Open main menu

Some Like It Hot is a 1959 American black and white romantic comedy film set in 1929, directed and produced by Billy Wilder, starring Marilyn Monroe, Tony Curtis, and Jack Lemmon. The supporting cast includes George Raft, Pat O'Brien, Joe E. Brown, Joan Shawlee, and Nehemiah Persoff. The screenplay by Billy Wilder and I. A. L. Diamond is based on a screenplay by Robert Thoeren and Michael Logan from the French film Fanfare of Love. The film is about two musicians who dress in drag in order to escape from mafia gangsters whom they witnessed commit a crime inspired by the Saint Valentine's Day Massacre.

Some Like It Hot
Some Like It Hot poster.jpg
Theatrical poster by Macario Gómez Quibus[1]
Directed byBilly Wilder
Produced byBilly Wilder
Screenplay byBilly Wilder
I. A. L. Diamond
Story byRobert Thoeren
Michael Logan
StarringMarilyn Monroe
Tony Curtis
Jack Lemmon
George Raft
Joe E. Brown
Pat O'Brien
Music byAdolph Deutsch
CinematographyCharles Lang
Edited byArthur P. Schmidt
Production
company
Distributed byUnited Artists
Release date
  • March 29, 1959 (1959-03-29)
Running time
121 minutes
CountryUnited States
LanguageEnglish
Budget$2.9 million
Box office$40 million

Some Like It Hot opened to critical and commercial success and is today considered to be one of the greatest films of all time.[2] The film received six Academy Award nominations, including Best Actor, Best Director and Best Adapted Screenplay. It was voted as the top comedy film by the American Film Institute on their list on AFI's 100 Years...100 Laughs poll in 2000, and was selected as the best comedy of all time in a poll of 253 film critics from 52 countries conducted by the BBC in 2017.[2] In 2005, the British Film Institute included this film on its list of the 50 films you should see by the age of 14.

The film was produced without approval from the Motion Picture Production Code because it plays with the idea of homosexuality and features cross dressing. The code had been gradually weakening in its scope during the early 1950s, due to greater social tolerance for previously taboo topics in film, but it was still officially enforced until the mid-1960s. The overwhelming success of Some Like It Hot is considered one of the final nails in the coffin for the Hays Code.[3]

Contents

PlotEdit

It is February 1929 in the city of Chicago, during the era of Prohibition. Joe (Tony Curtis) is a jazz saxophone player, and an irresponsible gambler and ladies' man; his sensible friend Jerry (Jack Lemmon) is a jazz double bass player. They work in a speakeasy (disguised as a funeral home) owned by gangster "Spats" Colombo (George Raft). Tipped off by informant "Toothpick" Charlie (George E. Stone), the police, led by treasury agent Mulligan (Pat O'Brien), raid the joint. Joe and Jerry flee—only to accidentally witness Spats and his henchmen exacting revenge on "Toothpick" and his own gang (inspired by the real-life Saint Valentine's Day Massacre). Broke, and desperate to get out of town, Joe and Jerry disguise themselves as women named Josephine and Daphne, so they can join Sweet Sue (Joan Shawlee) and her Society Syncopators, an all-female band headed to Miami. They board a train with the band and its male manager, Bienstock (Dave Barry). Joe and Jerry notice Sugar Kane (Marilyn Monroe), the band's vocalist and ukulele player.

Joe and Jerry become enamored of Sugar and compete for her affection while maintaining their disguises. Sugar confides to Joe that she has sworn off male saxophone players, who have stolen her heart in the past and left her with "the fuzzy end of the lollipop". She has set her sights on finding a sweet, bespectacled millionaire in Florida. During the forbidden drinking and partying on the train, Josephine and Daphne become intimate friends with Sugar, and have to struggle to remember that they are supposed to be girls and cannot make a pass at her.

Once in Miami, Joe woos Sugar by assuming a second disguise as a millionaire named Junior, the heir to Shell Oil, while feigning to be uninterested in her. An actual millionaire, the much-married aging mama's boy Osgood Fielding III (Joe E. Brown), tries repeatedly to pick up Daphne, who rebuffs him. Osgood invites Daphne for a champagne supper on his yacht, New Caledonia. Joe convinces Daphne to keep Osgood occupied onshore so that Junior can take Sugar to Osgood's yacht, passing it off as his. Once on the yacht, Junior explains to Sugar that, due to psychological trauma, he is impotent and frigid, but that he would marry anyone who could change that. Sugar tries to arouse some sexual response in Junior, and begins to succeed. Meanwhile, Daphne and Osgood dance the tango ("La Cumparsita") till dawn. When Joe and Jerry get back to the hotel, Jerry explains that Osgood has proposed marriage to Daphne and that he, as Daphne, has accepted, anticipating an instant divorce and huge cash settlement when his ruse is revealed. Joe convinces Jerry that he cannot actually marry Osgood.

The hotel hosts a conference for "Friends of Italian Opera", which is in fact a major meeting of the national crime syndicate, presided over by "Little Bonaparte" (Nehemiah Persoff). Spats and his gang from Chicago recognize Joe and Jerry as the witnesses to the Valentine's Day murders. Joe and Jerry, fearing for their lives, realize they must quit the band and leave the hotel. Joe breaks Sugar's heart by telling her that he, Junior, has to marry a woman of his father's choosing and move to Venezuela. Joe and Jerry evade Spats' men by hiding under a table at the syndicate banquet. "Little Bonaparte" has Spats and his men killed at the banquet, with Joe and Jerry as witnesses again. They flee through the hotel. Joe, dressed as Josephine, sees Sugar onstage singing that she will never love again. He kisses her before he leaves, and Sugar realizes that Joe is both Josephine and Junior.

Jerry persuades Osgood to take "Daphne" and "Josephine" away on his yacht. Sugar runs from the stage at the end of her performance and jumps aboard Osgood's launch just as it is leaving the dock with Joe, Jerry, and Osgood. Joe tells Sugar that he is not good enough for her, that she would be getting the "fuzzy end of the lollipop" yet again, but Sugar wants him anyway. Jerry, for his part, lists reasons why "Daphne" and Osgood cannot marry, ranging from a smoking habit to infertility. Osgood dismisses them all; he loves Daphne and is determined to go through with the marriage. Exasperated, Jerry removes his wig and shouts, "I'm a man!" Osgood, unfazed, simply responds, "Well, nobody's perfect."

CastEdit

 
Tony Curtis and Marilyn Monroe in Some Like It Hot
  • Marilyn Monroe as Sugar "Kane" Kowalczyk, a ukulele player and singer
  • Tony Curtis as Joe/"Josephine"/"Shell Oil Junior", a saxophone player
  • Jack Lemmon as Jerry (Gerald)/"Daphne", a double bass player
  • George Raft as "Spats" Colombo, a mobster from Chicago
  • Pat O'Brien as Agent Mulligan
  • Joe E. Brown as Osgood Fielding III
  • Nehemiah Persoff as "Little Bonaparte", a mobster
  • Joan Shawlee as Sweet Sue, the bandleader of "Sweet Sue and Her Society Syncopators"
  • Dave Barry as Mister Bienstock, the band manager for "Sweet Sue and Her Society Syncopators"
  • Billy Gray as Sig Poliakoff, Joe and Jerry's agent in Chicago
  • Barbara Drew as Nellie Weinmeyer, Poliakoff's secretary
  • George E. Stone as "Toothpick" Charlie, a gangster who is killed by "Spats" Colombo
  • Mike Mazurki as Spats' henchman
  • Harry Wilson as Spats' henchman
  • Pat Comiskey as Spats' henchman
  • Tipp McClure as Spats' henchman
  • Edward G. Robinson Jr. as Johnny Paradise, a gangster who kills "Spats" Colombo
  • Beverly Wills as Dolores, a trombone player, and Sugar's apartment friend
  • Tom Kennedy as Gangster

SoundtrackEdit

Some Like It Hot: Original MGM Motion Picture Soundtrack
 
Soundtrack album
Released24 February 1998
GenreSoundtrack
Jazz
Length32:22

The soundtrack features four songs performed by Marilyn Monroe for the movie, nine songs composed by Adolph Deutsch, as well as 2 songs performed by jazz artist Matty Malneck.[4]

No.TitleLength
1."Runnin' Wild" (Marilyn Monroe)1:07
2."Medley: Sugar Blues/Running Wild" (Adolph Deutsch & His Orchestra)1:32
3."Down Among the Sheltering Palms" (Adolph Deutsch & His Orchestra)1:59
4."Randolph Street Rag" (Adolph Deutsch)1:28
5."I Wanna Be Loved By You" (Marilyn Monroe)2:58
6."Park Avenue Fantasy" (Adolph Deutsch & His Orchestra)3:34
7."Medley: Down Among the Sheltering Palms / La Cumparsita / I Wanna Be Loved By You" (Adolph Deutsch & His Orchestra)2:20
8."I'm Thru With Love" (Marilyn Monroe)2:34
9."Medley: Sugar Blues / Tell the Whole Damn World" (Adolph Deutsch & His Orchestra)3:25
10."Play It Again Charlie" (Adolph Deutsch)1:49
11."Sweet Georgia Brown" (Matty Malneck & His Orchestra)2:57
12."By the Beautiful Sea" (Adolph Deutsch & His Orchestra)1:22
13."Park Avenue Fantasy (Reprise)" (Adolph Deutsch & His Orchestra)2:10
14."Some Like It Hot" (Matty Malneck & His Orchestra)1:46
15."Some Like It Hot (Single Version)" (Marilyn Monroe)1:21
Total length:32:22

ProductionEdit

Pre-productionEdit

Billy Wilder wrote the script for the film with writer I.A.L. Diamond.[5] The plot is based on a screenplay by Robert Thoeren and Michael Logan from the 1935 French film Fanfare of Love.[6] However, the original script for Fanfare of Love was untraceable, so Walter Mirisch found a copy of the 1951 German remake Fanfares of Love. He bought the rights to the script and Wilder worked with this to produce a new story.[6] Some Like It Hot is partly a remake of Fanfare of Love, as both films follow the story of two musicians in search of work,[5] but Wilder created the gangster subplot which keeps the musicians on the run.[7]

The studio hired female impersonator Barbette to coach Lemmon and Curtis on gender illusion for the film.[6] Monroe worked for 10-percent of the gross in excess of $4 million, Curtis for 5-percent of the gross over $2 million, and Wilder for 17.5-percent of the first million after break-even and 20-percent thereafter.[8]

CastingEdit

Tony Curtis was spotted by Billy Wilder while he was making the film Houdini (1953),[9] as he thought Curtis would be perfect for the role of Joe. "I was sure Tony was right for it," explained Wilder, "because he was quite handsome, and when he tells Marilyn that he is one of the Shell Oil family, she has to be able to believe it".[10] Wilder's first idea for the role of Jerry was Frank Sinatra, but he never came to the audition.[11] Jerry Lewis and Danny Kaye were also considered for the role of Jerry. Finally, Wilder saw Jack Lemmon in the comedy Operation Mad Ball[12] and selected him for the role of Jerry. Billy Wilder and Jack Lemmon made numerous films together until 1981, among them The Apartment and several films with Walter Matthau.

According to York Film Notes, Billy Wilder and I.A.L. Diamond didn't expect such a big star as Marilyn Monroe to take the part of Sugar[5] in fact, Wilder said, "Mitzi Gaynor was who we had in mind. The word came that Marilyn wanted the part and then we had to have Marilyn."[13] Wilder and Monroe had already made the film The Seven Year Itch together in 1955.

FilmingEdit

The film was made in California during the summer and autumn of 1958.[14] Many scenes were shot at the Hotel del Coronado in Coronado, California which appeared as the "Seminole Ritz Hotel" in Miami in the film, as it fit into the era of the 1920s and was near Hollywood.

There were many problems with Marilyn Monroe, who lacked concentration and suffered from an addiction to pills. She could not memorize many of her lines and required 47 takes to get "It's me, Sugar" correct, instead saying either "Sugar, it's me" or "It's Sugar, me". Tony Curtis and Jack Lemmon made bets during the filming on how many takes she would need to get it right.[15] Three days were scheduled for shooting the scene with Shell Jr. and Sugar at the beach, as Monroe had many complicated lines, but the scene was finished in only 20 minutes.[16] Monroe's acting coach Paula Strasberg and Monroe's husband Arthur Miller both tried to influence the production, which Wilder and other crew members found annoying.[17][18]

Billy Wilder spoke in 1959 about filming another movie with Monroe: "I have discussed this with my doctor and my psychiatrist and they tell me I'm too old and too rich to go through this again."[19] But Wilder also admitted: "My Aunt Minnie would always be punctual and never hold up production, but who would pay to see my Aunt Minnie?"[20] He also stated that Monroe played her part wonderfully.[21]

The film's iconic closing line "Nobody's perfect" is ranked 78th on The Hollywood Reporter list of Hollywood's 100 Favorite Movie Lines, but it was never supposed to be in the final cut. Diamond and Wilder put it in the script as a "placeholder" until they could come up with something better, but they never did.[22]

StyleEdit

With regards to sound design, there is a "strong musical element"[5] in the film, with the soundtrack created by Adolph Deutsch. It has an authentic 1920s jazz feel using sharp, brassy strings to create tension in certain moments, for example whenever Spats' gangsters appear. In terms of cinematography and aesthetics, Billy Wilder chose to shoot the film in black and white as Jack Lemmon and Tony Curtis in full drag costume and make-up looked "unacceptably grotesque" in early color tests.[5] Despite Monroe's contract requiring the film to be in color, she agreed to it being filmed in black and white after seeing that Curtis and Lemmon's makeup gave them a "ghoulish" appearance on color film.[23]

ReceptionEdit

Some Like It Hot received widespread acclaim from critics, and is considered among the best films of all time. On Rotten Tomatoes, the film has an approval rating of 97% based on 58 reviews, with an average rating of 9.02/10. The website's critical consensus reads, "Some Like It Hot: A spry, quick-witted farce that never drags."[24] Metacritic, another review aggregator, assigned the film a weighted average score of 97 out of 100, based on 19 critics, indicating "universal acclaim".[25] Roger Ebert wrote about the movie, "Wilder's 1959 comedy is one of the enduring treasures of the movies, a film of inspiration and meticulous craft."[26] John McCarten of The New Yorker referred to the film as "a jolly, carefree enterprise".[27] Richard Roud, writing for The Guardian in 1967, said with this film Wilder comes "close to perfection".[28]

Though sometimes said to have been "condemned" by the Roman Catholic Church's Legion of Decency, that body gave the film its less critical rating as "morally objectionable".[29]

The film opened in the week ended March 24, 1959 in several cities in the United States; the highest grossing of which were in Chicago, where it grossed $45,000 at the United Artists Theatre with Monroe making an appearance, and in Washington D.C. where it grossed $40,000 at the Capitol Theatre.[30][31] With results from just 6 key cities, Variety listed it as the third highest grossing film in the United States for the week.[32]

The film then expanded to 100 theatres around the country for the Easter holidays[33] including at the newly renovated State Theatre in New York City on Sunday, March 29, 1959[34][35] and the film became number one in the country and remained there for three weeks before being knocked off the top by Imitation of Life.[36] Imitation of Life was top for two weeks before being replaced again by Some Like It Hot,[37] which remained there for another four weeks before being replaced by Pork Chop Hill.[38]

By 1962, the film had grossed $14 million in the US.[39]

In 1989, this film became one of the first 25 inducted into the United States National Film Registry.[40]

In July 2018, it was selected to be screened in the Venice Classics section at the 75th Venice International Film Festival.[41]

Awards and honorsEdit

Date of ceremony Award Category Recipients and nominees Result
August 23 – September 6, 1959[42] Venice Film Festival Golden Lion Some Like It Hot Nominated
December 1959[43][44] National Board of Review Awards Top Ten Films Some Like It Hot Won
February 6, 1960[45][46] Directors Guild of America Award Outstanding Achievement in Feature Film Billy Wilder Nominated
1960[47] British Academy Film Awards Best Film from any Source Some Like It Hot Nominated
Best Foreign Actor Jack Lemmon Won
March 10, 1960[48][49] Golden Globe Awards Best Actor in a Motion Picture – Comedy or Musical Jack Lemmon Won
Best Actress in a Motion Picture – Comedy or Musical Marilyn Monroe Won
Best Motion Picture – Musical or Comedy Some Like It Hot Won
April 4, 1960[50] Academy Awards Best Director Billy Wilder Nominated
Best Actor Jack Lemmon Nominated
Best Adapted Screenplay Billy Wilder, I. A. L. Diamond Nominated
Best Cinematography – Black-and-white Charles Lang Nominated
Best Art Direction – Black-and-white Ted Haworth (Art Direction), Edward G. Boyle (Set Decoration) Nominated
Best Costume Design—Black and white Orry-Kelly Won
May 6, 1960[51][52] Writers Guild of America Awards Best Written Comedy Billy Wilder, I.A.L. Diamond Won
September 28, 1960[53] Laurel Awards Top Female Comedy Performance Marilyn Monroe (2nd place) Won
Top Male Comedy Performance Jack Lemmon (2nd place) Won
Top Comedy Some Like It Hot (3rd place) Won
1960[53][54] Bambi Awards Best Actor—International Tony Curtis (2nd place) Nominated

The film is recognized by American Film Institute in these lists:

AdaptationsEdit

An unsold television pilot was filmed by Mirisch Productions in 1961 featuring Vic Damone and Tina Louise. As a favor to the production company, Jack Lemmon and Tony Curtis agreed to film cameo appearances, returning as their original characters, Daphne and Josephine, at the beginning of the pilot. Their appearance sees them in a hospital where Jerry (Lemmon) is being treated for his impacted back tooth and Joe (Curtis) is the same O blood type.[60]

In 1972, a musical play based on the screenplay of the film, entitled Sugar, opened on Broadway starring Elaine Joyce, Robert Morse, Tony Roberts and Cyril Ritchard, with book by Peter Stone, lyrics by Bob Merrill, and (all-new) music by Jule Styne.[61] A 1991 stage production of this show in London featured Tommy Steele and retained the film's title.[62] Tony Curtis, then in his late-70s, performed in a 2002 stage production of the film, this time cast as Osgood Fielding III, the character originally played by Joe E. Brown.[63][64]

On 5 January 2019, Marc Shaiman and Scott Wittman in an interview with Graham Norton on BBC Radio 2 confirmed a new updated version is being written with themselves writing the music. The version is aimed for a broadway release in 2020.[65]

See alsoEdit

ReferencesEdit

  1. ^ "Muere Mac, el mítico cartelista de 'Doctor Zhivago' y 'Psicosis'". El Periódico de Catalunya. 2018-07-21. Archived from the original on 2018-07-27. Retrieved 2018-08-18.
  2. ^ a b "The 100 greatest comedies of all time". BBC Culture. 2017-08-22. Retrieved 2017-09-08.
  3. ^ "Remembering Hollywood's Hays Code, 40 Years On". NPR.org. 8 August 2008. Retrieved 14 March 2016.
  4. ^ "Some Like It Hot [Original Motion Picture Soundtrack] - Original Soundtrack - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 10 August 2018.
  5. ^ a b c d e Rolston, Lorraine, Some like it Hot (York Film Notes). Longman; 1 edition, 2000 p.7-57
  6. ^ a b c Curtis, T. and Vieira, M. (2009). Some Like It Hot. London: Virgin Books, p.13
  7. ^ "Some Like It Hot (1959)". Turner Classic Movies, Inc. Retrieved March 11, 2017.
  8. ^ Balio, Tino (8 April 2009). United Artists: The Company That Changed the Film Industry. University of Wisconsin Press. p. 170. ISBN 978-0299230135.
  9. ^ rich-826 (2 July 1953). "Houdini (1953)". IMDb. Retrieved 14 March 2016.
  10. ^ Golenbock, Peter, American Prince: A Memoir, 2008, Publishing Group
  11. ^ Alison Castle (Hrsg.): Billy Wilder’s Some like it hot. Taschen, 2001, p. 24.
  12. ^ Alison Castle (Hrsg.): Billy Wilder’s Some like it hot. Taschen, 2001, S. 238.
  13. ^ Crowe, Cameron (1999). Conversations with Wilder (Reprint ed.). Alfred A. Knopf. p. 161.
  14. ^ Castle, Alison(Hrsg.): Billy Wilder’s Some Like It Hot. Taschen, 2001, p. 24.
  15. ^ Jack Lemmon in: Billy Wilder’s Some Like It Hot. Taschen, 2001, ISBN 3-8228-6056-5. p. 277
  16. ^ Schlöndorff, Volker: Billy Wilder in Billy Wilder speaks. Some Like It Hot. DVD, October 2006.
  17. ^ Walter Mirisch in: Billy Wilder’s Some Like It Hot. Taschen, 2001, ISBN 3-8228-6056-5
  18. ^ Tony Curtis in: Billy Wilder’s Some Like It Hot, Taschen 2001 (2010), S. 286
  19. ^ Curtis, Tony (September 17, 2009). The Making of Some Like It Hot:My Memories of Marilyn Monroe and the Classic American Movie. Wiley. ISBN 978-0470561195. Retrieved 24 February 2019.
  20. ^ Young, David (1 December 2011). Great Funny Quotes: Sweeten Your Life with Laughter. Round Rock, Texas: Wind Runner Press. p. 194. ISBN 978-1936179015. Retrieved 24 February 2019.
  21. ^ Alison Castle (Hrsg.): Billy Wilder’s Some like it hot. Taschen, 2001, S. 287.
  22. ^ "Hollywood's 100 Favorite Movie Quotes". The Hollywood Reporter. 24 February 2016. Retrieved 24 February 2019.
  23. ^ Nixon, Rob. "Behind the Camera on Some Like It Hot". Retrieved 23 Jan 2018.
  24. ^ "Some Like It Hot (1959)". Rotten Tomatoes. Fandango Media. Retrieved 15 July 2019.
  25. ^ "Some Like It Hot". Metacritic. Retrieved 12 February 2019.
  26. ^ Ebert, Roger (9 January 2000). "Some Like It Hot". Chicago Sun-Times. Retrieved 14 March 2016.
  27. ^ Mccarten, John (4 April 1959). "The Current Cinema". The New Yorker.
  28. ^ Roud, Richard (1967). "Review". The Guardian. London.
  29. ^ Phillips, Gene (1 July 2010). Some Like it Wilder: The Life and Controversial Films of Billy Wilder. University of Kentucky Press. p. 223. ISBN 978-0813139517.
  30. ^ "Socko Pix Fatten Chi B.O." Variety. March 25, 1959. p. 9. Retrieved June 16, 2019 – via Archive.org.
  31. ^ "Monroe Mighty $40,000 D.C. Ace". Variety. March 25, 1959. p. 9. Retrieved June 16, 2019 – via Archive.org.
  32. ^ "National Boxoffice Survey". Variety. March 25, 1959. p. 4. Retrieved June 16, 2019 – via Archive.org.
  33. ^ "'Hot' Hits 100 at Easter". Variety. March 11, 1959. p. 19. Retrieved June 23, 2019 – via Archive.org.
  34. ^ Some Like It Hot at the American Film Institute Catalog
  35. ^ "Easter Time - And Biz is Risen". Variety. April 1, 1959. p. 9. Retrieved June 16, 2019 – via Archive.org.
  36. ^ "National Box Office Survey". Variety. April 22, 1959. p. 5. Retrieved June 16, 2019 – via Archive.org.
  37. ^ "National Boxoffice Survey". Variety. May 5, 1959. p. 3. Retrieved June 16, 2019 – via Archive.org.
  38. ^ "National Boxoffice Survey". Variety. June 3, 1959. p. 4. Retrieved June 16, 2019 – via Archive.org.
  39. ^ Madsen, Axel, Billy Wilder, Martin Secker & Warburg Limited, 1968
  40. ^ Molotsky, Irvin (September 20, 1989). "25 Films Chosen for the National Registry". The New York Times. Retrieved 20 January 2018.
  41. ^ "The Restored Vilms of Venezia Classici". La Biennale Di Venezia. Retrieved 24 February 2019.
  42. ^ "Venice Film Festival: Awards for 1959". IMDb. Retrieved November 23, 2014.
  43. ^ "Directors Guild of America, USA: Awards for 1960". IMDb. Retrieved November 23, 2014.
  44. ^ "1959 Award Winners". National Board of Review. Retrieved November 23, 2014.
  45. ^ "National Board of Review, USA: Awards for 1959". IMDb. Retrieved November 23, 2014.
  46. ^ "12th Annual DGA Awards: Honoring Outstanding Directorial Achievement For 1959". Directors Guild of America. Retrieved November 23, 2014.
  47. ^ "BAFTA Awards Search: 1960". British Academy of Film and Television Arts. Retrieved November 23, 2014.
  48. ^ "The Envelope: Past Winners Database - 1959 17th Golden Globe Awards". Los Angeles Times. Archived from the original on May 17, 2007. Retrieved November 23, 2014.CS1 maint: Unfit url (link)
  49. ^ "The 17th Annual Golden Globe Awards (1960)". Hollywood Foreign Press Association. Retrieved November 23, 2014.
  50. ^ "The 32nd Academy Awards - 1960: Winners & Nominees". Academy of Motion Picture Arts and Sciences. Retrieved November 23, 2014.
  51. ^ "Writers Guild of America, USA: Awards for 1960". IMDb. Retrieved November 23, 2014.
  52. ^ "1960 Awards Winners". Writers Guild of America Award. Archived from the original on February 24, 2015. Retrieved November 23, 2014.
  53. ^ a b "Laurel Awards: Awards for 1960". IMDb. Retrieved November 23, 2014.
  54. ^ "The BAMBI award goes to…: A selection of international BAMBI award winners since 1948". Bambi Awards. Retrieved November 23, 2014.
  55. ^ "AFI's 100 Years...100 Movies" (PDF). American Film Institute. 2005. Retrieved August 27, 2016.
  56. ^ "AFI's 100 Funniest American Movies Of All Time". American Film Institute. June 13, 2000. Retrieved 14 March 2016.
  57. ^ "AFI's 100 Years...100 Laughs" (PDF). American Film Institute. 2003. Retrieved August 27, 2016.
  58. ^ "AFI's 100 Years...100 Movie Quotes" (PDF). American Film Institute. 2005. Retrieved August 27, 2016.
  59. ^ "AFI's 100 Years...100 Movies (10th Anniversary Edition)" (PDF). American Film Institute. 2007. Retrieved August 27, 2016.
  60. ^ "Some Like It Hot [Tv Pilot] (1961)". BFI. Retrieved 14 March 2016.
  61. ^ "SUGAR: The Girls in the Band". Time. April 24, 1972.
  62. ^ "Some Like It Hot". thisistheatre.com. 29 January 2018.
  63. ^ "Tour information". owendaly.com. 2003. Archived from the original on July 3, 2003. Retrieved February 24, 2019.
  64. ^ Perry, Claudia (April 2002). "Some Like It Hot". Aisle Say Philadelphia.
  65. ^ Huston, Caitlin (2018-05-14). "Musical adaptation of 'Some Like it Hot' slated for Broadway in 2020". Broadway News. Retrieved 2019-01-07.

Further readingEdit

  • Curtis, Tony. The Making of Some Like It Hot, Wiley & Sons, Hoboken NJ, 2009. ISBN 978-0-470-53721-3.
  • Maslon, Laurence. Some Like It Hot: The Official 50th Anniversary Companion, New York, HarperCollins, 2009. ISBN 978-0-06-176123-2.

External linksEdit