Arcade game

  (Redirected from Arcade games)

An arcade game or coin-op game is a coin-operated entertainment machine typically installed in public businesses such as restaurants, bars and amusement arcades. Most arcade games are presented as primarily games of skill and include arcade video games, pinball machines, electro-mechanical games, redemption games or merchandisers.

An amusement arcade featuring several different types of arcade games, located in Chiba Prefecture, Japan

TypesEdit

Broadly, arcade games are nearly always considered games of skill, with only some elements of games of chance. Games that are solely games of chance, like slot machines and pachinko, often are categorized legally as gambling devices, and due to restrictions, may not be made available to minors or without appropriate oversight in many jurisdictions.[1]

Arcade video gamesEdit

 
Arcade video games at ZBase Entertainment Center in Tampere, Finland

Arcade video games were first introduced in the early 1970s, with Pong as the first commercially-successful game. Arcade video games use electronic or computerized circuitry to take input from the player and translate that to an electronic display such as a monitor or television set.

Carnival gamesEdit

 
Skee-Ball was one of the first arcade games developed.

Coin-op carnival games are automated versions or variations of popular manned games held at carnival midways. Most of these are played for prizes or tickets for redemption. Common examples include Skee-Ball and Whac-A-Mole.

Electro-mechanical gamesEdit

Electro-mechanical games (EM games) operate on a combination of some electronic circuitry and mechanical actions from the player to move items contained within the game's cabinet. Some of these were early light gun games using light-sensitive sensors on targets to register hits. Examples of electro-mechanical games include Periscope and Rifleman from the 1960s.

EM games typically combined mechanical engineering technology with various electrical components, such as motors, switches, resistors, solenoids, relays, bells, buzzers and electric lights.[2] EM games lie somewhere in the middle between fully electronic games and mechanical games.

EM games have a number of different genres/categories. "Novelty" or "land-sea-air" games refer to simulation games that simulate aspects of various vehicles, such as cars (similar to racing video games), submarines (similar to vehicular combat video games), or aircraft (similar to combat flight simulator video games). Gun games refer to games that involve shooting with a gun-like peripheral (such as a light gun or similar device), similar to light gun shooter video games. "General" arcade games refer to all other types of EM arcade games, including various different types of sports games.[3] "Audio-visual" or "realistic" games referred to novelty games that used advanced special effects to provide a simulation experience.[4]

Merchandiser gameEdit

 
A claw crane game, where one must time the movement of the claw to grab a prize

Merchandiser games are those where the player attempts to win a prize by performing some physical action with the arcade machine, such as claw crane games or coin pusher games.

PachinkoEdit

Pachinko is a type of mechanical game originating in Japan. It is used as both a form of recreational arcade game and much more frequently as a gambling device, filling a Japanese gambling niche comparable to that of the slot machine in Western gambling.

Photo boothsEdit

 
A purikura photo sticker booth in Fukushima City, Japan.

Coin-operated photo booths automatically take and develop three or four wallet-sized pictures of subjects within the small space, and more recently using digital photography. They are typically used for licenses or passports, but there have been several types of photo booths designed for amusement arcades.

At the Amusement & Music Operators Association (AMOA) show in October 1975, Taito introduced an arcade photo booth machine that combines closed-circuit television (CCTV) recording with computer printing technology to produce self-portrait photographs. Two other arcade manufacturers introduced their own computerized arcade photo booth machines at the same show.[5]

A specific variety designed for arcades, purikura, creates selfie photo stickers. Purikura are essentially a cross between a traditional license/passport photo booth and an arcade video game, with a computer which allows the manipulation of digital images.[6] Introduced by Atlus and Sega in 1995, the name is a shortened form of the registered trademark Purinto Kurabu, a Japanese term derived from the English print club. They are primarily found in Asian arcades.

Pinball machinesEdit

Pinball machines are games that have a large, enclosed, slanted table with a number of scoring features on its surface. Players launch a steel ball onto the table and using pinball flippers, try to keep the ball in play while scoring as many points as possible. Early pinball games were mostly driven through mechanical components, while pinball games from the 1930s onward include electronic components such as lights and sensors and are one form of an electro-mechanical game.

Slot machinesEdit

In limited jurisdictions, slot machines may also be considered an arcade game and installed alongside other games in arcades. However, as slot machines are mostly games of chance, their use in this manner is highly limited. They are most often used for gambling.

Sports gamesEdit

 
Air hockey tables at an arcade

Sport games are indoor or miniaturized versions of popular physical sports that can be played within an arcade setting often with a reduced ruleset. Examples include air hockey and indoor basketball games like Super Shot. Sports games can be either mechanical, electro-mechanical or electronic.

Redemption gamesEdit

A general category of arcade games are those played for tickets that can be redeemed for prizes. The gameplay itself can be of any arcade game, and the number of tickets received are proportional to the player's score. Skee ball is often played as a redemption game, while pachinko is one of the most popular redemption games in Japan. Another type of redemption game are medal game, popular in Japan and southeast Asia, where players must convert their money into special medal coins to play the game, but can win more coins which they can redeem back into prizes. Medal games are design to simulate a gambling-like experience without running afoul of Japan's strict laws against gambling.[7]

"Game of skill" versus "game of chance"Edit

Arcade games have generally struggled to avoid being labelled wholly as games of chance or luck, which would qualify them as gambling and require them to be strictly regulated in most government jurisdictions.[8] Games of chance generally involve games where a player pays money to participate for the opportunity to win a prize, where the likelihood to win that prize is primarily driven by chance rather than skill.[8] Akin to sweepstakes and lotteries, slot machines are typically cataloged as games of chance and thus not typically included in arcades outside of certain jurisdictions.[8]

Pinball machines initially were branded as games of chance in the 1940s as after launching the ball, the player had no means to control its outcome.[9] Coupled with fears of pinball being a "tool of the devil" over the youth of that time period, several jurisdictions took steps to label pinball as games of chance and banned them from arcades. After the invention of the electric flipper in 1947, which gave the player more control on the fate of the ball after launching, pinball manufacturers pushed to reclassify pinball as games of skill. New York City's ban on pinball was overturned in 1976 when Roger Sharpe, a journalist, demonstrated the ability to call a shot to a specific lane to the city's council to prove pinball was a game of skill.[9]

Prize redemption games such as crane games and coin drop games have been examined as a mixed continuum between games of chance and skill. In a crane game, for example, there is some skill in determining how to position the crane claw over a prize, but the conditions of the strength and condition of the claw and the stacking of the prize are sufficiently unknown parameters to make whether the player will be successful a matter of luck.[8] The Dominant Factor Test is typically used to designate when arcade games are games of chance and thus subject to gambling laws, but for many redemption games, its application is a grey area.[10]

Nearly all arcade video games tend to be treated as games of skill, challenging the player against the pre-set programming of the game. However, arcade video games that replicate gambling concepts, such as video poker machines, had emerged in the 1980s. These are generally treated as games of chance, and remained confined to jurisdictions with favorable gambling laws.[8]

HistoryEdit

Skee-Ball and carnival games (late 19th century to 1940s)Edit

 
A row of mutoscopes at a Disneyland penny arcade in the 1980s

Game of skill amusements had been a staple of fairs since the 19th century. Further, the invention of coin-operated vending machines had come about in the 19th century.[11] To build off this, coin-operated automated amusement machines were created, such as fortune telling and strength tester machines as well as mutoscopes, and installed along with other attractions at fairs, traveling carnivals, and resorts. Soon, entrepreneurs began housing these coin-operated devices in the same facilities which required minimal oversight, creating penny arcades near the turn of the 20th century, the name taken from the common use of a single penny to operate the machine.[12]

Penny arcades started to gain a negative reputation as the most popular attraction in them tended to be mutoscopes featuring risqué and softcore pornography while drawing audiences of young men. Further, the birth of the film industry in the 1910s and 1920s drew audiences away from the penny arcade.[12] New interactive coin-operated machines were created to bring back patrons to the penny arcades, creating the first arcade games. Many were based on carnival games of a larger scope, but reduced to something which could be automated. One popular style were pin-based games which were based on the 19th century game of bagatelle.[9] One of the first such pin-based games was Baffle Ball, a precursor to the pinball machine where players were given a limited number of balled to knock down targets with only a plunger.[12] Skee-Ball became popular after being featured at an Atlantic City boardwalk arcade. The popularity of these games was aided by the impact of the Great Depression of the 1930s, as they provided inexpensive entertainment.[12]

Abstract mechanical sports games date back to the turn of the 20th century in England, which was the main manufacturer of arcade games in the early 20th century. The London-based Automatic Sports Company manufactured abstract sports games based on British sports, including Yacht Racer (1900) based on yacht racing, and The Cricket Match (1903) which simulated a portion of a cricket game by having the player hit a pitch into one of various holes. Full Team Football (1925) by London-based Full Team Football Company was an early mechanical tabletop football game simulating association football, with eleven static players on each side of the pitch that can kick a ball using levers.[13] Driving games originated from British arcades in the 1930s.[4]

Shooting gallery carnival games date back to the late 19th century.[14] Mechanical gun games had existed in England since the turn of the 20th century.[15] The earliest rudimentary examples of mechanical interactive film games date back to the early 20th century, with "cinematic shooting gallery" games. They were similar to shooting gallery carnival games, except that players shot at a cinema screen displaying film footage of targets. They showed footage of targets, and when a player shot the screen at the right time, it would trigger a mechanism that temporarily pauses the film and registers a point. The first successful example of such a game was Life Targets, released in the United Kingdom in 1912. Cinematic shooting gallery games enjoyed short-lived popularity in several parts of Britain during the 1910s, and often had safari animals as targets, with footage recorded from British imperial colonies. Cinematic shooting gallery games declined some time after the 1910s.[16]

The first light guns appeared in the 1930s, with Seeburg Ray-O-Lite (1936). Games using this toy rifle were mechanical and the rifle fired beams of light at targets wired with sensors.[17] A later gun game from Seeburg Corporation, Shoot the Bear (1949), introduced the use of mechanical sound effects.[18] Mechanical maze games appeared in penny arcades by the mid-20th century; they only allowed the player to manipulate the entire maze, unlike later maze video games which allowed the player to manipulate individual elements within a maze.[19]

Pinball (1930s to 1960s)Edit

 
Pinball machines from the 1960s at the Pinball Hall of Fame

Coin-operated pinball machines that included electric lights and features were developed in 1933, but lacked the user-controlled flipper mechanisms at that point; these would be invented in 1947.[20] Though the creators of these games argued that these games were still skill-based, most governments still consider them a game of luck and ruled them as gambling devices, banning them as well.[21] Beyond this, pinball machines drew the younger generation to the games, making morally-concerned elders across the generation gap fear what the youth were doing and considering the machines "tools of the devil", furthering these bans.[22] These bans were slowly lifted in the 1960s and 1970s; New York City's ban, placed in 1942, lasted until 1976,[21] while Chicago's was lifted in 1977.[23] Where pinball was allowed, pinball manufacturers carefully distanced their games from gambling, adding "For Amusement Only" among the game's labeling, eliminating any redemption features, and asserting these were games of skill at every opportunity.[21] By the early 1970s, pinball machines thus occupied select arcades at amusement parks, at bars and lounges, and with solitary machines at various stores.[21]

Pinball machines beyond the 1970s have since advanced with similar improvement in technology as with arcade video games. Past machines used discrete electro-mechanical and electronic componentry for game logic, but newer machines have switched to solid-state electronics with microprocessors to handle these elements, making games more versatile. Newer machines may have complex mechanical actions and detailed backplate graphics that are supported by these technologies.[21]

Early electro-mechanical games (1940s to early 1960s)Edit

Alternatives to pinball were electro-mechanical games (EM games) that clearly demonstrated themselves as games of skill to avoid the stigma of pinball. The transition from mechanical arcade games to electro-mechanical games dates back to around the time of World War II, with different types of arcade games gradually making the transition during the post-war period between the 1940s and 1960s.[24]

In 1941, International Mutoscope Reel Company released the electro-mechanical driving game Drive Mobile, which had an upright arcade cabinet similar to what arcade video games would later use.[2] It was derived from older British driving games from the 1930s. In Drive Mobile, a steering wheel was used to control a model car over a road painted on a metal drum, with the goal being to keep the car centered as the road shifts left and right. Kasco (short for Kansai Seisakusho Co.) introduced this type of electro-mechanical driving game to Japan in 1958 with Mini Drive, which followed a similar format but had a longer cabinet allowing a longer road.[4] Capitol Projector's 1954 machine Auto Test was a driving test simulation that used film reel to project pre-recorded driving video footage, awarding the player points for making correct decisions as the footage is played. These early driving games consisted of only the player vehicle on the road, with no rival cars to race against.[24]

By the 1950s, EM games were using a timer to create a sense of urgency in the gameplay. An example of this is the boxing game K.O. Champ (1955) by International Mutoscope Reel Company.[24] By 1961, however, the US arcade industry had been stagnating. This in turn had a negative effect on Japanese arcade distributors such as Sega that had been depending on US imports up until then. Sega co-founder David Rosen responded to market conditions by having Sega develop original arcade games in Japan.[25]

Electro-mechanical renaissance (late 1960s to mid-1970s)Edit

From the late 1960s, EM games incorporated more elaborate electronics and mechanical action to create a simulated environment for the player.[4] These games overlapped with the introduction of arcade video games, and in some cases, were prototypical of the experiences that arcade video games offered. The late 1960s to early 1970s were considered the "electro-mechanical golden age" in Japan,[26] and the "novelty renaissance" or "technological renaissance" in North America.[27][4] A new category of "audio-visual" novelty games emerged during this era, mainly established by several Japanese arcade manufacturers.[4] Arcades had previously been dominated by jukeboxes, before a new wave of EM arcade games emerged that were able to generate significant earnings for arcade operators.[28]

Periscope, a submarine simulator and light gun shooter,[29] was released by Nakamura Manufacturing Company (later called Namco) in 1965[30] and then by Sega in 1966.[31] It used lights and plastic waves to simulate sinking ships from a submarine,[32] and had players look through a periscope to direct and fire torpedoes,[25] which were represented by colored lights and electronic sound effects.[33][34] Sega's version became an instant success in Japan, Europe, and North America,[35] where it was the first arcade game to cost a quarter per play,[31] which would remain the standard price for arcade games for many years to come.[35] The success of Periscope was a turning point for the arcade industry.[25]

Periscope revived the novelty game business, and established a "realistic" or "audio-visual" category of games, using advanced special effects to provide a simulation experience.[4] It was the catalyst for the "novelty renaissance" where a wide variety of novelty/specialty games (also called "land-sea-air" games) were released during the late 1960s to early 1970s, from quiz games and racing games to hockey and football games, many adopting the quarter-play price point.[27][3]

As Japan's arcade industry grew rapidly, a new category of "audio-visual" novelty games began being manufactured in the late 1960s from Japanese arcade manufacturers, with the four largest being Sega, Taito, Nakamura Manufacturing, and Kasco.[a] Their "audio-visual" games were exported internationally to North America and Europe, selling in large quantities that had not been approached by most arcade machines in years.[4] This led to a "technological renaissance" in the late 1960s, which would later be critical in establishing a healthy arcade environment for video games to flourish in the 1970s.[4]

The success of Periscope led to American distributors turning to Japan for new arcade games in the late 1960s, which in turn encouraged competition from traditional Chicago arcade manufacturers.[25] American arcade firms such as Midway Manufacturing, Chicago Coin and Allied Leisure responded by cloning the latest novelty games from Japan, establishing a clone market in North America. Japanese manufacturers responded by releasing new game concepts every few months to stay ahead of the clone competition, but the American clones gradually succeeded in driving Japanese firms out of the North American market in the early 1970s. Despite this, Japan continued to have a thriving local market with more than 500,000–700,000 arcade machines by 1973, mostly consisting of EM shooting and driving games from Japanese manufacturers alongside pinball machines imported from the United States.[4]

Atari founder Nolan Bushnell, when he was a college student, worked at an arcade where he became familiar with EM games such as Chicago Coin's Speedway (1969), watching customers play and helping to maintain the machinery, while learning how it worked and developing his understanding of how the game business operates.[36]

Shooting and simulation gamesEdit

 
Sega's Gun Fight (1969), a two-player EM game that used light-sensitive targets. It was one of the first games with head-to-head shooting, inspiring arcade shooter video games such as Gun Fight (1975).

Periscope established a trend of missile-launching gameplay during the late 1960s to 1970s,[24] with the game's periscope viewer cabinet design later adopted by arcade video games such as Midway's Sea Wolf (1976) and Atari's Battlezone (1980).[37] In the late 1960s, Sega began producing gun games which somewhat resemble first-person shooter video games, but which were in fact electro-mechanical games that used rear image projection in a manner similar to a zoetrope to produce moving animations on a screen.[38] They often had vertical playfields that used mirrors to create an artificial sense of depth.[24] It was a fresh approach to gun games that Sega introduced with Duck Hunt, which began location testing in 1968 and released in January 1969. It had animated moving targets which disappear from the screen when shot, solid-state electronic sound effects, and awarded a higher score for head shots.[39][40][41]

Missile, a shooter and vehicular combat game released by Sega in 1969, had electronic sound and a moving film strip to represent the targets on a projection screen. A two-way joystick with a fire button was used to shoot and steer the missile onto oncoming planes displayed on a screen, while two directional buttons were used to move the player's tank; when a plane is hit, an animated explosion appears on screen, accompanied by the sound of an explosion.[42] According to Ken Horowitz, it may have been the first arcade game to use a joystick with a fire button.[28] Missile became a major arcade hit for Sega in the United States, inspiring a number of manufacturers to produce similar games.[4] Midway later released a version called S.A.M.I. (1970)[28] and adapted it into the arcade video game Guided Missile (1977).[24] Midway also released the submarine-themed missile-launching games Sea Raider (1969) and Sea Devil (1970).[24] Joysticks subsequently became the standard control scheme for arcade games.[28]

Sega's Gun Fight (1969) had two players control cowboy figurines on opposing sides of a playfield full of obstacles, with each player attempting to shoot the opponent's cowboy.[4][43] It had a Western theme and was one of the first games to feature competitive head-to-head shooting between two players, inspiring several early Western-themed shooter video games.[44] Notably, the game's concept was adapted by Tomohiro Nishikado into Taito's shooter video game Western Gun (1975), which Midway released as Gun Fight in North America.[4] Sega's Jet Rocket, developed in 1969,[25] was a combat flight-simulator featuring cockpit controls that could move the player aircraft around a landscape displayed on a screen and shoot missiles onto targets that explode when hit.[45] The game displayed three-dimensional terrain with buildings, produced using a new type of special belt technology along with fluorescent paint to simulate a night view.[46] Upon its debut, the game was cloned by three Chicago manufacturers, which led to the game under-performing in North America and Sega leaving the North American arcade market for years.[25] Sega released several other similar EM flight combat games, including Dive Bomber (1971) and Air Attack (1972).[47]

Tomohiro Nishikado developed the target shooting EM game Sky Fighter, released by Taito in 1971. The game used mirrors to project images of model planes in front of a moving sky-blue background from a film canister on a rotating drum. The game was a hit, but too large for most locations, so it was followed by a scaled-down version, Sky Fighter II, which sold 3,000 arcade cabinets.[4] In 1972, Sega released an electro-mechanical game called Killer Shark, a first-person light-gun shooter known for appearing in the 1975 film Jaws. It used similar projection technology to Sega's earlier shooting games, and made an appearance in the hit Steven Spielberg film Jaws (1975).[38] In 1974, Nintendo released Wild Gunman, a light-gun shooter based on the Laser Clay Shooting System that used full-motion video-projection from 16 mm film to display live-action cowboy opponents on the screen.[48]

Several EM arcade games gave the illusion of holography in the 1970s. The San Francisco based Multiplex Company used its "rotating cylindrical hologram" technology to provide animation for several shooting games from Kasco and Midway. Kasco used it in Gun Smoke (1975), Samurai and Bank Robbers (1977), while Midway used it in Top Gun (1976). These games predated Sega's later arcade video game Time Traveler (1991) in their use of holographic-like technology.[49] Kasco's Bank Robbers[b] was a commercial success, becoming the eighth highest-grossing EM arcade game of 1978 in Japan.[50] Taito also announced a holographic-like arcade gun game at the AMOA show in October 1975.[51]

One of the last EM games from Sega was Heli-Shooter (1977), a combat flight simulator that combines the use of a CPU processor with electro-mechanical components, screen projection and audio tape deck. The gameplay involves the player piloting a helicopter using a throttle joystick (to accelerate and decelerate) and pedals (to maneuver left and right) across a realistic three-dimensional landscape and shooting at military targets across the landscape.[52][53] In Japan, it was one of the top ten highest-grossing EM arcade games of 1977,[54] and it released in North America the same year.[53] One of the last successful EM shooting games was Namco's light gun game Shoot Away (1977), which was Japan's third highest-grossing EM arcade game of 1977[54] and highest-grossing EM arcade game of 1980,[55] while maintaining a presence in Western arcades into the 1980s.[56]

Racing gamesEdit

A new type of driving game was introduced in Japan, with Kasco's 1968 racing game Indy 500,[4][26] which was licensed by Chicago Coin for release in North America as Speedway in 1969.[57] It had a circular racetrack with rival cars painted on individual rotating discs illuminated by a lamp,[4] which produced colorful graphics[4] projected using mirrors to give a pseudo-3D first-person perspective on a screen,[24][58][59] resembling a windscreen view.[60] It had collision detection, with players having to dodge cars to avoid crashing, as well as electronic sound for the car engines and collisions.[24] This gave it greater realism than earlier driving games,[4] and it resembled a prototypical arcade racing video game, with an upright cabinet, yellow marquee, three-digit scoring, coin box, steering wheel and accelerator pedal.[2] Indy 500 sold over 2,000 arcade cabinets in Japan,[4] while Speedway sold over 10,000 cabinets in North America,[26] becoming the biggest arcade hit in years.[4] Like Periscope, Speedway also charged a quarter per play, further cementing quarter-play as the US arcade standard for over two decades.[4]

Other EM racing games derived from Indy 500 included Namco's Racer and Sega's Grand Prix,[26] the latter a 1969 release that similarly had a first-person view, electronic sound, a dashboard with a racing wheel and accelerator,[61] and a forward-scrolling road projected on a screen.[62] Taito's similar 1970 rear-projection driving game Super Road 7 involved driving a car down an endlessly scrolling road while having to dodge cars, which inspired Tomohiro Nishikado to develop the Taito racing video game Speed Race (1974).[63] Chicago Coin adapted Speedway into a motorbike racing game, Motorcycle, in 1970.[24]

Speedway also had an influence on Atari founder Nolan Bushnell, who had originally planned to develop a driving video game, influenced by Speedway which at the time was the biggest-selling game at his arcade, but he ended up developing Pong (1972) instead. Atari eventually developed a driving video game later on, Gran Trak 10 (1974).[64]

Sega's EM driving games Stunt Car (1970) and Dodgem Crazy (1972) are seen as precursors to later driving video games that involve ramming cars, such as Exidy's Destruction Derby (1975) and Death Race (1976) as well as Atari's Crash 'N Score (1975), while lacking their dynamically changing open arenas enabled by video game technology.[24] Kasco used 8 mm film for a 1970s driving game, The Driver, which projected live-action video footage filmed by Toei Company.[26]

There were also two EM racing games from 1971 that gave the illusion of three-dimensional holography, Bally's Road Runner and Sega's Monte Carlo. The player's car was animated with holographic-like technology, while the rival cars were standard model cars like other EM games. During a collision, an animation shows the player's car flipping into the air several times.[65]

One of the last successful electro-mechanical arcade racing games was F-1, a racing game developed by Namco and distributed by Atari in 1976.[66] The gameplay is viewed from the perspective of the driver's viewpoint, which is displayed on the screen using a projector system.[67] It was the highest-grossing arcade game of 1976 and 1977 in Japan (ahead of every video game),[68] and the highest-grossing EM arcade game of 1977 in the United States.[69] Namco's F-1 is believed to have been influenced by Kasco's Indy 500,[70] and in turn F-1 provided the basis for Namco's hit racing video game Pole Position (1982), which was co-designed by F-1 designer Sho Osugi.[67]

Sports gamesEdit

 
All American Basket Ball (1969), an EM game produced by Chicago Coin.

EM bowling games called "bowlers" included Bally Manufacturing's Bally Bowler and Chicago Coin's Corvette in 1966. EM baseball games included Midway's Litle League (1966) and Chicago Coin's All Stars Baseball (1968).[3]

Taito entered the EM industry with sports games such as Crown Soccer Special (1967), a two-player game that simulated association football using electronic components such as pinball flippers,[71] and Crown Basketball, which debuted in the US as the highest-earning arcade game at the 1968 Tampa Fair and also had a quarter-play option.[72]

Sega released an EM game similar to air hockey in 1968, MotoPolo, where two players moved around motorbikes to knock balls into the opponent's goal; it also used an 8-track player to play back the sounds of the motorbikes.[73] Air hockey itself was later created by a group of Brunswick Billiards employees between 1969 and 1972.[74]

Later electro-mechanical games (mid-1970s to 1980s)Edit

Following the arrival of arcade video games with Pong (1972) and its clones, electro-mechanical games continued to have a strong presence in arcades for much of the 1970s.[26][4] In Japan, EM games remained more popular than video games up until the late 1970s.[26] Japanese arcade manufacturers initially lacked expertise with solid-state electronics and found Pong-style video games to be simplistic compared to more complex EM games, so it took longer for video games to penetrate Japan than it had in the United States. Meanwhile in the United States, after the market became flooded with Pong clones, the Pong market crashed around the mid-1970s, which led to traditional Chicago coin-op manufacturers mainly sticking to EM games up until the late 1970s.[4] EM games eventually declined following the arrival of Space Invaders (1978) and the golden age of arcade video games in the late 1970s.[26][75]

Several electro-mechanical games that appeared in the 1970s have remained popular in arcades through to the present day, notably air hockey, whac-a-mole and medal games. Medal games started becoming popular with Sega's Harness Racing (1974), Nintendo's EVR Race (1975) and Aruze's The Derby Vφ (1975). The first whac-a-mole game, Mogura Taiji ("Mole Buster"), was released by TOGO in 1975.[76] Mogura Taiji became the second highest-grossing EM game of 1976 in Japan, second only to Namco's F-1 that year.[77] In the late 1970s, arcade centers in Japan began to be flooded with "mole buster" games.[78] Mogura Taiji was introduced to North America in 1976, which inspired Bob's Space Racers to produce their own version of the game called "Whac-A-Mole" in 1977,[79] while Namco released their own popular "mole buster" game called Sweet Licks (1981).[80]

Electro-mechanical games experienced a resurgence during the 1980s.[81][82] Air hockey, whac-a-mole and medal games have since remained popular arcade attractions.[76]

Arcade video games (1970s to present)Edit

 
A row of video games at an arcade

After two attempts to package mainframe computers running video games into a coin-operated arcade cabinet in 1971, Galaxy Game and Computer Space, Atari released Pong in 1972, the first successful arcade video game. The number of arcade game makers greatly increased over the next several years, including several of the companies that had been making EM games such as Midway, Bally, Williams, Sega, and Taito.[83] As technology moved from transistor-transistor logic (TTL) integrated circuits to microprocessors, a new wave of arcade video games arose, starting with Taito's Space Invaders in 1978 and leading to a golden age of arcade video games that included Pac-Man (Namco, 1980), Missile Command (Atari, 1980), and Donkey Kong (Nintendo, 1981). The golden age waned in 1983 due to an excess number of arcade games, the growing draw of home video game consoles and computers, and a moral panic on the impact of arcade video games on youth.[21][84] The arcade industry was also partially impacted by the video game crash of 1983.

The arcade market had recovered by 1986, with the help of software conversion kits, the arrival of popular beat 'em up games (such as Kung-Fu Master and Renegade), and advanced motion simulator games (such as Sega's "taikan" games including Hang-On, Space Harrier and Out Run). However, the growth of home video game systems such as the Nintendo Entertainment System led to another brief arcade decline towards the end of the 1980s.[85] Fighting games like Street Fighter II (1991) and Mortal Kombat (1992) helped to revive it in the early 1990s, leading to a renaissance for the arcade industry.[21] 3D graphics were popularized in arcades during the early 1990s with games such as Sega's Virtua Racing and Virtua Fighter,[86] with later arcade systems such as the Sega Model 3 remaining considerably more advanced than home systems through the late 1990s.[87][88] However, the improved capabilities of home consoles and computers to mimic arcade video games during this time drew crowds away from arcades.[21]

Up until about 1996, arcade video games had remained the largest sector of the global video game industry, before arcades declined in the late 1990s, with the console market surpassing arcade video games for the first time around 1997-1998.[89] Arcade video games have since declined in the Western world, but have since remained popular in Eastern Asia. Today, most arcades serve highly specialized experiences that cannot be replicated in the home, including lines of pinball and other arcade games, coupled with other entertainment options such as restaurants or bars. Among newer arcade video games include games like Dance Dance Revolution that require specialized equipment, as well as games incorporating motion simulation or virtual reality.

NotesEdit

  1. ^ 湘阿織機, Kansai Seiki
  2. ^ バンクロバーズ, Banku Robāzu

ReferencesEdit

  1. ^ Cabot, Anthony N.; Light, Glenn J.; Rutledge, Karl F. (2009). "Alex Rodriguez, a Monkey, and the Game of Scrabble: The Hazard of Using Illogic to Define the Legality of Games of Mixed Skill and Chance". Drake Law Review. 57 (2): 383–412.
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