefs of Clans O'Malley, O'Dowd, and O'Flaherty, the Sea Kings of Connacht. The nearby kingdom of Gnó Beag was ruled by the Chief of the Name of Clan Ó hÉanaí (usually anglicised as Heaney or Heeney).[citation needed]

The Ó Cadhla (Kealy) clan were the rulers of West Connemara. Like the Chiefs of Clan Ó Cadhla clan, the Chiefs of Clan Mac Conghaile (Conneely) also claimed descent from the Conmhaícne Mara.[citation needed]

During the early 13th-century, however, all four clans were displaced and subjugated by the Chiefs of Clan Ó Flaithbertaigh, who had been driven west from Maigh Seola into Iar Connacht by the Mac William Uachtar branch of the House of Burgh, during the Hiberno-Norman invasion of Connacht.[5]

According to Irish-American historian Bridget Connelly, "By the thirteenth century, the original inhabitants, the clans Conneely, Ó Cadhain, Ó Folan, and MacConroy, had been steadily driven westward from the Moycullen area to the seacoast between Moyrus and the Killaries. And by 1586, with the signing of the Articles of the Composition of Connacht that made Morrough O'Flaherty landlord over all in the name of Queen Elizabeth I, the MacConneelys and Ó Folans had sunk beneath the list of chieftains whose names appeared on the document. The Articles deprived all the original Irish clan chieftains not only of their title but also all of the rents, dues, and tribal rights they had possessed under Irish law."[6]

During the 16th-century, however, legendary local pirate queen Grace O'Malley is on record as having said, with regard to her followers, "Go mb'fhearr léi lán loinge de chlann Chonraoi agus de chlann Mhic an Fhailí ná lán loinge d'ór" (that she would rather have a shipload of Conroys and MacAnallys than a shipload of gold).[7]

One of the last Chiefs of Clan O'Flaherty and Lord of Iar Connacht was the 17th-century historian Ruaidhrí Ó Flaithbheartaigh, who lost the greater part of his ancestral lands during the Cromwellian confiscations of the 1650s.[8]

After being dispossessed, Ó Flaithbheartaigh settled near Spiddal wrote a book of Irish history in Neo-Latin titled Ogygia, which was published in 1685 as Ogygia: seu Rerum Hibernicarum Chronologia & etc., in 1793 it was translated into English by Rev. James Hely, as Ogygia, or a Chronological account of Irish Events (collected from Very Ancient Documents faithfully compared with each other & supported by the Genealogical & Chronological Aid of the Sacred and Profane Writings of the Globe. Ogygia, the island of Calypso in Homer's The Odyssey, was used by Ó Flaithbheartaigh as a poetic allegory for Ireland. Drawing from numerous ancient documents, Ogygia traces Irish history back before Saint Patrick and into Pre-Christian Irish mythology.[9]

Even so, another branch, also descended from the derbhfine of the Chiefs, continued to live in a thatch-covered long house at Renvyle and to act as both clan leaders and agents for the Anglo-Irish Blake family. This arrangement continued until 1811, when Henry Blake ended a 130-year-long tradition of his family acting as absentee landlords and evicted 86-year-old Anthony O'Flaherty, his relatives, and his retainers. Henry Blake then demolished Anthony O'Flaherty's longhouse and built Renvyle House on the site.[10]

Direct British ruleEdit

Even though Henry Blake later termed the eviction of Anthony O'Flaherty in Letters from the Irish Highlands, as "the dawn of law in Cunnemara" (sic), the Blake family is not remembered warmly in the region.[11] Contemporary Anglo-Irish landlord John D'Arcy, who bankrupted both himself and his heirs to found the town of Clifden, is recalled much more fondly.[12]

According to historian and folklorist Tony Nugent, several Mass rocks survive in Connemara from the centuries of religious persecution prior to Catholic Emancipation in 1829. There is one located along the boreen named Baile Eamoinn near Spiddal. Two others are located at Barr na Daoire and at Caorán Beag in Carraroe. A fourth, Cluain Duibh, is located near Moycullen at Clooniff. [13]

Connemara was drastically depopulated during the Great Famine in the late 1840s, with the lands of the Anglo-Irish Martin family being greatly affected and the bankrupted landlord being forced to auction off the estate in 1849:[14]

As that year of 1847 had been the worst of several consecutive years of famine, it was to be understood that those missing tenants had abandoned their holdings to crowd into the workhouses or the emigrant ships to the New World, or they were dead; in any case they no longer infested the ground, which was left as a blank canvas on which Capital could paint a fair and profitable landscape.

The Sean nós song Johnny Seoighe is one of the few Irish songs from the era of the Great Famine that still survives.[15] The events of the Great Irish Famine in Connemara have since inspired the recent Irish language films Black '47, directed by Lance Daly, and Arracht, which was directed by Tomás Ó Súilleabháin.

The Irish Famine of 1879 similarly caused mass starvation, evictions, and violence in Connemara against the abuses of power by local Anglo-Irish landlords, bailiffs, and the Royal Irish Constabulary. In response, Father Patrick Grealy, the Roman Catholic priest assigned to Carna, selected ten, "very destitute but industrious and virtuous families", from his parish to emigrate to America and be settled upon frontier homesteads in Moonshine Township, near Graceville, Minnesota, by Bishop John Ireland of the Roman Catholic Diocese of St. Paul.[16]

According to historian Cormac Ó Comhraí, between the Land War and the First World War, politics in Connemara was largely dominated by the pro-Home Rule Irish Parliamentary Party and its ally, the United Irish League.[17] At the same time, though, despite an almost complete absence of the Sinn Fein political party in Connemara, the militantly anti-monarchist Irish Republican Brotherhood had a number of active units throughout the region. Furthermore, many County Galway veterans of the subsequent Irish War of Independence traced their belief in Irish republicanism to a father or grandfather who had been in the IRB.[18]

The first transatlantic flight, piloted by British aviators John Alcock and Arthur Brown, landed in a boggy area near Clifden in 1919.[19]

Irish War of IndependenceEdit

At the beginning of the Irish War of Independence, the IRA in Connemara had active service companies in Shanafaraghaun, Maam, Kilmilkin, Cornamona, Clonbur, Carraroe, Lettermore, Gorumna, Rosmuc, Letterfrack, and Renvyle. The Royal Irish Constabulary, on the other hand, was based at fortified barracks at Clifden, Letterfrack, Leenane, Clonbur, Rosmuc, and Maam.[20]

According to historian Kathleen Villiers-Tuthill, one of the IRA's most valuable intelligence officers during the conflict was Letterfrack native Jack Conneely, who had served as a Sergeant in the Royal Engineers during the First World War. Following the Armistice, Conneely had returned to Connemara and accepted a position as the driver for the Leenane Hotel. Due to his war record, Conneely was trusted completely by oblivious Special Constables of the Black and Tans. Crown security forces often requested rides from Conneely, who covertly used the opportunity to ask questions about secret military operations during the drive. On one occasion, two Special Constables accepted a ride to Leenane from Conneely without realizing that they were sitting the whole time next to crates filled with guns and ammunition. After dropping both men off, Conneely delivered the arms shipment to a safe house along Killary Harbour, where the arms were picked up and carried by sea to the IRA in County Mayo.[21]

The national leadership of the Irish Volunteers, however, was so dissatisfied by the inefficiency and internal squabbling of the IRA in Connemara that, in September 1920, Brigade Commandant Peter McDonnell was summoned to a secret meeting at Kilmilkin with IRA Chief of Staff Richard Mulcahy, who promoted MacDonnell on the spot to Officer Commanding of the West Connemara Brigade.[22]

The Burning of ClifdenEdit

The assassination of 14 British Intelligence officers from the Cairo Gang in Dublin on Bloody Sunday, was followed by the arrest, court-martial, and execution by hanging of Thomas Whelan for allegedly shooting one of them on 14 March 1921. In retaliation, Peter J. McDonnell and the West Connemara Brigade decided to follow the IRA's "Two for One" policy by assassinating two Royal Irish Constabulary officers in Whelan's birthplace of Clifden, which until then had been, according to Rosmuc IRA commander Colm Ó Gaora, "gach uile lá riamh dílis do dhlí Shasana",[23] ("ever single day that ever was, loyal to England's law").[24]

According to Peter McDonnell, the night of 15 March 1921 was selected, "to go into Clifden, get grub, and have a crack at the patrol." At the time, between 18 and 20 policemen were always stationed in the town. After finding the police had returned to barracks, the IRA withdrew temporarily, spent the night at, "the little lodge of Jim King near Kilcock" (sic), and, on the evening of 16 March 1921, the patrol reentered Clifden from the south. A party of six IRA men then approached RIC Constables Charles Reynolds and Thomas Sweeney near "Eddie King's Pub". McDonnell later recalled, "I saw two RIC against Eddie King's window and they noticed us. One of them made a dive for his gun as I passed and we wheeled and opened up. They were shot."[25] As both officers lay dying, the IRA men were seen to bend over them and remove their weapons and ammunition, before withdrawing from the scene with other RIC Constables in pursuit.[26]

Peter Joseph McDonnell later recalled, "They had a rifle and a revolver, fifty rounds of ammo, and belts and pouches."[27] Canon MacAlpine, the parish priest of St. Joseph's Roman Catholic Church and Irish Parliamentary Party political boss of the region, was immediately summoned and gave both Constables the Last Rites before their deaths.[28]

Believing that an attack on their barracks was imminent, the Clifden RIC sent out a request for assistance over Clifden's Trans-Atlantic Marconi wireless station. In a British war crime that is still known as "The Burning of Clifden" and in response to the request, a trainload of "Special Constables" from the Black and Tans arrived via the Galway to Clifden railway in the early hours of St Patrick's Day, 17 March 1921.[29] While making a half-hearted search for Sinn Féin supporters, the Tans committed arson and burned down fourteen houses and businesses. Other Clifden residents later testified about being beaten and robbed at gunpoint and were granted compensation by the courts. John J. McDonnell, a decorated former Sergeant Major in the Connaught Rangers during World War I, was shot dead by security forces; most likely for the incorrigibly bad luck of having the same surname as the O.C. of the IRA West Connemara Brigade. Local businessman Peter Clancy was shot in the face and neck, but survived. Before leaving the town, British security forces left graffiti outside Eddie King's pub, "Clifden will remember and so will the RIC", as well as, "Shoot another member of the RIC and up goes the town".[30]

Irish Civil WarEdit

Renvyle House was burned down by the Anti-Treaty IRA during the Irish Civil War, but later rebuilt by Oliver St John Gogarty and turned into a hotel.[31]

Irish language, literature, and folkloreEdit

Memorial to Irish language activist and novelist Máirtín Ó Cadhain inside Dublin Airport: "The best literary tool I got from my folks is the language – a homely, earthy, polished language that may at times start me dancing and at times start me weeping, sometimes despite myself."

The population of Connemara is 32,000. There are between 20,000–24,000 native Irish speakers in the region, making it the largest Irish-speaking Gaeltacht.[when?][citation needed] The Enumeration Districts with the most Irish speakers in all of Ireland, as a percentage of population, can be seen in the South Connemara area. Those of school age (5–19 years old) are the most likely to be identified as speakers.[32]

Connemara, which was formerly called "The Irish Highlands", has had an enormous influence on Irish culture, literature, and folklore.

Micheál Mac Suibhne (c. 1760–1820), a Connacht Irish bard mainly associated with Cleggan, remains a locally revered figure, due to his genius level contribution to oral poetry and sean-nós singing in Connacht Irish.[33]

After emigrating from Connemara to the United States during the 1860s, Bríd Ní Mháille, a Bard in the Irish language outside Ireland and sean-nós singer from the village of Trá Bhán, Garmna, composed the caoine Amhrán na Trá Báine. The song is about the drowning of her three brothers after currach was rammed and sunk while they were out at sea. Ní Mháille's lament for her brothers was first performed at a ceilidh in South Boston, Massachusetts before being brought back to Connemara, where it is considered an Amhrán Mór ("Big Song") and remains a very popular song among both performers and fans of both sean-nós singing and Irish traditional music.[34]

During the Gaelic revival, Irish teacher and nationalist Patrick Pearse, who would go on to lead the 1916 Easter Rising before being executed by firing squad, owned a cottage at Rosmuc, where he spent his summers learning the Irish language and writing. According to Innti poet and literary critic Louis de Paor, despite Pearse's enthusiasm for the Conamara Theas dialect of Connacht Irish spoken around his summer cottage, he chose to follow the usual practice of the Gaelic revival by writing in Munster Irish, which was considered less Anglicized than other Irish dialects. At the same time, however, Pearse's reading of the radically experimental poetry of Walt Whitman and of the French Symbolists led him to introduce Modernist poetry into the Irish language. As a literary critic, Pearse also left behind a very detailed blueprint for the decolonization of Irish literature, particularly in the Irish language.

During the aftermath of the Irish War of Independence and the Civil War, Connemara was a major center for the work of the Irish Folklore Commission in recording Ireland's endangered folklore, mythology, and oral literature. According to folklore collector and archivist Seán Ó Súilleabháin, residents with no stories to tell were the exception rather than the rule and it was generally conceded in 1935 that there were more unrecorded folktales in the parish of Carna alone than anywhere else in Western Europe.[35]

One of the most important tradition bearers the Commission recorded in Connemara or anywhere else was Éamon a Búrc. Before his repertoire of tales was recorded and transcribed, a Búrc had emigrated to America and lived in Graceville, Minnesota and in the Connemara Patch shantytown in the Twin Cities. After returning to his native Carna, Éamon a Búrc became a tailor and was recorded in 1935 at the home now owned the Ó Cuaig family. Furthermore, according to Irish-American historian Bridget Connelly, the stories collected in Irish from Éamon a Búrc are still taught in University courses alongside Beowulf, the Elder Edda and the Homeric Hymns.[36]

Joe Heaney a legendary seanchai and sean-nós singer in Connacht Irish, is said to have known more than 500 songs – most learned from his family while he was growing up in Carna.[37] The Féile Chomórtha Joe Éinniú (Joe Heaney Commemorative Festival) is held every year in Carna.

Sorcha Ní Ghuairim, a Sean-nós singer and writer of Modern literature in Irish, was also born in Connemara. Initially a newspaper columnist termed ‘Coisín Siúlach’ for the newspaper The Irish Press, where she eventually became the editor. She also wrote a regular column for the children's page under the pen name ‘Niamh Chinn Óir’. Her other writings included a series of children's stories titled Eachtraí mhuintir Choinín and Sgéal Taimín Mhic Luiche. With the assistance of Pádraig Ó Concheanainn, Sorcha also translated Charles McGuinness' Viva Irlanda for publication in the newspaper. Their translation was subsequently published under the title Ceathrar comrádaí in 1943.[38]

While living at Inverin, Connemara during the Emergency, however, Calum Maclean, the brother of highly important Scottish Gaelic poet Sorley MacLean, was appointed by Professor Séamus Ó Duilearga (1899–1980) as a part-time collector for the Irish Folklore Commission (Coimisiún Béaloideasa Éireann). From August 1942 to February 1945, Maclean sent a considerable amount of lore in the local Conamara Theas dialect of Connaught Irish to the Commission, amounting to six bound volumes. From March 1945 Maclean was employed as a temporary cataloguer by the Commission in Dublin, before being sent to the Scottish Gàidhealtachd to collect folklore there as well, first for the Irish Folklore Commission and later for the School of Scottish Studies.

While interned during the Second World War in the Curragh Camp by Taoiseach Éamon de Valera, Máirtín Ó Cadhain, a Post-Civil War Irish republican from An Spidéal, became one of the most radically innovative writers of Modern literature in Irish by writing the comic and modernist literary classic Cré na Cille.

The novel is written almost entirely as conversation between the dead bodies buried underneath a Connemara cemetery. In a departure from Patrick Pearse's idealization of the un-Anglicised Irish culture of the Gaeltachtaí, the deceased speakers in Cré na Cille spend the whole novel gossiping, backbiting, flirting, feuding, and scandal-mongering.[39] Cré na Cille is widely considered a masterpiece of 20th-century Irish literature and has drawn comparisons to the writings of Flann O’Brien, Samuel Beckett and James Joyce.[40][41]

Through Cré na Cille and his other writings, Máirtín Ó Cadhain became a major part of the revival of literary modernism in Irish, where it had been largely dormant since the execution of Patrick Pearse in 1916. Ó Cadhain created a literary language for his writing out of the Conamara Theas and Cois Fharraige dialects of Connacht Irish, but he was often accused of an unnecessarily dialectal usage in grammar and orthography even in contexts where realistic depiction of the Connemara vernacular wasn't called for. He was also happy to experiment with borrowings from other dialects, Classical Irish and even Scottish Gaelic. Consequently, much of what Ó Cadhain wrote is, like the poetry of fellow Linguistic experimentalist Liam S. Gógan, reputedly very hard to understand for a non-native speaker.

In addition to his writings, Máirtín Ó Cadhain was also instrumental in preaching what he called Athghabháil na hÉireann ("Re-Conquest of Ireland"), (meaning both decolonization and re-Gaelicisation) and in the 1969 founding of Coiste Cearta Síbialta na Gaeilge (English: Irish Language Civil Rights Committee"),[42] a pressure group campaigning for social, economic and cultural rights for native-speakers of the Irish-language in Gaeltacht areas and which drew inspiration from the use of civil disobedience by the contemporary Welsh Language Society, the Northern Ireland civil rights movement, and the American civil rights movement.

One of their most successful protests involved the pirate radio station Saor Raidió Chonamara (Free Radio Connemara) which first came on the air during Oireachtas na Gaeilge 1968, as a direct challenge to the Irish government's inaction regarding Irish language broadcasting. The station used a medium wave transmitter smuggled in from the Netherlands. The Irish government responded by proposing a national Irish-language radio station RTÉ Raidió na Gaeltachta which came on the air on Easter Sunday 1972. Its headquarters are now in Casla.

In 1974, Gluaiseacht also persuaded Conradh na Gaeilge to end the practice since 1939 of always holding Oireachtas na Gaeilge, a cultural and literary festival modeled after the Welsh Eisteddfod, in Dublin rather than in the Gaeltacht areas.[43][42][44] Gluaisceart also successfully secured recognition of sean-nós dance in 1977.[45]

Another figure highly important to Modern literature in Irish to come from Connemara was Casla-born poet, actress, Irish-language activist, and Sean nos singer Caitlín Maude (1941-1982). According to Louis de Paor, "Although no collection of her work was published during her lifetime, Caitlín Maude had a considerable influence on Irish language poetry and poets, including Máirtín Ó Direáin, Micheál Ó hArtnéide, Tomás Mac Síomóin, and Nuala Ní Dhomhnaill. That influence is a measure of the dramatic force of her personality, her exemplary ingenuity and commitment to the language, and her ability as a singer to embody the emotional disturbance at the heart of a song. Her collected poems are relatively slight, including incomplete drafts and fragments, but reveal a poetic voice confident of its own authority, drawing on the spoken language of the Connemara Gaeltacht but rarely on its conventions of oral composition or, indeed, on precedents in Irish poetry in either language. The best of her work is closer to the American poetry of the 1960s in its use of looser forms that follow the rhythms of the spoken word and the sense of the poem as direct utterance without artifice, a technique requiring a high degree of linguistic precision and formal control."[46]

The Irish language memoirs of Colm Ó Gaora, the former IRA company commander in Rosmuc during the Irish War of Independence, were published in 2008 under the title Mise. An English translation, under the title On the Run: The Story of an Irish Freedom Fighter, was published in Cork City by Mercier Press in 2011.

Recently, the Coláiste Lurgan, a language immersion summer college located at Inverin, has won worldwide acclaim for their Irish language covers of pop songs,including Leonard Cohen's Hallelujah, Adele's Hello, and Avicii's Wake Me Up, on the TG Lurgan YouTube channel. The band Seo Linn is composed of musicians who met at the college.


Connemara is accessible by the Bus Éireann and City Link bus services. From 1895 to 1935 it was served by the Midland Great Western Railway branch that connected Galway City to Clifden.

The N59 is the main area road, following an inland route from Galway to Clifden. A popular alternative is the coastal route beginning with the R336 from Galway. This is also known as the Connemara Loop[47] consisting of a 45 km drive where one can view the landscape and scenery of Connemara.

Aer Arann Islands serves the Aran Islands from Connemara Airport in the south of Connemara also known as Aerfort na Minna.

Notable placesEdit

Towns and villagesEdit

These settlements are within the most extensive definition of the area. More restrictive definitions will exclude some:


  • Omey Island – (Iomaidh)
  • Inishbofin – (Inis Bó Finne) has been home to fishermen, farmers, exiled monks and fugitive pirates for over 6,000 years and today the island supports a population of 200 full-time residents.

Notable peopleEdit

Cultural referencesEdit

Annalistic referencesEdit

  • 807. A slaughter was made of the Conmaicni by the foreigners.

Film and TVEdit


See also


  • A Chorographical Description of West or H-Iar Connaught written A.D. 1684 by Roderic O'Flaherty ESQ with notes and Illustrations by, James Hardiman M.R.I.A., Irish Archaeological Society, 1846.
  1. ^ "Connemara Ireland, what to see in Connemara, map of the Connemara loop, things to do and beaches". Galway Tourism. Retrieved 13 April 2016.
  2. ^ "Connemara Ireland". Retrieved 30 November 2016.
  3. ^ "Full Result". Retrieved 13 April 2016.
  4. ^ Keating, Geoffrey (1908). History of Ireland, Volume 8, page 297.
  5. ^ "History". Go Connemara. Retrieved 13 April 2016.
  6. ^ Bridget Connelly (2003), Forgetting Ireland:Uncovering a Family's Secret History, Borealis Books. Pages 179–180.
  7. ^ Ordnance Survey Letters, Mayo, vol. II, cited in Anne Chambers (2003), The Pirate Queen, but with spelling modernised.
  8. ^ Gilbert, John Thomas (1895). "O'Flaherty, Roderic" . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 42. London: Smith, Elder & Co.
  9. ^ Gilbert, John Thomas (1895). "O'Flaherty, Roderic" . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 42. London: Smith, Elder & Co.
  10. ^ Bridget Connelly (2003), Forgetting Ireland:Uncovering a Family's Secret History, Borealis Books. Pages 162–164.
  11. ^ Bridget Connelly (2003), Forgetting Ireland:Uncovering a Family's Secret History, Borealis Books. Pages 152–166.
  12. ^ History of Clifden, Clifden and Connemara Heritage Society.
  13. ^ Nugent, Tony (2013). Were You at the Rock? The History of Mass Rocks in Ireland. Liffey Press. pp. 148–151.
  14. ^ "Connemara after the Famine". History Ireland. 12 April 2013. Retrieved 7 April 2019.
  15. ^ Johnny Seoighe Joe Heanney Center.
  16. ^ Bridget Connelly (2003), Forgetting Ireland:Uncovering a Family's Secret History, Borealis Books. Page 145-149.
  17. ^ Ernie O'Malley (2013), The Men Will Talk to Me: Galway Interviews, Mercier Press, Cork City. Pages 22-23.
  18. ^ Ernie O'Malley (2013), The Men Will Talk to Me: Galway Interviews, Mercier Press, Cork City. Page 23.
  19. ^ "Captain John Alcock and Lieutenant Arthur Whitten Brown". Retrieved 14 April 2016.
  20. ^ Ernie O'Malley (2013), The Men Will Talk to Me: Galway Interviews, Mercier Press, Cork City. Pages 67-68.
  21. ^ Kathleen Villiers-Tuthill (1990), Beyond the Twelve Bens: A History of Clifden and District 1860 - 1923, The Connaught Tribune. Page 198.
  22. ^ Ernie O'Malley (2013), The Men Will Talk to Me: Galway Interviews, Mercier Press, Cork City. Pages 71-73.
  23. ^ Colm Ó Gaora (2008), Mise, Baile Átha Cliath, page 248.
  24. ^ Ernie O'Malley (2013), The Men Will Talk to Me: Galway Interviews, Mercier Press, Cork City. Page 27.
  25. ^ Ernie O'Malley (2013), The Men Will Talk to Me: Galway Interviews, Mercier Press, Cork City. Page 79-81.
  26. ^ Kathleen Villiers-Tuthill (1990), Beyond the Twelve Bens: A History of Clifden and District 1860 - 1923, The Connaught Tribune. Page 209.
  27. ^ Ernie O'Malley (2013), The Men Will Talk to Me: Galway Interviews, Mercier Press, Cork City. Page 81.
  28. ^ Kathleen Villiers-Tuthill (1990), Beyond the Twelve Bens: A History of Clifden and District 1860 - 1923, The Connaught Tribune. Pages 209-211.
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  49. ^ About Claire
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External linksEdit

53°30′N 9°45′W / 53.500°N 9.750°W / 53.500; -9.750