Southern United States literature
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Southern literature (sometimes called the literature of the American South) is defined as American literature about the Southern United States or by writers from this region. Traditionally, the study of southern literature has emphasized a common Southern history, the significance of family, a sense of community and one's role within it, a sense of justice, the region's dominant religion (Christianity — see Protestantism), and the burdens/rewards religion often brings, issues of racial tension, land and the promise it brings, a sense of social class and place, and the use of the Southern dialect. However, in recent decades, the scholarship of the New Southern Studies has decentralized these conventional tropes in favor of a more geographically, politically, and ideologically expansive "South" or "Souths".
In its simplest form, Southern literature consists of writing about the American South. Often, "the South" is defined, for historical as well as geographical reasons, as the states of South Carolina, Georgia, Florida, Alabama, North Carolina, Virginia, Tennessee, Mississippi, Louisiana, Texas, Oklahoma, Kentucky, West Virginia and Arkansas. Pre-Civil War definitions of the South often included Missouri, Maryland, and Delaware as well. However, "the South" is also a social, political, economic, and cultural construct that transcends these geographical boundaries.
Southern literature occupies a liminal space within American culture. On the one hand, the South has been marginalized within U.S. since the 18th century, because its reliance on plantation agriculture and African slavery made it seem too British in the post-Revolutionary war era. On the other hand, the white South has historically thrown its support behind American capitalist endeavors and imperial ambitions (for instance, through the enthusiastic participation of many white southerners in the Mexican-American war). At the same time, southern racial history has come to be seen as emblematic of, rather than exceptional to, U.S. racism. Southern literature has long reflected this ambivalence.
In addition to the geographical component of Southern literature, certain themes have appeared because of the similar histories of the Southern states in regard to slavery, the American Civil War, and Reconstruction. The conservative culture in the South has also produced a strong focus within Southern literature on the significance of family, religion, community in one's personal and social life, the use of the Southern dialect, and a strong sense of "place." The South's troubled history with racial issues also continually appears in its literature.
Despite these common themes, there is debate as to what makes a literary work "Southern." For example, Mark Twain, a Missourian, defined the characteristics that many people associate with Southern writing in his novel Adventures of Huckleberry Finn. Truman Capote, born and raised in the Deep South, is best known for his novel In Cold Blood, a piece with none of the characteristics associated with "southern writing." Other Southern writers, such as popular authors Anne Rice and John Grisham, rarely write about traditional Southern literary issues. John Berendt, who wrote the popular Midnight in the Garden of Good and Evil, is not a Southerner. In addition, some famous Southern writers moved to the Northern U.S. So while geography is a factor, the geographical location of the author is not the defining factor in Southern writing.
Early and antebellum literatureEdit
During the 17th and 18th centuries, English colonists in the Southern part of the American colonies produced a number of notable works. Two of the most famous were early memoirs of Virginia: Captain John Smith's account of the founding of Jamestown in the 1610s and 1620s, and William Byrd II's secret plantation diary, kept in the early 18th century. Both sets of recollections are critical documents in early Southern history.
After American independence, in the early 19th century, the expansion of cotton planting and slavery began to distinguish Southern society and culture more clearly from the rest of the young republic. During this antebellum period, South Carolina, and particularly the city of Charleston, rivaled and perhaps surpassed Virginia as a literary community. Writing in Charleston, the lawyer and essayist Hugh Swinton Legare, the poets Paul Hamilton Hayne and Henry Timrod, and the novelist William Gilmore Simms composed some of the most important works in antebellum Southern literature.
Simms was a particularly significant figure, perhaps the most prominent Southern author before the American Civil War. His novels of frontier life and the American revolution celebrated the history of South Carolina. Like James Fenimore Cooper, Simms was strongly influenced by Walter Scott, and his works bore the imprint of Scott's heroic romanticism. In The Yemassee, The Kinsmen, and the anti-Uncle Tom's Cabin novel The Sword and the Distaff, Simms presented idealized portraits of slavery and Southern life. While popular and well regarded in South Carolina—and highly praised by such critics as Edgar Allan Poe—Simms never gained a large national audience.
In Virginia, George Tucker produced in 1824 the first fiction of Virginia colonial life with The Valley of Shenandoah. He followed in 1827 with one of the country's first science fictions, A Voyage to the Moon: With Some Account of the Manners and Customs, Science and Philosophy, of the People of Morosofia, and Other Lunarians. Tucker was the first Professor of Moral Philosophy at the University of Virginia. In 1836 Tucker published the first comprehensive biography of Thomas Jefferson - The Life of Thomas Jefferson, Third President of the United States. Some critics also regard Poe as a Southern author—he was raised in Richmond, attended the University of Virginia, and edited the Southern Literary Messenger from 1835 to 1837. Yet in his poetry and fiction Poe rarely took up distinctively Southern themes or subjects; his status as a "Southern" writer remains ambiguous.
In the Chesapeake region, meanwhile, antebellum authors of enduring interest include John Pendleton Kennedy, whose novel Swallow Barn offered a colorful sketch of Virginia plantation life; and Nathaniel Beverley Tucker, whose 1836 work The Partisan Leader foretold the secession of the Southern states, and imagined a guerrilla war in Virginia between federal and secessionist armies.
Not all noteworthy Southern authors during this period were white. Frederick Douglass's Narrative is perhaps the most famous first-person account of black slavery in the antebellum South. Harriet Jacobs, meanwhile, recounted her experiences in bondage in North Carolina in Incidents in the Life of a Slave Girl. And another Southern-born ex-slave, William Wells Brown, wrote Clotel; or, The President's Daughter—widely believed to be the first novel ever published by an African-American. The book depicts the life of its title character, a daughter of Thomas Jefferson and his black mistress, and her struggles under slavery.
The "Lost Cause" yearsEdit
In the second half of the 19th century, the South lost the Civil War and suffered through what many white Southerners considered a harsh occupation (called Reconstruction). In place of the anti-Tom literature came poetry and novels about the "Lost Cause of the Confederacy." This nostalgic literature began to appear almost immediately after the war ended; The Conquered Banner was published on June 24, 1865. These writers idealized the defeated South and its lost culture. Prominent writers with this point of view included poets Henry Timrod, Daniel B. Lucas, and Abram Joseph Ryan, and fiction writer Thomas Nelson Page. Others, like African-American writer Charles W. Chesnutt, dismissed this nostalgia by pointing out[where?] the racism and exploitation of blacks that happened during this time period in the South.
in 1856 George Tucker completed his final multivolume work in his History of the United States, From Their Colonization to the End of the 26th Congress, in 1841.
In 1884, Mark Twain published what is arguably the most influential Southern novel of the 19th century, Adventures of Huckleberry Finn. Ernest Hemingway said of the novel, "All modern American literature comes from one book by Mark Twain called Huckleberry Finn." This statement applies even more to Southern literature because of the novel's frank dealings with issues such as race and violence.
Kate Chopin was another central figure in post-Civil War Southern literature. Focusing her writing largely on the French Creole communities of Louisiana, Chopin established her literary reputation with the short story collections Bayou Folk (1894) and A Night in Acadie (1897). These stories offered not only a sociological portrait of a specific Southern culture but also furthered the legacy of the American short story as a uniquely vital and complex narrative genre. But it was with the publication of her second and final novel The Awakening (1899) that she gained notoriety of a different sort. The novel shocked audiences with its frank and unsentimental portrayal of female sexuality and psychology. It paved the way for the Southern novel as both a serious genre (based in the realism that had dominated the Western novel since Balzac) and one that tackled the complex and untidy emotional lives of its characters. Today she is widely regarded as not only one of the most important female writers in American literature, but one of the most important chroniclers of the post-Civil War South and one of the first writers to treat the female experience with complexity and without condescension.
During the first half of the 20th century, the lawyer, politician, minister, orator, actor, and author Thomas Dixon, Jr., wrote a number of novels, plays, sermons, and non-fiction pieces which were very popular with the general public all over the USA. Dixon's greatest fame came from a trilogy of novels about Reconstruction, one of which was entitled The Clansman (1905), a book and then a wildly successful play, which would eventually become the inspiration for D. W. Griffith's infamous 1915 film The Birth of a Nation. Overall Dixon wrote 22 novels, numerous plays and film scripts, Christian sermons, and some non-fiction works.
The Southern RenaissanceEdit
In the 1920s and 1930s, a renaissance in Southern literature began with the appearance of writers such as William Faulkner, Katherine Anne Porter, Caroline Gordon, Allen Tate, Thomas Wolfe, Robert Penn Warren, and Tennessee Williams, among others. Because of the distance the Southern Renaissance authors had from the American Civil War and slavery, they were more objective in their writings about the South. During the 1920s, Southern poetry thrived under the Vanderbilt "Fugitives". In nonfiction, H.L. Mencken's popularity increased nationwide as he shocked and astounded readers with his satiric writing highlighting the inability of the South to produce anything of cultural value. In reaction to Mencken's essay, "The Sahara of the Bozart," the Southern Agrarians (also based mostly around Vanderbilt) called for a return to the South's agrarian past and bemoaned the rise of Southern industrialism and urbanization. They noted that creativity and industrialism were not compatible and desired the return to a lifestyle that would afford the Southerner leisure (a quality the Agrarians most felt conducive to creativity). Writers like Faulkner, who won the Nobel Prize in Literature for 1949, also brought new techniques such as stream of consciousness and complex narrative techniques to their writings. For instance, his novel As I Lay Dying is told by changing narrators ranging from the deceased Addie to her young son.
The late 1930s also saw the publication of one of the best-known Southern novels, Gone with the Wind by Margaret Mitchell. The novel, published in 1936, quickly became a bestseller. It won the 1937 Pulitzer Prize, and in 1939 an equally famous movie of the novel premiered. In the eyes of some modern scholars, Mitchell's novel consolidated white supremacist Lost Cause ideologies (see Lost Cause of the Confederacy) to construct a bucolic plantation South in which slavery was a benign, or even benevolent, institution. Under this view, she presents white southerners as victims of a rapacious Northern industrial capitalism and depicts black southerners as either lazy, stupid, and over sexualized, or as docile, childlike, and resolutely loyal to their white masters. Southern literature has always drawn audiences outside the South and outside the United States, and Gone with the Wind has continued to popularize harmful stereotypes of southern history and culture for audiences around the world Despite this criticism, Gone with the Wind has enjoyed an enduring legacy as the most popular American novel ever written, an incredible achievement for a female writer. Since publication, Gone with the Wind has become a staple in many Southern homes.
Post World War II Southern literatureEdit
Southern literature following the Second World War grew thematically as it embraced the social and cultural changes in the South resulting from the Civil Rights Movement. In addition, more female and African-American writers began to be accepted as part of Southern literature, including African Americans such as Zora Neale Hurston and Sterling Allen Brown, along with women such as Eudora Welty, Flannery O'Connor, Ellen Glasgow, Carson McCullers, Katherine Anne Porter, and Shirley Ann Grau, among many others. Other well-known Southern writers of this period include Reynolds Price, James Dickey, William Price Fox, Davis Grubb, Walker Percy, and William Styron. One of the most highly praised Southern novels of the 20th century, To Kill a Mockingbird by Harper Lee, won the Pulitzer Prize when it was published in 1960. New Orleans native and Harper Lee's friend, Truman Capote also found great success in the middle 20th century with Breakfast at Tiffany's and later In Cold Blood. Another famous novel of the 1960s is A Confederacy of Dunces, written by New Orleans native John Kennedy Toole in the 1960s but not published until 1980. It won the Pulitzer Prize in 1981 and has since become a cult classic.
Southern poetry bloomed in the decades following the Second World War in large part thanks to the writing and efforts of Robert Penn Warren and James Dickey. Where earlier work primarily championed a white, agrarian past, the efforts of such poets as Dave Smith, Charles Wright, Ellen Bryant Voigt, Yusef Komunyakaa, Jim Seay, Frank Stanford, Kate Daniels, James Applewhite, Betty Adcock and Rodney Jones have opened up the subject matter and form of Southern poetry.
Contemporary Southern literatureEdit
Today, in the early twenty-first century, the American South is undergoing a number of cultural and social changes, including rapid industrialization/deindustrialization, climate change, and an influx of immigrants. As a result, the exact definition of what constitutes Southern literature is changing. While some critics specify that the previous definitions of Southern literature still hold, with some of them suggesting, only somewhat in jest, that all Southern literature must still contain a dead mule within its pages, most scholars of the twenty-first century South highlight the proliferation of depictions of "Souths": urban, undead, queer, activist, televisual, cinematic, and particularly multiethnic (particularly Latinos, Native American, and African American) Not only do these critics argue that the very fabric of the South has changed so much that the old assumptions about southern literature no longer hold, but they argue that the U.S. South has always been a construct.
- Black Warrior Review — Published by University of Alabama
- Georgia Review — Published by University of Georgia
- Gulf Coast: A Journal of Literature and Fine Arts — Published at the University of Houston.
- Jabberwock Review — published by Mississippi State University
- Southern Literary Journal and Monthly Magazine — (1835–1837)
- Sewanee Review — America's oldest continuously published literary quarterly (published at the University of the South)
- Southern Literary Journal — (1964–present)
- Mississippi Quarterly — A refereed, scholarly journal dedicated to the life and culture of the American South, past and present. 
- The Oxford American — A quarterly journal of fiction, nonfiction, poetry, photography, and music from and about the South.
- The Southern Review — The famous literary journal focusing on southern literature.
- storySouth — A journal of new writings from the American South. Features fiction, poetry, nonfiction, and more.
- Southern Cultures — Journal from the Center for the Study of the American South.
- Southern Spaces — Peer-Reviewed Internet journal examining the spaces and places of the American South.
South Today, Published by Lillian Smith. Ceased in 1946.
Around 2000 "the 'James Agee Film Project' conducted a poll of book editors, publishers, scholars and reviewers, asking which of the thousands of Southern prose works published during the past century should be considered 'the most remarkable works of modern Southern Literature." Results of the poll yielded the following titles:
|Invisible Man||Ralph Ellison||1952|
|Let Us Now Praise Famous Men||James Agee||1941|
|The Sound and the Fury||William Faulkner||1929|
|Mind of the South||Wilbur Cash||1929|
|Look Homeward, Angel||Thomas Wolfe||1929|
|To Kill a Mockingbird||Harper Lee||1960|
|The Color Purple||Alice Walker||1982|
|Their Eyes Were Watching God||Zora Neale Hurston||1937|
|Absalom, Absalom!||William Faulkner||1936|
|Lanterns on the Levee||William Alexander Percy||1941|
|All the King's Men||Robert Penn Warren||1946|
|Collected Stories||Eudora Welty||1980|
|Civil War: A Narrative||Shelby Foote||1958–1974|
|Tobacco Road||Erskine Caldwell||1932|
|Black Boy||Richard Wright||1945|
|Native Son||Richard Wright||1940|
|As I Lay Dying||William Faulkner||1930|
|Gone With the Wind||Margaret Mitchell||1936|
|Up from Slavery||Booker T. Washington||1901|
|Last Gentleman||Walker Percy||1966|
|Complete Stories||Flannery O'Connor||1971|
|Collected Stories||Katherine Anne Porter||1965|
|Autobiography of Miss Jane Pittman||Ernest J. Gaines||1971|
- Patricia Evans."Southern Literature: Women Writers" Archived 2000-03-03 at Archive.today. Accessed Feb. 4, 2007.
- http://www.pfly.net/misc/GeographicMorphology.jpg. Retrieved 2007-03-18. Missing or empty
- name=Jon Smith and Deborah Cohn "Look Away! The U.S. South in New World Studies"
- Joseph M. Flora & Lucinda H. MacKethan (eds.) The Companion to Southern Literature: Themes, Genres, Places, People, Movements, and Motifs, Louisiana State University Press, 2001. These are the states as listed in this study.
- Greeson, Jennifer. Our South: Geographic Fantasy and the Rise of National Literature. Harvard University Press.
- 1971-, Wells, Jeremy (2011). Romances of the white man's burden : race, empire, and the plantation in American literature 1880-1936. Nashville: Vanderbilt University Press. ISBN 9780826517562. OCLC 709606332.CS1 maint: numeric names: authors list (link)
- Kate Cochran. Review of Robert Brinkmeyer, Jr., Remapping Southern Literature: Contemporary Southern Writers and the West, University of Georgia Press, 2000.
- Hobson 1999.
- McLean, Robert C., George Tucker, Moral Philosopher and Man of Letters, University of North Carolina Press, 1961
- "Thomas Dixon Jr".
- New approaches to Gone with the wind. Crank, James A. Baton Rouge. ISBN 9780807161586. OCLC 908373767.CS1 maint: others (link)
- Suarez 1999.
- Mills 2000.
- 1971-, Bibler, Michael P. (2009). Cotton's queer relations : same-sex intimacy and the literature of the southern plantation, 1936-1968. Charlottesville: University of Virginia Press. ISBN 9780813927923. OCLC 753978357.CS1 maint: numeric names: authors list (link)
- Anderson, Eric Gary; Hagood, Taylor; Turner, Daniel Cross (2015-10-19). Undead souths : the gothic and beyond in southern literature and culture. Anderson, Eric Gary, 1960-, Hagood, Taylor, 1975-, Turner, Daniel Cross. Baton Rouge. ISBN 9780807161074. OCLC 922529577.
- Small-screen Souths Region, Identity, and the Cultural Politics of Television. Hinrichsen, Lisa, Caison, Gina, Rountree, Stephanie. Louisiana State Univ Pr. 2017. ISBN 9780807167144. OCLC 974698560.CS1 maint: others (link)
- American cinema and the southern imaginary. Barker, Deborah, 1956-, McKee, Kathryn B. Athens: University of Georgia Press. 2011. ISBN 9780820337104. OCLC 706078532.CS1 maint: others (link)
- Scott., Romine (2014-01-06). The real South : southern narrative in the age of cultural reproduction (Louisiana paperback ed.). Baton Rouge. ISBN 9780807156384. OCLC 907252927.
- "125 Great Southern Books". Riverdale, MD: Agee Films. Retrieved March 12, 2017.
- Louise Manly (1895). Southern Literature from 1579-1895. Richmond: B.F. Johnson Publishing Company – via Project Gutenberg.
published in 20th c.Edit
- Edwin Anderson Alderman; Joel Chandler Harris; Charles William Kent (eds.). Library of Southern Literature. Atlanta: Martin and Hoyt Company – via HathiTrust. 1909-1913 (16 volumes)
- Montrose Jonas Moses (1910). Literature of the South. New York: Thomas Y. Crowell Co.
- Beatty, Richmond C.; Watkins, Floyd C.; Young, Thomas Daniel, eds. (1952). The Literature of the South. Glenview, Illinois: Scott, Foresman and Company.
- Edd Winfield Parks. Ante-Bellum Southern Literary Critics. Athens, GA: University of Georgia Press, 1962
- Marion Montgomery, "The Sense of Violation: Notes toward a Definition of 'Southern' Fiction," The Georgia Review, 19 (1965)
- Holman, C. Hugh (1966). Three Modes of Modern Southern Fiction: Ellen Glasgow, William Faulkner, Thomas Wolfe. Athens, Georgia: University of Georgia Press. OCLC 859825215.
- Holman, C. Hugh; Rubin, Louis D., Jr.; Sullivan, Walter (1969). Southern Fiction: Renaissance and Beyond. Athens, Georgia: University of Georgia Press. OCLC 489993640.
- Flannery O'Connor, "Some Aspects of the Grotesque in Southern Fiction," in Mystery and Manners, ed. Sally and Robert Fitzgerald (Farrar, Straus and Giroux, 1969)
- Davis, Richard Beale; Holman, C. Hugh; Rubin, Louis D., Jr. (1970). Southern Writing, 1585-1920. New York: Odyssey Press. OCLC 907422022.
- Holman, C. Hugh (1972). The Roots of Southern Writing. Athens, Georgia: University of Georgia Press. ISBN 9780820302904.
- Holman, C. Hugh; Rubin, Louis D., Jr. (1975). Southern Literary Study: Promise and Possibilities.
- Holman, C. Hugh (1977). The Immoderate Past: The Southern Writer and History.
- Michael O'Brien (1979). The Idea of the American South, 1920-1941. Johns Hopkins University Press. ISBN 978-0801840173
- Charles Reagan Wilson; William Ferris, eds. (1989). Encyclopedia of Southern Culture. University of North Carolina Press. ISBN 0807818232.. Fulltext articles via the university's "Documenting the American South" website:
- The History of Southern Literature by Louis Rubin. Louisiana State University Press, 1991.
- Louis D. Rubin Jr., "From Combray to Ithaca; or, The 'Southernness' of Southern Literature," in The Mockingbird in the Gum Tree (Louisiana State University Press, 1991)
- Veronica Makowsky (1996), Walker Percy and Southern Literature (Explores the overall issues surrounding what makes for southern literature)
- Michael Kreyling (1998). Inventing Southern Literature. University Press of Mississippi. ISBN 978-1-60473-776-9.
- Fred Hobson (1999). But Now I See: The White Southern Racial Conversion Narrative. Louisiana State University Press. ISBN 978-0-8071-4078-9.
- Ronald Lora; William Henry Longton, eds. (1999). "Southern Reviews, 1828-1880". Conservative Press in Eighteenth-and Nineteenth-century America. Greenwood. pp. 147–282. ISBN 978-0-313-31043-0.
- Ernest Suarez (1999). Southbound: Interviews with Southern Poets. University of Missouri Press. ISBN 978-0-8262-6168-7.
- Richard J. Gray (2000). Southern Aberrations: Writers of the American South and the Problem of Regionalism. Louisiana State University Press. ISBN 978-0-8071-2552-6.
- Jerry Leath Mills (2000). "The Dead Mule Rides Again". Southern Culture. 6 (4).. (Explanation of what constitutes "good" southern writing)
- Patricia Yeager (2000). Dirt and Desire: Reconstructing Southern Women's Writing, 1930-1990. University of Chicago Press. ISBN 978-0226944913.
published in 21st c.Edit
- Houston A. Baker (2001). Turning South Again: Re-Thinking Modernism/Re-Reading Booker T.. Duke University Press. ISBN 978-0822326953.
- Joseph M. Flora; Lucinda Hardwick MacKethan, eds. (2001). Companion to Southern Literature: Themes, Genres, Places, People, Movements, and Motifs. Louisiana State University Press. ISBN 978-0-8071-2692-9.
- Where is the South in Today's Southern Literature? Article exploring 2002 changes in southern literature.
- The New Dictionary of Cultural Literacy, Third Edition: What Every American Needs to Know Edited by James Trefil, Joseph F. Kett, and E. D. Hirsch. Houghton Mifflin, 2002.
- Carolyn Perry; Mary Louise Weaks, eds. (2002). History of Southern Women's Literature. Louisiana State University Press. ISBN 978-0-8071-2753-7.
- Suzanne W. Jones; Sharon Monteith, eds. (2002). South to A New Place: Region, Literature, Culture. Southern Literary Studies. Louisiana State University Press. ISBN 978-0-8071-2840-4.
- Tara McPherson (2003). Reconstructing Dixie: Race, Gender, and Nostalgia in the Imagined South. Duke University Press. ISBN 978-0822330400.
- "Genres of Southern Literature" by Lucinda MacKethan. Southern Spaces, Feb. 2004.
- Jon Smith; Deborah Cohn, eds. (2004). Look Away! The U.S. South in New World Studies. Duke University Press. ISBN 978-0822333166.
- Leigh Anne Duck (2006). The Nation's Region: Southern Modernism, Segregation, and U.S. Nationalism. University of Georgia Press. ISBN 978-0820334189.
- Riché Richardson (2007). Black Masculinity and the U.S. South: From Uncle Tom to Gangsta. University of Georgia Press. ISBN 978-0820328904.
- Anderson, Eric Gary. "On Native Ground: Indigenous Presences and Countercolonial Strategies in Southern Narratives of Captivity, Removal, and Repossession" Southern Spaces. August 9, 2007.
- Leigh Anne Duck (July 2008). "Southern Nonidentity." Safundi: The Journal of South African and American Studies, 9 (3): 319-330.
- Harilaos Stecopoulos (2008). Reconstructing the World: Southern Fictions and U.S. Imperialisms, 1898-1976. Cornell University Press. ISBN 978-0801475023.
- M. Thomas Inge, ed. (2008). Literature. New Encyclopedia of Southern Culture. 9. University of North Carolina Press. ISBN 9781469616643. OCLC 910189354.
- Scott Romine (2008). The Real South: Southern Narrative in the Age of Cultural Reproduction. Louisiana State University Press. ISBN 978-0807156384.
- Jennifer Rae Greeson (2010). Our South: Geographic Fantasy and the Rise of National Literature. Harvard University Press. ISBN 978-0674024281.
- Thadious M. Davis (2011). Southscapes: Geographies of Race, Region, and Literature. University of North Carolina Press. ISBN 978-0807835210.
- Deborah Barker; Kathryn McKee, eds. (2011). American Cinema and the Southern Imaginary. University of Georgia Press. ISBN 978-0820337104.
- Jonathan Daniel Wells (2011). Women Writers and Journalists in the Nineteenth-Century South. Cambridge University Press. ISBN 978-1-139-50349-5.
- Melanie Benson Taylor (2012). Reconstructing the Native South: American Indian Literature and the Lost Cause. University of Georgia Press. ISBN 978-0820338842.
- Jay Watson (2012). Reading for the Body: The Recalcitrant Materiality of Southern Fiction, 1893-1985. University of Georgia Press. ISBN 978-0820343389.
- Richard Gray (2012). "Regionalism in the South". A History of American Literature (2nd ed.). John Wiley & Sons. ISBN 978-1-4443-4568-1.
- Keith Cartwright (2013). Sacral Grooves, Limbo Gateways: Travels in Deep Southern Time, Circum-Caribbean Space, Afro-Creole Authority. University of Georgia Press. ISBN 978-0820345994.
- Matthew Pratt Guterl (2013). American Mediterranean: Southern Slaveholders in the Age of Emancipation. Harvard University Press. ISBN 978-0674072282.
- Claudia Milian (2013). Latining America: Black-Brown Passages and the Coloring of Latino/a Studies. University of Georgia Press. ISBN 978-0820344362.
- Jon Smith (2013). Finding Purple America: The South and the Future of American Cultural Studies. University of Georgia Press. ISBN 978-0820345260.
- Jason Phillips, ed. (2013). Storytelling, History, and the Postmodern South. Louisiana State University Press. ISBN 978-0-8071-5035-1.
- David A. Davis; Tara Powell, eds. (2014). Writing in the Kitchen: Essays on Southern Literature and Foodways. University Press of Mississippi. ISBN 978-1-62674-210-9.
- Eric Gary Anderson; Taylor Hagood; Daniel Cross Turner, eds. (2015). Undead Souths: The Gothic and Beyond in Southern Literature and Culture. Louisiana State University Press. ISBN 978-0807161074.
- Martyn Bone; Brian Ward; William A. Link, eds. (2015). Creating and Consuming the American South. University Press of Florida. ISBN 978-0813060699.
- Fred Hobson; Barbara Ladd, eds. (2016). Oxford Handbook of the Literature of the U.S. South. Oxford University Press. ISBN 978-0-19-049394-3.
- Susan Castillo Street; Charles L. Crow, eds. (2016). Palgrave Handbook of the Southern Gothic. Springer. ISBN 978-1-137-47774-3.
- Jennifer Rae Greeson; Scott Romine, eds. (2016). Keywords for Southern Studies. University of Georgia Press. ISBN 978-0820349626.
- Library of Southern Literature, University of North Carolina American Southern literature pre-1929.
- The Center for Southern Literature
- "Writers". A Checklist of Scholarship on Southern Literature. Archived from the original on December 6, 2008. (A checklist of scholarship on writers associated with the American South; directory arranged by period: colonial, contemporary, etc. Sponsored by Mississippi Quarterly. Ceased publication. )
- Southern Poetry from Holman Prison Death Row Inmate Darrell Grayson
- "Poets in Place," at Southern Spaces.
- "Society for the Study of Southern Literature".
Organization founded in 1968 devoted to scholarship on writings and writers of the American South
- History of Southern Literature online publishing. Since 1995 the American South has relied on the Dead Mule School of Southern Literature for quality fiction, poetry and more.