The Shack (2017 film)
The Shack is a 2017 American Christian drama film directed by Stuart Hazeldine and written by John Fusco, Andrew Lanham and Destin Cretton, based on the 2007 novel of the same name by William P. Young. The film stars Sam Worthington, Octavia Spencer, Graham Greene, Radha Mitchell, Alice Braga, Sumire Matsubara, Aviv Alush, and Tim McGraw
|Directed by||Stuart Hazeldine|
|Based on||The Shack|
by William Paul Young
|Music by||Aaron Zigman|
|Edited by||William Steinkamp|
|Box office||$96.9 million|
Filming began on June 8, 2015, in Vancouver, British Columbia. The film was released in the United States on March 3, 2017, and grossed over $96 million worldwide. It received generally negative reviews from critics.
Mackenzie "Mack" Phillips suffered physical and emotional abuse as a child at the hands of his drunken father, who abused his mother as well. One day, Mack tells the preacher at his church of his abuse, and as punishment, his father harshly beats him, leading to Mack’s mother’s decision to leave them. As a 13-year-old boy he chose to poison his father with strychnine in his whisky. The film does not include any criminal consequences for his father's murder.
As an adult he has a fulfilling life with his wife, Nan, and their three children: Kate, Josh and Missy. Mack's life is shattered, when their youngest child Missy disappears during a camping trip while he is saving Kate and Josh during a canoeing accident. The police determine Missy is the victim of a serial killer after finding her torn dress and blood in a vacant cabin. Kate blames herself for Missy's death because she recklessly caused the canoe accident in the first place.
The tragedy derails Mack's faith and life until the onset of winter when he receives an unstamped, typewritten note in his mailbox. The surrounding snow is devoid of any incriminating tracks. The message is signed "Papa" (which was Nan's nickname for God) and invites him to meet at the cabin.
Thinking this may possibly be an opportunity for meeting and punishing the serial killer, Mack borrows his friend's 4X4 and drives there, apparently narrowly avoiding a collision with a truck. Finding the ruined cabin cold, desolate and empty, he is overcome with frustration, rage and an almost irresistible impulse to turn his handgun on himself. But he suddenly encounters a mysterious trio of strangers who invite him to stay at their well-furnished, cozy little house situated just down the path and, oddly, in the midst of a beautiful, sunshiny, summertime wilderness.
The trio of strangers gradually reveal their identities: an African-American woman is God the Father (Papa), a Middle Eastern man is Jesus, and an Asian woman is the Holy Spirit. The purpose of their invitation is to first help him better understand his life as seen from a much broader context or higher perspective. This helps free him from an inclination to pass judgment upon himself and everyone else who crosses his path. It is from that new starting point that he may then continue his long, slow journey healing himself and his family, and forgiveness for himself as well as for those who have greatly harmed him and his loved ones.
He helps Jesus build a beautiful wooden box, the Holy Spirit to prepare a spot in her garden for a planting, and then Papa - in the form of an elderly Native American man - leads him to the cave where Missy's body is located. Together they prepare her body for burial, place her in the box, and lay her to rest in the garden. He briefly sees Missy in Heaven, but is unable to be with her. Jesus steps through the boundary separating them to visit with her. Mack also visits another cave where God's wisdom, in the form of a woman, Sophia, talks to him. Eventually, the trio and Mack encounter the spirit of Mack’s father, who apologizes for his mistreatment of Mack and he reluctantly forgives him. Mack also apologizes to his father, whom he killed, and finally understands that Missy's death was not punishment for his murder of his father.
Finally able to move beyond his grief and his faith restored, he leaves the trio and sets out to return home to his family. However, he again encounters the truck and this time collides with it and wakes up in hospital. The friend from whom he borrowed the 4X4 tells him that he never reached the cabin, having crashed on the way there.[a]
- Sam Worthington as Mackenzie "Mack" Phillips
- Carson Reaume as Young Mack
- Octavia Spencer as God (Papa)
- Graham Greene as Male Papa
- Radha Mitchell as Nan Phillips
- Aviv Alush as Jesus Christ
- Sumire Matsubara as Holy Spirit (Sarayu)
- Tim McGraw as Willie
- Alice Braga as Sophia
- Megan Charpentier as Kate Phillips
- Gage Munroe as Josh Phillips
- Amélie Eve as Missy Phillips
- Ryan Robbins as Emil Ducette
This section needs expansion. You can help by adding to it. (January 2017)
The Shack grossed $57.4 million in the United States and Canada and $39.6 million in other territories for a worldwide gross of $96.9 million.
In North America, The Shack opened on March 3, 2017, alongside Before I Fall and Logan, and was projected to gross around $10 million from 2,888 theaters in its opening weekend. It made $850,000 from Thursday night previews and $5.5 million on its first day. It went on to open to $16.1 million, finishing above expectations and third at the box office behind Logan and Get Out. It dropped 38% in its second weekend, grossing $10 million and finishing 4th.
On Rotten Tomatoes, the film has an approval rating of 21% based on 72 reviews, with an average rating of 3.9/10. The site's critical consensus reads, "The Shack's undeniably worthy message is ill-served by a script that confuses spiritual uplift with melodramatic clichés and heavy-handed sermonizing." On Metacritic, the film has a weighted average score of 32 out of 100, based on 18 critics, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while PostTrak reported filmgoers gave an 85% overall positive score and a 70% "definite recommend".
Peter Sobczynski of RogerEbert.com gave the film 1.5 stars out of 4, saying it is "both too innocuous and too off-putting for its own good". Adam Graham of The Detroit News said it "feels like an overly long church sermon". The A.V. Club said, "Most of its running time is taken with mollifying conversations between Mack and the movie's New Age-meets-Bible Belt oversimplifications of the Holy Trinity. It fits right into a long tradition of quasi-mystical pseudo-parables."
Owen Glieberman from Variety said the following about the film: "'The Shack' has a real chance to connect commercially, because even though its drama is mushy, at heart it's a bit of a theme-park ride: the movie in which you get to know what it’s like to hang out with God and make friends with Jesus. In life, religion isn’t nearly so reassuring. It’s daunting, and our culture is starved for films that portray religious feeling in a way that's both reverent and truthful. 'The Shack' isn’t one of them; it reduces faith to a kind of spiritual comfort food. But thanks, in part, to movies like this one, maybe that's what faith is on its way to becoming."
Conservative critics were more positive towards the film. Kathy Schiffer of the National Catholic Register wrote that "I watched The Shack not once, but twice. It was inspiring, beautifully portrayed, and thought-provoking. The love and humor and the sheer joy of the Trinity, bantering over the dinner table in the Shack, was heart-warming, and it made fresh my awareness of God's love for me." Other conservative critics, such as Beliefnet's Wesley Baines, felt the film was successful because it resonated with the desires of its modern audience.
Despite the positive response from conservative critics, the film attracted the same sort of controversy for unorthodox theology that the book did. Theologian Albert Mohler said the film's depiction of God the Father, Jesus Christ, and the Holy Spirit is "profoundly unbiblical". John Mulderig of Catholic News Service said the film was "an intriguing endeavor" but had many problematic elements. Catholic Bishop Robert Barron said about the book "There's a lot of sweet stuff – but you do have to spit out a few seeds." New Testament scholar James B. DeYoung said the film promotes universalism, which he characterized as heresy.
|The Shack: Music From and Inspired By the Original Motion Picture|
|Soundtrack album by |
|Released||February 24, 2017|
|Genre||CCM, Christian hip hop, Christian rock|
|Producer||Kevin Weaver, Pete Ganbarg, Anastasia Brown|
The accompanying soundtrack for the film features contributions from popular artists primarily in the genres of country music and contemporary Christian music. It was released February 24, 2017 through Atlantic Records.
A new duet between Tim McGraw and Faith Hill was written and recorded for the film titled "Keep Your Eyes On Me" which is featured in the trailer. It was released digitally on January 27, 2017 as the soundtrack's first promotional single. This release was followed by Dan + Shay's promotional track, "When I Pray for You", on February 3, 2017. Christian rock band Skillet released an acoustic version of "Stars" from their album, Unleashed, in a music video for the film.
|1.||"When I Pray for You"||Dan + Shay||3:29|
|2.||"Keep Your Eyes on Me"||Tim McGraw and Faith Hill||4:11|
|3.||"Lay Our Flowers Down"||Lady Antebellum||3:12|
|4.||"Heaven Knows"||Hillsong UNITED||4:44|
|5.||"Where Were You"||Francesca Battistelli||3:07|
|6.||"Love Goes On"||Kelly Clarkson and Aloe Blacc||3:54|
|7.||"River of Jordan"||Lecrae featuring Breyan Isaac||3:45|
|8.||"Hard Love"||NEEDTOBREATHE featuring Lauren Daigle||3:37|
|9.||"Days of Dark"||Dierks Bentley||4:13|
|10.||"Phone Call to God"||Brett Eldredge||3:57|
|11.||"Honest to God"||Devin Dawson||3:14|
|12.||"Stars (The Shack version)"||Skillet||3:45|
|13.||"I'll Think About You"||We Are Messengers||3:56|
|14.||"Amazing Grace"||for KING & COUNTRY||3:22|
|Chart (2017)||Peak |
|US Billboard 200||40|
|US Christian Albums (Billboard)||1|
|US Soundtrack Albums (Billboard)||6|
- The ending differs from the book in that Mack does not lead the police to Missy's body, and they therefore do not find forensic evidence to identify and convict her killer.
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