Tuesday Weld (born Susan Ker Weld; August 27, 1943) is a retired American actress. She began acting as a child, and progressed to mature roles in the late 1950s. She won a Golden Globe Award for Most Promising Female Newcomer in 1960. Over the following decade she established a career playing dramatic roles in films.
Weld, c. 1960
Susan Ker Weld
August 27, 1943
New York City, New York, U.S.
Her work, often as a featured performer in supporting roles, was acknowledged with nominations for a Golden Globe Award for Play It as It Lays (1972), a nomination for Academy Award for Best Supporting Actress for Looking for Mr. Goodbar (1977), an Emmy Award for The Winter of Our Discontent (1983), and a BAFTA for Once Upon a Time in America (1984). Since the late 1980s, her acting appearances have been infrequent.
Background and familyEdit
Weld was born Susan Ker Weld in New York City. Her father, Lathrop Motley Weld, was a member of the Weld family of Massachusetts; he died in 1947 at the age of 49, shortly before his daughter's fourth birthday. Her mother, Yosene Balfour Ker, daughter of the artist and Life illustrator William Balfour Ker, was Lathrop Weld's fourth and final wife. Susan Ker Weld had two siblings, Sarah King Weld (born 1935) and David Balfour Weld (born 1937). Weld had her name legally changed to Tuesday Weld on October 9, 1959.
Left in financial difficulty by her husband's death, Weld's mother put Susan to work as a model to support the family. As the young actress told Life in 1971:
My father's family came from Tuxedo Park, and they offered to take us kids and pay for our education, on the condition that Mama never see us again. Mama was an orphan who had come here from London but so far as my father’s family was concerned, she was strictly from the gutter. I have to give Mama credit—she refused to give us up… So I became the supporter of the family, and I had to take my father’s place in many, many ways. I was expected to make up for everything that had ever gone wrong in Mama’s life. She became obsessed with me, pouring out her pent-up love—her alleged love—on me, and it's been heavy on my shoulders ever since. Mama still thinks I owe everything to her.
Her name became Tuesday, an extension of her childhood nickname, "Tu-Tu", so named by her young cousin, Mary Ker, who could not pronounce "Susan". She officially adopted her name in October 1959.
Using Weld's résumé from modeling, her mother secured her an agent. Weld made her acting debut on television at the age of 12, and her feature film debut that year in a bit role in the 1956 Alfred Hitchcock crime drama The Wrong Man.
In 1956, Weld played the lead in Rock, Rock, Rock, which featured record promoter Alan Freed and singers Chuck Berry, Frankie Lymon and Johnny Burnette. In the film, Connie Francis performed the vocals for Weld's singing parts.
Weld was cast in a support role in the Paul Newman-Joanne Woodward comedy Rally Round the Flag, Boys! (1958) made by 20th Century Fox. At Columbia, Weld was in The Five Pennies (1959), playing the daughter of Danny Kaye. She guest starred a number of times on The Adventures of Ozzie and Harriet (1958–59).
20th Century FoxEdit
Weld's performance in Flag Boys impressed executives at Fox who signed her to a long term contract. They put her in the CBS television series The Many Loves of Dobie Gillis, being paid $35,000 for one year. Weld played Thalia Menninger, the love interest of Dobie Gillis (played by Dwayne Hickman), whose rivals for Thalia's affection included Milton Armitage (played by Warren Beatty). Although Weld was a cast member for only one season, the show created considerable national publicity for her, and she was named a co-winner of a "Most Promising Newcomer" award at the Golden Globe Awards.
At Columbia she had a leading role in a teen film, Because They're Young (1960), starring Dick Clark. She was second billed in Sex Kittens Go to College (1960) made by Albert Zugsmith at Allied Artists. She made a second film for Zugsmith, The Private Lives of Adam and Eve, made in 1959 but not released for two years.
At Fox she played Joy, a free-spirited university student in High Time, starring Bing Crosby and Fabian Forte. She sang a love song to Fabian in the season opener of NBC's The Dinah Shore Chevy Show on October 9, 1960. Four weeks later, on November 13, Weld returned to the network as a guest star in NBC's The Tab Hunter Show. She guested in "The Mormons" for Zane Grey Theatre (1960).
For Fox, Weld was in Return to Peyton Place (1961), in the part played by Hope Lange in the original. Her portrayal of an incest victim was well received but the film was less successful than its predecessor. She supported Elvis Presley in Wild in the Country (1962), along with Lange. Weld had an off-screen romance with Presley.
Fox also used her as a guest star on Follow the Sun ("The Highest Wall") and Adventures in Paradise ("The Velvet Trap"). On November 12, 1961, she played a singer, Cherie, in the seventh episode of ABC's television series Bus Stop, produced by Fox, with Marilyn Maxwell and Gary Lockwood. It was an adaptation of the play by William Inge with Weld in the role originated on screen by Marilyn Monroe.
Weld's mother was scandalized by her teen daughter's affairs with older men, such as actor John Ireland, but Weld resisted, saying, "'If you don't leave me alone, I'll quit being an actress—which means there ain't gonna be no more money for you, Mama.' Finally, when I was sixteen, I left home. I just went out the door and bought my own house."
In 1963, Weld starred along with Jackie Gleason and Steve McQueen in "Soldier in the Rain", written by Blake Edwards.
Weld won excellent reviews for "A Case Study of Two Savages" in Naked City (1962). She guest starred on Route 66 in "Love Is a Skinny Kid" (1962), Ben Casey in "When You See an Evil Man" (1962), The Dick Powell Theatre in "A Time to Die" (1962) and "Run Till It's Dark" with Fabian (1962).
In 1963, Weld guest-starred as Denise Dunlear in The Eleventh Hour, in the episode "Something Crazy's Going on the Back Room" alongside Angela Lansbury. She was in "The Legend of Lylah Clare" for The DuPont Show of the Week (1963), directed by Franklin J. Schaffner.
Weld appeared with Jackie Gleason and Steve McQueen in the 1963 comedy Soldier in the Rain; her performance was well received, but the film was only a minor success. That same year she and former co-star Dwayne Hickman appeared in Jack Palance's circus drama The Greatest Show on Earth on ABC, in separate episodes. She could also be seen in episodes of Mr Broadway (1964) and The Fugitive (1964) playing a blind woman.
Weld appeared in 1965 in the successful Norman Jewison film The Cincinnati Kid, opposite Steve McQueen. There was some controversy when she refused to meet the local governor at a fund-raiser for hurricane victims, jumping out of a car in view of 70,000 people. The film was a big hit.
She followed it playing Abigail in a TV adaptation of The Crucible (1967), opposite George C Scott and Colleen Dewhurst. After guest starring on Cimarron Strip (1967) Weld had the star role in Pretty Poison (1968), co-starring Anthony Perkins. The film became a cult success.
Around this time Weld became famous for turning down roles in films that succeeded at the box office, such as Bonnie and Clyde, Rosemary's Baby, True Grit, Cactus Flower and Bob & Carol & Ted & Alice. In a 1971 interview with the New York Times, Weld explained that she had chosen to reject these roles precisely because she believed they would be commercial successes: "Do you think I want a success? I refused 'Bonnie and Clyde' because I was nursing at the time, but also because deep down I knew it was going to be a huge success. The same was true of 'Bob and Carol and Fred and Sue' or whatever it was called. It reeked of success."
The films Weld did make included I Walk the Line (1970), opposite Gregory Peck; A Safe Place (1971), co-starring Jack Nicholson and Orson Welles and directed by Henry Jaglom; and Play It as It Lays (1972), again with Perkins, for which she was nominated for a Golden Globe Award.
TV Movie StarEdit
Weld attracted attention as the favored, out-of-control Katherine in Looking for Mr. Goodbar (1977) and was nominated for an Academy Award for Best Supporting Actress; later she appeared in Who'll Stop the Rain (1978) opposite Nick Nolte; and the comedy Serial (1980).
She played the lead in the TV movies A Question of Guilt (1978), in which she plays a woman accused of murdering her children, Mother and Daughter: The Loving War (1980), a remake of Madame X (1981) and a new version of The Rainmaker (1982).
In feature films Weld had a good support part in Michael Mann's acclaimed 1981 film Thief, opposite James Caan. She played Al Pacino's wife in Author! Author! (1982) and co-starred with Donald Sutherland in the TV movie The Winter of Our Discontent (1983). This performance earned her an Emmy nomination.
In 1984 she appeared in Sergio Leone's gangster epic Once Upon a Time in America, playing a jeweler's secretary who is in on a plan to steal a shipment of diamonds. During the robbery her character goads Robert De Niro's character, David "Noodles" Aaronson, into "raping" her with her complicity.
Weld was reunited with Tony Perkins in an episode of Mistress of Suspense (1990).
In 1993 she played a police officer's neurotic wife in Falling Down, starring Michael Douglas and Robert Duvall. She had small roles in Feeling Minnesota (1996), Investigating Sex (2001) and Chelsea Walls (2001).
Weld has been married three times. She was married to screenwriter Claude Harz, from 1965 until their divorce in 1970. They had a daughter, Natasha, in 1966. Weld told Guy Flatley of The New York Times in 1971:
Mama hated my husband—she's a jealous lover, you know. She's hated all the men I've ever been involved with. But I really felt that what I had been doing up to that time with my life was probably wrong, that maybe what I should be was a housewife. Our marriage lasted 5 years; it was just another one of my mistakes.
She married British actor, musician and comedian Dudley Moore in 1975. In 1976 they had a son, Patrick, an actor, director and editor, but they divorced in 1980. Five years later, she married Israeli concert violinist and conductor Pinchas Zukerman; they too divorced, in 1998.
Popular culture influenceEdit
Offhand references to Weld sometimes appear in fiction and music. Some works, though, have been more directly inspired by her:
- An episode of The Flintstones, "The Monster from the Tar Pits," had a running gag in which a news announcer referred to her as "That popular new starlet, Wednesday Tuesday! Or is it, 'Tuesday Wednesday'?" Upon seeing her land at Bedrock Airport, Fred shouted, "Hey, Wednesday Tuesday, what are ya doin' Saturday?!"
- After a dream involving the actress, Stephen Coates named his lounge swing band The Real Tuesday Weld.
- The cover of Matthew Sweet's third album, Girlfriend, features a photo of Weld from the late 1950s. Originally called Nothing Lasts, the album was retitled after objections to the title from Weld. Sweet's greatest hits compilation, Time Capsule, features photos of Weld on the front and back covers.
- Weld was honored with an eponymous song on Walter Egan's fourth CBS album, The Last Stroll.
- Weld was the inspiration for the song "Groovy Tuesday" by the pop duo Swan Dive.
- Donald Fagen mentions Tuesday Weld's name in the lyrics of the song New Frontier on his 1982 album The Nightfly.
- Charles Bukowski mentioned her in the poem "the best way to get famous is to run away."
- "Profile of Lathrop M. Weld". The New York Times. June 7, 1947.
- "Yosene Ker a Bride; Wed to Lathrop M. Weld in Municipal Marriage Chapel". The New York Times. January 28, 1934.
- "Tuesday Weld: 'I Didn't Have to Play Lolita – I Was Lolita'". Moviecrazed. Retrieved April 22, 2015.
- "Name made legal, 1959". Los Angeles Examiner Negatives Collection, 1950–1961. University of Southern California Libraries. Retrieved April 22, 2015.
- Tuesday weld given legal name on friday. (1959, Oct 10). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/167548377?accountid=13902
- Vickers, Graham (2008). Chasing Lolita: How Popular Culture Corrupted Nabokov's Little Girl All Over Again. Chicago Review Press. p. 111. ISBN 9781556529689.
- By, F. C. (1959, Jul 26). Tuesday weld new girl in hollywood. The Washington Post and Times Herald. Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/149287044?accountid=13902
- Only 15, but expects to collect $35,000 in TV. (1959, Feb 28). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/167411679?accountid=13902
- Denver, Bob (1993). Gilligan, Maynard & Me. Secaucus, NJ: Citadel Press. pp. 9–45. ISBN 978-0806514130.
- "The Five Pennies". Golden Globe Award. Hollywood Foreign Press Association. Retrieved April 22, 2015.
- Keogh, Pamela Clarke (2008). Elvis Presley: The Man, the Life, the Legend. New York: Simon & Schuster. p. 153. ISBN 0743486137. Retrieved February 8, 2015.
- What's My Line?, What's My Line? - Tuesday Weld; Dana Andrews [panel]; Johnny Carson [panel] (Jan 14, 1962), retrieved December 5, 2018
- Jordan, Louis (September 20, 2011). "The Real Tuesday Weld". Slant Magazine.
- A blue monday for tuesday weld. (1965, Oct 27). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/155276508?accountid=13902
- Haber, J. (1972, Oct 22). The evolution of a hollywood brat. Los Angeles Times (1923-Current File) Retrieved from https://search.proquest.com/docview/157045364
- "Tuesday Weld Gets Divorce". The New York Times. February 19, 1971.
- Kelly, Christina (October 26, 2011). "Matthew Sweet Looks Back on 20 Years of 'Girlfriend'". Spin. Retrieved January 7, 2017.
- Egan, Walter (1980). The Last Stroll. Columbia Records.
- Swan Dive: Swan Dive (CD). Compass Records. 2000. Archived from the original on February 6, 2015.