Gary Edward "Garrison" Keillor (born August 7, 1942) is an American author, storyteller, humorist, voice actor, and radio personality. He is best known as the creator of the Minnesota Public Radio (MPR) show A Prairie Home Companion (called Garrison Keillor's Radio Show in some international syndication), which he hosted from 1974 to 2016. Keillor created the fictional Minnesota town Lake Wobegon, the setting of many of his books, including Lake Wobegon Days and Leaving Home: A Collection of Lake Wobegon Stories. Other creations include Guy Noir, a detective voiced by Keillor who appeared in A Prairie Home Companion comic skits. Keillor is also the creator of the five-minute daily radio/podcast program The Writer's Almanac, which pairs one or two poems of his choice with a script about important literary, historical, and scientific events that coincided with that date in history.
|Birth name||Gary Edward Keillor|
|Born||August 7, 1942|
Anoka, Minnesota, U.S.
|Alma mater||University of Minnesota|
|Genres||Observational comedy, storytelling|
|Subject(s)||American culture (especially the Midwest), American politics|
(m. 1965; div. 1976)
(m. 1985; div. 1990)
Jenny Lind Nilsson
In November 2017, Minnesota Public Radio cut all business ties with Keillor after an allegation of inappropriate behavior with a freelance writer for A Prairie Home Companion. On April 13, 2018, MPR and Keillor announced a settlement that allows archives of A Prairie Home Companion and The Writer's Almanac to be publicly available again, and soon thereafter, Keillor began publishing new episodes of The Writer's Almanac on his website.
Keillor was born in Anoka, Minnesota, the son of Grace Ruth (née Denham) and John Philip Keillor. His father was a carpenter and postal worker who was half-Canadian with English ancestry; Keillor's paternal grandfather was from Kingston, Ontario. His maternal grandparents were Scottish emigrants from Glasgow.
Keillor's family belonged to the Plymouth Brethren, an Evangelical Christian movement that he has since left. In 2006, he told Christianity Today that he was attending the St. John the Evangelist Episcopal church in Saint Paul, Minnesota, after previously attending a Lutheran church in New York.
Keillor graduated from Anoka High School in 1960 and from the University of Minnesota with a bachelor's degree in English in 1966. During college, he began his broadcasting career on the student-operated radio station known today as Radio K.
In his 2004 book Homegrown Democrat: A Few Plain Thoughts from the Heart of America, Keillor mentions some of his noteworthy ancestors, including Joseph Crandall, who was an associate of Roger Williams, who founded Rhode Island and the first American Baptist church; and Prudence Crandall, who founded the first African-American women's school in America.
Garrison Keillor started his professional radio career in November 1969 with Minnesota Educational Radio (MER), later Minnesota Public Radio (MPR), which today distributes programs under the American Public Media (APM) brand. He hosted a weekday drive-time broadcast called A Prairie Home Entertainment, on KSJR FM at St. John's University in Collegeville. The show's eclectic music was a major divergence from the station's usual classical fare. During this time he submitted fiction to The New Yorker magazine, where his first story for that publication, "Local Family Keeps Son Happy," appeared in September 1970.
Keillor resigned from The Morning Program in February 1971 in protest of what he considered interference with his musical programming; as part of his protest, he played nothing but the Beach Boys' "Help Me, Rhonda" during one broadcast. When he returned to the station in October, the show was dubbed A Prairie Home Companion.
Keillor has attributed the idea for the live Saturday night radio program to his 1973 assignment to write about the Grand Ole Opry for The New Yorker, but he had already begun showcasing local musicians on the morning show, despite limited studio space. In August 1973, MER announced plans to broadcast a Saturday night version of A Prairie Home Companion with live musicians.
A Prairie Home Companion (PHC) debuted as an old-style variety show before a live audience on July 6, 1974; it featured guest musicians and a cadre cast doing musical numbers and comic skits replete with elaborate live sound effects. The show is punctuated by spoof commercial spots for PHC fictitious sponsors such as Powdermilk Biscuits, the Ketchup Advisory Board, and the Professional Organization of English Majors (POEM); it presents parodic serial melodramas, such as The Adventures of Guy Noir, Private Eye and The Lives of the Cowboys. Keillor voices Noir, the cowboy Lefty, and other recurring characters, and provides lead or backup vocals for some of the show's musical numbers. The show airs from the Fitzgerald Theater in St. Paul.
After the show's intermission, Keillor reads clever and often humorous greetings to friends and family at home submitted by members of the theater audience in exchange for an honorarium. Also in the second half of the show, Keillor delivers a monologue called The News from Lake Wobegon, a fictitious town based in part on Keillor's own hometown of Anoka, Minnesota, and on Freeport and other small towns in Stearns County, Minnesota, where he lived in the early 1970s. Lake Wobegon is a quintessentially Minnesota small town characterized by the narrator as a place "... where all the women are strong, all the men are good-looking, and all the children are above average."
The original PHC ran until 1987, when Keillor ended it to focus on other projects. In 1989, he launched a new live radio program from New York City, The American Radio Company of the Air, which had essentially the same format as PHC. In 1992, he moved ARC back to St. Paul, and a year later changed the name back to A Prairie Home Companion; it has remained a fixture of Saturday night radio broadcasting ever since.
On a typical broadcast of A Prairie Home Companion, Keillor's name is not mentioned unless a guest addresses him by name, although some sketches feature Keillor as his alter ego, Carson Wyler. In the closing credits, which Keillor reads, he gives himself no billing or credit except "written by Sarah Bellum," a joking reference to his own brain.
Keillor regularly takes the radio company on the road to broadcast from popular venues around the United States; the touring production typically features local celebrities and skits incorporating local color. In April 2000, he took the program to Edinburgh, Scotland, producing two performances in the city's Queen's Hall, which were broadcast by BBC Radio. He toured Scotland with the program to celebrate its 25th anniversary. (In the UK, Ireland, Australia, and New Zealand, the program is known as Garrison Keillor's Radio Show.) Keillor has produced broadcast performances similar to PHC but without the "Prairie Home Companion" brand, as in his 2008 appearance at the Oregon Bach Festival. He was also the host of The Writer's Almanac, from 1993 to 2017, which, like PHC, was produced and distributed by American Public Media.
|Wikinews has related news: '42-year detour' ends: Garrison Keillor homeward bound|
In a March 2011 interview, Keillor announced that he would be retiring from A Prairie Home Companion in 2013; but in a December 2011 interview with the Sioux City Journal, Keillor said: "The show is going well. I love doing it. Why quit?" During an interview on July 20, 2015, Keillor announced his intent to retire from the show after the 2015–2016 season, saying, "I have a lot of other things that I want to do. I mean, nobody retires anymore. Writers never retire. But this is my last season. This tour this summer is the farewell tour."
Keillor's final episode of the show was recorded live for an audience of 18,000 fans at the Hollywood Bowl in California on July 1, 2016, and broadcast the next day, ending 42 seasons of the show. After the performance, President Barack Obama phoned Keillor to congratulate him. The show continued on October 15, 2016, with Chris Thile as its host.
At age thirteen, Keillor adopted the pen name "Garrison" to distinguish his personal life from his professional writing. He commonly uses "Garrison" in public and in other media.
Keillor has been called "[o]ne of the most perceptive and witty commentators about Midwestern life" by Randall Balmer in Encyclopedia of Evangelicalism. He has written numerous magazine and newspaper articles and more than a dozen books for adults as well as children. In addition to writing for The New Yorker, he has written for The Atlantic Monthly and National Geographic. He has also written for Salon.com and authored an advice column there under the name "Mr. Blue." Following a heart operation, he resigned on September 4, 2001, his last column being titled "Every dog has his day":
Illness offers the chance to think long thoughts about the future (praying that we yet have one, dear God), and so I have, and so this is the last column of Mr. Blue, under my authorship, for Salon. Over the years, Mr. Blue's strongest advice has come down on the side of freedom in our personal lives, freedom from crushing obligation and overwork and family expectations and the freedom to walk our own walk and be who we are. And some of the best letters have been addressed to younger readers trapped in jobs like steel suits, advising them to bust loose and go off and have an adventure. Some of the advisees have written back to inform Mr. Blue that the advice was taken and that the adventure changed their lives. This was gratifying.
So now I am simply taking my own advice. Cut back on obligations: Promote a certain elegant looseness in life. Simple as that. Winter and spring, I almost capsized from work, and in the summer I had a week in St. Mary's Hospital to sit and think, and that's the result. Every dog has his day and I've had mine and given whatever advice was mine to give (and a little more). It was exhilarating to get the chance to be useful, which is always an issue for a writer (What good does fiction do?), and Mr. Blue was a way to be useful. Nothing human is beneath a writer's attention; the basic questions about how to attract a lover and what to do with one once you get one and how to deal with disappointment in marriage are the stuff that fiction is made from, so why not try to speak directly? And so I did. And now it's time to move on.
In 2004 Keillor published a collection of political essays, Homegrown Democrat: A Few Plain Thoughts from the Heart of America, and in June 2005 he began a column called The Old Scout, which ran at Salon.com and in syndicated newspapers. The column went on hiatus in April 2010 so that he "... [could] finish a screenplay and start writing a novel."
On November 1, 2006, Keillor opened an independent bookstore, "Common Good Books, G. Keillor, Prop." in the Blair Arcade Building at the southwest corner of Selby and N. Western Avenues in the Cathedral Hill area in the Summit-University neighborhood of Saint Paul, Minnesota. Upon opening the bookstore, Keillor wrote this poem:
A bookstore is for people who love books and need
To touch them, open them, browse for a while,
And find some common good – that's why we read.
Readers and writers are two sides of the same gold coin.
You write and I read and in that moment I find
A union more perfect than any club I could join:
The simple intimacy of being one mind.
Here in a book-filled room on a busy street,
Strangers — living and dead — are hoping to meet.
- Voiceover artist for Honda UK's "the Power of Dreams" campaign. The campaign's most memorable advertisement is the 2003 Honda Accord commercial Cog, which features a Heath Robinson contraption (or Rube Goldberg Machine) made entirely of car parts. The commercial ends with Keillor asking, "Isn't it nice when things just work?" Since then, Keillor has voiced the tagline for most if not all UK Honda advertisements, and even sang the voiceover in the 2004 Honda Diesel commercial Grrr. His most recent ad was a reworking of an existing commercial with digitally added England flags to tie in with the World Cup. Keillor's tagline was "Come on, England, keep the dream alive."
- Voice of the Norse god Odin in an episode of the Disney animated series Hercules
- Voice of Walt Whitman and other historical figures in Ken Burns's documentary series The Civil War and Baseball
- Narrator of "River of Dreams" Documentary at the National Mississippi River Museum and Aquarium in Dubuque, Iowa
- In 1991, Keillor released Songs of the Cat, an album of original and parody songs about cats.
In Slate, Sam Anderson called Keillor "very clearly a genius. His range and stamina alone are incredible—after 30 years, he rarely repeats himself—and he has the genuine wisdom of a Cosby or Mark Twain." But Keillor's "willful simplicity," Anderson wrote, "is annoying because, after a while, it starts to feel prescriptive. Being a responsible adult doesn't necessarily mean speaking slowly about tomatoes." Anderson also noted that in 1985, when Time magazine called Keillor the funniest man in America, Bill Cosby said, "That's true if you're a pilgrim."
In popular cultureEdit
Keillor's style, particularly his speaking voice, has often been parodied.
- The Simpsons parodied him in an episode in which the family is shown watching a Keillor-like monologist on television; they are perplexed at why the studio audience is laughing so much, prompting Homer to ask "What the hell's so funny?" and Bart to suggest "Maybe it's the TV." Homer then hits the set, exclaiming: "Stupid TV! Be more funny!"
- On the November 19, 2011, episode of Saturday Night Live, cast member Bill Hader impersonated Keillor in a sketch depicting celebrities auditioning to replace Regis Philbin as co-host of Live! with Kelly.
- One Boston radio critic likens Keillor and his "down-comforter voice" to "a hypnotist intoning, 'You are getting sleepy now'," while noting that Keillor does play to listeners' intelligence.
- Pennsylvanian singer-songwriter Tom Flannery wrote a song in 2003 titled "I Want a Job Like Garrison Keillor's."
- Two parody books by "Harrison Geillor": The Zombies of Lake Woebegotten and The Twilight of Lake Woebegotten, were published by Night Shade Books in 2010 and 2011.
Keillor is a member of the Democratic-Farmer-Labor Party. He is 6 ft 3 in (191 cm) tall. He considers himself a loner and prefers not to make eye contact with people. Though not diagnosed, he also considers himself to be on the high-functioning end of the autism spectrum. He spoke about his experiences as an autistic person in his keynote address at the 19th Annual Minnesota Autism Conference in 2014.
Keillor has been married three times. He was married to Mary Guntzel from 1965 to 1976; they had one son, Jason (born 1969). He was married to Ulla Skaerved, a former exchange student from Denmark at Keillor's high school whom he re-encountered at a class reunion, from 1985 to 1990. He married classical string player Jenny Lind Nilsson (born 1957), who is also from Anoka, in 1995. They have one daughter, Maia Grace Keillor (born December 29, 1997).
Between his first and second marriages, Keillor was romantically involved with Margaret Moos, who worked as a producer of A Prairie Home Companion.
In 2006, after a visit to a United Methodist church in Highland Park, Texas, Keillor created a local controversy with his remarks about the event, including the rhetorical suggestion of a connection between event participants and supporters of torture and a statement creating an impression of political intimidation: "I walked in, was met by two burly security men ... and within 10 minutes was told by three people that this was the Bushes' church and that it would be better if I didn't talk about politics." In response, the lecture series coordinator said the two "burly security men" were a local policeman and the church's own security supervisor, both present because the agreement with Keillor's publisher specified that the venue provide security. In addition the coordinator said that Keillor arrived at the church, declined an introduction and took the stage without an opportunity to mingle with the audience, so he did not know when these warnings might have been dispensed. The publicist concurred, saying that Keillor did not have contact with any church members or people in the audience before he spoke. Supposedly, before Keillor's remarks, participants at the event had considered the visit to have been cordial and warm. Asked to respond, Keillor stuck to his story, describing the people who advised him not to discuss politics and saying that he did not have security guards at other stops on the tour.
In 2007, Keillor wrote a column that in part criticized "stereotypical" gay parents, who he said were "sardonic fellows with fussy hair who live in over-decorated apartments with a striped sofa and a small weird dog and who worship campy performers." In response to the strong reactions of many readers, Keillor said:
I live in a small world – the world of entertainment, musicians, writers – in which gayness is as common as having brown eyes ... And in that small world, we talk openly and we kid each other a lot. But in the larger world, gayness is controversial ... and so gay people feel besieged to some degree and rightly so ... My column spoke as we would speak in my small world, and it was read by people in the larger world and thus the misunderstanding. And for that, I am sorry. Gay people who set out to be parents can be just as good parents as anybody else, and they know that, and so do I.
In 2008, Keillor created a controversy in St. Paul when he filed a lawsuit against his neighbor's plan to build an addition on her home, citing his need for "light and air" and a view of "open space and beyond". Keillor's home is significantly larger than others in his neighborhood and it would still be significantly larger than his neighbor's with its planned addition. Keillor came to an undisclosed settlement with his neighbor shortly after the story became public.
In 2009, one of Keillor's "Old Scout" columns contained a reference to "lousy holiday songs by Jewish guys" and a complaint about "Silent Night" as rewritten by Unitarians, upsetting some readers. A Unitarian minister named Cynthia Landrum responded, "Listening to him talk about us over the years, it's becoming more and more evident that he isn't laughing with us — he's laughing at us", while Jeff Jacoby of the Boston Globe called Keillor "cranky and intolerant".
Separation from MPREdit
On November 29, 2017, the Star Tribune reported that Minnesota Public Radio was terminating all business relationships with Keillor as a result of "allegations of his inappropriate behavior with an individual who worked with him." In January 2018, MPR CEO Jon McTaggart elaborated that they had received allegations of "dozens" of sexually inappropriate incidents from the individual, including requests for sexual contact. Keillor has denied any wrongdoing and said his firing stems from an incident when he touched a woman's bare back while trying to console her. He stated he apologized to her soon after, that they had already made up, and that he was surprised to hear the allegations when her lawyer called.
In its statement of termination, MPR announced that Keillor would keep his executive credit for the show, but that since he owns the trademark for the phrase "prairie home companion", they would cease rebroadcasting episodes of A Prairie Home Companion featuring Keillor and remove the trademarked phrase from the radio show hosted by Chris Thile. MPR also eliminated its business connections to PrairieHome.org and stopped distributing Keillor's daily program The Writer's Almanac. The Washington Post also canceled Keillor's weekly column when they learned he had continued writing columns, including a controversial piece criticizing Al Franken's resignation because of sexual misconduct allegations, without revealing that he was under investigation at MPR. Several fans wrote MPR to protest his firing, and within the month, 153 members had canceled their memberships because of it. In January 2018, Keillor announced he was in mediation with MPR over the firing. On January 23, 2018, MPR News reported further on the investigation after interviewing almost 60 people who had worked with Keillor. The story described other alleged sexual misconduct by Keillor, and a $16,000 severance check for a woman who was asked to sign a confidentiality agreement to prevent her from talking about her time at MPR (she refused and never deposited the check).
Settlement and access to archived showsEdit
Keillor received a letter from the MPR CEO, Jon McTaggart, dated April 5, 2018, confirming that both sides wanted archives of A Prairie Home Companion and The Writer's Almanac to be publicly available again. The archives were restored at the end of April 2018, to be hosted by MPR for no longer than three years per the agreement between Keillor and MPR, after which the archives will move to a new online home.
Finding Your Roots segmentEdit
Also due to the allegations of inappropriate behavior, Keillor's segment in the PBS series Finding Your Roots episode that aired on 19 December 2017 was replaced with an older segment featuring Maya Rudolph.
Awards and other recognitionEdit
- "A Prairie Home Companion" received a Peabody Award in 1980.
- Keillor received a Medal for Spoken Language from the American Academy of Arts and Letters in 1990.
- In 1994, Keillor was inducted into the National Radio Hall of Fame.
- He received a National Humanities Medal from the National Endowment for the Humanities in 1999.
- "Welcome to Minnesota" markers in interstate rest areas near the state's borders include statements such as "Like its neighbors, the thirty-second state grew as a collection of small farm communities, many settled by immigrants from Scandinavia and Germany. Two of the nation's favorite fictional small towns – Sinclair Lewis's Gopher Prairie and Garrison Keillor's Lake Wobegon – reflect that heritage."
- In 2007, The Moth, a NYC-based not-for-profit storytelling organization, awarded Garrison Keillor the first The Moth Award – Honoring the Art of the Raconteur at the annual Moth Ball.
- In September 2007, Keillor was awarded the 2007 John Steinbeck Award, given to artists who capture "the spirit of Steinbeck's empathy, commitment to democratic values, and belief in the dignity of the common man."
- Keillor received a Grammy Award in 1988 for his recording of Lake Wobegon Days.
- In 2016, he received the Fitzgerald Award for Achievement in American Literature.
- He has also received two CableACE Awards and a George Foster Peabody Award.
Keillor's work in print includes:
- Lake Wobegon Days (1985), ISBN 0-14-013161-2; a recorded version of this won a Grammy Award for Best Spoken Word or Non-musical Album in 1988
- Leaving Home: A Collection of Lake Wobegon Stories (1987; collection of Lake Wobegon stories), ISBN 0-670-81976-X
- We Are Still Married (1989; collection including some Lake Wobegon stories), ISBN 0-670-82647-2
- Wobegon Boy (1997), ISBN 0-670-87807-3
- Lake Wobegon Summer 1956 (2001), ISBN 0-571-21014-7
- In Search of Lake Wobegon (Photographs by Richard Olsenius, 2001), ISBN 978-0-670-03037-8
- Pontoon: A Novel of Lake Wobegon (2007), ISBN 0-670-06356-8
- Liberty: A Novel of Lake Wobegon (2008), ISBN 0-670-01991-7
- Life among the Lutherans (2009), ISBN 978-0-8066-7061-4
- Pilgrims: A Wobegon Romance (2009), ISBN 978-0-670-02109-3
- G.K. The D.J. (1977)
- Happy to Be Here (1981), ISBN 0-06-811201-7
- WLT: A Radio Romance (1991), ISBN 0-670-81857-7
- The Book of Guys (1993), ISBN 0-670-84943-X
- The Sandy Bottom Orchestra (with Jenny Lind Nilsson, 1996), ISBN 0-7868-1250-8
- Me, by Jimmy "Big Boy" Valente (1999), ISBN 0-670-88796-X
- Love Me (2003), ISBN 0-670-03246-8
- Homegrown Democrat: A Few Plain Thoughts from the Heart of America (2004), ISBN 0-670-03365-0}
- Daddy's Girl (2005), ISBN 978-1-4231-0514-5
- A Christmas Blizzard (2009), ISBN 978-0-670-02136-9
- Cat, You Better Come Home (2010), 978-0670012770
- Guy Noir and the Straight Skinny (2012), ISBN 0-143-12081-6
- The Keillor Reader (2014), ISBN 978-0670020584
- "Introduction" to A Prairie Home Companion Pretty Good Joke Book (2015), 6th ed., HighBridge, pp. 7-9. ISBN 978-1-62231-863-6
- The Selected Verse of Margaret Haskins Durber (1979)
- 77 Love Sonnets (2009), ISBN 0-14-311527-8
- O, What a Luxury: Verses Lyrical, Vulgar, Pathetic & Profound (2013)
- Good Poems (2002), ISBN 0-670-03126-7
- Good Poems for Hard Times (2005), ISBN 0-670-03436-3
- Good Poems, American Places (2011), ISBN 0-670-02254-3
Contributions to The New YorkerEdit
|Fiction||A Christmas Story||Dec. 25, 1989||40-42||A boy Jim, neglected by his plutocrat parents, runs away on Christmas eve with his ill dog.|
|Fiction||Studio B||July 29, 1991||27-32||Strange things happen at radio station WLT's Studio B|
|Fiction||Al Denny||Mar. 11, 1991||30-32||Fictional mini-autobiography of author of self-help books|
|Fiction||Zeus the Lutheran||Oct. 29, 1990||32-37||The goddess Hera's lawyer meets Zeus in a café to try to …|
|Fiction||How the Savings and Loans Were Saved||Oct. 16, 1989||42||Huns take over Chicago S & L offices…|
|Fiction||Meeting Famous People||April 18, 1988||34-36||The trial of a famous singer who assaulted a fan|
|Casual||Three New Twins Join Club in Spring||Feb. 22, 1988||32-33||Humorous intense braggadocio about the author's favorite baseball team|
|Fiction||Your Book Saved My Life||Dec. 28, 1987||40-41||A misunderstood author's books have been difficult for his readers…|
|Talk of the Town||Hollywood in the Fifties||Nov. 16, 1985||40-41||Writer deliberately confuses names of well-known people|
|Fiction||End of an Era||Oct. 28, 1985||31-32||Fiction about his friends' reactions to the death of an aging hippie.|
|Fiction||What Did We Do Wrong?||September 16, 1985||32-35||Fiction about Annie Szemanski, the first woman to play major league baseball.|
|Fiction||The People V. Jim||July 8, 1985||21||An author of so-called list articles is questioned by a lawyer|
|Notes and Comment||The Talk of the Town||60/47||January 7, 1985||17–18||A friend's visit to San Francisco and Stinson Beach, California.|
|Fiction||Who We Were and What We Meant by It||April 16, 1984||44-45||Fiction about the so-called Momentist movement|
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- Official website
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- Speech by Keillor at Concordia University February 15, 2011
- Paris Review 1995 interview