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Shirley Hardie Jackson (December 14, 1916 – August 8, 1965) was an American writer. She was popular during her life, and her work has received increased attention from literary critics in recent years. She has been cited as an influence on a diverse set of authors, including Neil Gaiman, Stephen King, Sarah Waters, Nigel Kneale, Joanne Harris[1] and Richard Matheson.[2]

Shirley Jackson
ShirleyJack.jpg
Born Shirley Hardie Jackson
(1916-12-14)December 14, 1916
San Francisco, California, U.S.
Died August 8, 1965(1965-08-08) (aged 48)
North Bennington, Vermont, U.S.
Occupation Novelist, short story writer
Alma mater Syracuse University
Genre Mystery, horror
Spouse Stanley Edgar Hyman (m. 1940; her death 1965)
Children 4

She is best known for the short story "The Lottery" (1948), which reveals a secret, sinister underside to a bucolic American village, and for The Haunting of Hill House (1959), which is widely considered to be one of the best ghost stories ever written.[3] In her critical biography of Jackson, Lenemaja Friedman notes that when "The Lottery" was published in the June 26, 1948, issue of The New Yorker, it received a response that "no New Yorker story had ever received". Hundreds of letters poured in that were characterized by, as Jackson put it, "bewilderment, speculation, and old-fashioned abuse". In the July 22, 1948, issue of the San Francisco Chronicle, Jackson offered the following in response to persistent queries from her readers about her intentions:

Explaining just what I had hoped the story to say is very difficult. I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.

Jackson's husband, the literary critic Stanley Edgar Hyman, wrote in his preface to a posthumous anthology of her work that "she consistently refused to be interviewed, to explain or promote her work in any fashion, or to take public stands and be the pundit of the Sunday supplements. She believed that her books would speak for her clearly enough over the years".[4] Hyman insisted that the dark visions found in Jackson's work were not, as some critics claimed, the product of "personal, even neurotic, fantasies", but, rather, comprised "a sensitive and faithful anatomy" of the Cold War era in which she lived, "fitting symbols for [a] distressing world of the concentration camp and the Bomb."[5] Jackson may even have taken pleasure in the subversive impact of her work, as revealed by Hyman's statement that she "was always proud that the Union of South Africa banned 'The Lottery', and she felt that they at least understood the story".[5]

Contents

BiographyEdit

Although Jackson claimed to have been born in 1919 to appear younger than her husband, birth records state that she was born in December 1916.[6] Born in San Francisco, California, to Leslie and Geraldine Jackson, Jackson and her family lived in the community of Burlingame, California, an affluent middle-class suburb that would be featured in Shirley's first novel, The Road Through the Wall (1948). Her relationship with her mother, who could trace her family heritage to the Revolutionary War hero General Nathanael Greene,[7] was strained, as her parents had married young and Geraldine had been disappointed when she immediately became pregnant with Shirley, as she had been looking forward to "spending time with her dashing husband".[8] Jackson was often unable to fit in with other children and spent much of her time writing, much to her mother's distress. When she was a teenager, her weight fluctuated, resulting in a lack of confidence. After the family relocated to Rochester, New York, Shirley attended Brighton High School and received her diploma in 1934. She then attended the nearby University of Rochester, where her parents felt they could keep an eye on her.[9] She was not happy in her classes there, and professors often judged her writing harshly, so she transferred to Syracuse University, where she flourished creatively and socially.[10] While a student at Syracuse, Jackson became involved with the campus literary magazine, through which she met her future husband, Stanley Edgar Hyman, who would become a noted literary critic.

After their marriage and brief sojourns in New York City and Westport, Connecticut, Jackson and Hyman settled in North Bennington, Vermont, where Hyman became a professor at Bennington College, as Jackson continued to publish novels and short stories. For Stanley J. Kunitz and Howard Haycraft's Twentieth Century Authors (1955),[11] she wrote:[12]

I very much dislike writing about myself or my work, and when pressed for autobiographical material can only give a bare chronological outline which contains, naturally, no pertinent facts. I was born in San Francisco in 1919 and spent most of my early life in California. I was married in 1940 to Stanley Edgar Hyman, critic and numismatist, and we live in Vermont, in a quiet rural community with fine scenery and comfortably far away from city life. Our major exports are books and children, both of which we produce in abundance. The children are Laurence, Joanne, Sarah, and Barry: my books include three novels, The Road Through the Wall, Hangsaman, The Bird's Nest and a collection of short stories, The Lottery. Life Among the Savages is a disrespectful memoir of my children.

Jackson and Hyman were known for being colorful, generous hosts, who surrounded themselves with literary talents, including Ralph Ellison.[13] They were both enthusiastic readers whose personal library was estimated at over 100,000 books. They had four children, Laurence (Laurie), Joanne (Jannie), Sarah (Sally), and Barry, who would come to their own brand of literary fame as fictionalized versions of themselves in their mother's short stories.

According to Jackson's biographers, the marriage was plagued by Hyman's infidelities, notably with his students. He controlled most aspects of their relationship. She was required to accept his infidelities (he called her a "fool" when she expressed her intense dislike of the situation). He controlled their finances (meting out portions of her earnings to her as he saw fit), despite the fact that after the success of "The Lottery" and later work she earned far more than he did. He insisted that she raise the children and do all the mundane household chores. She felt patronized in her role as a faculty wife, and ostracized by the townspeople of North Bennington. Her dislike of this situation led to her increasing abuse of alcohol, tranquilizers, and amphetamines, and influenced the themes of much of her later work.[14]

DeathEdit

In 1965, Jackson died of heart failure in her sleep, at her home in North Bennington, at the age of 48.[15] She was overweight and a heavy smoker who had for years suffered health problems related to the two issues. Near the end of her life, Jackson was seeing a psychiatrist for severe anxiety, which had kept her housebound for nearly the whole of the previous year. The doctor prescribed barbiturates, at that time considered a safe, harmless drug. For many years prior, she also had periodic prescriptions for amphetamines for weight loss, which may have inadvertently aggravated her anxiety, leading to a cycle of prescription drug abuse using the two medications to counteract each other's effects. Any of these factors, or a combination of all of them, may have contributed to her declining health and early death.

WorkEdit

Jackson's most famous story, "The Lottery", first published in the New Yorker on June 26, 1948, established her reputation as a master of the horror tale.[16] The story prompted over 400 letters from readers, many of them outraged at its conjuring of a dark aspect of human nature.[16] The critical reaction was unequivocally positive; the story quickly became a standard in anthologies and was adapted for television in 1952.[17]

Her novel The Haunting of Hill House (1959) is a highly regarded example of the haunted house story,[16] and was described by Stephen King as one of the important horror novels of the twentieth century.[18] This contemporary updating of the classic ghost story has a vivid and powerful opening paragraph:

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

An earlier novel, Hangsaman (1951), and her short story "The Missing Girl" (from Just an Ordinary Day, the 1995 collection of previously unpublished or uncollected short stories) both contain certain elements similar to the mysterious real-life December 1, 1946, disappearance of an 18-year-old Bennington College sophomore, Paula Jean Welden of Stamford, Connecticut. This event, which remains unsolved to this day, took place in the wooded wilderness of Glastenbury Mountain near Bennington in southern Vermont, where Jackson and her family were living at the time. The fictional college depicted in Hangsaman is based in part on Jackson's experiences at Bennington College, as indicated by Jackson's papers in the Library of Congress.[19][20]

Her other novels include The Bird's Nest (1954), We Have Always Lived in the Castle (1962), and The Sundial (1958).

In addition to her adult literary novels, Jackson wrote a children's novel, Nine Magic Wishes, available in an edition illustrated by her grandson, Miles Hyman, as well as a children's play based on Hansel and Gretel, entitled The Bad Children.

She also wrote humorous sketches and short stories depicting everyday aspects of family life, which she published in popular magazines, such as Good Housekeeping, Woman's Day and Collier's, and later collected in her books Life Among the Savages (1953) and Raising Demons (1957).[17] Semi-fictionalized versions of her marriage and the experience of bringing up four children, these works are "true-to-life funny-housewife stories" of the type later popularized by such writers as Jean Kerr and Erma Bombeck during the 1950s and 1960s.[21]

After her death, Jackson's husband released a posthumous volume of her work, Come Along with Me, containing her unfinished last novel, as well as 14 previously uncollected short stories (among them "Louisa, Please Come Home") and three lectures she gave at colleges or writers' conferences in her last years.[22]

AdaptationsEdit

In addition to radio, television, and theater adaptations, "The Lottery" has been filmed three times, most notably in 1969 as an acclaimed short film that director Larry Yust made for an Encyclopædia Britannica educational film series. The Academic Film Archive cited Yust's short "as one of the two bestselling educational films ever".[23]

MagazinesEdit

In 1938, while Jackson was studying at Syracuse, her first published story, "Janice", appeared, and the stories that followed were published in Collier's, Good Housekeeping, Harper's, Mademoiselle, The New Republic, The New Yorker, Woman's Day, Woman's Home Companion, and other publications.[citation needed]

In 1996, a crate of unpublished stories was found in the barn behind Jackson's house. The best of those stories, along with previously uncollected stories from various magazines, were published in the 1996 collection Just an Ordinary Day. The title was taken from one of her stories for The Magazine of Fantasy & Science Fiction, "One Ordinary Day, with Peanuts".[citation needed]

Jackson's papers are available in the Library of Congress. In its August 5, 2013, issue The New Yorker published "Paranoia", which the magazine said was discovered at the library.[26]

Awards and honorsEdit

  • 1944 – Best American Short Stories 1944: "Come Dance with Me in Ireland"
  • 1949 – O. Henry Prize Stories 1949: "The Lottery"
  • 1951 – Best American Short Stories 1951: "The Summer People"
  • 1956 – Best American Short Stories 1956: "One Ordinary Day, with Peanuts"
  • 1959 – New York Times Book Review's "Best Fiction of 1959" includes The Haunting of Hill House
  • 1960 – National Book Award nomination: The Haunting of Hill House
  • 1961 – Mystery Writers of America Edgar Allan Poe Award for Best Short Story: "Louisa, Please Come Home"
  • 1962 – Time magazine's "Ten Best Novels" of the year includes We Have Always Lived in the Castle
  • 1964 – Best American Short Stories 1964: "Birthday Party"
  • 1966 – Mystery Writers of America Edgar Allan Poe Award for Best Short Story: "The Possibility of Evil"
  • 1966 – New York Times Book Review's "Best Fiction of 1966" includes The Magic of Shirley Jackson
  • 1968 – New York Times Book Review's "Best Fiction of 1968" includes Come Along with Me
  • 2007 – The Shirley Jackson Award is established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic

Literary studiesEdit

Lenemaja Friedman's Shirley Jackson (Twayne Publishers, 1975) is the first published survey of Jackson's life and work. Judy Oppenheimer also covers Shirley Jackson's life and career in Private Demons: The Life of Shirley Jackson (Putnam, 1988). S. T. Joshi's The Modern Weird Tale (2001) offers a critical essay on Jackson's work.[27]

A comprehensive overview of Jackson's short fiction is Joan Wylie Hall's Shirley Jackson: A Study of the Short Fiction (Twayne Publishers, 1993). The only critical bibliography of Jackson's work is Paul N. Reinsch's A Critical Bibliography of Shirley Jackson, American Writer (1919–1965): Reviews, Criticism, Adaptations (Edwin Mellen Press, 2001). Darryl Hattenhauer also provides a comprehensive survey of all of Jackson's fiction in Shirley Jackson's American Gothic (State University of New York Press, 2003). Bernice Murphy's recent Shirley Jackson: Essays on the Literary Legacy (McFarland, 2005) is a collection of commentaries on Jackson's work. Colin Hains's Frightened by a Word: Shirley Jackson & Lesbian Gothic (2007) explores the lesbian themes in Jackson's major novels.[28]

According to the post-feminist critic Elaine Showalter, Jackson's work is the single most important mid-twentieth-century body of literary output yet to have its value reevaluated by critics in the present day.[29] In a March 4, 2009, podcast distributed by the renowned business publisher The Economist, Showalter also revealed that Joyce Carol Oates has edited a collection of Jackson's work called Shirley Jackson Novels and Stories that was published in the critically esteemed [30][31] Library of America series.[32]

The 1980s witnessed considerable scholarly interest in Jackson's work. Peter Kosenko, a Marxist critic, advanced an economic interpretation of "The Lottery" that focused on "the inequitable stratification of the social order".[33] Sue Veregge Lape argued in her Ph.D. thesis that feminist critics who did not consider Jackson to be a feminist played a significant role in her lack of earlier critical attention.[34] In contrast, Jacob Appel has written that Jackson was an "anti-regionalist writer" whose criticism of New England proved unpalatable to the American literary establishment.[35]

In October 2016, a further biography, Shirley Jackson: A Rather Haunted Life by Ruth Franklin, was published.[36]

Shirley Jackson AwardsEdit

In 2007, the Shirley Jackson Awards were established with permission of Jackson's estate. They are in recognition of her legacy in writing, and are awarded for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. The awards are presented at Readercon.[37][38][39]

Shirley Jackson DayEdit

Since at least 2015, Jackson's adopted home of North Bennington has honored her legacy by celebrating Shirley Jackson Day on June 27, the day the fictional story "The Lottery" took place.[40]

BibliographyEdit

NovelsEdit

Short fictionEdit

CollectionsEdit

  • The Lottery and Other Stories (Farrar, Straus, 1949)
  • The Magic of Shirley Jackson (Farrar, Straus, 1966)
  • Come Along with Me (Viking, 1968)
  • Just an Ordinary Day (Bantam, 1995)
  • Let Me Tell You (Random House, 2015)
  • Dark Tales (Penguin, 2016)

Short storiesEdit

  • "About Two Nice People", Ladies' Home Journal, July 1951
  • "Account Closed", Good Housekeeping, April 1950
  • "After You, My Dear Alphonse", The New Yorker, January 1943
  • "Afternoon in Linen", The New Yorker, September 4, 1943
  • "All the Girls Were Dancing", Collier's, November 11, 1950
  • "All She Said Was Yes", Vogue, November 1, 1962
  • "Alone in a Den of Cubs", Woman's Day, December 1953
  • "Aunt Gertrude", Harper's, April 1954
  • "The Bakery", Peacock Alley, November 1944
  • "Birthday Party", Vogue, January 1, 1963
  • "The Box", Woman's Home Companion, November 1952
  • "Bulletin", The Magazine of Science Fiction and Fantasy, March 1954
  • "The Bus", The Saturday Evening Post, March 27, 1965
  • "Call Me Ishmael", Spectre, Fall 1939
  • "A Cauliflower in Her Hair", Mademoiselle, December 1944
  • "Charles", Mademoiselle, July 1948
  • "The Clothespin Dolls", Woman's Day, March 1953
  • "Colloquy", The New Yorker, August 5, 1944
  • "Come Dance with Me in Ireland", The New Yorker, May 15, 1943
  • "Concerning … Tomorrow", Syracusan, March 1939
  • "The Daemon Lover ['The Phantom Lover']", Woman's Home Companion, February 1949
  • "Daughter, Come Home", Charm, May 1944
  • "Day of Glory", Woman's Day, February 1953
  • "Dinner for a Gentleman," Shirley Jackson: A Rather Haunted Life, September 2016
  • "Don’t Tell Daddy", Woman's Home Companion, February 1954
  • "Every Boy Should Learn to Play the Trumpet", Woman's Home Companion, October 1956
  • "Family Magician", Woman's Home Companion, September 1949
  • "A Fine Old Firm", The New Yorker, March 4, 1944
  • "The First Car Is the Hardest", Harper's, February 1952
  • "The Friends", Charm, November 1953
  • "The Gift", Charm, December 1944
  • "A Great Voice Stilled", Playboy, March 1960
  • "Had We But World Enough", Spectre, Spring 1940
  • "Happy Birthday to Baby", Charm, November 1952
  • "Home", Ladies' Home Journal, August 1965
  • "The Homecoming", Charm, April 1945
  • "The House", Woman's Day, May 1952
  • "I Don't Kiss Strangers", Just an Ordinary Day (Bantam, 1995)
  • "Indians Live In Tents," Just An Ordinary Day (Bantam, 1995)
  • "An International Incident", The New Yorker, September 12, 1943
  • "I.O.U"., Just an Ordinary Day (Bantam, 1995)
  • "The Island", New Mexico Quarterly Review, 1950, vol. 3
  • "It Isn’t the Money", The New Yorker, August 25, 1945
  • "It's Only a Game", Harper's, May 1956
  • "Journey with a Lady", Harper's, July 1952
  • "Liaison a la Cockroach", Syracusan, April 1939
  • "Little Dog Lost", Charm, October 1943
  • "A Little Magic", Woman's Home Companion, January 1956
  • "Little Old Lady", Mademoiselle, September 1944
  • "The Lottery", The New Yorker, June 26, 1948
  • "Louisa, Please Come Home", Ladies' Home Journal, May 1960
  • "The Lovely Night", Collier's, April 8, 1950
  • "Lucky to Get Away", Woman's Day, August 1953
  • "The Man in the Woods", The New Yorker, April 28, 2014
  • "Men with Their Big Shoes", Yale Review, March 1947
  • "The Missing Girl", The Magazine of Fantasy and Science Fiction, December 1957
  • "Monday Morning", Woman's Home Companion, November 1951
  • "The Most Wonderful Thing", Good Housekeeping, June 1952
  • "Mother Is a Fortune Hunter", Woman's Home Companion, May 1954
  • "Mrs. Melville Makes a Purchase", Charm, October 1951
  • "My Friend", Syracusan, December 1938
  • "My Life in Cats", Spectre, Summer 1940
  • "My Life with R.H. Macy", The New Republic, December 22, 1941
  • "My Son and the Bully", Good Housekeeping, October 1949
  • "Nice Day for a Baby", Woman's Home Companion, July 1952
  • "Night We All Had Grippe", Harper's, January 1952
  • "Nothing to Worry About", Charm, July 1953
  • "The Omen", The Magazine of Fantasy and Science Fiction, March 1958
  • "On the House", The New Yorker, October 30, 1943
  • "One Last Chance to Call", McCall's, April 1956
  • "One Ordinary Day, With Peanuts", The Magazine of Fantasy and Science Fiction, January 1955
  • "The Order of Charlotte's Going", Charm, July 1954
  • "Pillar of Salt", Mademoiselle, October 1948
  • "The Possibility of Evil", The Saturday Evening Post, December 18, 1965
  • "Queen of the May", McCall's, April 1955
  • "The Renegade", Harper's, November 1949
  • "Root of Evil", Fantastic, March–April 1953
  • "The Second Mrs. Ellenoy", Reader's Digest, July 1953
  • "Seven Types of Ambiguity", Story, 1943
  • "Shopping Trip", Woman's Home Companion, June 1953
  • "The Smoking Room", Just an Ordinary Day (Bantam, 1995)
  • "The Sneaker Crisis", Woman's Day, October 1956
  • "So Late on Sunday Morning", Woman's Home Companion, September 1953
  • "The Strangers", Collier's, May 10, 1952
  • "Strangers in Town", The Saturday Evening Post, May 30, 1959
  • "Summer Afternoon", Just an Ordinary Day (Bantam, 1995)
  • "The Summer People", Charm, 1950
  • "The Third Baby's the Easiest", Harper's, May 1949
  • "The Tooth", The Hudson Review, 1949, vol. 1, no. 4
  • "Trial by Combat", The New Yorker, December 16, 1944
  • "The Very Strange House Next Door", Just an Ordinary Day (Bantam, 1995)
  • "The Villager", The American Mercury, August 1944
  • "Visions of Sugarplums", Woman's Home Companion, December 1952
  • "When Things Get Dark", The New Yorker, December 30, 1944
  • "Whistler's Grandmother", The New Yorker, May 5, 1945
  • "The Wishing Dime", Good Housekeeping, September 1949
  • "Worldly Goods", Woman's Day, May 1953
  • "Y and I", Syracusan, October 1938
  • "Y and I and the Ouija Board", Syracusan, November 1938
  • "The Witch", 1949
Title Year First published Reprinted/collected Notes
Paranoia 2013 "Paranoia". The New Yorker. 89 (23): 62–66. August 5, 2013. 

Children's worksEdit

  • The Witchcraft of Salem Village (1956)
  • The Bad Children (1959)
  • Nine Magic Wishes (1963)
  • Famous Sally (1966)

MemoirsEdit

ReferencesEdit

Notes

  1. ^ Harris, Joanne (December 14, 2016). "Shirley Jackson centenary: a quiet, hidden rage". The Guardian. London. Retrieved 22 December 2016. 
  2. ^ Murphy, Bernice (2004-08-31). "Shirley Jackson (1916-1965)". The Literary Encyclopedia. Retrieved 2006-05-09. 
  3. ^ For example, it is ranked as the 8th "Scariest Novel of All Time" by horrornovelreviews.com, and in Paste magazine's unsorted "30 Best Horror Books of All Time", Tyler R. Kane said, "If you go by the consensus of the literary community, Haunting of Hill House isn’t only a book that revolutionized the modern ghost story—it’s also the best."
  4. ^ Hyman, Stanley Edgar (1966). "Preface". The Magic of Shirley Jackson. New York: Farrar, Straus and Giroux. p. ix. 
  5. ^ a b Hyman (1966), "Preface", p. viii.
  6. ^ Joshi, S. T. (2001). The Modern Weird Tale. McFarland. ISBN 9780786409860. Retrieved 2013-09-28. 
  7. ^ Oppenheimer, Judy (1988). Private Demons: The Life of Shirley Jackson. New York, NY: G. P. Putnam's Sons. p. 11. ISBN 0399133569. 
  8. ^ Oppenheimer, Private Demons, p. 13.
  9. ^ Oppenheimer, Private Demons, p. 37.
  10. ^ Oppenheimer, Private Demons, p. 56.
  11. ^ Howard Haycraft (1955). "Twentieth Century Authors: A Biographical Dictionary of Modern Literature". H.W. Wilson Company. Retrieved February 20, 2017. 
  12. ^ Haycraft, Howard (June 1973) [First published 1942]. Kunitz, Stanley Jasspon, ed. Twentieth Century Authors: A Biographical Dictionary of Modern Literature (7th ed.). H. W. Wilson Company. ISBN 978-0824200497. 
  13. ^ Franklin, Ruth (2016). Shirley Jackson: A Rather Haunted Life. New York: Liveright Publishing. ISBN 9780871403131. Chapter 7. "The assortment of visitors who often came up to spend the weekend – friends who were likely to be Jewish, homosexual, or African-American – also set Shirley and Stanley apart from the homogeneous community of North Bennington. Barry Hyman speculates that Ralph Ellison, whom Stanley invited to lecture at the college in November 1945 and who visited frequently from then on, might have been the first black person some villagers had ever seen."
  14. ^ Heller, Zoë (October 17, 2016). "The Haunted Mind of Shirley Jackson". The New Yorker. Retrieved February 20, 2017. 
  15. ^ Franklin, Ruth (2016). Shirley Jackson: A Rather Haunted Life. Liveright. ISBN 0871403137. 
  16. ^ a b c "Shirley Jackson." Contemporary Authors Online. Detroit: Gale, 2016. Retrieved via Biography in Context database, 2016-10-24. "The Haunting of Hill House has become one of the most respected haunted house stories."
  17. ^ a b "Shirley Hardie Jackson." Dictionary of American Biography. New York: Charles Scribner's Sons, 1981. Retrieved via Biography in Context database, 2016-10-24.
  18. ^ Missing, Sophie (February 6, 2010). Review of The Haunting of Hill House by Shirley Jackson. The Guardian. Retrieved 2016-10-24. "The Haunting of Hill House ... is a chilling and highly accomplished piece of writing, justly described by Stephen King as one of the most important horror novels of the 20th century."
  19. ^ "Shirley Jackson Papers". Library of Congress. Retrieved 2013-09-28. 
  20. ^ Powers, Tim (December 1, 1976). "Remember Paula Welden? 30 Years Ago". Bennington Banner. 
  21. ^ Ruth Franklin (May 8, 2015). "Shirley Jackson’s ‘Life Among the Savages’ and ‘Raising Demons’ Reissued". The New York Times. Retrieved February 13, 2017. 
  22. ^ Hyman, Stanley Edgar (2014). "Preface" from the first edition, 1968. In: Shirley Jackson, Come Along with Me: Classic Short Stories and an Unfinished Novel. New York: Penguin. ISBN 978-1-101-61605-5.
  23. ^ "Shirley Jackson's The Lottery". Potrzebie.blogspot.com. Retrieved 2013-09-28. 
  24. ^ Kates, Joan Giangrasse (2012-01-02). "James A. Miller 1936-2011: Independent gaffer lit movies for major players". Chicago Tribune. 
  25. ^ "We Have Always Lived in the Castle". Retrieved 2016-09-27. 
  26. ^ Cressida Leyshon (July 26, 2013). "This Week in Fiction: Shirley Jackson". The New Yorker. Retrieved 2013-08-05. 
  27. ^ Joshi, S. T. (June 30, 2001). "Shirley Jackson: Domestic Horror". The Modern Weird Tale: A Critique of Horror Fiction. McFarland & Co. ISBN 978-0786409860. 
  28. ^ Haines, Colin (December 31, 2007). Frightened by a Word: Shirley Jackson & Lesbian Gothic (Studia Anglistica Upsaliensia). Uppsala Universitet. ISBN 978-9155468446. 
  29. ^ Elaine Showalter (September 22, 2016). "Shirley Jackson: A Rather Haunted Life". The Washington Post. Retrieved February 13, 2017. 
  30. ^ Robin Finn (July 10, 2001). "PUBLIC LIVES; The (Mostly Late) Greats, in New Circulation". The New York Times. Retrieved February 13, 2017. 
  31. ^ John Lanchester (June 19, 2008). "Who's Afraid of the Library of America?". London Review of Books. Retrieved February 13, 2017. 
  32. ^ Jackson, Shirley (May 27, 2010). Oates, Joyce Carol, ed. Shirley Jackson: Novels and Stories. Library of America. ISBN 978-1598530728. 
  33. ^ "A Marxist/Feminist Reading of Shirley Jackson's The Lottery". New Orleans Review. 12 (1): 27–32. Spring 1985. 
  34. ^ Lape, Sue Veregge (1992). "The Lottery's" hostage: The life and feminist fiction of Shirley Jackson (Ph.D.). Ohio State University. 
  35. ^ Appel, Jacob. "Shirley Jackson's Anti-Regionalism". Florida English. 10: 3. 
  36. ^ Hughes, Sarah (October 23, 2016). "Shirley Jackson: the US queen of gothic horror claims her literary crown". The Observer. London. Retrieved December 19, 2016. 
  37. ^ Gardner, Jan (June 27, 2010). "Shelf Life". The Boston Globe. Retrieved 16 October 2010. 
  38. ^ Miller, Laura. "Is Shirley Jackson a great American writer?". Salon.com. Retrieved 16 October 2010. 
  39. ^ "The Shirley Jackson Awards". Retrieved 2013-09-28. 
  40. ^ "Shirley Jackson Day Returns to North Bennington". www.benningtonbanner.com. Retrieved 2016-05-31. 

Bibliography

  • King, Stephen. Danse Macabre. Everest House, 1981.
  • Kittredge, Mary. "The Other Side of Magic: A Few Remarks About Shirley Jackson", in Darrell Schweitzer ed., Discovering Modern Horror Fiction. Mercer Island, WA: Starmont House, July 1985, pp. 3–12.
  • Kosenko, Peter. "A Reading of Shirley Jackson's The Lottery. New Orleans Review, vol. 12, no. 1 (Spring 1985), pp. 27–32.
  • Murphy, Bernice. Shirley Jackson: Essays on the Literary Legacy.
  • Oppenheimer, Judy. Private Demons: The Life of Shirley Jackson. New York: Putnam, 1988.
  • Shapiro, Laura. Something from the Oven: Reinventing Dinner in 1950s America.
  • Shirley Jackson Papers. Library of Congress, Washington, D.C.

External linksEdit