This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article falls within the scope of WikiProject Opera, a group writing and editing Wikipedia articles on operas, opera terminology, opera composers and librettists, singers, designers, directors and managers, companies and houses, publications and recordings. The project discussion page is a place to talk about issues and exchange ideas. New members are welcome!OperaWikipedia:WikiProject OperaTemplate:WikiProject OperaOpera articles
This article is within the scope of WikiProject Women in Music, a collaborative effort to improve the coverage of Women in music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Women in MusicWikipedia:WikiProject Women in MusicTemplate:WikiProject Women in MusicWomen in music articles
Latest comment: 15 years ago1 comment1 person in discussion
The comment(s) below were originally left at Talk:Irra Petina/Comments, and are posted here for posterity. Following several discussions in past years, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section.
There have been many successful operettas on Broadway, the most recent being "The Scarlet Pimpernel" and "The Phantom of the Opera." In Ken Mendelbaum's trite book concerning unsuccessful Broadway shows, he refers to all operettas as "floperettas" and all female operetta stars as "floperetta queens." Other Broadway "flops" are not so negatively treated. It seems Mandelbaum does not like operetta very much. Well, that's his opinion!
My problem with the Irra Petina bio is that you quote him calling her a "floperetta queen." There seems to be no reason for this. This is unfair to the memory of her fabulous career. Why quote such an obscure book and such a silly and distainful opinion? Who wrote this bio anyway? Was it Mandelbaum himself? Please revise this, such a thing should not appear in anyone's bio. All I can say about Ken Mandelbaum is that they named him correctly- MandelBAUM. Mickalina1 (talk) 02:18, 27 August 2009 (UTC)Reply
Last edited at 02:18, 27 August 2009 (UTC).
Substituted at 19:07, 29 April 2016 (UTC)