Invasion U.S.A. (1985 film)
|Directed by||Joseph Zito|
|Produced by||Menahem Golan|
|Screenplay by||James Bruner|
|Story by||Aaron Norris|
|Music by||Jay Chattaway|
|Edited by||Daniel Loewenthal|
|Distributed by||Cannon Films|
|Box office||$17,500,000 (US)|
Both Chuck Norris and his brother, Aaron, were involved in the writing. It was made in the Greater Atlanta area of Georgia, and Fort Pierce, Florida. Miami landmarks, such as Dadeland Mall and Miracle Mile, can also be seen in the film. The 1986 film Avenging Force was originally intended as a sequel until Chuck Norris turned it down. It was instead made as a standalone film starring Michael Dudikoff, sharing only the protagonist's name.
A group of Cuban refugees are on a boat sailing for the United States. They are at first met by what appears to be a U.S. Coast Guard boat, with armed personnel. The captain of the vessel declares that the refugees are welcomed to the United States, only to have the Guardsmen open fire on them and take several bags of cocaine hidden in the boat. It is revealed that the armed personnel were communist Latin American guerrillas disguised as U.S. Coast Guardsmen.
The real Coast Guard finds the boat full of the murdered Cubans off the coast of Florida. The FBI and the Miami Police Department arrive at the docks to investigate the murders. The communist guerrillas land in Florida and exchange the drugs for weaponry from a drug dealer. They are led by Soviet operative Mikhail Rostov (Richard Lynch), the fake Coast Guard captain who opened fire on the Cuban refugees. Former CIA agent Matt Hunter (Norris) is asked to come out of retirement, but he declines. When Rostov and a team of guerillas destroy Hunter's residence in the Everglades and kill his friend, John Eagle (Berti) in a failed assassination attempt, Hunter is convinced to reconsider.
Later in the day, hundreds of additional guerrillas land on the beaches of southern Florida and move inland using several pre-positioned trucks. The guerrillas begin their assault by destroying suburban homes. Another group of guerrillas impersonating Miami police officers attack a community center full of Cuban expatriates in Miami. When a squad car with genuine Miami policemen drives by to investigate the gunfire, the survivors angrily start vandalizing their car, leaving the police perplexed. While the FBI has no idea who is behind the attacks, Hunter and the CIA believe that Rostov is behind the attacks. As terrorist acts continue in Miami, race riots and general chaos develop within the city, as the terrorists have planned.
Later that night, the guerrillas start a shootout and bomb threat at a mall where people are doing their Christmas shopping. During the attack, Hunter, having shaken down an informant, comes into the mall and takes down the guerrillas one by one. National Guard troops are called up, martial law is declared, and armed civilians organize to protect their communities from further guerilla attacks. Hunter continues pursuing the terrorists, stopping their plans to bomb a church, killing Rostov's right-hand man Nikko (Alexander Zale) right before the latter can initiate a public massacre, and saving a school bus full of children from a bomb. But after arriving at a carnival bombed by the terrorists, Hunter realizes that they are spread out too far for him to effectively stem the tide of their attacks, and therefore devises an alternative plan.
Alarmed by the threat, the government establishes a special theater command for the southeastern United States with the headquarters in Atlanta, Georgia. At the command center, all 50 state governors and military officials meet to stop the terror attacks. The FBI takes Hunter into custody for vigilantism against the terrorists, and he is taken to the command center, where he goads Rostov on national television to come out and kill him. Rostov orders all the guerrillas to assault the center in a mass attack, but they find no one inside; Hunter's arrest was a trap, and the National Guard arrives with tanks and troops, hemming the assailants in. While the battle rages outside, Hunter finally comes face-to-face with Rostov and kills him with a M72 LAW. The terror crisis ends when the few remaining guerrillas on the street surrender to the National Guard.
- Chuck Norris as Matt Hunter
- Richard Lynch as Mikhail Rostov / Michael Hames
- Melissa Prophet as Dahlia McGuire
- Alexander Zale as Nikko
- Alex Colon as Tomas
- Eddie Jones as Cassidy
- Jon DeVries as Johnston
- James O'Sullivan as Harper
- Billy Drago as Mickey
- Jaime Sanchez as Castillo
- Dehl Berti as John Eagle
- Stephen Markle as Flynn
- Shane McCamey as Kurt
- Martin Shakar as Adams
- James Pax as Koyo
The film was the first in a six-film contract Chuck Norris signed with Cannon Films following the success of the Missing in Action movies.
Norris said he got the idea to make the film after reading an article in Readers Digest that said hundreds of terrorists were running loose in the United States. "I thought, 'Boy, that's scary,' " he said. " 'What if some guy on the order of a Khomeini or a Khadafy mobilized those guys and started sending them out to every major city?'... I know it's going to happen, and even in the movie, the head terrorist says, 'It's so easy because of the freedom of movement in this country.' So we're really accessible to this. The movie is not meant to scare people, but to make us aware of a potential problem."
"We're trying to make a statement here," he added. "This is about the people of the United States."
The film was given a $12 million budget, twice what Norris movies had normally gotten before. There was a sequence in the everglades costing $2 million. Norris' fee was almost $2 million. Shooting took ten weeks.
Norris says he wanted the role of the female journalist to be played by Whoopi Goldberg who had been an extra in A Force of One. Goldberg was enthusiastic, she had recently been cast in The Color Purple. However, the director overruled Norris. "Needless to say I have never used that director again," wrote Norris later.
According to the documentary on Cannon Films, Electric Boogaloo: The Wild, Untold Story of Cannon Films, the scene where terrorists destroy homes in a suburb with rocket launchers featured explosions in actual houses. Hartsfield–Jackson Atlanta International Airport was going to bulldoze an entire suburban neighborhood to extend a runway, so the filmmakers were allowed to destroy the existing homes. Similarly, part of Avondale Mall was being rebuilt, so the filmmakers were allowed to destroy everything in the actual mall.
Norris said this sequence cost $5 million. "There are tanks firing, and helicopters flying among the real buildings," he said. "It's a battle like in Gone with the Wind, one of the best action battle scenes that's ever been done so far."
The film debuted at number one at the box office with $6.9 million.
Roger Ebert gave the film 0.5 stars out of 4 and called it "a brain-damaged, idiotic thriller, not even bad enough to be laughable." Vincent Canby of The New York Times called the film "a 'Wake Up, America!' movie of a goofiness to make one long for the sanity and conviction of John Milius's 'Red Dawn,'" adding that though Chuck Norris "seemed on the verge of becoming a kind of benign Clint Eastwood character, he loses all credibility in this awful film. Even though Mr. Norris collaborated on the screenplay and helped to choose the director (Joseph Zito), the movie treats him as if it wanted to prove that he has absolutely no future on the screen." Variety wrote, "A brainless plot would be almost forgiveable were it not for the perverse depiction of innocents butchered in 'Invasion U.S.A.' Star Chuck Norris, who cowrote the script and has recently chisled a popular niche with his 'Missing in Action' and 'Code of Silence' pictures, hits his nadir with this vicious-minded commodity from the Cannon Group. The 'Rambo' audience will blink at this one. Yes, it will make some money." Gene Siskel of the Chicago Tribune gave the film 1 star out of 4 and wrote that it "has a terrific premise but no script." Michael Wilmington of the Los Angeles Times called it "a brutal, one-note, sadistic affair (though it has, to its credit, non-stop action, a good score and a chilling performance by Lynch)." Paul Attanasio of The Washington Post wrote, "'Invasion USA' might actually be fun in a campy way if it weren't so dourly exploitative," and called Norris "an actor whose most evocative facial expression is his beard."
Norris later said some sequences were "a little . . . too much. You see, when you're making a movie, it takes over five months. Not until you bring it down to an hour and an half do you see just what you've done. It was . . . too much, unfortunately."
Cover of the novelization.
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