The Rock (film)

The Rock is a 1996 American action thriller film directed by Michael Bay, produced by Don Simpson and Jerry Bruckheimer, and written by David Weisberg and Douglas S. Cook. The film stars Sean Connery, Nicolas Cage and Ed Harris, with William Forsythe and Michael Biehn co-starring. It is dedicated to Simpson,[3] who died five months before its release. The film received mixed reviews from critics, but it was nominated for Best Sound at the 69th Academy Awards, it earned box-office receipts of over $335 million against a production budget of $75 million, and was the fourth highest-grossing film of 1996.

The Rock
The Rock (movie).jpg
Theatrical release poster
Directed byMichael Bay
Produced by
Screenplay by
Story by
  • David Weisberg
  • Douglas Cook
Starring
Music by
CinematographyJohn Schwartzman
Edited byRichard Francis-Bruce
Production
companies
Distributed byBuena Vista Pictures Distribution
Release date
  • June 7, 1996 (1996-06-07)
Running time
136 minutes[1]
CountryUnited States
LanguageEnglish
Budget$75 million[2]
Box office$335.1 million[2]

In the film, the Pentagon assigns a team comprising an FBI chemist and a former SAS captain with a team of SEALs to break into Alcatraz, where a group of rogue U.S. Force Recon Marines have seized all the tourists on the Island and have threatened to launch nerve gas filled rockets upon San Francisco unless Washington pays $100 million to the next-of-kin of eighty three killed while under their command on missions denied ever to have existed by the Pentagon.

PlotEdit

Disenchanted Brigadier General Francis Hummel and his second-in-command Major Tom Baxter lead a group of rogue U.S. Force Recon Marines against a heavily guarded naval weapons depot to steal a stockpile of 15 VX gas-loaded M55 rockets, ultimately losing one of their own men in the process. The next day, along with newly-recruited Captains Frye and Darrow, Hummel and his men seize control of Alcatraz Island, taking eighty-one tourists hostage. Hummel threatens to launch the rockets against San Francisco unless the U.S. government pays him $100 million from a military slush fund, which he will distribute to his men and the families of Recon Marines who died on clandestine missions under his command, but whose deaths were not compensated.

The Department of Defense and Federal Bureau of Investigation (FBI) develop a plan to retake the island using a U.S. Navy SEAL team led by Commander Anderson, the FBI's top chemical weapons specialist, Dr. Stanley Goodspeed, and the only inmate to ever escape Alcatraz: John Mason. FBI Director James Womack bribes Mason with a pardon (which Womack subsequently destroys) and Mason is set up in a hotel. He escapes, resulting in a car chase with Goodspeed through the streets of San Francisco as Mason seeks out his estranged daughter, Jade. They meet but she accuses him of escaping again when Goodspeed arrives; he covers for Mason by telling Jade that Mason is aiding the FBI.

The team successfully infiltrates Alcatraz, but Hummel's men are alerted to their presence and ambush them in a shower room. Anderson and all of the SEALs are killed, leaving only Mason and Goodspeed alive. Goodspeed wants to finish the mission and attempts strong-arming Mason into helping; Mason, seeing his chance to escape custody, disarms Goodspeed. Mason changes his mind to help Goodspeed when the Marines, having found the weapons and radio missing from a dead SEAL soldier, start using explosive bombs to ferret out the survivors.

They eliminate several teams of Marines and disable twelve of the fifteen rockets by removing their guidance chips. Hummel threatens to execute a hostage if they do not surrender and return the chips; Mason destroys them before surrendering to Hummel to try reasoning with him and stall for time. Goodspeed disables another rocket just before being captured. With the incursion team lost, the backup plan is initiated: an airstrike by F/A-18s with thermite plasma, which will neutralize the poison gas but also kill everyone on the island.

Mason and Goodspeed escape and Mason explains why he was held prisoner: as a former British SAS captain and MI6 operative, he was captured after stealing a microfilm containing details of the United States' most closely guarded secrets. Knowing he would be killed if he returned it, he had spent the last twenty years imprisoned without trial for refusing to hand it over.

When Hummel's deadline for the ransom passes, he is urged by his men to fire a rocket. Although he does, he suddenly redirects it to detonate at sea. Hummel, confronted by Darrow and Frye, explains the rocket threat was an elaborate bluff, as he had never actually intended to harm innocent civilians. He declares the mission over and orders them to exit Alcatraz with some hostages and the remaining rocket to cover their retreat while he assumes blame. Darrow and Frye, realizing they will not be paid their $1 million apiece, declare themselves mercenaries and a firefight ensues; Baxter is killed and Hummel is mortally wounded, but manages to tell Goodspeed where the last rocket is before dying.

Darrow and Frye proceed with the plan to fire on San Francisco. Goodspeed seeks out the rocket while Mason deals with the remaining Marines. As the jets approach, Goodspeed disables the rocket before killing both Darrow and Frye. Though he signals that the threat is over, one jet drops a bomb. No hostages are injured, but the blast throws Goodspeed into the bay and Mason rescues him.

Goodspeed tells Mason that Womack destroyed the pardon; Mason reveals the location of the microfilm as he and Goodspeed part ways. Goodspeed tells Mason about a hotel room where he left a wad of money; he also fakes Mason's death by telling Womack that he was killed in the bomb explosion. Sometime later, Goodspeed and his newlywed wife Carla hastily drive away from a church after having retrieved the microfilm.

CastEdit

 
Cast member Michael Biehn signing the cover of the film on DVD in 2012

ProductionEdit

Jonathan Hensleigh participated in writing the script, which became the subject of a dispute with the Writers Guild of America. The spec script (by David Weisberg and Douglas Cook) was reworked by several writers, but other than the original team, Mark Rosner was the only one granted official credit by guild arbitration. The rule is that the credited writing team must contribute 50% of the final script (effectively limiting credits to the screenplay's initial authors, plus one re-write team). Despite their work on the script, neither Hensleigh nor Aaron Sorkin was credited in the film. The director Michael Bay wrote an open letter of protest, in which he criticized the arbitration procedure as a "sham" and a "travesty". He said Hensleigh had worked closely with him on the movie and should have received screen credit.[5] Quentin Tarantino was also an uncredited screenwriter.[6]

Los Angeles-based British screenwriting team Dick Clement and Ian La Frenais were brought in at Connery's request to rewrite his lines, but ended up altering much of the film's dialogue. It was Nicolas Cage's idea that his character would not swear; his euphemisms include "gee whiz." Bay had worked closely with Ed Harris to develop his character as concretely as possible, later adding a sympathetic edge to Hummel.[citation needed]

There were tensions during shooting between director Bay and Walt Disney Studios executives who were supervising the production. On the commentary track for the Criterion Collection DVD, Bay recalls a time when he was preparing to leave the set for a meeting with the executives when he was approached by Sean Connery in golfing attire. Connery, who also produced the film, asked Bay where he was going, and when Bay explained he had a meeting with the executives, Connery asked if he could accompany him. Bay complied and when he arrived in the conference room, the executives' jaws dropped when they saw Connery appear behind him. According to Bay, Connery then stood up for Bay and insisted that he was doing a good job and should be left alone.

Most of the film was shot on location in the Alcatraz Prison on Alcatraz Island. As it's governed by the national park service, it wasn't possible to close Alcatraz down, and much of the filming had to accommodate tour parties milling around.[7] The scene in which FBI director Womack is thrown off the balcony was filmed on location at the Fairmont Hotel in San Francisco. The filming led to numerous calls to the hotel by people who saw a man dangling from the balcony.[8] The Rock’s closing scene was shot outside the historic Sacred Heart Chapel in Saticoy, California (Ventura County, California).[9]

ControversyEdit

CensorshipEdit

In the original UK DVD release, the scene in which Connery throws a knife through Scarpetti's throat and says "you must never hesitate" to Cage was cut, although the scene was shown on British television.[10] Consequently, a later scene in which Connery says to Cage, "I'm rather glad you didn't hesitate too long," lost its impact on viewers who had not seen the first scene. Other cuts included the reduction of multiple gunshot impacts into Gamble's feet in the morgue down to a single hit; a close-up of his screaming face as the air conditioner falls onto him; a sound cut to Mason snapping a Marine's neck and two bloody gunshot wounds (to Hummel and Baxter), both near the end of the film.[10]

Iraqi chemical weapons programEdit

A scene from the film was the basis for incorrect and false descriptions of the Iraqi chemical weapons program. Britain's Secret Intelligence Service was led to believe Saddam Hussein was continuing to produce weapons of mass destruction by a false agent who based his reports on the movie, according to the Chilcot Inquiry.

In September 2002, MI6 chief Sir Richard Dearlove said the agency had acquired information from a new source revealing that Iraq was stepping up production of chemical and biological warfare agents. The source, who was said to have "direct access", claimed senior staff were working seven days a week while the regime was concentrating a great deal of effort on the production of anthrax. Dearlove told the chairman of the Joint Intelligence Committee (JIC), Sir John Scarlett, that they were "on the edge of (a) significant intel breakthrough" which could be the "key to unlock" Iraq's weapons programme.

However, questions were raised about the agent's claims when it was noticed his description bore a striking resemblance to a scene from the film. "It was pointed out that glass containers were not typically used in chemical munitions, and that a popular movie (The Rock) had inaccurately depicted nerve agents being carried in glass beads or spheres," the Chilcot report stated. By February 2003 – a month before the invasion of Iraq – MI6 concluded that their source had been lying "over a period of time" but failed to inform No 10 or others, even though UK Prime Minister Tony Blair had been briefed on this intelligence.[11][12][13] According to The Independent, the false claims of weapons of mass destruction were the justification for UK's entering the war.[13]

The film's co-writer David Weisberg said, "What was so amazing was anybody in the poison gas community would immediately know that this was total bullshit – such obvious bullshit". Weisberg said he was unsurprised a desperate agent might resort to films for inspiration, but dismayed that authorities "didn't do apparently the most basic fact-checking or vetting of the information. If you'd just asked a chemical weapons expert, it would have been immediately obvious it was ludicrous". Weisberg said he had had some "funny emails" after the report, but he felt "it's not a nice legacy for the film". "It's tragic that we went to war," he concluded.[14]

MusicEdit

The soundtrack to The Rock was released on June 7, 1996 by Hollywood Records, where The Rock came out on the same day along with the soundtrack. Nick Glennie-Smith and Hans Zimmer were the principal composers while Harry Gregson-Williams[15][16] was the score producer, with additional music composed by Don Harper, Steven M. Stern and Gregson-Williams.[17] The main theme (Hummell Gets The Rockets) was composed by Hans Zimmer and Nick Glennie-Smith.

Personnel

Credits adapted from FilmScoreMonthly.[16]

  • Composers, Producers – Nick Glennie Smith, Hans Zimmer[18]
  • Conductors – Bruce Fowler, Don Harper, Nick Glennie Smith
  • Contractor [Music] – Sandy De Crescent
  • Compilers – Marc Streitenfeld, Nick Glennie Smith
  • Copyist [Music Preparation] – Dominic Fidelibus
  • Editing [Assistant Editor] – Shannon Erbe, Sienna Pascarella
  • Editing [Music Editor] – Bob Badami, John Finklea
  • Engineer [Additional] – Marc Streitenfeld
  • Executive Producer [Soundtrack] – Jerry Bruckheimer
  • Electric Guitar ["the Rock"] – Bob Daspit
  • Electric Guitar ["the Roll"] - Michael Thompson
  • Acoustic Guitar ["the Roll"] – Michael Stevens
  • Mixing [Score] – Alan Meyerson
  • Music [Additional] – Don Harper, Steven Stern
  • Orchestrating – Bruce Fowler, Dennis Dreith, Ladd McIntosh, Suzette Moriarty, Walter Fowler
  • Other [Assistant To Hans Zimmer] – Justin Burnett, Marc Streitenfeld
  • Other [Executive In Charge Of Music For The Walt Disney Motion Pictures Group] – Kathy Nelson, Bill Green
  • Other [Executive In Charge Of Soundtracks For Hollywood Records] – Mitchell Leib
  • Sound Programming [Euphonix], Computer Programming [Steinberg Cubase], Programming [Yamaha, Fairlight CMI] - Hans Zimmer
  • Recording [Assistant Recorder] – Brian Richards, Gregg W. Silk
  • Recording [Paramount Recordist] – Paul Wertheimer
  • Recording [Score] – Alan Meyerson, Bruce Botnick, Paul Wertheimer
  • Technician [Score Former] – Emma Burnham

ReceptionEdit

Box officeEdit

Produced on a $75 million budget, The Rock grossed a total of $134 million in the U.S. and Canada and $201 million elsewhere, for a worldwide total of $335 million.[19] It was the seventh-highest grossing film for the U.S. box office in 1996, and the fourth highest-grossing U.S. film worldwide that year.[2]

Critical responseEdit

On Rotten Tomatoes, the film has an approval rating of 66% based on 65 reviews, with an average rating of 6.63/10. The website's critics consensus reads: "For visceral thrills, it can't be beat. Just don't expect The Rock to engage your brain."[20] It remains the highest rated film directed by Bay on the site and the only one to have a "fresh" (positive) score.[21] On Metacritic, the film has a weighted average score of 58 out of 100, based on 24 critics, indicating "mixed or average reviews".[22] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[23]

Roger Ebert awarded the film 3.5 out of 4 stars, praising it as "a first-rate, slam-bang action thriller with a lot of style and no little humor".[24] Todd McCarthy of Variety gave the film a positive review, commenting "The yarn has its share of gaping holes and jaw-dropping improbabilities, but director Michael Bay sweeps them all aside with his never-take-a-breath pacing."[25] Richard Corliss, writing for the Time expressed favorable opinions towards the film, saying "Slick, brutal and almost human, this is the team-spirit action movie Mission: Impossible should have been."[26]

AccoladesEdit

The Rock won several minor awards, including 'Best On-Screen Duo' for Connery and Cage at the MTV Movie Awards. It was also nominated for an Academy Award for Best Sound (Kevin O'Connell, Greg P. Russell and Keith A. Wester).[27]

The film was selected for a limited edition DVD release by the Criterion Collection, a distributor of primarily arthouse films it categorizes as "important classic and contemporary films" and "cinema at its finest". In an essay supporting the selection of The Rock, Roger Ebert, who was strongly critical of most of Bay's later films, gave the film 3 1/2 out of four stars, calling it "an action picture that rises to the top of the genre because of a literate, witty screenplay and skilled craftsmanship in the direction and special effects."[28]

In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films.[29] The Rock was listed at 74th place on the list.[30]

In 2019, Tom Reimann from Collider ranked The Rock as Michael Bay's best film: "The Rock is not only Michael Bay’s finest film, it’s also a perfect snapshot of the height of 90s action movies."[31]

Abandoned sequelEdit

In June 2017, director Michael Bay discussed his idea for a follow-up to The Rock that never developed past the concept that Mason is chased by the government after escaping.[32]

See alsoEdit

ReferencesEdit

  1. ^ "THE ROCK (15)". British Board of Film Classification. June 4, 1996. Retrieved January 13, 2016.
  2. ^ a b c "The Rock (1996)". Box Office Mojo.
  3. ^ Maslin, Janet (June 7, 1996). "FILM REVIEW;Break Into Alcatraz? Why Not?". The New York Times. Retrieved February 24, 2021.
  4. ^ Arnold Schwarzenegger Interview / 22.01.13 / (San) Part 2 on YouTube
  5. ^ Welkos, Robert W. "'Cable,' 'Rock' in Disputes on Writing Credits". Los Angeles Times, May 21, 1996, p. 1.
  6. ^ Peary, Gerald (August 1998). "Chronology". Quentin Tarantino Interviews. Conversations with Filmmakers Series. University Press of Mississippi. xix. ISBN 1-57806-050-8. Retrieved February 24, 2013.
  7. ^ "The Rock 1996". Movie-Locations. Retrieved December 18, 2018.
  8. ^ Great Hotels. The Travel Channel
  9. ^ "Historic Darling Road church destroyed by fire". Santa Paula Times. Retrieved December 7, 2019.
  10. ^ a b "Later DVDs merged into the Video Hits section". The Melon Farmers. Retrieved February 24, 2013.
  11. ^ Walker, Peter (July 6, 2016). "The Rock movie plot 'may have inspired MI6 source's Iraqi weapons claim'". The Guardian. Retrieved June 30, 2017.
  12. ^ "MI6 Iraq nerve gas report 'stolen from action film The Rock'". The Telegraph. July 6, 2016. Retrieved June 30, 2017.
  13. ^ a b "Supposed Iraqi WMD described in dossier resembled inaccurate portrayal in Holywood film The Rock, Chilcot notes". The Independent. July 6, 2016. Retrieved June 30, 2017.
  14. ^ Shoard, Catherine (July 8, 2016). "'It was such obvious bullshit': The Rock writer shocked film may have inspired false WMD intelligence". The Guardian. Retrieved June 30, 2017.
  15. ^ "An interview with Hans Zimmer". industrycentral.net.
  16. ^ a b "The Rock Soundtrack". filmscoremonthly.com.
  17. ^ ""The Rock" at Hans-Zimmer.com".
  18. ^ "The Rock IMDB information". IMDB.
  19. ^ Brennan, Judy (June 10, 1996). "The Rock Rolls to $23-Million Opening". Los Angeles Times. Archived from the original on November 4, 2012. Retrieved February 24, 2013.
  20. ^ "The Rock". Rotten Tomatoes. November 24, 2013. Retrieved June 1, 2020.
  21. ^ Schwerdtfeger, Conner (January 17, 2016). "Will 13 Hours Be Michael Bay's First Fresh Movie Since The Rock?". CinemaBlend. Retrieved August 31, 2019.
  22. ^ "The Rock Reviews". Metacritic. Retrieved December 12, 2019.
  23. ^ "ROCK, THE". CinemaScore. Archived from the original on December 20, 2018.
  24. ^ Ebert, Roger (June 7, 1996). "The Rock Movie Review & Film Summary (1996)". www.rogerebert.com.
  25. ^ McCarthy, Todd. "Review: 'The Rock'". Variety. Retrieved November 24, 2013.
  26. ^ Corliss, Richard (June 10, 1996). "Cinema: Good Rockin': Finally, summer has a smart, almost human action movie". Time. Retrieved November 24, 2013.
  27. ^ "The 69th Academy Awards (1997) Nominees and Winners". Academy of Motion Picture Arts and Sciences. March 24, 1997. Retrieved February 24, 2013.
  28. ^ Roger Ebert (March 12, 2001). "The Rock". The Criterion Collection.
  29. ^ "The 100 best action movies". Time Out. Retrieved November 7, 2014.
  30. ^ "The 100 best action movies: 80-71". Time Out. Retrieved November 7, 2014.
  31. ^ Reimann, Tom (December 13, 2019). "Every Michael Bay Movie Ranked from Worst to Best". Collider. Retrieved September 21, 2020.
  32. ^ "The Rock Sequel Idea". /Film. June 20, 2017.

External linksEdit