Star Control II: The Ur-Quan Masters is a 1992 video game, the sequel to Star Control. It was developed by Toys for Bob (Fred Ford and Paul Reiche III) and originally published by Accolade in 1992 for MS-DOS. This game features exoplanet-abundant star systems, hyperspace travel, extraterrestrial life, and interstellar diplomacy, with the game featuring 25 different alien races that can be communicated with.
|Star Control II|
|Developer(s)||Toys for Bob|
Crystal Dynamics (3DO)
Paul Reiche III
|Release||November 1992 (DOS)|
|Genre(s)||Adventure, shoot 'em up|
|Mode(s)||Single player, multiplayer|
Released to critical acclaim, Star Control II is widely viewed today as one of the greatest PC games ever made, and has appeared on numerous publications lists of the greatest video games of all time.
The game was ported to the 3DO by Crystal Dynamics in 1994 with an enhanced multimedia presentation, allowed by the CD technology. The source code of the 3DO port was licensed under GPL-2.0-or-later in 2002, the game content under CC-BY-NC-SA-2.5. The 3DO code was ported to PC as The Ur-Quan Masters. A sequel, Star Control 3, was released in 1996.
Star Control II is an action-adventure science fiction game, set in an open universe. It features ship-to-ship combat based on the original Star Control, but removes the first game's strategy gameplay to focus on story and dialog, as seen in other adventure games. The player's goal is to free Earth from the evil Ur-Quan, by recruiting aliens to help. The main gameplay elements are exploring the galaxy, gathering resources, building a fleet, defeating enemy ships, and conversing with aliens.
One-on-one spaceship battles take place in real-time, based on the core gameplay of the original Star Control. Each ship has unique weapons, maneuvers, and secondary abilities, and winning a battle requires a combination of ship selection and skill. This combat mode can be played separately in a two-player battle mode called Super Melee. In the story mode, the player is limited to the ships they can gain from sympathetic alien races, whereas Super Melee includes every ship in both Star Control games. The only ship unique to the story mode is the player's capital ship, which is upgraded as the player gains new technology and resources.
After a brief opening sequence, the player is given near total freedom to explore the galaxy at large. Exploration often involves travelling to stars, landing on planets, and gathering resources. The player navigates their star map, with over 500 stars and 3800 planets to potentially visit. Players must manage their risk as they explore, as planets with more dangerous hazards usually feature more valuable resources, which are vital to upgrade the player's fleet. More rarely, a planet will feature an interactive alien race, who the player can engage with as a potential friend or foe. The interactive dialog options help advance the story, with branching conversations similar to other adventure games. These conversations also reveal secrets and information about the galaxy. The game vastly expands on the characters and backstory from the first game, with each species having their own characteristic conversational quirks, music, and even display fonts.
Whereas the first Star Control stores most of its lore in the instruction manual, Star Control II continues the story with a rich in-game experience, playing through events after the Alliance is defeated by the Hierarchy. In the last phase of the war between the Alliance of Free Stars and the Hierarchy of Battle Thralls, an Earthling ship discovered an ancient Precursor subterranean installation in the Vela star system. A massive Hierarchy offensive forced the Alliance fleets to retreat beyond Vela, stranding the science expedition, who went in to hiding. Decades later, with the help of a genius child born on the planet, the colonists activated the Precursor machinery and found out that it was programmed to build a highly advanced but unfinished starship, which could be piloted only by the now grown genius child, who alone could interact with the Precursor central computer. The new ship set out to Sol to make contact with Earth, but shortly before reaching Sol the little fleet was attacked by an unknown probe; The expedition commander, captaining the expedition's Earthling Cruiser, intercepted the alien ship before it could damage the defenseless Precursor starship, but was killed in the short fight, leaving the genius young man in command.
The player begins the game as the commander of the Precursor starship, who returns to Earth to find it enslaved by the Ur-Quan. The Captain gains the support of the skeleton crew of Earth's caretaker starbase and ventures out to contact the other races to find out what's happened since the end of the war and try to recruit allies in to a New Alliance of Free Stars against the Ur-Quan. The Captain quickly discovers that the rest of the humans' allies in the war against the Ur-Quan have either been eradicated, put under slave shields, or put into service as Ur-Quan battle thralls. As the player progresses, it is revealed that the Ur-Quan are fighting an internecine war with the Kohr-Ah, a subspecies of Ur-Quan who believe in eradicating all life in the galaxy, as opposed to enslaving it. The winner of this war will gain access to the Sa-Matra, a Precursor battle platform of unparalleled power. The player must take advantage of the Ur-Quans' distraction to contact and recruit alien races into a new alliance, gather resources and build a fleet, and find a way to destroy the invincible Sa-Matra, before the Ur-Quan finish their war and become unstoppable.
The Captain resolves issues several of the races are facing, or exploits their weaknesses, to get them on side. Notably the Captain finds the Chenjesu and Mmrnmhrm on Procyon undergoing their own plan to merge in to a composite species powerful enough to defeat the Ur-Quan, and captures a psychic alien Dnyarri, which the Captain discovers is a member of the race that brutally enslaved the galaxy millennia ago, causing the Ur-Quan's hegemonic and genocidal rampage around the galaxy. The Captain uses a precursor Sun Device to accelerate the merging of the Chenjesu and Mmrnmhrm to create the Chmmr, who amplify a precursor terraforming bomb, allowing the Captain to sacrifice his ship to destroy the Sa-Matra and defeat the Ur-Quan.
Star Control II began as a more ambitious project than the original Star Control, with Reiche and Ford hoping to go beyond ship combat to develop a "science fiction adventure role-playing game". The team credits the pre-existing combat from the original Star Control with giving them a strong core to build a larger game around. The sequel would develop into a much more detailed adventure than the first edition. Ford explains that the original Star Control had "some story there, but it was mostly in the manual. In Star Control II, we made a conscious decision to tell more of a story". The duo would downplay the scale of the game when pitching it to their publisher Accolade, and the game's development would eventually go over schedule.
Reiche and Ford drew inspiration from many science-fiction authors, as well as peers in the game industry. A few years earlier, Reiche had been friends with Greg Johnson during the creation of Starflight, inspiring Reiche to offer creative input on Johnson's expansive science fiction game. Once Reiche and Ford conceived Star Control 2, they would draw large inspiration from Starflight. This friendship and mutual admiration even led to hiring Greg Johnson, whom they credit as "one of the most significant contributors to Star Control II". Ford also cites their shared love author Jack Vance from their childhood, and were intrigued by the idea of exaggerated societies taken to their extremes, and intelligent characters committed to an interesting agenda. Reiche would cite the influence of numerous fiction authors over the Star Control series, including Jack Vance, Orson Scott Card, Robert Heinlein, David Brin, and Andre Norton. David Brin's Uplift Universe and Larry Niven's Known Space series are often mentioned as inspiration for Star Control II.
The creators started by asking "what people do when they go out and have an adventure in space", while keeping in mind what they could actually implement. This led them to create numerous stars and planets, through a combination of procedural generation and handcrafted assets. Despite the fact that exoplanets had yet to be fully discovered, Reiche initially took on the challenge of simulating planetary systems based on scientific principles. They ultimately decided to bypass some details of the simulation, due to its lack of distinct planets to explore. Instead, they imagined cracked planets with magma chasms, ruby planets with precious zirconium, and even rainbow colored planets. The planets were created with a procedurally generated height map, which required difficult programming solutions to simulate the appearance of a 3D sphere. They additionally simulated 3D asteroids by digitizing images of pumice they had taken from a parking lot.
The Star Control II team also invented their own fictional, flat version of space, so that the stars could be arranged in a more clear and interesting way. The algorithmically-assisted generation of the star map helped to create a vast, mysterious setting for players to explore. The map also added circles of influence for the aliens, not just to describe their location, but to provide narrative hints about their changing power, relationships, and stories.
Reiche and Ford wanted their new game to further investigate their self-described "superficial" stories and aliens from the original Star Control. Thus, the story for Star Control II would greatly expand on those original characters, and add a few more.
This was the last time that Reiche would design a game using pen and paper, including dozens of flow charts for the major plot points, player choices, and dialog trees. Paul Reiche III describes this creative process, "I know it probably sounds weird, but when I design a game like this, I make drawings of the characters and stare at them. I hold little conversations with them. 'What do you guys do?' And they tell me." Early in the process, they used the first game's character and ship images to create simple visual stories about the two main sides of the conflict. The main antagonist the Ur Quan were already understood as a race of slavers in Star Control, so Reiche developed their motivation by writing their backstory as slaves themselves. To justify the Mycon's organic structures and high energy plasma, they decided that the Mycon lived beneath the planet's crust, and must have been artificially created to survive there. Fred Ford inspired the character design for the Earth starbase commander, as well as the Pkunk's insult ability, while the Spathi were inspired by a running joke about Paul Reiche's desire for self-preservation. The rich storytelling was a contrast to the first game's emphasis on player versus player combat, but they realized that their combat artificial intelligence could give story-loving players an option to delegate battles.
Once Reiche and Ford imagined the different alien personalities, Reiche hand-drew a flow chart for each alien's dialog options, which Ford would implement into the game with placeholder tags. However, the sheer quantity of writing and art proved to be challenging for the game's epic scale. Fred Ford surprised the team with his prolific coding, and it was the rest of the team who needed to catch-up with art, writing, music, and other assets. They quickly enlisted the help of friends and family to create game content. One crucial friend was Starflight creator Greg Johnson, who Reiche had previously helped on Starflight while sharing office space. Johnson ended up writing dialog for several aliens, as well as creating most of the artwork for the alien spaceships. They were also able to hire fantasy artist George Barr through mutual friends, who had inspired the game's "pulp science-fiction" feel, and happened to be living nearby. Long-time friend Erol Otus was another collaborator, who Reiche describes as contributing the widest range of content, including music, text, art, illustrations for the game manual, and (later) voice-acting.
The largest number of collaborators were needed for the game's numerous dialog options. The creators were admirers of the Monkey Island games, and aimed to achieve the same level of player choice and humor. Reiche felt that each character needed their own font to match their distinct personality, and built a font-editing system to achieve this.
Deadline and budgetEdit
Reiche and Ford felt it was difficult to maintain Accolade's interest in the game. In fact, Accolade had played a version of the game with placeholder dialog, and was content to ship the game with the "cryptic" text as-is. This led to an industry legend that the duo absconded to Alaska to finish the game without Accolade's interference. The creators later clarified that Accolade did not interfere with development and was satisfied to publish the game in any form, and that this was important to their creative freedom and artistic success. As the project went over schedule, their payment from Accolade came to an end. Fred Ford decided to financially support the team for the final months of development, and they were ultimately able to finish the project with the help of numerous family, friends, and other collaborators.
The team stretched their music budget by holding a contest to create the game's soundtrack. Reiche and Ford had previously discovered the sample-based MOD file format while porting the first Star Control's music to consoles. They posted the music contest to a newsgroup for Amiga users, despite the fact that the game was for PC, because Amiga hobbyists were the main community of MOD-tracker users in that time. The contest attracted people from around the world, due to the popularity of the MOD format in the largely European demoscene. The contest also led them to discover a teenager named Dan Nicholson, who they hired to create additional music as needed. Further music came from existing team member Erol Otus, who first composed the Ur-Quan theme on a synthesizer before it was re-sampled and exported to the MOD file format. The critically acclaimed soundtrack would include music from Aaron Grier, Erol Otus, Eric Berge, Riku Nuottajärvi, and Dan Nicholson.
Months after its release, the team would create hours of voice dialog for the 3DO version of the game, taking advantage of space afforded by CD-ROM technology, while bucking the trend of CD-based games with full motion video. Game Developer Magazine featured the game in its list of open source space games, praising its scale and charm, as well as its new features. In the end, the 3DO version would feature 11 hours of voice audio, including performances from Reiche, as well as friends Greg Johnson and Erol Otus.
Star Control II received a positive reception around its release, as well as several awards. Soon after, Star Control II began to appear on many "all time best" lists for players and industry figures, a reputation that has continued ever since.
Reviews and awardsEdit
|Next Generation|| (3DO)|
|Pelit||1993 Game of the Year|
|GDC||Class of '93 Honor|
|CGW||1993 Adventure Game of the Year|
|VideoGames||Best Adventure Game|
Computer Gaming World stated that Star Control II was as much a sequel to Starflight as to Star Control. The reviewer praised the VGA graphics and wrote that the game "has some of the best dialogue ever encountered in this genre". He concluded that the game "has been placed on this reviewer's top ten list of all time ... one of the most enjoyable games to review all year. It is not often that a perfect balance is struck between role playing, adventure, and action/arcade". In their 1994 survey of strategic space games set in the future, they gave the game four-plus stars out of five, stating that "it offers hours of 'simple, hot and deep' play". Dragon gave the game a full five-star review, telling their readers that "if you are a science-fiction gamer who enjoys a superb game environment, a high dollar-to-play ratio, and numerous challenges, SC2 is a definite must-have for your software library". Questbusters called it the "best science-fiction role-playing game since Starflight", and "best RPG of the year". Giving the game four out of five stars, Game Players described the game's epic scale, where "there's so much to do -- so many planets to explore and mysteries to solve and battles to fight -- that the game may dominate your spare time". PC Games noted the game's "rich history", describing the game as "part arcade, part role-play, Star Control II is all science fiction, with an emphasis on fiction." COMPUTE! suggested that the game "gives you exactly what you want in a space adventure", also giving the strongest praise for the music and sound as "among the best done for any game on the market." The game was also rated 96/100 by Finnish magazine Pelit, who immediately hailed it as one of the best games of the year.
Reviewing the 3DO version, GamePro remarked that the user-friendly interface makes the complicated gameplay easy to handle. They also praised the impressive graphics and the voice acting's use of unique vocal inflections for each alien race, and concluded that the game is "an addicting epic sci-fi adventure that will have patient space explorers and zero-gravity tacticians glued to their screens for a million hours. All others should stay away." The four reviewers of Electronic Gaming Monthly likewise praised the accessible interface and impressive graphics, but complained that the alien voices are sometimes difficult to understand. They cited the CD-quality audio and the Melee mode as other strong points, and one of them commented that it "blows [the PC version] out of the water." They gave it an 8.25 out of 10. Next Generation reviewed the 3DO version of the game, rating it three stars out of five, and stated that "if you've the patience to spend hours digging for minerals, the game is addictive, but not state of the art."
The year of its release, the Game Developers Conference honored Star Control II as an exceptional game among their "Class of '93", calling it a "perfect blend of action and adventure", as well as "sound that is exceptional enough to make gamers think they've upgraded their sound boards". The game also received Pelit magazine's first "Game of the Year" award, and an award from Computer Gaming World, naming it the magazine's 1993 Adventure Game of the Year (a co-honor with Eric the Unready).
"Greatest game" listsEdit
Star Control II quickly began to appear on "all-time favorite" lists, a practice that continued for many years. In 1994, PC Gamer US named Star Control II as the 21st best computer game ever. The editors called it "an epic" and "thoroughly enjoyable to play and look at." That same year, PC Gamer UK named it the 33rd best computer game of all time. The editors wrote, "If ever a game deserved an award for being underrated, it's Star Control II." The next year, players voted the game into PC Gamer's Readers Top 40. Computer Gaming World created their own list in 1996, ranking Star Control II as the 29th best PC game of all time, calling it "a stunning mix of adventure, action, and humor." In 1999, Next Generation also ranked it among their top 50 games of all time.
This acclaim continued well into the next millennium. In 2000, GameSpy inducted Star Control II into their Hall of Fame, and ranked it the 26th best game of all time just one year later. In 2003, GameSpot included Star Control II on their list of greatest games of all time. In the same year, IGN named Star Control II as their 53rd greatest game of all time, and ranked it again at 17th greatest in 2005. In 2006, Computer Gaming World inducted Star Control II into their Hall of Fame, explaining that "what made Star Control II stand out, though, was the incredible amount of backstory and interaction with all the alien species". PC Gamer listed Star Control II the 52nd greatest PC game in their 2011 rankings. In 2014, USGamer mentioned the game as one of the landmark titles from the 1990s, and Hardcore Gaming listed it among their 2015 rankings of 200 best video games of all time.
Compared to classic games from the same period, Star Control II is also ranked on several "best of" lists. Hardcore Gaming selected the game for their 2007 list of favorite classics, with "a combination of sandbox space travel and arcade-style combat, a plotline equal to any space opera you can name, hundreds of pages' worth of interactive dialog and dozens of memorable, unique races, it's easy to see why most reviews of Star Control II quickly turn into love letters." When Kotaku compiled their list 2013 list of "Classic PC Games You Must Play", Star Control II reached the very top of the list. Retro Gamer remembers Star Control II as one of the top 10 games made for the 3DO Interactive Multiplayer, and later listed it among their top 100 retro games at the 68th position. Den of Geek also ranked it at #37 among their list of classic DOS games. Its status as a classic game would lead IGN to list the series among the top 10 franchises that needed to be resurrected. Comparing it to the original Star Control, Cinema Blend celebrates Star Control II in their short list of sequels that progressed well beyond their predecessors.
"Greatest design" listsEdit
Star Control II is also recognized for its excellence in several creative areas, including writing, design, and music. In 1996, Computer Gaming World ranked Star Control II among their top 15 most rewarding game endings, proclaiming that the game "entertains right down to the end, with the some of the funniest credits since Monty Python's Holy Grail". The game's ending was similarly ranked as the third greatest of all time according to GameSpot's editors, with their readers ranking it the sixth greatest ending. Moreover, GameSpot twice acclaimed the Ur-Quan among their top ten game villains, mentioning them at the top of one 1999 list as "one of the very best villains. Even now, we are hard-pressed to find a race of adversaries as complex and three-dimensional as the Ur-Quan."
The world design of Star Control II is also celebrated, with Paste magazine giving it top ranking on their list of "games that capture the infinite potential of space". GameSpot ranked the Star Control II universe among their top ten game worlds, whereas GameRant listed Star Control II as the third largest open world map, also noting it as "perhaps the most underrated game of all time".
The game's music is remembered as the 37th greatest game soundtrack by the music magazine FACT, describing it as "a lost 80s treasure trove of unreleased techno, synth pop and Italo". The music of Star Control II was similarly listed as the second greatest game soundtrack according to GameSpot's editors, which was echoed once again by their readers.
Legacy and influenceEdit
Long after its release, Star Control II continues to garner acclaim across the game industry. Responding to film critics who criticized video games as a superficial medium, The Escapist magazine highlighted Star Control II as "the scripting was second to none. Don't be fooled by the fantastical setting - the story maturely dealt with wide ranging issues, from genocide to religious extremism, and still remained terrifying, touching, and damn funny in places." The magazine would revisit this in a 2014 retrospective, calling it a "must play for space loving gamers", offering "a massive experience filled with exploration, action and some of the funniest aliens you'll run into any video game". Rock Paper Shotgun featured the game in 2016, celebrating "some of the most memorable aliens ever put in a game, and still some of the best written." In a 2018 retrospective of the entire series, Hardcore Gaming 101 notes that "there are aspects of Star Control II that are rough around the edges..., [b]ut once you surmount those obstacles, it reveals itself as one of the smartest, funniest, most adventure-filled science fiction games ever made". In a multi-part feature on the history of video games, VGChartz noted that Star Control II is "often considered one of the greatest games ever made". Kotaku referred to it as "one of the early ’90s most revolutionary sci-fi games", and game historian Rusel DeMaria describes it as one of the best games ever written. Additionally, The Dickinson Press called it "one of the best PC games ever", and The Completist notes it as "one of the greatest games ever made".
Indeed, Star Control II is admired and influential amongst notable developers in the game industry. Tim Cain credits Star Control II with inspiring his open-ended design in both Fallout and Arcanum: Of Steamworks and Magick Obscura, calling it his personal favorite RPG of all time and one of the best computer games ever developed. Founder of BioWare Ray Muzyka also cites Star Control as an inspiration, stating that "the uncharted worlds in Mass Effect comes from imagining what a freely explorable universe would be like inside a very realistic next-gen game." Indeed, journalists have noted heavy similarities in the story, characters, and overall experience of Mass Effect, even calling Star Control II a spiritual predecessor. FACT notes that Star Control II's "galaxy-spanning sci-fi setting whose adventure elements foreshadowed Mass Effect by a good 15 years". PCGamesN explains further, that "while Star Control II is a little clunky and esoteric by modern standards, this was the Mass Effect of its era, defining many of the elements you might have taken for granted in Bioware's classic sci-fi RPG series. ... Star Control's weird and wonderful alien races are far more exciting than anything Bioware gave us." Henrik Fahraeus of Paradox Interactive credits Star Control II as a major influence on strategy game Stellaris, after expressing disappointment that the Mass Effect series lacked the exploration and openness of Star Control II. Game writer and narrative designer Zoë Quinn called Star Control II a childhood obsession, describing how she "filled several notebooks with notes and maps as I constantly explored Fake Space, trying to see everything and uncover all the secrets in the game." Vice President of Insomniac Games Brian Hastings ranked Star Control II as one of his top games, and one of "the most original and perfectly executed games ever". Alexx Kay of Irrational Games hailed Star Control II as the best game "by a mile", noting that it was "one of the first story-based games where your actions had clear consequences". In Joshua Bycer's book "20 Essential Games to Study", his first chapter is devoted to analyzing Star Control II, as an unprecedented open world game far ahead of its contemporaries.
Star Control II is sometimes credited as a spiritual successor to Starflight, inheriting its legacy as a genre-defining space exploration game.
The Ur-Quan MastersEdit
Sequel and continuityEdit
In 2017, Reiche and Ford announced plans to create a direct sequel to The Ur Quan Masters, which would effectively bypass the story from Star Control 3, created by the now defunct Legend Entertainment. This announcement comes after years of fan requests for a sequel. Due to disagreements between the trademark owner of Star Control and the ownership of the intellectual property within the games previously sold under the trademark, the game development was halted. A settlement has been reached, and work resumed in the fall of 2020.
- Hutchinson, Lee (23 October 2018). "Video: How Star Control II was almost a much more boring game". Ars Technica.
- Hamilton, Kirk (September 19, 2013). "The Game That "Won" Our Classic PC Games List (If It Had A Winner)". Kotaku. Retrieved April 3, 2018.
- Wen, Howard (August 11, 2005). "The Ur-Quan Masters". O'Reilly Media. Archived from the original on March 16, 2016. Retrieved October 22, 2020.
- Kalata, Kurt (September 11, 2018). "Star Control II". Hardcore Gaming 101. Retrieved October 22, 2020.
- Hayward, David (May 9, 2019). "50 Underrated DOS Games". Den of Geek.
- Shearer, Stew (December 6, 2014). "Star Control 2 - Interstellar Awesome". The Escapist. Retrieved October 22, 2020.
- Hope, Patrick (September 24, 2013). "Patrick Hope: Into the vault with little-known Ur-Quan Masters". The Dickinson Press. Retrieved 2020-05-28.
- "5 Sequels That Are Very Different From The Original Games". CinemaBlend. May 1, 2015. Retrieved May 7, 2020.
- Bycer, Joshua (October 26, 2018). 20 Essential Games to Study. CRC Press. pp. 4–. ISBN 978-0-429-80208-9. Retrieved October 22, 2020.
- Drake, Jeff (November 10, 2019). "The 10 Biggest Open World Games". Game Rant. Retrieved October 22, 2020.
- Hall, Larry; Wagner, Jeff; Friedland, David (1991). "Star Control Manual (Sega Version)" (PDF). Accolade. Retrieved October 14, 2020.
- Barton, Matt (April 19, 2016). Honoring the Code: Conversations with Great Game Designers. CRC Press. pp. 203–. ISBN 978-1-4665-6754-2. Retrieved October 22, 2020.
- Fred Ford & Paul Reiche III (June 30, 2015). "Classic Game Postmortem: Star Control". YouTube. Game Developers Conference. Retrieved October 22, 2020.
- Hoffman, Erin (January 19, 2010). "When the Stars Align". The Escapist. Retrieved November 21, 2012.
- Kasavin, Greg (June 27, 2003). "Greatest Games of All Time - Star Control II (Interview Feature)". GameSpot. Archived from the original on March 5, 2005. Retrieved October 22, 2020.
- Tringham, Neal Roger (September 10, 2014). Science Fiction Video Games. CRC Press. pp. 428–. ISBN 978-1-4822-0388-2. Retrieved October 22, 2020.
- "War Stories: How Star Control II Was Almost TOO Realistic (Video)". Ars Technica. October 23, 2018. Retrieved October 22, 2020.
- Hutchinson, Lee (December 27, 2018). "How Star Control II was almost a much more boring game (Article)". Ars Technica. Retrieved October 22, 2020.
- DeMaria, Rusel (December 7, 2018). High Score! Expanded: The Illustrated History of Electronic Games 3rd Edition. CRC Press. ISBN 978-0-429-77139-2. Retrieved October 22, 2020.
- John, Harris (January 1, 2008). "Game Design Essentials: 20 Mysterious Games". Gamasutra. Retrieved October 22, 2020.
- Walker, Alex (July 14, 2020). "Star Control 2 Was Designed And Built Entirely On Hand-Drawn Flowcharts". Kotaku Australia. Retrieved July 20, 2020.
- Horowitz, Ken (February 22, 2005). "Interview: Greg Johnson". Sega 16. Archived from the original on March 17, 2007. Retrieved October 22, 2020.
Greg Johnson: Star Control wasn't my game. I did help out on it, but that was really done by two good friends of mine Paul Reiche and Fred Ford. Paul and Fred run a game development studio called Toys For Bob. Back in the old days a bunch of us who developed games used to share a suite of offices, and basically just help each other out on our respective games. Paul let me write the dialogue for a number of the races in Star Control 2 and I think I did the artwork for most of the spaceships, but that's it. It was Paul's design. To this day Star Control Melee continues to be one of the games I play the most. I think Paul is one of the most amazing game designers ever.
- Hutchinson, Lee (October 26, 2018). "Video: The people who helped make Star Control 2 did a ton of other stuff". Ars Technica. Retrieved October 22, 2020.
- GameSpy Staff (February 3, 2001). "Interview with George Barr". GameSpy. Archived from the original on March 13, 2006. Retrieved August 6, 2020.
- Top 100 Moments. PC Powerplay Issue 100. June 2004. p. 30. Retrieved October 22, 2020.
- Nirvi, Niko (March 21, 2006). "Star Control - Kontrollin aikakirjat". Pelit. Retrieved October 22, 2020.
- Sihvola, Jari (March 2014). "Trackerien tarina – modit soivat yhä" (PDF). Skrolli magazine. p. 37. Retrieved October 22, 2020.
- Brad Stabler, John Twells, Miles Bowe, Scott Wilson and Tom Lea (April 18, 2015). "The 100 best video game soundtracks of all time". FACT. Retrieved October 22, 2020.CS1 maint: uses authors parameter (link)
- Szczepaniak, John (2005). "Control & Conquer" (PDF). Retro Gamer. pp. 85–87. Retrieved October 22, 2020.
- Staff (2010). Space is the Place. Game Developer Magazine - January 2010. p. 4. Retrieved October 22, 2020.
- McDonald, T. Liam (December 1995). "Star Control 3 - Preview". PC Gamer. Retrieved October 22, 2020.
Six years after Paul Reiche III and Fred Ford first introduced Star Control, and four years after the sequel, it still hits the charts as an "all-time favorite" and "most played" game on online services and in player surveys.
- Francois Laramee (2014). "Star Control II - Review". AllGame. Archived from the original on 2014-11-15.
- Brooks, M. Evan (May 1994). "Never Trust A Gazfluvian Flingschnogger!". Computer Gaming World. pp. 42–58. Retrieved October 22, 2020.
- Lesser, Hartley; Lesser, Patricia; Lesser, Kirk (July 1993). "The Role of Computers" (PDF). Dragon. No. 195. pp. 57–64. Retrieved October 22, 2020.
- "ProReview: Star Control II". GamePro. No. 64. IDG. November 1994. p. 174. Retrieved October 22, 2020.
- "Review Crew: Star Control II". Electronic Gaming Monthly. No. 63. Ziff Davis. October 1994. p. 38. Retrieved October 22, 2020.
- "Finals". Next Generation. No. 1. Imagine Media. January 1995. p. 91.
- Firme, Matthew A. (March 1993). Reviews - Star Control II. Game Players PC Entertainment - Volume 6 Issue 2. pp. 61–64. Retrieved October 22, 2020.
- Mantylahti, Ossi (January 1993). "Star Control II". Pelit. Retrieved October 22, 2020.
- "The 7th International Computer Game Developers Conference". Computer Gaming World. July 1993. p. 34. Retrieved July 12, 2014.
- "Computer Gaming World's Game of the Year Awards". Computer Gaming World. October 1993. pp. 70–74. Retrieved March 25, 2016.
- "VideoGames Best of '94". VideoGames - The Ultimate Gaming Magazine. No. 74 (March 1995). February 1995. pp. 44–7.
- Trevena, Stanley (March 1993). "Accolade's Star Control II". Computer Gaming World. p. 34. Retrieved July 6, 2014.
- Adams, Shay (January 1993). "Star Control II - Deep Space Questing". Questbusters. pp. 1, 14. Retrieved October 22, 2020.
- Ferrell, Ed (February 1993). PCG Reviews - Star Control II. PCGames. pp. 49–50. Retrieved October 22, 2020.
- Sears, David (June 1993). "Star Control II (Software Review)". COMPUTE!. Retrieved October 22, 2020.
- "PC Gamer Top 40: The Best Games of All Time". PC Gamer US. No. 3. August 1994. pp. 32–42.
- "The PC Gamer Top 50 PC Games of All Time". PC Gamer. No. 5. April 1994. pp. 43–56.
- Staff (January 1995). "PC Gamer's Readers Top 40". PC Gamer. p. 59.
- "150 Best Games of All Time, The 15 Most Rewarding Endings of All Time". Computer Gaming World. November 1996. pp. 64–80, 127. Retrieved October 22, 2020.
- "The Fifty Best Games of All Time". Next Generation. No. 50. February 1999.
- Chris "shaithis" Buecheler (September 2000). "The Gamespy Hall of Fame - Star Control 2". GameSpy. Archived from the original on 2001-04-30.
- Gamespy Staff (August 7, 2001). "GameSpy's Top 50 Games of All Time". GameSpy. Archived from the original on October 31, 2001. Retrieved 2020-10-07.
- Greg Kasavin (2003-06-27). "The Greatest Games of All Time - Star Control 2". Gamespot. Archived from the original on 2005-08-14.
- "IGN's Top 100 Games of All Time (2003)". IGN. 2005-11-23. Archived from the original on 2005-11-23. Retrieved 2020-05-22.
- "IGN's Top 100 Games (2005)". IGN. 2005-08-02. Archived from the original on 2005-08-02. Retrieved 2020-05-22.
- Hall of Fame - Star Control II. Computer Gaming World Issue 266. p. 66. Retrieved October 22, 2020.
- "The 100 best PC games of all time". pcgamer. Retrieved 2018-04-03.
- USgamer Team (August 31, 2014). "The Greatest Years in Gaming History 1972-2014: 1990-1999". USgamer. Retrieved October 22, 2020.
- "HG101 Presents: The 200 Best Video Games of All Time". Hardcore Gaming 101. 2015-12-05. Archived from the original on 2017-10-29.
- Ellis, Elizabeth (February 2007). Retro a Go-Go! - HGM's favorite Hardcore Classics. Hardcore Gamer Magazine Volume 2 Issue 8. p. 45. Retrieved October 22, 2020.
- "Top Ten 3DO Games". Retro Gamer. 2014-05-13.
- Redaktion, Retro Gamer (2020-06-28). Retro Gamer Spezial 4/2020: Die 100 besten Retro-Spiele (in German). Heise Medien GmbH & Co. KG. ISBN 978-3-95788-270-7.
- David Hayward (2019-05-09). "50 Underrated DOS Games". Den of Geek.
- IGN PC Team (2012-06-12). "Franchises We Want Resurrected". IGN.
- "Classics Reborn: Volume 3". IGN. April 22, 2004.
- "5 Sequels That Are Very Different From The Original Games". CINEMABLEND. 2015-05-01. Retrieved 2020-05-07.
- "GameSpot's Best 10 Endings". GameSpot. Archived from the original on 2005-02-19. Retrieved 2020-05-11.
- "GameSpot's Ten Best Endings: RC". GameSpot. Archived from the original on 2004-10-09.
- GameSpot Staff (1999). "The Ten Best Computer Game Villains - The Ur Quan". GameSpot. Archived from the original on 2002-08-23.
- GameSpot Staff (1999). "Reader's Choice: Best Villains - Villains 5-1". GameSpot. Archived from the original on 1999-10-12.
- Patrick Lindsey (2015-01-07). "8 Games That Capture the Infinite Potential of Space". Paste magazine.
- "GameSpot's Top 10 Gameworlds". GameSpot. Archived from the original on 2005-02-28.
- Jeff Drake (2019-11-10). "The 10 Biggest Open World Games". Game Rant.
- Brad Stabler, John Twells, Miles Bowe, Scott Wilson and Tom Lea (2015-04-18). "The 100 best video game soundtracks of all time". FACT.CS1 maint: uses authors parameter (link)
- "The Ten Best Game Soundtracks". GameSpot. 1999-10-13. Archived from the original on 2003-04-06.
- "The Ten Best Game Soundtracks: RC". GameSpot. 1999-09-01. Archived from the original on 2003-04-06.
- Szczepaniak, John (June 12, 2005). Late 1980s and Beyond. The Escapist. p. 6. Retrieved October 22, 2020.
- Stew Shearer (2014-12-06). "Star Control 2 - Interstellar Awesome". The Escapist.
- Richard Cobbett (2016-02-15). "The RPG Scrollbars: Praise The Ur-Quan Masters". Rock Paper Shotgun.
- Palola, Taneli (2016-03-06). "History of Video Games: The Beginning of the Console War (1989-1993)". VGChartz. Retrieved 2020-07-20.
- "Star Control 2 Was Designed And Built Entirely On Hand-Drawn Flowcharts". Kotaku Australia. 2020-07-14. Retrieved 2020-07-20.
- Sep 24th 2013 - 9am, Dickinson Press Staff |. "Patrick Hope: Into the vault with little-known Ur-Quan Masters". The Dickinson Press. Retrieved 2020-05-28.
- Dana Smith (July 2013). "The Completist Presents: Star Control 2". The Completist.
- Cain, Tim (September 2019). Pepe, Felipe (ed.). The CRPG Book: A Guide to Computer Role-Playing Games. Bitmap Books. ISBN 978-1-9993533-0-8.
Since its release in 1992, Star Control 2 has been considered one of the best computer game ever developed, and for me, it remains my favorite CRPG of all time. You can see its influence in the open-endedness of Fallout and Arcanum, and I will always remember this game fondly.Alt URL
- "The CRPG Book Project - "1992 – Star Control 2" from Tim Cain
- John Gaudiosi (2007-11-20). "Critically Acclaimed Mass Effect Powered by Unreal Engine 3". Unrealengine.com.
- Chris Ullery (2012-03-13). "Arcade Arcana: Star Control II–Mass Effect's Estranged, Spiritual Father". Pikimal. Archived from the original on 2012-03-16.
- Dominic Tarason. "DOS classics Star Control 1 & 2 hit Steam, but you might want to try this HD fan-remaster". PC Games N.
- Hamilton, Kirk. "The Game That "Won" Our Classic PC Games List (If It Had A Winner)". Kotaku. Retrieved 2018-04-03.
- Tarason, Dominic (October 22, 2017). "DOS classics Star Control 1 & 2 hit Steam, but you might want to try this HD fan-remaster". PCGamesN. Retrieved 2020-06-16.
- Alex Hamilton (2016-06-11). "Stellaris Interview". GameGrin.
- Smith, Adam (May 8, 2012). "Regal Counsel: Crusader Kings II Interview". Rock Paper Shotgun. Retrieved 2020-10-14.
- Hastings, Brian (January 2000). Developer's Top Ten. Gamefan - Volume 8 Issue 01. p. 10. Retrieved October 22, 2020.
- Joshua Bycer (26 October 2018). 20 Essential Games to Study. CRC Press. pp. 4–. ISBN 978-0-429-80208-9.
- Lee Hutchinson (2012-09-28). "Masterpiece: Starflight for PC". Ars Technica.
- Reiche & Ford. "The Only Way To Win Is". Updates from Fred Ford and Paul Reiche III.
- Jonathon Dornbush (2017-10-09). "Star Control II Direct Sequel Ghosts of the Precursors Announced". IGN.
- Alice O'Connor (2017-10-11). "Star Control 2 creators finally making sequel". Rock Paper Shotgun.
- Michael McWhertor (2017-10-10). "Star Control creators working on direct sequel to Star Control 2". Polygon.
- Fred Ford and Paul Reiche III (2021-06-17). "I Seriously Considered Adding A Cow To This Image". Dogar And Kazon.