Incredibles 2 is a 2018 American computer-animated superhero film produced by Pixar Animation Studios and released by Walt Disney Pictures. Written and directed by Brad Bird, it is the sequel to The Incredibles (2004) and the second full-length installment of the franchise. The story follows the Parr family as they try to restore the public's trust in superheroes while balancing their family life, only to combat a new foe who seeks to turn the populace against all superheroes. Craig T. Nelson, Holly Hunter, Sarah Vowell and Samuel L. Jackson reprise their roles from the first film; newcomers to the cast include Huckleberry Milner, Bob Odenkirk, Catherine Keener and Jonathan Banks. Michael Giacchino returned to compose the score.
Theatrical release poster
|Directed by||Brad Bird|
|Written by||Brad Bird|
|Music by||Michael Giacchino|
|Edited by||Stephen Schaffer|
|Distributed by||Walt Disney Studios|
|Box office||$1.243 billion|
Following the success of The Incredibles, Bird postponed development on a sequel to work on other films. He attempted to distinguish the script from superhero films and superhero television series released since the first film, focusing on the family dynamic rather than the superhero genre.
Incredibles 2 premiered in Los Angeles on June 5, 2018, and was theatrically released in the United States on June 15, 2018 in Disney Digital 3D, Dolby Cinema, IMAX, IMAX 3D, and 4DX formats. The film received largely positive reviews and praise for its animation, humor, writing, and musical score. The film made $182.7 million in its opening weekend, setting the record for best debut for an animated film, and has grossed over $1.2 billion worldwide, making it the fourth-highest-grossing film of 2018, the fourth-highest-grossing animated film (behind the 2019 version of The Lion King, Frozen II, and Frozen) and the 18th-highest-grossing film of all time, along with being the third Pixar film to gross $1 billion after Finding Dory and Toy Story 3. Incredibles 2 was named by the National Board of Review as the Best Animated Film of 2018. The film was nominated for Best Animated Feature Film at the 76th Golden Globe Awards and 91st Academy Awards, losing both to Spider-Man: Into the Spider-Verse.
Following immediately after the events of the first film, the Incredibles and Frozone battle the Underminer who has just appeared to terrorize Municiberg. Though they prevent the destruction of City Hall, they are unable to stop him from robbing a bank and escaping. The collateral damage caused by the incident outrages the government and prompts them to shut down the Superhero Relocation Program, leaving the Parrs and other former superheroes without financial assistance. Violet's love interest Tony Rydinger also discovers her superhero identity, forcing agent Rick Dicker to erase his memory of her. Frozone informs Mr. Incredible and Elastigirl of an offer from Winston Deavor, a wealthy businessman. He and his sister Evelyn propose sending the heroes on secret missions which will be recorded and publicized to regain public trust in superheroes.
Due to Mr. Incredible's tendency to accidentally cause collateral damage, Winston chooses Elastigirl for the initial missions. While Elastigirl is away, Bob struggles with his new role as a stay-at-home parent: Dash has trouble with math homework, Violet becomes withdrawn after Tony fails to show up for their first date due to his memory wipe, and Jack-Jack wreaks havoc with his burgeoning superpowers. He takes Jack-Jack to Edna Mode, who develops a suit that helps control his abilities. Meanwhile, on her missions, Elastigirl encounters a mysterious supervillain called the Screenslaver, who projects hypnotic images via TV screens. After preventing him from destroying a crowded runaway commuter train, and thwarting his attempt to assassinate a diplomat, she tracks him down to his hideout in an apartment building, and following a brief struggle, unmasks him as a pizza deliveryman who claims to have no recollection of his actions.
At a party celebrating the Screenslaver's arrest, Winston announces a summit of world leaders to legalize superheroes, hosted aboard his luxury hydrofoil yacht, the Everjust. Unsettled by the ease with which she captured the Screenslaver, Elastigirl realizes that he was being controlled by a pair of mind-control goggles. Evelyn forces the goggles onto Elastigirl, revealing herself to be the mastermind behind the Screenslaver. Evelyn explains that she has hated superheroes since Gazerbeam and Fironic failed to save her father when he was murdered by burglars. The event led her to conclude that superheroes have taken independence from society, who in turn had become dangerously over-reliant on superheroes. She plans to sabotage her brother's summit and cause a catastrophe that will tarnish the reputation of superheroes, ensuring they remain outlawed forever. Using Elastigirl, she lures Bob into a trap, then sends another group of hypnotized superheroes previously invited to the summit to subdue the Parr children. Frozone tries to protect them, but is overwhelmed and placed under Evelyn's control.
Violet, Dash, and Jack-Jack escape with the help of the Incredi-bile, a high-tech car once owned by their father, and reach Winston's hydrofoil yacht. On board, the hypnotized Mr. Incredible, Elastigirl, and Frozone recite a vindictive manifesto on air designed to paint superheroes as a threat. They subdue the ship's crew, aim the hydrofoil at Municiberg, and destroy the controls. The Parr children reach them, and Jack-Jack removes Elastigirl's goggles. She in turn frees Mr. Incredible and Frozone. The Incredibles and Frozone release the other mind-controlled superheroes by destroying their goggles, then work together to prevent the Everjust from crashing into the city by turning the ship. Evelyn attempts to escape in a jet, but is apprehended by Elastigirl and arrested. Due to their actions, superheroes around the world regain legal status.
Later, Tony accompanies Violet to a movie with the family. When the Parrs spot a high-speed pursuit of gunmen by the police, Violet leaves Tony at the theater, promising to be back in time, and the Incredibles give chase in a remodeled Incredi-bile.
- Craig T. Nelson as Bob Parr / Mr. Incredible, the father of the family who possesses super strength and limited invulnerability.
- Holly Hunter as Helen Parr / Elastigirl, the mother of the family who has the ability to stretch her body into many shapes and forms.
- Sarah Vowell as Violet Parr, the family's daughter and first child, who can become invisible and project force fields for limited lengths of time.
- Huckleberry Milner as Dashiell "Dash" Parr, the family's troublemaker first son, who has superhuman speed. Dash was voiced by Spencer Fox in the first film.
- Eli Fucile as Jack-Jack Parr, the infant son of Bob and Helen who has a large assortment of powers.
- Nick Bird provides the vocal effects of Jack-Jack's monster form.
- Samuel L. Jackson as Lucius Best / Frozone, Bob's best friend, who has the ability to form ice from humidity.
- Bob Odenkirk as Winston Deavor, a superhero fan who leads a telecommunications company with his sister Evelyn, and wants to bring back superheroes by revamping the public's perception of them.
- Catherine Keener as Evelyn Deavor, Winston's younger sister, a technological genius who has never encountered a problem she could not solve. She is later revealed to be the "Screenslaver". She also brainwashes all other superheroes.
- Bill Wise as a pizza delivery man hypnotized to pose as the "Screenslaver", a villain who hijacks screens and uses them to hypnotize people.
- Brad Bird as Edna "E" Mode, a fashion designer for superheroes and a close friend of the Parrs.
- Jonathan Banks as Rick Dicker, a government agent responsible for helping the Parrs stay undercover and unremarkable. When his department is shut down, the Parrs are left to their own devices. He was previously voiced by Bud Luckey in the first film; Luckey died in 2018, and the film is dedicated to his memory.
- Michael Bird as Tony Rydinger, Violet's love interest.
- Sophia Bush as Karen / Voyd, an aspiring superhero with the power to create portals.
- Phil LaMarr as:
- Paul Eiding as Gus Burns / Reflux, an elderly aspiring superhero who can vomit hot lava.
- Isabella Rossellini as Ambassador, a foreign official committed to the support and legalization of superheroes.
- John Ratzenberger as The Underminer, a mole-like supervillain who seeks to bring war and destruction to the world.
- Barry Bostwick as Mayor
- Jere Burns as Detective No. 1
- Adam Rodriguez as Detective No. 2
- Kimberly Adair Clark as Honey Best, Frozone's wife.
- Usher as Lucius Best's valet
Following The Incredibles, Brad Bird directed his next film for Pixar, Ratatouille, which was released in June 2007. Near its premiere, Bird said he was open to an idea of a sequel to The Incredibles, but only if it could be better than the original. He stated, "I have pieces that I think are good, but I don't have them all together." In a May 2013 interview, Bird reiterated his interest in a sequel: "I have been thinking about it. People think that I have not been, but I have—because I love those characters, and love that world ... I have many, many elements that I think would work really well in another Incredibles film, and if I can get 'em to click all together, I would probably wanna do that." While publicizing the first film, Bird had already conceptualized the eventual approach where Bob and Helen would switch roles, and Jack-Jack would develop multiple powers unknown to the family.
At the Disney shareholder meeting in March 2014, Disney CEO and chairman Bob Iger confirmed that Pixar was working on an Incredibles sequel, and that Bird would return as writer. Bird started the script around April 2015, and said that the Incredibles sequel would be his next film after Tomorrowland.
One challenge in writing Incredibles 2 was how to deal with the large number of superhero films and television series that had been released since the first film, such as the Marvel Cinematic Universe. To try to differentiate the sequel, Bird wanted to avoid tropes related to the superhero genre: "I don't think that kind of idea stays interesting for very long. For me, the interesting thing was never the superhero part of it. It was more the family dynamic, and how do superhero things play into that." He said he wanted to include some unused ideas from the first film, and that the new story would focus on Helen Parr / Elastigirl.
Though the sequel was released fourteen years after the first, Bird did not want to use a narrative element like an ellipsis or to come up with new characters, and instead continued from where the first film left off. This allowed him to keep characters with the same superpowers and not have to develop new ones, nor did he need to figure out how to deal with Violet and Dash being adults. This also allowed him to keep Jack-Jack as an infant with an array of powers, which Bird likened to how infants are able to understand numerous languages. While the plot of the 2005 follow-up video game to The Incredibles, The Incredibles: Rise of the Underminer, begins at that same point of time, the film discards the game's continuity. The film was produced with a production budget of $200 million.
One advantage that Pixar had with Incredibles 2 was the advancement of technology the company had seen since the original film and a team of much more experienced animators. Producer John Walker said, "I think that one of the things that excited Brad and Ralph Eggleston, the production designer, was the fact that the technology existed now to finally realize the designs in the way that they had hoped to realize them in 2004. There were no notions of, 'Well, we don't know how to do long hair, we don't know how to do humans, we don't know how to do muscles.' Everybody knows how to do it. It's just now about doing it quickly." Because Pixar no longer used the same systems from the first movie, all the characters had to be created from scratch on the computer again. The studio also used physically based human eye models for the characters for the first time, even if the eyes are larger and more stylized than in real humans.
Pixar announced in November 2016 that both Holly Hunter and Samuel L. Jackson would return to reprise their roles, and at the July 2017 D23 Expo that both Craig T. Nelson and Sarah Vowell would also return with them. Spencer Fox, the original voice of Dashiell "Dash" Parr, was replaced in the sequel by younger newcomer Huckleberry Milner. Also that July, Bird and John Ratzenberger were confirmed as reprising their characters from the first film.
In November 2017, Pixar announced that Bob Odenkirk and Catherine Keener had been signed to the cast. In January 2018, it was announced that Sophia Bush and Isabella Rossellini would voice new characters Voyd and The Ambassador, while Jonathan Banks would voice Rick Dicker after the character's original voice actor Bud Luckey retired in 2014; after his death in 2018, the film was dedicated to Luckey's memory.
In 2015, Bird confirmed that Michael Giacchino would return to compose the score. Giacchino began work around May 2017. The soundtrack album was released on June 15, 2018 and on CD two weeks later. In addition to the film's score, it includes the vocalized theme songs for Mr. Incredible, Frozone, and Elastigirl heard in the credits, as well as bonus versions of the songs sung by Disney's a cappella group, DCappella, and the latter's version of the track "The Glory Days" from the first film.
All music is composed by Michael Giacchino, except where noted, and additional music by Mick Giacchino.
|2.||"A Tony Perspective"||2:08|
|3.||"Consider Yourselves Undermined!"||5:12|
|4.||"A Matter of Perception"||1:50|
|5.||"Diggin' the New Digs"||1:42|
|6.||"This Ain't My Super-Suit?"||0:57|
|7.||"Elastigirl Is Back"||1:00|
|8.||"Train of Taut"||3:17|
|9.||"Rocky vs. Jack-Jack"||1:58|
|12.||"Searching for a Screenslaver"||4:40|
|13.||"Super Legal Again"||0:42|
|14.||"Renouncing the Renunciation"||1:38|
|15.||"World's Worst Babysitters"||1:33|
|16.||"Helen of Ploy"||0:55|
|17.||"A Dash of Reality"||2:03|
|20.||"A Bridge Too Parr"||4:17|
|21.||"Together Forever and Deavor"||1:45|
|22.||"Elastigirl's Got a Plane to Catch"||3:00|
|23.||"Looks like I Picked the Wrong Week to Quit Oxygen"||1:59|
|25.||"Out and a Bout"||0:36|
|27.||"Here Comes Elastigirl – Elastigirl's Theme" (lyrics also by Michael Giacchino)||1:23|
|28.||"Chill or Be Chilled – Frozone's Theme"||1:40|
|29.||"Pow! Pow! Pow! – Mr. Incredible's Theme"||1:31|
|31.||"Chad Tonight Talk Show Theme"||Daniel Farid, Grace Giacchino and Michael Giacchino||0:05|
|32.||"Chad Tonight Newscast Bumper"||Daniel Farid, Grace Giacchino and Michael Giacchino||0:06|
|33.||"Here Comes Elastigirl – Elastigirl's Theme (A Cappella)"||DCappella||1:20|
|34.||"Chill or Be Chilled – Frozone's Theme (A Cappella)"||DCappella||1:36|
|35.||"Pow! Pow! Pow! – Mr. Incredible's Theme (A Cappella)"||DCappella||1:31|
|36.||"The Glory Days (A Cappella)"||DCappella||1:39|
The official premiere of Incredibles 2 took place in Los Angeles on June 5, 2018. It was theatrically released in the United States on June 15, 2018, including an IMAX release as part of Disney's new distribution deal with IMAX, but only in 2D. It is accompanied by Pixar's short film Bao. The film's release was originally scheduled for June 21, 2019, but the date was moved forward after Pixar handed the 2019 release date over to Toy Story 4, after its production fell behind schedule.
A 53-second teaser trailer premiered on November 18, 2017 during ESPN's broadcast of College GameDay. It received 113.0 million views in its first 24 hours, becoming the most-viewed trailer for an animated film up until the release of the teaser trailer for Frozen 2 in February 2019, which surpassed it with 116.4 million views in its first 24 hours. It is also the 14th-most-viewed trailer overall. A new sneak peek premiered during the 2018 Winter Olympics on February 14. On April 13, 2018, a new trailer was released. The studio spent a total of $150 million promoting the film.
An Incredibles 2 graphic novel and comic miniseries was published by Dark Horse Comics in 2018. The graphic novel, titled Incredibles 2: Heroes at Home, was written by Liz Marsham and illustrated by Nicoletta Baldari. A comic miniseries, titled Incredibles 2: Crisis in Mid-Life! & Other Stories, was written by Christos Gage and Landry Walker, and illustrated by Gurihiru, J. Bone, Andrea Greppi and Roberta Zanotta. Christos Gage also wrote (with Jean Claudio-Vinci as illustrator) another series titled Incredibles 2: Secret Identities. The series, like his Crisis in Mid-Life! & Other Stories, focuses on what happens after the film. This particular series is about Violet, published in a single graphic novel by Dark Horse Comics on October 1, 2019.
In May 2018, a prose novel was released entitled Incredibles 2: A Real Stretch: An Elastigirl Prequel Story, which focuses on the life of the character Elastigirl before the events of the first film.
Incredibles 2 grossed $608.6 million in the United States and Canada, and $634.2 million in other territories, for a total worldwide gross of $1.242 billion.
On July 1, 2018, the film passed $648 million at the worldwide box office, surpassing the $633 million the original film made in its entire theatrical run. It ended its run as the ninth-highest-grossing film of all time domestically and the highest-grossing animated film domestically. The film crossed the $1 billion mark on July 30, 2018, becoming the seventh animated film and the 36th film of all time to reach the milestone. It was also the fifth animated Disney film, the third Pixar film, and Disney's 18th film overall to gross $1 billion worldwide, as well as the fastest animated film to gross $1 billion, doing so in 46 days, surpassing Minions (49 days), but later being surpassed by The Lion King in 2019 (21 days), also made by Disney. On August 12, the film surpassed Toy Story 3 ($1.067 billion) to become the highest-grossing Pixar film worldwide. Deadline Hollywood calculated the net profit of the film to be $447.4 million, when factoring together all expenses and revenues, making it the third-most-profitable release of 2018.
United States and CanadaEdit
In April 2018, early box office projections had Incredibles 2 grossing $110 million in its opening weekend in the United States and Canada. In May 2018, a month before the film's release, tracking revised to an opening weekend of $140 million or more. A week prior to the film's opening, Fandango reported that pre-sale of tickets for the film had exceeded that of previous mid-year blockbusters Finding Dory, Wonder Woman, Spider-Man: Homecoming and Suicide Squad at the same point in their release cycles. By the week of its release, opening weekend projections had reached upwards of $150 million. A day before release, it became Fandango's top pre-selling animated film of all time, outselling the previous record-holder, Finding Dory.
The film grossed $18.5 million from Thursday night previews, increasing weekend projections to as high as $174 million. The previews set the record for an animated film, doubling Finding Dory's $9.2 million, and were higher than the likes of fellow superhero films Spider-Man: Homecoming, Thor: Ragnarok and Justice League. It made $71.6 million on its first day, including previews, the best ever for an animated film (besting Dory's $54.7 million by 31%) and 14th-highest all time. It went on to debut to $182.7 million, the eighth-best opening of all time, far ahead of Finding Dory's animated record of $135.1 million and more than the entire lifetime gross of Pixar's A Bug's Life ($162.8 million), Cars 3 ($152.9 million), and The Good Dinosaur ($123.1 million).
The film set animated records for its Monday and Tuesday grosses, making $23.9 million (beating the $23.4 million made by Shrek 2 in May 2004) and $27.1 million (beating Finding Dory's $23.1 million), respectively. Its Tuesday gross also set a June record, topping Jurassic World ($24.3 million in 2015). By Thursday, its seventh day of release, the film had grossed $269.4 million, topping the entire lifetime domestic gross of the original, not accounting for inflation ($261.4 million). In its second weekend the film dropped 56% to $80.9 million, finishing second behind newcomer Jurassic World: Fallen Kingdom ($148 million), marking the first time two films opened to over $100 million in back-to-back weekends. It remained in second place in its third and fourth weekends, grossing $45.5 million and $29 million, respectively. On July 7, its 23rd day of release, the film crossed $495 million, passing Finding Dory to become the highest-grossing animated film and Pixar's highest-grossing film of all time domestically, and the following day became the first animated film to gross over $500 million domestically. On September 2, its 80th day of release, it became the first animated film to gross over $600 million domestically.
Outside North America, the film made $51.5 million from 25 countries in its opening weekend, for a global debut of $231.5 million. Mexico was the largest debut with $12.3 million, followed by Australia ($7.7 million) and Russia ($5.4 million). In its second weekend of release the film made $58.6 million from 28 countries, bringing its two-week total to $134.7 million. Its largest market was China where it made $21.2 million, the best-ever opening for a Pixar film in the country. It was also released in India where it made $3.3 million. In the United Kingdom, the film grossed $12.6 million in its opening weekend, the second-biggest opening for Pixar after Toy Story 3. As of November 18, 2018[update], The biggest markets in terms of total earnings are the United Kingdom ($73.1 million), followed by China ($51.5 million), Japan ($43.9 million), France ($41.7 million), and Brazil ($37.6 million).
On review aggregator Rotten Tomatoes, the film holds an approval rating of 94% based on 369 reviews, with an average rating of 7.85/10. The website's critical consensus reads, "Incredibles 2 reunites Pixar's family crimefighting team for a long-awaited follow-up that may not quite live up to the original, but comes close enough to earn its name." On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 80 out of 100, based on 51 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film a rare grade of "A+" on an A+ to F scale, the same score as the first film, while PostTrak reported filmgoers gave it a 93% overall positive score and an 83% "definite recommend".
Robert Abele of TheWrap, praised the film, saying: "Whatever the opposite of phoning in a sequel is, that's Brad Bird's progressive-minded, thunderously fun mix of super saves, throwback aesthetics and family comedy." A.A. Dowd, writing for The A.V. Club, felt it was "A sparkling contraption of an animated comedy, funny and often wondrous in its midcentury-modern vision of an alternate America frozen in the amber of a bygone idealism." David Ehrlich of IndieWire, gave the film a "B+", saying: "When the Parrs are pushed out of their comfort zone, Bird settles into his... [after] inciting a Spielberg-level monorail chase that reaffirms Bird's lucid gift for kinetic and character-driven action filmmaking, the movie blasts off and never looks back." Stephanie Zacharek from Time considered it "bold [and] rapturously entertaining," while David Sims at The Atlantic, dubbed it "dazzling, thought-provoking, and sometimes overwhelming in terms of plotting." Peter Travers of Rolling Stone, gave the film a 3.5 out of 4 stars and said: "Long-awaited follow-up brings back everyone's favorite superhero family—and suggests that we should give our caped-crusader pop obsessions a rest." Manohla Dargis of The New York Times, wrote a positive review of the film, saying: "The family that fights together remains the steadily throbbing, unbreakable heart of Incredibles 2, even when Bob and Helen swap traditional roles. There's something too self-conscious—overcompensating much?"
Variety's Owen Gleiberman called the film "fun but far from incredible" and wrote "It's true that the Toy Story films, all three of which are fantastic, did variations on the same theme of a toy's obsolescence, but as movies they kept the emotions close to the surface. In Incredibles 2, we never get that rush of feeling." Mark Kermode of The Guardian gave the film a 4 out of 5 stars and said: "Slapstick genius, profound social comment and a monstrously funny infant combine to conjure a magical second outing for the superhero family." John Nugent of Empire magazine also gave the film a four out of five stars, saying: "There's some quibbles to be had in an over-familiar setup, and an under-served villain, but overall this is a gloriously fun family parable, and as entertaining as any superhero movie you'll see this year." Brian Tellerico of Rogerebert.com, gave the film a 3.5 out of 4 stars and said: "Having said that, Incredibles 2 understands something that most family sequels, even the Pixar ones, fail to comprehend—we don't just want to repeat something we loved before. We want to love it all over again. You will with Incredibles 2." Michael Phillips of the Chicago Tribune, gave the film 2.5 out of 4 stars and said, "Incredibles 2 is content to punch the clock and stick to straight, bombastic action mode. In that mode, composer Giacchino's music is the most successful element, running nimble, beautifully orchestrated variations on themes that feel familiar in the best ways while retaining their spark. The animation is bright and visually dynamic. The script, well ... if the title were Satisfactories 2, it'd be about right." Ty Burr for The Boston Globe called it a "clattery, unfocused affair that at times is more irritating than fun." Todd McCarthy of The Hollywood Reporter, gave the film a positive review, saying: "Boosted by central characters that remain vastly engaging and a deep supply of wit, Incredibles 2 certainly proves worth the wait, even if it hits the target but not the bull's-eye in quite the way the first one did."
Health hazards/epilepsy issuesEdit
Many disability advocates, including the Epilepsy Foundation, have raised concerns that movie scenes with flashing lights, including that in Incredibles 2 of Elastigirl's fight with the Screenslaver, can trigger seizures in viewers affected by photosensitive epilepsy. As a result, several theaters posted warnings for audiences. Disney told USA Today that it appreciated those efforts, and then, in a memo, asked all theaters exhibiting the movie to warn audiences: "Incredibles 2 contains a sequence of flashing lights, which may affect customers who are susceptible to photosensitive epilepsy or other photosensitivities."
|Award||Date of ceremony||Category||Recipient(s)||Result||Ref.|
|Academy Awards||February 24, 2019||Best Animated Feature||Brad Bird, John Walker and Nicole Paradis Grindle||Nominated|||
|Alliance of Women Film Journalists||January 10, 2019||Best Animated Feature Film||Brad Bird||Nominated|||
|Best Animated Female||Holly Hunter as Elastigirl||Won|
|Annie Awards||February 2, 2019||Annie Award for Best Animated Feature||Brad Bird, John Walker and Nicole Paradis Grindle||Nominated|||
|Outstanding Achievement for Animated Effects in an Animated Feature Production||Greg Gladstone, Tolga Göktekin, Jason Johnston, Eric Lacroix and Krzysztof Rost||Nominated|
|Outstanding Achievement for Character Animation in an Animated Feature Production||Lance Fite||Nominated|
|Outstanding Achievement for Character Design in an Animated Feature Production||Matt Notle||Nominated|
|Annie Award for Directing in a Feature Production||Brad Bird||Nominated|
|Annie Award for Music in a Feature Production||Michael Giacchino||Won|
|Outstanding Achievement for Storyboarding in an Animated Feature Production||Dean Kelly||Won|
|Bobby Alcid Rubio||Nominated|
|Annie Award for Voice Acting in a Feature Production||Holly Hunter||Nominated|
|Annie Award for Writing in a Feature Production||Brad Bird||Nominated|
|Outstanding Achievement for Editorial in an Animated Feature Production||Stephen Schaffer, Anthony J. Greenberg and Katie Schaefer Bishop||Nominated|
|British Academy Children's Awards||November 25, 2018||Feature Film||Brad Bird, John Walker and Nicole Paradis Grindle||Nominated|||
|British Academy Film Awards||February 10, 2019||Best Animated Film||Brad Bird, John Walker and Nicole Paradis Grindle||Nominated|||
|Chicago Film Critics Association Awards||December 7, 2018||Best Animated Feature||Brad Bird||Nominated|||
|Critics' Choice Movie Awards||January 13, 2019||Best Animated Feature||Nominated|||
|Golden Globe Awards||January 6, 2019||Best Animated Feature Film||Incredibles 2||Nominated|||
|Hollywood Music in Media Awards||November 14, 2018||Original Score – Animated Film||Michael Giacchino||Nominated|||
|Humanitas Prize||February 8, 2019||Family Feature Film||Brad Bird||Nominated|||
|Kids' Choice Awards||March 23, 2019||Favorite Animated Movie||Incredibles 2||Won|||
|Los Angeles Film Critics Association||December 9, 2018||Best Animated Feature||2nd Place|||
|National Board of Review||November 27, 2018||Best Animated Film||Brad Bird||Won|||
|New York Film Critics Circle Awards||November 29, 2018||Best Animated Feature||Incredibles 2||Nominated|||
|San Diego Film Critics Society||December 10, 2018||Best Animated Feature||Nominated|||
|San Francisco Film Critics Circle||December 9, 2018||Best Animated Feature||Nominated|||
|Seattle Film Critics Society||December 17, 2018||Best Animated Feature||Brad Bird||Nominated|||
|St. Louis Film Critics Association||December 16, 2018||Best Animated Feature||Incredibles 2||Nominated|||
|People's Choice Awards||November 11, 2018||Favorite Family Movie||Won|||
|Movie of 2018||Nominated|
|Satellite Awards||February 22, 2019||Best Animated or Mixed Media Film||Brad Bird||Nominated|||
|Teen Choice Awards||August 12, 2018||Choice Summer Movie||Incredibles 2||Won|||
|Visual Effects Society Awards||February 5, 2019||Outstanding Visual Effects in an Animated Feature||Brad Bird, John Walker, Rick Sayre, Bill Watral||Nominated|||
|Outstanding Animated Character in an Animated Feature||Michal Makarewicz, Ben Porter, Edgar Rodriguez, Kevin Singleton for Helen Parr||Nominated|
|Outstanding Created Environment in an Animated Feature||Christopher M. Burrows, Philip Metschan, Michael Rutter, Joshua West for The Parr House||Nominated|
|Outstanding Model in a Photoreal or Animated Project||Neil Blevins, Philip Metschan, Kevin Singleton for Underminer Vehicle||Nominated|
|Outstanding Effects Simulations in an Animated Feature||Paul Kanyuk, Tiffany Erickson Klohn, Vincent Serritella, Matthew Kiyoshi Wong||Nominated|
|Washington D.C. Area Film Critics Association Awards||December 3, 2018||Best Animated Feature||Brad Bird||Nominated|||
|Best Animated Voice Performance||Holly Hunter||Nominated|
Following the release of Incredibles 2, director Brad Bird acknowledged that the film's truncated production schedule resulted in many plotlines and ideas he had for the film being cut from the final version. He cited Pixar's decision in October 2016 to swap the release dates of Toy Story 4 and Incredibles 2, which meant that Bird's film lost a full year of production. Bird stated that the lingering plotlines could lead to a third installment, just as they did with the second. "There were a lot of ideas that we had on this film that could be [used]... whether it's another Incredibles film, or something else." Cast members including Samuel L. Jackson and Sophia Bush have expressed interest in reprising their roles. Producer John Walker would not "rule [a third film] out".
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- Tom Brueggemann (June 17, 2018). "Pixar to the Rescue! 'Incredibles 2' Sets Records, and Revives Hope for the Summer Box Office". IndieWire. Retrieved June 18, 2018.
- Anousha Sakoui; Leslie Patton (June 16, 2018). "'Incredibles 2' Smashes Record, a Balm for Disney After 'Solo'". Bloomberg. Retrieved June 18, 2018.
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