The Frighteners is a 1996 horror comedy film directed by Peter Jackson and co-written with Fran Walsh. The film stars Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Dee Wallace Stone, Jeffrey Combs, R. Lee Ermey and Jake Busey. The Frighteners tells the story of Frank Bannister (Fox), an architect who practices necromancy, developing psychic abilities allowing him to see, hear, and communicate with ghosts after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, the spirit of a mass murderer appears able to attack the living and the dead, posing as the ghost of the Grim Reaper, prompting Frank to investigate the supernatural presence.
Theatrical release poster
|Directed by||Peter Jackson|
|Music by||Danny Elfman|
|Edited by||Jamie Selkirk|
|Distributed by||Universal Pictures|
|Box office||$29.3 million|
Jackson and Walsh conceived the idea for The Frighteners during the script-writing phase of Heavenly Creatures. Executive producer Robert Zemeckis hired the duo to write the script, with the original intention of Zemeckis directing The Frighteners as a spin-off film of the television series, Tales from the Crypt. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by Universal Studios. The visual effects were created by Jackson's Weta Digital, which had only been in existence for three years. This, plus the fact that The Frighteners required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed.
Despite a rushed post-production schedule, Universal was so impressed with Jackson's rough cut on The Frighteners, the studio moved the theatrical release date closer by four months. The film was not a box office success, but received generally positive reviews from critics.
The Frighteners is also Fox's last leading role in a live-action feature film; Fox then went on to a four-year run on the television series Spin City before semi-retiring in 2000 due to the effects of Parkinson's disease.
After architect Frank Bannister survives a car accident that kills his wife, Debra, he experiences a psychotic break, allowing him to see ghosts. He abandons his profession and unfinished "dream house" and befriends three spirits -1970s street gangster Cyrus, 1950s nerd Stuart, and The Judge, a gunslinger from the Old West- that he uses to haunt houses so he can then "exorcise" them for a fee. Frank is not well-liked and most locals consider him a con man.
While conning a newly-arrived couple - Ray Lynskey and his wife Lucy, a physician - Frank notices a number on Ray's forehead that only he can see. Soon after, Ray dies of a heart attack. Debra had a similar number carved into her forehead when she was found after the accident, and other people have also recently died of random heart attacks.
Frank sees another number on the forehead of Magda Rees-Jones, a newspaper editor who had attacked him in the press. An entity in the form of the Grim Reaper appears and attacks Magda. Frank attempts to protect her, but it kills her by squeezing her heart. While Frank is questioned about her death, FBI Agent Milton Dammers arrives. Convinced Frank is responsible for all the deaths, including Magda and Debra, he arrests Frank.
While investigating the murders, Lucy becomes a target of the Grim Reaper. It attacks while visiting Frank in jail, but they escape with the help of Cyrus and Stuart, who are both dissolved in the process. Frank decides to commit suicide to stop the Grim Reaper; Lucy instead suggests that Frank have a near-death experience using hypothermia and barbiturates to stop his heart.
Now a ghost, Frank confronts the apparition and discovers that it is actually Johnny Bartlett, a psychiatric hospital orderly who killed twelve people in 1964 before being captured, convicted and executed. Newspaper reports revealed that his greatest desire was to become the most prolific serial killer ever, showing pride at killing more than contemporaries like Charles Starkweather. Patricia Bradley, a teenager, was accused as his accomplice but was found not guilty. While Frank is under, Dammers abducts Lucy and reveals that he had gone insane after being a victim of Charles Manson and his "Family" in 1969. Lucy escapes in time to resuscitate Frank, but accidentally does so before Frank can finish off Bartlett.
Lucy, who is the personal nurse of Patricia's mother, believes Patricia is in danger and they visit her. Patricia, however, is actually still in love with Bartlett and on friendly, homicidal terms with Bartlett's ghost, even killing her own mother who had been trying to curtail Patricia's behavior. Lucy and Frank find Bartlett's urn in Patricia's closet and trap Bartlett's spirit in the urn. They escape Patricia and head to the now-abandoned psychiatric hospital's chapel to send Bartlett's ghost to Hell.
Patricia and Dammers chase them through the ruins. Dammers throws the ashes away, releasing Bartlett's ghost, just before Patricia shoots and kills him. As Bartlett and Patricia hunt down Frank and Lucy, Frank experiences psychic visions showing that Patricia had been complicit in Bartlett's killing spree, and that they were responsible for Debra's death. He realizes Bartlett is still trying to add to his body count (and infamy) even after his death.
After running out of bullets, Patricia strangles Frank to death. A portal appears, pulling Frank's ghost up into the sky; he grabs Patricia, ripping her spirit from her body. Bartlett follows, grabbing Patricia's ghost away from him. Frank arrives in Heaven and is reunited with Cyrus, Stuart and his wife Debra. As Bartlett and Patricia claim they will now go back to claim more lives, the portal to Heaven quickly changes into a demonic worm-like creature that devours them and drags them to Hell. Frank learns it is not yet his time, and he is returned to his body as Debra tells him to "be happy."
Frank starts over by demolishing the unfinished house and moving on to a life with Lucy. As they enjoy a picnic, Lucy notices the morose-looking ghost of Dammers is riding around in the sheriff's car, revealing to Frank that she can now see ghosts as well.
- Michael J. Fox as Frank Bannister, a former architect turned ghost hunter after the trauma of his wife dying. Although Jackson and Walsh envisioned The Frighteners as a low-budget film with unknown actors, Zemeckis suggested casting his Back to the Future star Fox in the lead role. Fox became enthusiastic about working with Jackson when he saw Heavenly Creatures at the Toronto International Film Festival.
- Trini Alvarado as Lucy Lynskey, a physician that Frank meets. The character is named after Heavenly Creatures star Melanie Lynskey (who also cameos in The Frighteners).
- Peter Dobson as Ray Lynskey, Lucy's health-obsessed and comically hot-headed husband who dislikes Frank's tactics
- John Astin as The Judge, a decaying gunslinger ghost from the Old West with a penchant for mummies and firing guns at random.
- Jeffrey Combs as Milton Dammers, an eccentric FBI agent who has a vendetta against Bannister. A former undercover agent known for his work with cultists, which caused him to sustain multiple massive mutilations and driven to the brink of insanity. He has a problem with women screaming at him. Jackson opted to cast Combs as Dammers because he was a fan of the actor's work in Re-Animator.
- Dee Wallace Stone as Patricia Bradley, Bartlett's mentally ill lover (escaping execution at the time of the original murders as she was underage) who is under strict observation by her mother.
- Jake Busey as Johnny Bartlett, a mass murderer who continues his work in the afterlife, focusing on increasing his body count as a form of competition with other famous murderers. He returns from Hell, able to attack the living and the dead posing as the Grim Reaper.
- Chi McBride as Cyrus, a gangster who is one of Frank's deceased associates for his ghost-hunting business.
- Jim Fyfe as Stuart, a nerd who is one of Frank's deceased associates for his ghost-hunting business.
- Troy Evans as Sheriff Perry, a local law enforcement officer and ally to Frank.
- Julianna McCarthy as Old Lady Bradley, Patricia's mother and former director of the psychiatric hospital, who is constantly monitoring her daughter.
- R. Lee Ermey as Holes, the ghost of a Master Sergeant. Ermey's performance in this film is heavily reminiscent of his performance as Gunnery Sergeant Hartman in the 1987 film Full Metal Jacket, sharing many mannerisms with the aforementioned character.
- Elizabeth Hawthorne as Magda Rees-Jones, the snooty British editor of the local newspaper.
In addition, Peter Jackson cameos as a man with piercings, his son Billy is a baby in a bouncer, Melanie Lynskey cameos as the deputy who is briefly seen standing next to Lucy Lynskey, and Angela Bloomfield plays Frank's deceased wife.
Peter Jackson and partner/co-writer Fran Walsh conceived the idea for The Frighteners in 1992, during the script-writing phase of Heavenly Creatures. Together, they wrote a three-page film treatment and sent it to their talent agent in Hollywood. Robert Zemeckis viewed their treatment with the intention of directing The Frighteners as a spin-off film of the television series, Tales from the Crypt (which he helped produce). Zemeckis hired Jackson and Walsh to turn their treatment into a full-length screenplay in January 1993. The husband and wife duo completed their first draft for The Frighteners in early-January 1994. Zemeckis was so impressed with their script, he decided The Frighteners would work better directed by Jackson, executive produced by Zemeckis and funded/distributed by Universal Pictures. Universal green-lighted the film to commence pre-production on a $26 million budget in April 1994. The studio also granted Jackson and Zemeckis total artistic control and the right of final cut privilege.
Jackson decided to film The Frighteners entirely in New Zealand. Zemeckis and Universal agreed on the condition that Jackson made New Zealand look similar to the Midwestern United States. Principal photography began on May 14, 1995 and lasted until November 16, which is one of the longest shooting schedules ever approved by Universal Pictures. Six weeks into the shoot, cinematographer Alun Bollinger had a serious car accident. His replacement, John Blick, later alternated duties with Bollinger for much of the rest of the shoot. Location shooting primarily included Wellington and three weeks spent in Lyttelton. Interior scenes were compiled at Camperdown Studios in Miramar.
Jackson's Weta Digital created the visual effects, which included computer-generated imagery, as well as scale models (which were necessary to make Wellington look American), prosthetic makeup and practical effects with help from Weta Workshop. Visual effects supervisor Richard Taylor explained that effects work on The Frighteners was complex due to Weta's inexperience with computer technology in the mid-1990s. Prior to this film, Weta worked largely with physical effects. With so many ghosts among its main cast, The Frighteners required more digital effects shots than almost any movie made up till that time. For a special effects company that had been in existence less than three years, the eighteen-month period for completing The Frighteners was largely stressful. Some shots were handled by a small New Zealand company called Pixel Perfect, many of whose employees would eventually join Weta Digital. Rick Baker was hired to design the prosthetic makeup for The Judge, portrayed by John Astin (the detachable jawbone was later added digitally). However, Baker was not able to apply Astin's five hours of makeup due to his commitment on The Nutty Professor. Makeup artist Brian Penikas (Pirates of the Caribbean trilogy, Indiana Jones and the Kingdom of the Crystal Skull) fulfilled Baker's duties.
The extended shooting schedule owed much to the fact that scenes where ghosts and human characters interacted had to be filmed twice; once with human characters acting on set, and then with the ghost characters acting against a blue screen. The two elements would later be digitally composited into one shot with the use of split screen photography. Such sequences required precise timing from the cast as they traded dialogue with characters who were merely blank air. The hardest challenge for the digital animators at Weta was creating the Grim Reaper, which went through many transformations before finding physical form. "We set out with the intention of doing the Reaper as a rod puppet, maybe shooting it in a water tank," Jackson commented. "We even thought of filming someone, dressed in costume, at different camera speeds." Test footage was shot with puppets and a man in a Reaper suit, but in the end, it was decided that using computer animation would be the easiest task. Another entirely computerized character called "the Gatekeeper", a winged cherub who helps guard the cemetery, was deleted from the final cut.
With digital effects work running behind schedule, Zemeckis convinced Wes Takahashi, an animation supervisor from visual effects company Industrial Light & Magic, to help work on The Frighteners. "The shots Zemeckis showed me were pretty remarkable," Takahashi reflected, "but there were still about 400 shots to do, and everyone was kind of worried." Takahashi was quickly drafted as a visual effects supervisor, and began looking at the schedule, trying to work out whether The Frighteners could be finished in time. "There was no way we'd make the deadline. I figured out a concerted plan involving Jackson and Zemeckis to convince Universal it was worthy of asking for more money." The executives at Universal proposed splitting some of the shots to visual effects companies in the United States, but Jackson, for whom the film was a chance to show New Zealand filmmaking could stand alongside Hollywood, convinced Universal otherwise. Instead, The Frighteners received an accelerated release date, four months earlier than planned, and an additional $6 million in financing, with fifteen digital animators and computer workstations (some were borrowed from Universal and other effects companies in the US). Andrew Adamson was hired as a digital effects supervisor.
|Soundtrack album by|
|Released||July 19, 1996|
|Danny Elfman chronology|
The film score was written and composed by Danny Elfman. It was released in 1996 on cassette and compact disc by Universal Records. The closing credits play a cover of Blue Öyster Cult's "(Don't Fear) The Reaper" performed by New Zealand alternative rock band The Mutton Birds. The Mutton Birds version of the song had been previously released as a B-side to their single "She's Been Talking" released in 1996. It plays also "Superstar", written by Bonnie Bramlett + Leon Russell and performed by Sonic Youth.
Critical reception was average; Jason Ankeny of album database AllMusic described the soundtrack as "imaginative" giving it three stars out of five. This was a lower rating on the site than Elfman's other scores of the era, such as Mission: Impossible, Mars Attacks! and Flubber. The soundtrack review website Filmtracks referred to the album as "lacking much cohesion or singular creativity".
The original release date was October 31, 1996, but after Universal studio executives viewed a rough cut of The Frighteners, they were impressed enough to move the release date to their "summer blockbuster slot" on July 19, 1996. In addition, Universal offered the filmmaker the opportunity to make King Kong, which was not released until 2005. Jackson often disputed over the Motion Picture Association of America (MPAA) over the film's rating. Aware that he was meant to be delivering Universal a PG-13 rating, Jackson tried his best to omit the amount of graphic violence as much as possible, but the MPAA still believed The Frighteners deserved an R rating.
The Frighteners was released in the United States in 1,675 theaters, and opened at #5, earning $5,565,495 during its opening weekend, averaging $3,335 per theater. The film eventually grossed a worldwide total of $29,359,216. The Frighteners ended up being a box office disappointment, mostly due to competition from Independence Day; in interviews conducted years after The Frighteners' release, Jackson commented he was disappointed by Universal's ubiquitous marketing campaign, including a poster which "didn't tell you anything about the picture", which he believed was the primary reason the film was not a financial success. Additionally, the film opened on the same day the Atlanta Summer Olympics began; when Jackson realized this and told the studio, they answered "'We don't think so; our research indicates that's not the case...' And I just thought how the hell do they know? There had only ever been three Olympic Games held in the United States in one hundred years!" Jackson acknowledged The Frighteners' tone made it hard to pigeon-hole and sell, and his experience on the film made him understand the importance of marketing.
The Frighteners received generally positive reviews from film critics. As of June 14, 2018[update], 63% of the 38 reviewers selected by review aggregator Rotten Tomatoes gave the film a positive review, with an average score of 6.2/10. The website's critical consensus states, "Boasting top-notch special effects and exuberant direction from Peter Jackson, The Frighteners is visually striking but tonally uneven." Audiences polled by CinemaScore gave the film an average grade of "B-" on an A+ to F scale.
Kenneth Turan of the Los Angeles Times stated "Director Peter Jackson, at home with all kinds of excess in New Zealand, keeps everything spinning nicely, not even losing a step when the mood turns increasingly disturbing." Janet Maslin from The New York Times enjoyed The Frighteners, but "walked out the theater with mixed emotions," she commented that "Peter Jackson deserves more enthusiasm for expert, imaginative effects than for his live actors anyhow. These lively touches would leave The Frighteners looking more like a more frantic Beetlejuice if Jackson's film weren't so wearyingly overcrowded. The Frighteners is not immune to overkill, even though most of its characters are already dead." Jeff Vice of the Deseret News praised the acting in the film, with the performances of Fox and Alvarado in particular, but said that there were also "bits that push the taste barrier too far and which grind things to a screeching halt", and that if "Jackson had used the restraint he showed in Heavenly Creatures, the movie could have "been the best of its kind". Critic Christopher Null praised the film, as he described it as a mixture between Ghostbusters and Twin Peaks. Michael Drucker of IGN said that although the film wouldn't make Jackson's top five of movies, it "is a harmless and fun dark comedy that you'll enjoy casually watching from time to time". The Frighteners received mixed reviews from critics from Jackson's native country, New Zealand.
Conversely, Todd McCarthy of Variety thought that the film should have remained an episode of Tales from the Crypt. Critic James Berardinelli believed that although The Frighteners wasn't "a bad film", it was "a disappointment, following Jackson's powerful, true-life matricide tale, Heavenly Creatures", and because of that "The Frighteners fell short of expectations by being just one of many in the long line of 1996 summer movies." Chicago Sun-Times' Roger Ebert gave the film one star out of four, and felt that Jackson was more interested in prosthetic makeup designs, computer animation, and special effects than writing a cohesive storyline. Ebert and critic Gene Siskel gave it a "two thumbs down" rating on their TV show At the Movies with Gene Siskel and Roger Ebert. Chicago Reader critic Jonathan Rosenbaum, described the film's special effects as "ugly, aggressive" and "proliferating", saying that "trying to keep interested in [the special effects] was like trying to remain interested in a loudmouth shouting in [his] ear". Edward Guthmann of the San Francisco Chronicle stated that "instead of moving the horror genre in new directions, The Frighteners simply falls apart from its barrage of visual effects and the overmixed onslaught of Danny Elfman's music score". The Austin Chronicle's Joey O'Brien, said that although the screenplay was "practically loaded with wild ideas, knowingly campy dialogue and offbeat characterizations", it "switched gears" too fast and too frequently that "the audience is left struggling to catch up as [The Frighteners] twists and turns its way unmercifully towards a literally out-of-this-world finale".
At the 23rd Saturn Awards, the Academy of Science Fiction, Fantasy and Horror Films honored Jackson with nominations for Best Director and Best Writing, the latter he shared with wife Fran Walsh. The Frighteners also was nominated for Best Horror Film, and for its Special Effects, Make-up (Rick Baker) and Music (Danny Elfman). Michael J. Fox and Jeffrey Combs were also nominated for their work.
To coincide with the release of Jackson's King Kong, Universal Studios Home Entertainment issued a double-sided director's cut DVD of the film in November 2005, which featured a version of The Frighteners that was 12 minutes longer. The other side includes a documentary prepared by Jackson and WingNut Films originally for the Laserdisc release. The theatrical and director's cut were also made available in HD DVD in 2007 and Blu-ray in 2011.
Canceled TV seriesEdit
Bloody Disgusting did reported that a Frighteners TV series was being developed by Charlize Theron and her production company Denver and Delilah Productions but the series is no longer being made.
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|Wikiquote has quotations related to: The Frighteners|
- The Frighteners on IMDb
- The Frighteners at Box Office Mojo
- The Frighteners at Rotten Tomatoes
- Richard Corliss (April 26, 2004). "The 2004 Time 100: Peter Jackson". Time.