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The Yoruba religion (Yoruba: Ìṣẹ̀ṣe) comprises the traditional religious and spiritual concepts and practice of the Yoruba people. Its homeland is in present-day Southwestern Nigeria, which comprises Oyo, Ogun, Osun, Ondo, Ekiti, and Kwara as well as Lagos States, parts of Kogi state and the adjoining parts of Benin and Togo, commonly known as Yoruba land. It shares some parallels with the Vodun practiced by the neighboring Fon and Ewe peoples to the west and to the religion of the Edo people to the east. Yoruba religion is the basis for a number of religions in the New World, notably Santería, Umbanda, Trinidad Orisha, Haitian Vodou, and Candomblé. Yoruba religious beliefs are part of Itàn (history), the total complex of songs, histories, stories, and other cultural concepts which make up the Yoruba society.
The Yoruba name for the Yoruba religion is Ìṣẹ̀ṣẹ, which also refers to the traditions and rituals that encompass Yorùbá culture. The term comes from a contraction of the words Ìṣẹ̀, meaning "source or origin," and ìṣe, meaning "practice, or tradition," coming together to mean "The source of our tradition," as many of the practices, beliefs, traditions, and observances of the Yoruba originate from the religious worship of the orisa.
According to Kola Abimbola, the Yorubas have evolved a robust cosmology. In brief, it holds that all human beings possess what is known as "Àyànmọ́", which is regarded as destiny or fate. Every person is expected to become eventually one in spirit with Olodumare (also known as Olorun, the divine creator and source of all energy). Furthermore, the thoughts and actions of each person in Ayé (the physical realm) interact with all other living things, including the Earth itself.
Each person living on earth attempts to achieve perfection and find their destiny in Orun-Rere (the spiritual realm of those who do good and beneficial things).
One's ori-inu (spiritual consciousness in the physical realm) must grow in order to consummate union with one's "Iponri" (Ori Orun, spiritual self).
Iwapẹlẹ (or well-balanced) meditative recitation and sincere veneration is sufficient to strengthen the ori-inu of most people. Well-balanced people, it is believed, are able to make positive use of the simplest form of connection between their Oris and the omnipotent Olu-Orun: an adura (petition or prayer) for divine support.
Prayer to one's Ori Orun produces an immediate sensation of joy. Èṣù Elegbara initiates contact with spiritual realm on behalf of the petitioner, and transmits the prayer to Ayé; the deliverer of ase or the spark of life. He transmits this prayer without distorting it in any way. Thereafter, the petitioner may be satisfied with a personal answer. In the event that he or she is not, the Ifá oracle of the Òrìṣà Òrúnmila may also be consulted. All communication with Orun, whether simplistic in the form of a personal prayer or complicated in the form of that done by an initiated Babalawo (priest of divination), however, is energized by invoking ase.
In the Yoruba belief system, Olodumare has ase over all that is. Hence, It is considered supreme.
Olódùmarè is the most important "state of existence". Regarded as being all-encompassing, no gender can be assigned. Hence, it is common to hear references to "it" or "they" (although this is meant to address something of a singularity). "They" are the owner of all heads, for during human creation, Olódùmarè gave "èmí" (the breath of life) to humankind. In this, Olódùmarè is Supreme.
Perhaps one of the most important human endeavors extolled within the Yoruba literary corpus is the quest to improve one's "Ìwà" (character, behaviour). In this way the teachings transcend religious doctrine, advising as they do that a person must also improve their civic, social and intellectual spheres of being; every stanza of the sacred Ifá oracular poetry (Odu Ifa) has a portion covering the importance of "Ìwà". Central to this is the theme of righteousness, both individual and collective.
According to one of the Yoruba accounts of creation, at a certain stage in the process, the "truth" was sent to confirm the habitability of the planets that were newly formed. The earth, being one of these, was visited but considered too wet for conventional living.
After a successful period of time, a number of divinities led by Obatala were sent to accomplish the task of helping earth develop its crust. On one of their visits to the realm, the arch-divinity Obatala took to the stage equipped with a mollusk that concealed some form of soil; winged beasts and some cloth like material. The contents were emptied onto what soon became a large mound on the surface of the water and soon after, the winged-beasts began to scatter this around until the point where it gradually made into a large patch of dry land; the various indentations they created eventually becoming hills and valleys.
Obatala leaped onto a high-ground and named the place Ife. The land became fertile and plant life began to flourish. From handfuls of earth he began to mold figurines. Meanwhile, as this was happening on earth, Olodumare gathered the gases from the far reaches of space and sparked an explosion that shaped into a fireball. He subsequently sent it to Ife, where it dried much of the land and simultaneously began to bake the motionless figurines. It was at this point that Olodumare released the "breath of life" to blow across the land, and the figurines slowly came into "being" as the first people of Ife.
An Orisha (correct spelling: Òrìṣà) is an entity that possesses the capability of reflecting some of the manifestations of Olodumare. Yoruba Orishas (commonly translated "unique/special/selected heads") are often described as intermediaries between humankind and the supernatural. The term is also translated as "Deities", "Divinities" or "Gods".
Orisha(s) are revered for having control over specific elements of nature. They are thus also referred to as Imole. There are those of their number that are more akin to ancient heroes and/or sages than to primordial divinities. These are best addressed as dema deities. Even though the term Orisha is often used to describe both classes of divine entities, it is properly reserved for the former one.
|Orunmila / Ọ̀rúnmìlà||The Yoruba grand priest and custodian of the Ifa oracle, source of knowledge who is believed to oversee the knowledge of the human form, purity, the cures of illnesses and deformities. Babalawos are Orumila's subordinates as priests and followers.|
|Eshu / Èṣù||Often ill-translated as "The Devil" or "The Evil Being", Eshu is in truth neither of these. Best referred to as "The Trickster", he deals a hand of misfortune to those that do not offer tribute or are deemed to be spiritual novices. Also regarded as the "divine messenger", a prime negotiator between negative and positive forces in the body and an enforcer of the "law of being". He is said to assist in enhancing the power derived from herbal medicines and other forms of esoteric technology.
Eshu is the Orisha of chance, accident and unpredictability. Because he is Olorun's linguist and the master of languages, Eshu is responsible for carrying messages and sacrifices from humans to the Sky God. Also known for his phallic powers and exploits, Eshu is said to lurk at gateways, on the highways and at the crossroads, where he introduces chance and accident into the lives of humans. He is known by a variety of names, including Elegbara.
|Ogoun / Ògún||Orisha of iron and metallurgy.|
|Yemoja / Yemọja||Mother of Waters, Nurturer of Water Resources. According to Olorishas, she is the amniotic fluid in the womb of the pregnant woman, as well as the breasts which nurture. She is considered the protective energy of the feminine force.|
|Oshun / Ọ̀ṣun||A second wife of Shango, the one time Oba of Oyo (another Yoruba Orisha, see below), she is said to have entered into a river at Osogbo. The Yoruba clerics ascribed to her sensuality, beauty and gracefulness, symbolizing both their people's search for clarity and a flowing motion. She is associated with several powers, including abilities to heal with cool water, induction of fertility and the control of the feminine essence. Women appeal to her for child-bearing and for the alleviation of female disorders. The Yoruba traditions describe her as being fond of babies and her intervention is sought if a baby becomes ill. Oshun is also known for her love of honey.|
|Shango / Ṣàngó||Associated with virility, masculinity, fire, lightning, stones, Oyo warriors and magnetism. He is said to have the abilities to transform base substances into those that are pure and valuable. He was the Oba of Oyo at some point in its history. He derived his nickname Oba Koso from the tales of his immortality. Shango is the Orisha of the thunderbolt, said to have ruled in ancient times over the kingdom of Oyo. Also known as Jakuta (Stone Thrower) and as Oba Koso (The King Does Not Hang).|
|Oya / Ọya||The third wife of the one time Oba of Oyo called Shango (another Yoruba Orisha, see above), she is said to have entered into the River Niger. She is often described as the Tempest, Guardian of the Cemetery, Winds of Change, Storms and Progression. Due to her personal power, she is usually depicted as being in the company of her husband Shango. She is the Orisha of rebirth.|
|Osanyin / Ọ̀sanyìn||Represented as a one eyed, one hand, and one legged figure, he is the orisha of herbs, plants, magic, and healing.|
|Babalu-Aye / Ọbalúayé||Meaning, "Lord, ruler of the world," and a widely feared orisha, he is also known as Sopona, the deity of smallpox. As Obaluaye, he is the orisha of diseases and sickness. While he has the power to inflict smallpox and other disease, he is also associated with the ability to heal those afflicted with these diseases. In the 20th century, worship of Obaluaye was banned by the British colonial Government as they were believed to purposely infect people with smallpox.|
|Obatala / Ọbàtálá||Also known as "Orisa-nla," meaning "the big Orisha," he is also known as the Sky father. He is often equated with purity, and represented by "ala," white cloth, and "efun," white chalk. He is regarded as the creator of Earth and shaping humans from clay. He is also known as the protector of the disabled.|
|Aganju / Aganjù||Roughly translating to "darkness of the wilderness," Aganju is regarded as the orisha of the forest, the desert, volcanoes, and the wilderness. He was originally a king of the Oyo empire before being deified after his death|
|Oshosi / Ọ̀ṣọ́ọ̀sì||He is the orisha of hunting and the forest, and is another patron of hunters.|
|Olokun / Olóòkun||A primoridal force present at creation, Olokun, meaning "Owner of the ocean," is an androgynous orisha embodying the ocean. They are the parent of the orishas Aje and Olosa, and represents wealth, healing, and the vastness of the sea.|
|Aje / Ajé||Not to be confused with Iyami Aje, she is also called Aje Saluga. Aje is the representation and the orisha of wealth and economic success. She is also a patron of traders, businesspeople, and markets. The Yoruba word for Monday, is called Aje as it is often the first day of the week when markets open.|
|Oduduwa / Odùdùwà||Regarded as the founder of the Yoruba people and the first King of Ife, he is also associated with an androgynous orisha of creation. Most Yoruba people monarchs claim descent from Oduduwa. He is a father or grandfather of Oranmiyan, Sango, Ajaka, Obalufon, and other Ooni of Ife. He is also regarded as an ancestor of the Obas of the Benin Empire.|
|Ayangalu / Àyàngalú||Ayangalu is the orisha of drumming, the patron of the talking drum, and the orisha of Yoruba music. People born into drumming families often have the prefix "Àyàn," in their first or last names.|
|Ọba / Ọbà||The first and most senior wife of Shango, she is the Orisha of the River Oba, and also is the orisha of domesticity, energy, movement, and the flow of time and life. She is most known for being tricked by the other wives of Shango into cutting off her ear and attempting to feed it to Shango.|
Irunmọlẹ are entities sent by Olorun to complete given tasks, often acting as liaisons between Orun (the invisible realm) and Aiye (the physical realm). Irunmole(s) can best be described as ranking divinities; whereby such divinities are regarded as the principal Orishas. Irunmole, from "Erinrun" - 400, "Imole" - Divinities or Divine Spirits.
The Yoruba believe in Atunwa, reincarnation within the family. The names Babatunde (father returns), Yetunde (Mother returns), Babatunji (Father wakes once again) and Sotunde (The wise man returns) all offer vivid evidence of the Ifa concept of familial or lineal rebirth. There is no simple guarantee that your grandfather or great uncle will "come back" in the birth of a child, however.
Whenever the time arrives for a spirit to return to Earth (otherwise known as The Marketplace) through the conception of a new life in the direct bloodline of the family, one of the component entities of a person's being returns, while the other remains in Heaven (Ikole Orun). The spirit that returns does so in the form of a Guardian Ori. One's Guardian Ori, which is represented and contained in the crown of the head, represents not only the spirit and energy of one's previous blood relative, but the accumulated wisdom he or she has acquired through myriad lifetimes. This is not to be confused with one’s spiritual Ori, which contains personal destiny, but instead refers to the coming back to The Marketplace of one's personal blood Ori through one's new life and experiences. The Primary Ancestor (which should be identified in your Itefa) becomes – if you are aware and work with that specific energy – a “guide” for the individual throughout their lifetime. At the end of that life they return to their identical spirit self and merge into one, taking the additional knowledge gained from their experience with the individual as a form of payment.
African diaspora religionsEdit
According to Professor Adams Abdullahi suberu, the Yoruba were exquisite statesmen who spread across the globe in an unprecedented fashion; the reach of their culture is largely due to migration—the most recent migration occurred with the Atlantic slave trade. During this period, many Yoruba were captured and sold into the slave trade and transported to Argentina, Brazil, Cuba, Colombia, Dominican Republic, Puerto Rico, Trinidad and Tobago, St. Vincent & The Grenadines, Uruguay, Venezuela, and other parts of the Americas. With them, they carried their religious beliefs. The school-of-thought integrated into what now constitutes the core of the "New World lineages":
- Candomblé (Brazil, Argentina, Uruguay)
- Santería (Cuba, Puerto Rico, Dominican Republic
- Trinidad Orisha (Trinidad and Tobago)
- Maria Lionza (Venezuela)
- Spiritual Baptist (St. Vincent & The Grenadines)
- Umbanda (Brazil, Argentina, Uruguay)
The Vodun faith, which originated amongst a different ethnic group (the Gbe speaking peoples of present-day Benin, Togo, and Ghana), holds influential aspects on the African diaspora in countries such as Haiti and Cuba, also New Orleans, Louisiana in the United States.
In Latin America, Yoruba religion has been in intense Syncretism with Christianity, Indigenous religions and Spiritism since the first arrival of African immigrants. In Brazil, the religion of Umbanda was born from the rich interaction of beliefs that Latin America provided. Followers of Umbanda typically consider themselves Monotheistic, but honor Catholic Saints and Orisha as manifestations from god or as Tutelary deities. Umbanda worship also include elements from Native South American rituals such as the ritual use of Tobacco and communication with the spirits of deceased Indian warriors (Caboclo).
In the 1949 documentary Fiestas de Santiago Apóstol en Loíza Aldea, anthropologist Ricardo Alegría noted a similar tendency at Loíza, Puerto Rico, arguing that the affinity between the black population in the municipality and the Catholic saint Santiago Apóstol may derive from the way in which he is depicted as a warrior; a similar theme to some depictions of Shango and Adams. This theory supposed that this resemblance was used by the population as a covert form to honor their ancestral deity.
Nigerian Chrislam refers to the assemblage of Islamic and Christian religious practices in Nigeria. Chrislam also refers to the series of religious movements that merged Islamic and Christian religious practice during the 1970s in Lagos, Nigeria. The movement was pioneered by Yoruba peoples in south-west Nigeria. Chrislam works against the conventional understanding of Islam and Christianity as two separate and exclusive religions, seeking out commonalities between both religions and promoting an inclusive union of the two. Chrislam also occupies a distinct geographical space; Nigeria is often understood to be geographically and religiously polarized, with a predominantly Muslim base in the North, and a predominantly Christian base in the South. However, the Yoruba peoples that occupy the South-Western Yorubaland region of Nigeria are a Muslim-majority ethnic group with a large Christian minority.
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|Wikimedia Commons has media related to Yoruba religion.|
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- West African Orisa Tradition of Nigeria
- Yoruba Movies & Films Yoruba Theatre is the origin of Nigeria's Nollywood, the equivalent of America's Hollywood.