Donald Clarence Simpson (October 29, 1943 – January 19, 1996) was an American film producer, screenwriter, and actor. Simpson, along with his producing partner Jerry Bruckheimer, produced such hit films as Flashdance (1983), Beverly Hills Cop (1984), Top Gun (1986), and The Rock (1996). Their films would go on to earn $3 billion worldwide.
Donald Clarence Simpson
October 29, 1943
Seattle, Washington, U.S.
|Died||January 19, 1996 (aged 52)|
Bel Air, Los Angeles, California, U.S.
|Cause of death||Drug-related heart failure|
|Other names||Donald C. Simpson|
|Education||West Anchorage High School|
|Alma mater||University of Oregon|
|Occupation||Film producer, screenwriter, actor|
Simpson was born in Seattle, Washington, the son of June Hazel (Clark), a housewife, and Russell J. Simpson, a mechanic at Boeing at the time of his birth. He grew up in Anchorage, Alaska where he attended West Anchorage High School. Simpson went on to attend the University of Oregon. After graduation, he moved to San Francisco where he worked for a theatrical advertising agency and did public relations for the First International Erotic Film Festival.
In the early 1970s, Simpson moved to Los Angeles and got a job marketing exploitation films for Warner Bros. In 1973, Simpson got a job at Paramount Pictures. While there, he co-wrote the 1976 film Cannonball, in which he also had a small role. By 1981, he was named president of production at Paramount.
Simpson was fired at Paramount in 1982 after passing out during a studio meeting due to drug use, and soon after went into producing, forging a partnership with fellow producer Jerry Bruckheimer. The two would go on to produce some of the most financially successful films of the 1980s: Flashdance (1983), Beverly Hills Cop (1984), Top Gun (1986) and Beverly Hills Cop II (1987). In 1985 and again in 1988, he and Bruckheimer were named Producers of the Year by the National Association of Theatre Owners.
In 1990, Simpson and Bruckheimer signed a five-year deal with Paramount worth a reported $300 million. The deal would prove to be short lived. Later that year, the Simpson/Bruckheimer-produced Days of Thunder starring Tom Cruise was released. The auto racing film received mixed reviews and grossed $158 million (over a $60 million budget). While the film was still a financial success, it did not match the success of Simpson and Bruckheimer's previous films. Simpson and Bruckheimer blamed Paramount for the film's lackluster box office returns stating that the studio rushed the planning and release of the film. In turn, Paramount blamed the film's performance on Simpson and Bruckheimer's overspending. The duo mutually parted with Paramount shortly thereafter.
In 1991, the two signed with Disney. Their first film for Disney, The Ref (1994), was a financial flop. Their following films, Dangerous Minds, Crimson Tide, and Bad Boys, all released in 1995, brought the pair back to success.
As Simpson and Bruckheimer's success grew, so did Simpson's reputation for being a brash "party animal". He had been using cocaine since the 1980s, but increased his usage over the years. His excessive spending (in both films and his personal life) and erratic mood swings caused by his drug use were well known within the Hollywood industry by the 1990s. According to screenwriter James Toback, both David Geffen and Jeffrey Katzenberg had attempted to get Simpson to go to rehab for his drug use.
Simpson refused to admit himself into a traditional rehab facility and, in 1995, employed Dr. Stephen Ammerman to help him with his addiction. Ammerman, who had a history of drug abuse himself, believed that in order for Simpson to quit drugs, he had to use other drugs to combat the effects of painful withdrawal symptoms. Ammerman designed what has been described as a "dangerously unorthodox" detox program, which included the use of several medications (including morphine) for Simpson to take at home to kick his drug habit. On August 15, 1995, Ammerman was found dead in the pool house on Simpson's estate. It was later determined that Ammerman died of an accidental overdose of cocaine, Valium, venlafaxine and morphine.
Frustrated with Simpson's escalating drug use and declining work, Jerry Bruckheimer terminated their partnership in December 1995. The two agreed to finish work on The Rock, which was already in production. The Rock was released after Simpson's death and is dedicated to his memory.
Simpson's debaucherous personal life was well known amongst those in Hollywood, and has been documented in a number of sources. He was a fixture on the "Hollywood cocaine-party" circuit throughout the 70's and 80's, and in his later years became known for throwing lavish all-night parties at his mansion.  An entire chapter of the book You'll Never Make Love in This Town Again (which describes four prostitutes' stories about their sexual encounters with Hollywood celebrities) discusses his frequent sex parties and preference for S & M. Hollywood madam Alexandra D. Datig said that her time with Don was "the most wicked, depraved, and exciting time" of her life, mentioning that he frequently hired "spank monsters" to discipline her, as well dunked her head into a clogged toilet while having sex. Simpson was never married.
On January 19, 1996, Simpson was found dead in the bathroom of his Bel Air, Los Angeles home. His death was initially attributed to "natural causes". An autopsy and toxicology report later determined that Simpson had died of heart failure caused by combined drug intoxication (cocaine and prescription medications) while going to the bathroom. At the time of his death, there were 21 different drugs in his system including antidepressants, stimulants, sedatives, and tranquilizers. In August 1996, investigative reporter Chuck Philips of The Los Angeles Times revealed that Simpson had been obtaining large quantities of prescription drugs from 15 different doctors and that police found 2,200 prescription pills in his home.
|1975||Aloha, Bobby and Rose||Writer, uncredited|
|1976||Cannonball||Assistant District Attorney||Writer|
Credited as Donald C. Simpson
|1984||Beverly Hills Cop||Producer|
|Thief of Hearts||Producer|
|1987||Beverly Hills Cop II||Producer|
|1990||Days of Thunder||Aldo Bennedetti||Producer|
|1994||The Ref||Executive producer|
- "Disney Extends Bruckheimer Deal". latimes.com. May 2, 1997. Retrieved December 2, 2012.
- "Don Simpson". lukeford.net.
- Thomson, David (April 7, 1996). "I'm Don Simpson; And You're Not". independent.co.uk. Retrieved October 27, 2009.
- "Don Simpson Bio". FilmStar.
- Ascher-Walsh, Rebecca (February 22, 1996). "Don Simpson passes away". ew.com. p. 1. Retrieved December 2, 2012.
- Ascher-Walsh, Rebecca (February 22, 1996). "Don Simpson passes away". ew.com. p. 2. Retrieved December 2, 2012.
- Citron, Alan (January 18, 1991). "'Top Gun' Producers, Disney Sign Deal". latimes.com. Retrieved December 2, 2012.
- Philips, Chuck (August 18, 1996). "Don Simpson's Death Showed Depth of Abuse". latimes.com. Retrieved December 2, 2012.
- Philips, Chuck; Hall, Carla (February 6, 1996). "Narcotics Unit Probes Don Simpson's Death". latimes.com. Retrieved December 2, 2012.
- Ascher-Walsh, Rebecca (February 22, 1996). "Don Simpson passes away". ew.com. p. 3. Retrieved December 2, 2012.
- Turan, Kenneth (August 7, 1996). "Between a 'Rock' and Loud Place". latimes.com. Retrieved December 2, 2012.
- "Fatal Attraction: How Sex and Drugs Brutally Ripped Apart Hot Hollywood Team". Wall Street Journal.
- "Don Simpson: Hollywood Death". latimes.com. April 2, 1998. Retrieved September 5, 2016.
- Louise Frankel, Jennie (October 1, 2006). You'll Never Make Love in This Town Again. Phoenix Books. p. 133. ISBN 1597775428.
- Pace, Eric (January 21, 1996). "Don Simpson Is Dead at 52; Produced Blockbuster Films". The New York Times. Retrieved October 26, 2009.
- "Days of Plunder". LA Weekly.
- Shipman, David (January 23, 1996). "Obituary: Don Simpson". independent.co.uk. Retrieved December 2, 2012.
- Philips, Chuck; Malnic, Eric (March 17, 1996). "Autopsy Finds Don Simpson Died of Overdose". latimes.com. Retrieved December 2, 2012.
- Fleming, Charles (1998). High Concept: Don Simpson and the Hollywood Culture of Excess. Doubleday. p. 9. ISBN 0-385-48694-4.