The South Bronx is an area of the New York City borough of the Bronx. As the name implies, the area comprises neighborhoods in the southern part of the Bronx, such as Concourse, Mott Haven, Melrose, and Port Morris. Formerly a deteriorating, poverty-stricken area, the South Bronx is now known for its hip hop culture and graffiti.
The geographic definitions of the South Bronx have evolved and are disputed but certainly include the neighborhoods of Mott Haven, Melrose and Port Morris. The neighborhoods of Belmont, Castle Hill, Crotona Park East, Highbridge, Hunts Point, Longwood, Morrisania and Soundview are sometimes considered part of the South Bronx.
The South Bronx was originally called the Manor of Morrisania, and later Morrisania. It was the private domain of the powerful and aristocratic Morris family, which includes Lewis Morris, signer of the Declaration of Independence, and Gouverneur Morris, penman of the United States Constitution. The Morris memorial is at St. Ann's Church of Morrisania. Morris' descendants own land in the South Bronx to this day.
As the Morrises developed their landholdings, an influx of German and Irish immigrants populated the area. Later, the Bronx was considered the "Jewish Borough," and at its peak in 1930 was 49% Jewish. Jews in the South Bronx numbered 364,000 or 57.1% of the total population in the area. The term was first coined in the 1940s by a group of social workers who identified the Bronx's first pocket of poverty, in the Port Morris section, the southernmost section of the Bronx.
1950s: Demographic shiftEdit
After World War II, as white flight accelerated and migration of ethnic and racial minorities continued, the South Bronx went from being two-thirds non-Hispanic white in 1950 to being two-thirds black or Puerto Rican in 1960. Originally denoting only Mott Haven and Melrose, the South Bronx extended up to the Cross Bronx Expressway by the 1960s, encompassing Hunts Point, Morrisania, and Highbridge.
1960s: Start of decayEdit
The South Bronx is a place for working-class families. Its image as a poverty-ridden area developed in the latter part of the 20th century. There were several factors contributing to the decay of the South Bronx: white flight, landlord abandonment, economic changes, demographics and also the construction of the Cross Bronx Expressway.
The Cross Bronx Expressway, completed in 1963, was a part of Robert Moses’ urban renewal project for New York City. The expressway is now known to have been a factor in the extreme urban decay seen by the borough in the 1970s and 1980s. Cutting through the heart of the South Bronx, the highway displaced thousands of residents from their homes, as well as several local businesses. The neighborhood of East Tremont, in particular, was completely destroyed by the Expressway. Others have argued that the construction of such highways has not harmed communities.
The already poor and working-class neighborhoods were further disadvantaged by the decreasing property value, in combination with increasing vacancy rates. Racially charged tension, during the Civil Rights Movement of the 1950s and 1960s, further contributed to middle-class flight and the decline of many South Bronx neighborhoods. As a result of new policies demanding that, for racial balance in schools, children be bused into other districts, parents who worried about their children attending the demographically adjusted schools often relocated to the suburbs, where this was not a concern. Some neighborhoods were considered undesirable by homeowners in the late 1960s and the area's population began decreasing. In addition, post World War II, rent control policies have been proposed by one author as contributing to the decline, by giving building owners little motivation to keep up their properties. New York mayor, John Lindsay (1966-1973), suggested that lack of education and high unemployment, limited the housing options for the remaining low income tenants and that this prompted the reduced upkeep by landlords. In either case, while desirable housing options were scarce, vacancies further increased. In the late 1960s, by the time the city decided to consolidate welfare households in the South Bronx, its vacancy rate was already the highest of any place in the city.
1970s: "The Bronx is burning"Edit
In the 1970s significant poverty reached as far north as Fordham Road. Around this time, the Bronx experienced some of its worst instances of urban decay, with the loss of 300,000 residents and the destruction of entire city blocks' worth of buildings. The media attention brought the South Bronx into common parlance nationwide.
The phrase "The Bronx is burning," attributed to Howard Cosell during Game 2 of the 1977 World Series featuring the New York Yankees and Los Angeles Dodgers, refers to the arson epidemic caused by the total economic collapse of the South Bronx during the 1970s. During the game, as ABC switched to a generic helicopter shot of the exterior of Yankee Stadium, an uncontrolled fire could clearly be seen burning in the ravaged South Bronx surrounding the park, leading Cosell to intone, "There it is, ladies and gentlemen, the Bronx is burning."
The early 1970s saw South Bronx property values continue to plummet to record lows. A progressively vicious cycle began where large numbers of tenements and multi-story, multi-family apartment buildings (left vacant by white flight) sat abandoned and unsaleable for long periods of time, which, coupled with a stagnant economy and an extremely high unemployment rate, produced a strong attraction for criminal elements such as street gangs, which were exploding in number and beginning to support themselves with large-scale drug dealing in the area. Abandoned property also attracted large numbers of squatters such as the indigent, drug addicts and the mentally ill, who further lowered the borough's quality of living.
As the crisis deepened, the nearly bankrupt city government of Abraham Beame levied most of the blame on unreasonably high rents levied by white landlords, and began demanding they convert their rapidly emptying buildings into Section 8 housing, which paid a per capita stipend for low-income or indigent tenants from Federal HUD funds rather than from the cash-strapped city coffers. However the HUD rate was not based on the property's actual value and was set so low by the city it left little opportunity or incentive for honest landlords to maintain or improve their buildings while still making a profit. HUD regulations also made it virtually impossible to evict tenants engaging in destructive or illegal behavior. The result was a disastrous acceleration of both the speed and northward spread of the cycle of decay in the South Bronx, as formerly desirable and well-maintained middle-to-upper class apartments in midtown (most notably along the Grand Concourse) were progressively vacated by white flight and either abandoned altogether or converted into federally funded single room occupancy "welfare hotels" run by absentee slumlords to house predominantly single-parent Section 8 families and young, unemployed, recently immigrated Hispanic males.
The massive citywide spending cuts also left the few remaining building inspectors and fire marshals unable to enforce living standards or punish code violations. This encouraged slumlords and absentee landlords to neglect and ignore their property and allowed for gangs to set up protected enclaves and lay claim to entire buildings, which then spread crime and fear of crime to nearby unaffected apartments in a domino effect. Police statistics show that as the crime wave moved north across the Bronx, the remaining white tenants in the South Bronx (mostly elderly Jews) were preferentially targeted for violent crime by the influx of young, minority criminals because they were seen as easy prey; this became so common that the street slang terms "crib job" (meaning how elderly residents were as helpless as infants) and "push in" (meaning what would now be called a home invasion robbery) were coined specifically in reference to them.
Property owners who had waited too long to try to sell their buildings found that almost all of the property in the South Bronx had already been redlined by the banks and insurance companies. Unable to sell their property at any price and facing default on back property taxes and mortgages, landlords began to burn their buildings for their insurance value. A type of sophisticated white collar criminal known as a "fixer" sprung up during this period, specializing in a form of insurance fraud that began with buying out the property of redlined landlords at or below cost, then selling and reselling the buildings multiple times on paper between several different fictitious shell companies under the fixer's control, artificially driving up the value incrementally each time. Fraudulent "no questions asked" fire insurance policies would then be taken out on the overvalued buildings and the property stripped and burnt for the payoff. This scheme became so common that local gangs were hired by fixers for their expertise at the process of stripping buildings of wiring, plumbing, metal fixtures, and anything else of value and then effectively burning it down with gasoline. Many finishers became extremely rich buying properties from struggling landlords, artificially driving up the value, insuring them and then burning them; often the properties were still occupied by subsidized tenants or squatters at the time, who were given short or no warning before the building was burnt down and they were forced to move to another slum building, where the process would usually repeat itself. The rate of unsolved fatalities due to fire multiplied sevenfold in the South Bronx during the 1970s, with many residents reporting being burnt out of numerous apartment blocks one after the other.
Local South Bronx residents themselves also burned down vacant properties in their own neighborhoods. Much of this was reportedly done by those who had already worked stripping and burning buildings for pay: the ashes of burned down properties could be sifted for salable scrap metal. Other fires were caused by unsafe electrical wiring, fires set indoors for heating, and random vandalism associated with the general crime situation. Flawed HUD and city policies also encouraged local South Bronx residents to burn down their own buildings. Under the regulations, Section 8 tenants who were burned out of their current housing were granted immediate priority status for another apartment, potentially in a better part of the city. After the establishment of the (then) state-of-the-art Co-op City, there was a spike in fires as tenants began burning down their Section 8 housing in an attempt to jump to the front of the 2–3 year long waiting list for the new units. HUD regulations also authorized lump-sum aid payments of up to $1000 to those who could prove they had lost property due to a fire in their Section 8 housing; although these payments were supposed to be investigated for fraud by a HUD employee before being signed off on, very little investigation was done and some HUD employees and social services workers were accused of turning a blind eye to suspicious fires or even advising tenants on the best way to take advantage of the HUD policies. On multiple occasions, firefighters were reported to have shown up to tenement fires only to find all the residents at an address waiting calmly with their possessions already on the curb.
By the time of Cosell's 1977 commentary, dozens of buildings were being burnt in the South Bronx every day, sometimes whole blocks at a time and usually far more than the fire department could keep up with, leaving the area perpetually blanketed in a pall of smoke. Firefighters from the period reported responding to as many as 7 fully involved structure fires in a single shift, too many to even bother returning to the station house between calls (Report from Engine Company 82). The local police precincts—already struggling and failing to contain the massive wave of drug and gang crime invading the Bronx—had long since stopped bothering to investigate the fires, as there were simply too many to track. During this period, the NYPD's 41st Precinct Station House at 1086 Simpson Street became famously known as "Fort Apache, The Bronx" as it struggled to deal with the overwhelming surge of violent crime, which for the entirety of the 1970s and 1980s made South Bronx the murder, rape, robbery, aggravated assault and arson capital of America. By 1980, the 41st was renamed "The Little House on the Prairie", as fully 2⁄3 of the 94,000 residents originally served by the precinct had fled, leaving the fortified station house as one of the few structures in the neighborhood (and the sole building on Simpson Street) that had not been abandoned or burnt out.
In total, over 40% of the South Bronx was burned or abandoned between 1970 and 1980, with 44 census tracts losing more than 50% and seven more than 97% of their buildings to arson, abandonment, or both. The appearance was frequently compared to that of a bombed-out and evacuated European city following World War II. On October 5, 1977, U.S. President Jimmy Carter paid an unscheduled visit to Charlotte Street, while in New York City for a conference at the headquarters of the United Nations. Charlotte Street at the time was a three-block devastated area of vacant lots and burned-out and abandoned buildings. The street had been so ravaged that part of it had been taken off official city maps in 1974. Carter instructed Patricia Roberts Harris, head of the U.S. Department of Housing and Urban Development, to take steps to salvage the area. Progress did not come quickly; three years later, in 1980, presidential candidate Ronald Reagan paid a visit to Charlotte Street, declaring that he had not "seen anything that looked like this since London after the Blitz".
Revitalization and current concernsEdit
Beginning in the late 1980s, parts of the South Bronx started to experience urban renewal with rehabilitated and brand new residential structures, including both subsidized multifamily town homes and apartment buildings. The Bright Temple A.M.E. Church was listed on the National Register of Historic Places in 1983. Over 1 billion US dollars were spent on rebuilding the area through the 1990s, with 19,000 apartments having been refurbished and more than 4,500 new houses having been built for the working class. More than fifty abandoned apartment buildings on the Major Deegan Expressway and the Cross Bronx Expressway were renovated for residential use. Over 26,500 people moved into the area. On Charlotte Street, prefabricated ranch-style houses were built in the area in 1985, and the area had changed so significantly that the Bronx borough historian could not locate where Carter had stopped to survey the scene. As of 2004, houses on the street were worth up to a million dollars.
The Bronx County Courthouse has secured Landmark status, and efforts are underway to do the same for much of the Grand Concourse, in recognition of the area’s Art Deco architecture. In June 2010, the city Landmarks Preservation Commission gave consideration to establishment of a historic district on the Grand Concourse from 153rd to 167th Street. A final decision was expected in the coming months.
Construction of the new Yankee Stadium has stirred controversy over plans which, along with the new billion-dollar field, include new athletic fields, tennis courts, bicycle and walking paths, stores, restaurants, and a new Metro-North Railroad station at East 153rd Street. The station, during baseball season, helps ease overcrowding on the subway.
There is hope that these developments also will help to generate residential construction. However, the new park comes at a price: a total of 22 acres (89,000 m2) in Macombs Dam and John Mullaly Parks were sacrificed to build it. In April 2012, Heritage Field, a 50.8 million dollar ballpark, was built atop the grounds of the original Yankee Stadium.
The population of the South Bronx is currently increasing. However, one out of two residents lives in poverty, and drug trafficking, gang activity, and prostitution are all still common throughout the South Bronx. Its precincts have recorded high violent crime rates and are all considered to be New York City Police Department "impact zones."
Arts and cultureEdit
Since the late 1970s the South Bronx has been home to a renewed grassroots art scene. The arts scene that sprouted at the Fashion Moda Gallery, founded by a Viennese artist, Stefan Eins, helped ignite the careers of artists like Keith Haring and Jenny Holzer, and 1980s break dancers like the Rock Steady Crew. It generated enough enthusiasm in the mainstream media for a short while to draw the art world's attention. The Bronx Academy of Arts and Dance was located in the American Bank Note Company Building in the South Bronx neighborhood of Hunts Point before relocating to St. Peter's Episcopal Church in Westchester Square.
Modern graffiti is prominent in the South Bronx, and is home to many of the fathers of graffiti art such as Tats Cru. The Bronx has a very strong graffiti scene despite the city's crackdown on illegal graffiti. However, graffiti in the Bronx began to occur in the early 1970s and managed to travel to different boroughs via the New York City subway system. The rise of hip-hop music, rap, breakdancing, and disc jockeying helped put the South Bronx on the musical map in the late 1970s. The South Bronx is also known worldwide as the birthplace of hip-hop culture. In addition, the Bronx Museum of the Arts is located on the Grand Concourse.
Birthplace of hip-hopEdit
Hip hop is a broad conglomerate of artistic forms that originated as a specific street subculture within South Bronx communities during the 1970s in New York City. Hip hop as music and culture formed during the 1970s when block parties became increasingly popular in New York City, particularly among African American and Latin Americans residing in the Bronx. Block parties incorporated DJs who played popular genres of music, especially funk and soul music. For example, many DJs played music by the artist James Brown. Some songs played at these South Bronx house parties included "Give it Up or Turn it Loose" by James Brown and "Get Ready" by Rare Earth. Due to the positive reception, DJs began isolating the percussive breaks, or small portions of a song, often without vocals, which were easy to dance to, of popular songs. DJ Kool Herc is known for generating the technique to produce these percussive breaks, which is known as merry-go-rounding. Merry-go-rounding when DJs would "use the two turntables in a typical DJ setup not as a way to make a smooth transition between two records, but as a way to switch back and forth repeatedly between two copies of the same record." The technique of percussive breaks was then common in Jamaican dub music, and was largely introduced into New York by immigrants from Jamaica and elsewhere in the Caribbean, including DJ Kool Herc, who is generally considered the father of hip hop. Upon this, a technique known as Jamaican toasting, or the act of speaking over a beat which later became rapping, was introduced by DJ Kool Herc in the South Bronx at this point of time as well.
1520 Sedgwick Avenue is a 102-unit apartment building in the Morris Heights neighborhood in The Bronx borough of New York City. Recognized as a long-time "haven for working-class families," in 2010 the New York Times reported that it is the "accepted birthplace of hip hop." As hip hop grew from throughout the Bronx, 1520 was a starting point where Clive Campbell, later known as DJ Kool Herc, presided over parties in the community room at a pivotal point in the genre's history. DJ Kool Herc is credited with helping to start hip hop and rap music at a house concert at 1520 Sedgwick Avenue on August 11, 1973. At the concert he was DJing and emceeing in the recreation room of 1520 Sedgwick Avenue. Sources have noted that while 1520 Sedgwick Avenue was not the actual birthplace of hip hop—the genre developed slowly in several places in the 1970s—it was verified to be the place where one of the pivotal and formative events occurred that spurred hip hop culture forward. During a rally to save the building, DJ Kool Herc said, "1520 Sedgwick is the Bethlehem of Hip-Hop culture."
Many in dwelling in the South Bronx during the early 1970s lived in poverty or were part of gangs, such as Afrika Bambaataa, a former member of the street gang, The Black Spaces and now deemed as the god-father of hip-hop. As an effort to end the street violence within the South Bronx, Bambaataa created the Zulu Nation, which is a group founded on the concepts of "Peace, Love, Unity, Having Fun" instead of partaking in gang violence and unlawful activity. Jeff Chang quotes Bambaataa in his text Can't Stop Won't Stop: A History of the Hip-Hop Generation in a section where Chang is discussing why the Zulu Nation formed. The quote by Bambaataa on page 105 of the text states "we had to come up with something to get the order back." As seen within the film The Hip Hop Years: Part 1, hip-hop aided in keeping violence from forming on the streets of the South Bronx and eased tensions with the police within the area. People were creating art, such as hip-hop music as well as dances at the block parties within the South Bronx, so the police did not have issues with it.
Not only was music a major component of hip-hop culture being formulated within the South Bronx during the 1970s, a breaking or B-boying, was being generated as well. After DJ Kool Herc and other DJs kept utilizing the break beat within their music, an abundance of people who were dancing normally, eventually hit the floor and began what is known as breakdancing. According to the documentary, The Freshest Kids: The History of the B-Boy, break dancing occurred "spontaneously" and consisted of more "sporadic" dance moves. Additionally, a Zulu king and hip-hop historian stated that the dance consisted of "bouncing around, pivoting, turning, twists frontsweeps...". Many who participated in this form of dance were members of crews, such as the Rock Steady Crew, the New York City Breakers and the Magnificent Force.
On July 5, 2007, 1520 Sedgwick Avenue was recognized by the New York State Office of Parks, Recreation and Historic Preservation as the "Birthplace of Hip-Hop."
The New York City Department of Education operates district public schools.
Community School Districts 7, 8, 9, and 12 are located in the South Bronx.
Among the public schools are charter schools. Success Academies Bronx 1 and 2 and, opening in 2013, 3 are part of Success Academy Charter Schools. An elementary charter school, Academic Leadership Charter School, opened on 141st Street and Cypress Avenue.
The South Bronx is also home to both for-profit and nonprofit organizations that offer a range of professional training and other educational programs. East Side House Settlement has been in the Mott Haven neighborhood since 1963, serving families and children. Their mission is to use education as a means of economic empowerment. Per Scholas, for example, is a nonprofit organization that offers free professional certification training directed towards successfully passing CompTIA A+ and Network+ certification exams as a route to securing jobs and building careers. Per Scholas also works with a growing number of Title One South Bronx middle schools, their students, and their families to provide computer training and access.
A variety of New York City Subway services run through the South Bronx. This includes the 6 and <6> trains on the IRT Pelham Line, 2 and 5 trains on the IRT White Plains Road Line, 4 train on the IRT Jerome Avenue Line, and B and D trains on the IND Concourse Line.
- Danny Aiello
- Bobby Darrin
- Afrika Bambaataa, resident of Soundview
- Alex Ramos, professional boxer
- Al Pacino, born in East Harlem, raised in the South Bronx
- Aventura, Dominican-American bachata music group
- Barry Wellman
- Harold Bloom, writer, literary critic, lived in the South Bronx
- Bernard McGuirk, grew up in the South Bronx
- Jordan Bratman, music marketer; born in the South Bronx
- Majora Carter, raised in Hunts Point, current resident of Hunts Point
- Colin Powell, raised in Longwood
- Willie Colón, salsa musician
- Willie Estrada, Author, Promoter, Music Agent
- Cuban Link, rapper, born in Cuba, raised in Morrisania
- Dolph Schayes
- Drag-On, rapper, raised in Soundview
- Fat Joe, rapper, raised in Morrisania
- Grandmaster Flash, current resident of Morrisania
- Harry Gibson
- Hell Rell, rapper raised in Tremont
- Jellybean Benitez, DJ raised in the South Bronx
- Jennifer Lopez, raised in Castle Hill
- DJ Kool Herc, DJ, raised in the West Bronx
- KRS-One, rapper, originally from Brooklyn, raised in both Mott Haven and Soundview
- T La Rock, rapper
- Scott La Rock
- Swizz Beatz
- Ralph Lauren, fashion designer
- French Montana, rapper, born in Morocco, raised in Tremont
- Richard A. Muller, physicist
- Wes Moore, author
- Nine, rapper
- Murray Perahia, concert pianist and conductor
- Big Pun, rapper, born and raised in Soundview
- Charles Nelson Reilly actor, comedian, director and drama teacher
- Rebel Diaz, rap group
- Ruben Diaz, Jr.
- Remy Ma, rapper, raised in Castle Hill
- Fr. Stan Fortuna, ordained as a priest in the Bronx in 1990.
- Sonia Sotomayor, associate Justice of the Supreme Court of the United States
- Leonard Susskind, theoretical physicist
- Tim Dog, rapper
- Tom Leykis, radio personality
- Tony Sunshine, R&B singer, raised in Soundview
- Neil deGrasse Tyson, astrophysicist, physical cosmologist, science communicator/educator
- Kemba Walker, NBA player, raised in Soundview
- Kerry Washington, actress
- Steven Weinberg, theoretical physicist
- Canibus, rapper
In popular cultureEdit
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- Jensen, Robert, ed. (1979). Devastation/resurrection: the South Bronx. New York: Bronx Museum of the Arts.
- Jonnes, Jill (2002). South Bronx Rising: The Rise, Fall, and Resurrection of an American City. Fordham University Press.
- Office of the Borough President (Bronx, New York City) (1990). Strategic policy statement. New York: Office of the Bronx Borough President.
- Twomey, Bill (2007). The Bronx, in bits and pieces. Bloomington, IN: Rooftop Publishing.
- Kahane, Lisa (2008). Do Not Give Way To Evil: Photographs of the South Bronx, 1979-1987 (Miss Rosen ed.).
- Twomey, Bill (2002). South Bronx. Charleston, SC: Arcadia. (Pictorial work on historical social life and customs in the South Bronx)
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