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Natalie Dessay (French: [na.ta.li də.sɛ]; born 19 April 1965) is a French singer and actress who had a highly acclaimed career as an operatic coloratura soprano before leaving the opera stage on 15 October 2013.

Natalie Dessay
Natalie Dessay Montpellier 2008.jpg
Dessay in 2008
Born
Nathalie Dessaix

(1965-04-19) 19 April 1965 (age 54)
Lyon, France
OccupationSinger, actress
Years active1990–present
Known forOperatic soprano
Spouse(s)
Laurent Naouri (m. 1994)
Websitewww.nataliedessay.fr

She received wide acclaim in roles such as Olympia in Les contes d'Hoffmann, the title role in Lakmé, Zerbinetta in Ariadne auf Naxos and the Queen of the Night in Die Zauberflöte. In her later career, she took on roles in the romantic bel canto repertoire and performed Baroque music by composers such as Handel and Bach. She became an Austrian Kammersängerin in 2010 and Chevalier of the Legion of Honour in 2011. After her operatic retirement, she pursues a career involving concert and theatre. In concert, she performs other genres such as jazz and chanson as well as classical.

Contents

BiographyEdit

Early lifeEdit

She was born as Nathalie Dessaix in Lyon. She dropped the silent "h" in her first name in honor of Natalie Wood when she was in grade school and subsequently simplified the spelling of her surname. In her youth, Dessay had intended to be a ballet dancer and then an actress.[1] She discovered her talent for singing while taking acting classes and shifted her focus to music.[2] Dessay was encouraged to study voice at the Conservatoire de Bordeaux and gained experience as a chorister in Toulouse. At the competition Les Voix Nouvelles, run by France Télécom, she was awarded second prize followed by a year's study at Paris Opera's Ecole d'Art Lyrique, where she sang Elisa in Mozart's Il re pastore. She entered the International Mozart Competition at the Vienna State Opera, winning first prize.[citation needed]

Career in 1990sEdit

She was quickly approached by a number of theatres and subsequently sang Blonde in Die Entführung aus dem Serail, Madame Herz in Der Schauspieldirektor, Zerbinetta in Ariadne auf Naxos and Zaide at the Opéra National de Lyon and the Opéra Bastille, as well as Adele in Die Fledermaus in Geneva.

In April and May 1992 at the Opéra Bastille, she sang the role of Olympia in The Tales of Hoffmann with José van Dam. The Roman Polanski production was not well received, but it began the road to stardom for Dessay. Although she was soon featured in another production of Hoffmann, it would be over ten years before her return to the Paris Opera in the same role. Soon after her Hoffmann run, Dessay joined the Vienna State Opera as Blondchen in Mozart's Die Entführung aus dem Serail. In December 1993, she was asked to replace Cheryl Studer in one of the three female roles in a production of Hoffmann at the Vienna State Opera.

She attended a performance where Barbara Bonney had sung Sophie in Richard Strauss' Der Rosenkavalier under Carlos Kleiber. Dessay was cast in the same role with another conductor. Blondchen in Die Entführung and Zerbinetta in Ariadne auf Naxos became her best known and most often played roles.

In October 1994, Dessay made her Metropolitan Opera debut in New York in the role of Fiakermilli in Strauss's Arabella, and returned there in September 1997 as Zerbinetta and in February 1998 as Olympia. In 1997 she made a recording of Lakmé with the tenor Gregory Kunde, baritone José van Dam and mezzo-soprano Delphine Haidan

At the Aix-en-Provence Festival, Dessay first performed the role of the Queen of the Night in Mozart's The Magic Flute. Although she was hesitant to perform the role, saying she did not want to play evil characters, director Robert Carsen convinced her that this Queen would be different, almost a sister to Pamina; Dessay agreed to do the role.

Vocal problemsEdit

During the 2001–2002 season in Vienna, she began to experience vocal difficulties and had to be replaced in almost all of the performances of La sonnambula. Subsequently, she was forced to cancel several other performances, including the French version of Lucia di Lammermoor in Lyon and a Zerbinetta at the Royal Opera House in London. She withdrew from the stage and underwent surgery to remove a vocal cord nodule in July 2002.[3]

Return to operaEdit

In the summer of 2003, Dessay gave her first US recital in Santa Fe. She was so attracted to New Mexico in general and to Santa Fe in particular that the Santa Fe Opera quickly rearranged its schedule to feature her in a new production of La sonnambula during the 2004 season.[4][5] She returned to Santa Fe in the 2006 season as Pamina in The Magic Flute and gave her first performance in the role of Violetta in La traviata[1] there on 3 July 2009 in a production staged by Laurent Pelly. Her husband, Laurent Naouri, appeared as her lover's father, Giorgio Germont.[6]

Dessay's 2006/2007 season schedule included Lucia di Lammermoor and La sonnambula in Paris, La fille du régiment directed by Laurent Pelly in London and Vienna, and a Manon in Barcelona. She appeared in two new productions during the 2007–08 season at the Met: as Lucia on opening night, and in a reprise of the London production of La fille du régiment.[7] In January 2009 she sang the part of Mélisande in a much acclaimed production of Pelléas et Mélisande by Claude Debussy at the Theater an der Wien, Vienna's second world-class opera house, alongside Laurent Naouri. On 2 March 2009, Dessay sang the title role in La sonnambula at the New York Metropolitan Opera. It was the first new production of the opera at the Met since Joan Sutherland sang the title role in 1963.[8]

Return to acting and recording careerEdit

In February 2012, Dessay said in an interview with Le Figaro that she would take a sabbatical from opera performance in 2015.[9]

2013 saw the release of Becoming Traviata, a documentary film about Dessay's role as Violetta in a production of La traviata, directed by Jean-François Sivadier, with musical direction by Louis Langrée. The documentary chronicles the development of the production of Verdi's opera for the Aix-en-Provence Festival in France and subsequently staged for her at the Vienna State Opera.

In an interview published in Le Figaro on 4 October 2013, Dessay announced that the final operatic performance of her career would be in the title role of Massenet's Manon at the Théâtre du Capitole in Toulouse on 15 October 2013. She said she intended to continue her performing career as a dramatic actress and chansonnière.[10]

In May 2014 she released a new album, Rio-Paris.

Awards and honoursEdit

Personal lifeEdit

Dessay is married to the bass-baritone Laurent Naouri, and she converted to his Jewish faith.[20] The couple have two children.[1]

Operatic repertoryEdit

DiscographyEdit

DVDsEdit

CDsEdit

Solo recitals and collaborationsEdit

  • Mozart: Concert Arias (1995)
  • French Opera Arias (1996)
  • Vocalises (1998)
  • Mozart Heroines (2000)
  • Handel: Arcadian Duets (2002)
  • French Opera Arias (2003)
  • Claude Nougaro: La note bleue (2004)
  • Delirio: Handel Cantatas (2006)
  • Italian Opera Arias (Bellini, Donizetti, and Verdi) (2007)
  • David Linx: Changing Faces (2007)
  • The Miracle of the Voice (2006, compilation)
  • Lamenti (2008)
  • Bach: Cantatas (2009)
  • Mad Scenes (2009, compilation)
  • Quatuor Ebène: Fiction (2010)
  • Strauss: Amor (Opera Scenes and Lieder) (2010)
  • Handel: Cleopatra (2011)
  • Une fête Baroque (2012, live)
  • Debussy: Clair de lune (2012)
  • Alexandre Tharaud: Le Boeuf sur le toit (2012)
  • Rio – Paris (2014)
  • De l'opéra à la chanson (2014, compilation)
  • Fiançailles pour rire: Mélodies françaises (2015)
  • Baroque (2015, compilation)
  • Pictures of America (2016)
  • Schubert: Lieder (2017)
  • Between Yesterday and Tomorrow (2017)

OperasEdit

Sacred and concert worksEdit

Soundtrack / spokenEdit

Joint albumsEdit

ReferencesEdit

  1. ^ a b c "Natalie Dessay et Laurent Naouri ont trouvé leur voie". Paris Match (in French). 31 October 2015. Retrieved 25 December 2015.
  2. ^ Conrad, Peter (16 December 2007). "A wicked witch who made us laugh and cry". The Observer. Retrieved 16 December 2007.
  3. ^ Riding, Alan (23 March 2003). "Saying Goodbye to the Magic Flutes". The New York Times. Retrieved 16 December 2007.
  4. ^ Phillip Huscher, The Santa Fe Opera: An American Pioneer, Santa Fe Opera, 2006, p. 148.
  5. ^ Midgette, Anne (19 August 2004). "A Change in Santa Fe Opera in More Ways Than One". The New York Times. Retrieved 29 December 2007.
  6. ^ Santa Fe Opera's web site listing the 2009 season
  7. ^ "Met to Add Seven New Productions for 2007–8" by Daniel J. Wakin, The New York Times, (27 February 2007)
  8. ^ Dessay, Natalie (Soprano), Metropolitan Opera Database. Accessed 6 October 2013.
  9. ^ "Natalie Dessay: 'Je veux change de monde!'" by Thierry Hillériteau, Le Figaro (15 February 2012) ‹See Tfd›(in French)
  10. ^ "Natalie Dessay, le chant du départ" by Thierry Hillériteau, Le Figaro, 4 October 2013. ‹See Tfd›(in French) Quote: "Comme je le dis à mes amis, ce n'est pas moi qui arrête l'opéra, c'est l'opéra qui m'arrête." (As I tell my friends, it is not I who is quitting opera; opera is quitting me.)
  11. ^ "(33345) Nataliedessay = 1998 XC14". Minor Planet Center. Retrieved 14 January 2019.
  12. ^ "2018 : 25ème anniversaire des Victoires de la Musique Classique". Opera Online (in French). 13 February 2018.
  13. ^ "Nominations for the 2008 Laurence Olivier Awards". London Theatre. 7 February 2008.
  14. ^ "Natalie Dessay wins Outstanding Achievement in Opera". Official London Theatre. 17 April 2008.
  15. ^ "The Winners of the 2008 OPERA NEWS Awards are…". Opera News. 4 August 2008.
  16. ^ "Un prix "in honorem" pour Natalie Dessay". Le Monde (in French). 22 November 2008.
  17. ^ "Natalie Dessay Biography". Vienna State Opera. Retrieved 30 November 2018.
  18. ^ "Natalie Dessay et Jean-Michel Jarre : Pour eux, le 14 juillet était particulier". Purepeople (in French). 14 July 2011.
  19. ^ "Biographie". Ôlyrix (in French). Retrieved 3 November 2018.
  20. ^ "La soprano Natalie Dessay se confie sur... sa conversion au judaïsme, les hommes à barbe et les Bee Gees!" at purepeople.com (15 December 2009), citing the magazine Têtu ‹See Tfd›(in French)

External linksEdit