The Color Purple
The Color Purple is a 1982 epistolary novel by American author Alice Walker which won the 1983 Pulitzer Prize for Fiction and the National Book Award for Fiction.[a] It was later adapted into a film and musical of the same name.
First edition cover
|Publisher||Harcourt Brace Jovanovich|
|LC Class||PS3573.A425 C6 1982|
Taking place mostly in rural Georgia, the story focuses on the life of African-American women in the Southern United States in the 1930s, addressing numerous issues including their exceedingly low position in American social culture. The novel has been the frequent target of censors and appears on the American Library Association list of the 100 Most Frequently Challenged Books of 2000–2009 at number seventeen because of the sometimes explicit content, particularly in terms of violence. In 2003 the book was listed on the BBC's The Big Read poll of the UK's "best-loved novels."
Celie is a poor, uneducated 14-year-old girl living in the American South in the early 1900s. She writes letters to God because her father, Alphonso, beats and rapes her constantly. Alphonso has already impregnated Celie once, a pregnancy that resulted in the birth of a girl she named Olivia, but Alphonso took the baby away shortly after her birth and Celie thinks he killed her. Celie then has a second child, a boy named Adam, whom Alphonso also abducts. At an incredibly early age, we notice that “Celie can no longer imagine herself as someone of value” (Tahir 10). Meanwhile, Celie's ailing mother dies after cursing Celie on her deathbed.
Celie and her younger sister, 12-year-old Nettie, learn that a man identified only as Mister wants to marry Nettie. Alphonso refuses to let Nettie marry, instead arranging for Mister to marry Celie. Mister, a widower needing someone to care for his children and keep his house, eventually accepts the offer. Mister physically, sexually, and verbally abuses Celie, and all his children treat her badly as well. Celie is abused at every turn from the family life she has had to endure with over the years, and she seems to be an insignificant person in any household she lives in. It is evident that “The way the black men treat their wives, daughters and lovers in The Color Purple resembles the conduct of the white persecutors… the black woman is treated as an inanimate object” (Tahir 11). She won’t even use her husband’s real name. This shows just how powerless she feels, and what it is like for her to always see men as holding all of the power. The fact that she would even think to call him Mister “is reflected by her silenced condition and his brutality” (Tahir 12). However, she eventually gets Mister's squalid living conditions and incorrigible children under control.
Shortly thereafter, Nettie runs away from Alphonso and takes refuge at Celie's house, where Mister makes sexual advances toward her. Celie then advises Nettie to seek assistance from a well-dressed black woman that she saw in the general store a while back; the woman has unknowingly adopted Olivia and was the only black woman that Celie had ever seen with money of her own. Nettie is forced to leave after promising to write. Celie, however, never receives any letters and concludes that her sister is dead.
Time passes and Harpo, Mister's son, falls in love with an assertive girl named Sofia, who becomes pregnant with Harpo's baby and, despite initial resistance from Mister, Harpo marries Sofia. Harpo and Sofia have five more children in short order.
Celie is amazed by Sofia's defiant refusal to submit to Harpo's attempts to control her. As Harpo is kinder and gentler than his father, Celie advises him not to try to dominate Sofia. Harpo temporarily follows Celie's advice but falls back under Mister's sway. Celie, momentarily jealous of Harpo's genuine love of Sofia, then advises Harpo to beat her. Sofia fights back, however, and confronts Celie. A guilty Celie apologizes and confides in Sofia about all the abuse she suffers at Mister's hands. She also begins to consider Sofia's advice about defending herself against further abuse from Mister.
Glamorous Shug Avery, a jazz and blues singer and Mister's long-time mistress, falls ill, and Mister takes her into his house. Celie, who has been fascinated by photos of Shug she found in Mister's belongings, is thrilled to have her there. Mister's father expresses disapproval of the arrangement, reminding Mister that Shug has three out-of-wedlock children, though Mister indirectly implies to him that he is those children's father. Mister's father then leaves in disgust. While Shug is initially rude to Celie, who has taken charge of nursing her, the two women become friends, and Celie soon finds herself infatuated with Shug.
Frustrated by Harpo's domineering behavior, Sofia moves out, taking her children with her. Several months later, Harpo opens a juke joint where a fully recovered Shug performs nightly. Shug decides to stay when she learns that Mister beats Celie when she is away. Shug and Celie's friendship grows closer.
Sofia returns for a visit and promptly gets into a fight with Harpo's new girlfriend, Squeak, knocking Squeak's teeth out. In town one day, while Sofia is enjoying a day out with her new boyfriend, a prizefighter, and their respective children, she gets into a physical fight with the mayor after his wife, Miss Millie, insults Sofia and her children. The police arrive and brutally beat Sofia, leaving her with a cracked skull, broken ribs, her face rendered nearly unrecognizable, and blind in one eye. She is subsequently sentenced to 12 years in jail.
Squeak, a mixed-race woman and Sheriff Hodges' illegitimate niece, attempts to blackmail the sheriff into releasing Sofia, resulting in her being raped by her uncle. Squeak cares for Sofia's children while she is incarcerated, and the two women develop a friendship. Sofia is eventually released and begins working for Miss Millie, which she detests.
Despite being newly married to a man called Grady, Shug instigates a sexual relationship with Celie on her next visit. One night Shug asks Celie about her sister, and Shug helps Celie recover letters from Nettie that Mister has been hiding from her for decades. The letters indicate that Nettie befriended a missionary couple, Samuel and Corrine, the well-dressed woman that Celie saw in the store, whom Nettie eventually accompanied to Africa to do missionary work. Samuel and Corrine have unwittingly adopted both Adam and Olivia. Corrine, noticing that her adopted children resemble Nettie, wonders if Samuel fathered the children with her. Increasingly suspicious, Corrine tries to limit Nettie's role in her family.
Through her letters, Nettie reveals that she has become disillusioned with her missionary work. Corrine becomes ill with a fever. Nettie asks Samuel to tell her how he adopted Olivia and Adam. Realizing that Adam and Olivia are Celie's children, Nettie then learns that Alphonso is actually her and Celie's stepfather. Their biological father was a store owner whom white men lynched because they resented his success. She also learns that their mother suffered a mental collapse after the death of her husband and that Alphonso exploited the situation in order to control their mother's considerable wealth.
Nettie confesses to Samuel and Corrine that she is in fact the children's biological aunt. The gravely ill Corrine refuses to believe her until Nettie reminds her of her previous encounter with Celie in the store. Later, Corrine dies, finally having accepted Nettie's story. Meanwhile, Celie visits Alphonso, who confirms Nettie's story. Celie begins to lose some of her faith in God, which she confides to Shug, who explains to Celie her own unique religious philosophy. Shug helped Celie to realize that God is not someone who has power over her like the rest of the men in Celie’s life. Rather, God was an “It” and not a “Who”. Shug showed Celie that God is everywhere in the nature that surrounds us. Celie now realizes and understands that she “must get rid of this patriarchal God in her mind so as to achieve spiritual independence” (Singh & Gupta 220). Shug made Celie realize that God was present everywhere.
Celie, having had enough of her husband's abuse, decides to leave Mister along with Shug and Squeak, who is considering a singing career of her own. Celie puts a curse on Mister before leaving him for good.
Celie settles in Tennessee and supports herself as a seamstress. She learns that Mister, suffering from a considerable decline in fortunes after Celie left him, has changed dramatically and Celie begins to call him by his first name, Albert. Albert proposes that they marry "in the spirit as well as in the flesh," but Celie declines.
Alphonso dies, Celie inherits his land, and moves back into her childhood home. Around this time, Shug falls in love with Germaine, a member of her band, and this news crushes Celie. Shug travels with Germaine, all the while writing postcards to Celie. Celie pledges to love Shug even if Shug does not love her back.
Meanwhile, Nettie and Samuel marry and prepare to return to America. Before they leave, Adam marries Tashi, an African girl. Following an African tradition, Tashi undergoes the painful rituals of female circumcision and facial scarring. In solidarity, Adam undergoes the same facial scarring ritual.
Just after Celie realizes that she is content in her life without Shug, Shug returns, having ended things with Germaine. The end of the novel has Nettie, Samuel, Olivia, Adam, and Tashi arriving at Celie's house. Nettie and Celie embrace, having not seen each other for over 30 years. They introduce one another to their respective families as the novel ends.
The Color Purple won the Pulitzer Prize for Fiction in 1983, making Walker the first black woman to win the prize. Walker also won the National Book Award for Fiction in 1983. Mel Watkins of the New York Times Book Review wrote that it is a "striking and consummately well-written novel", praising its powerful emotional impact and epistolary structure.
Though the novel has garnered critical acclaim, it has also been the subject of controversy. It is 17th on the American Library Association's list of most frequently challenged or banned books. Commonly cited justifications for banning the book include sexual explicitness, explicit language, violence, and homosexuality. The book received greater scrutiny amidst controversy surrounding the release of the film adaptation in 1985. The controversy centered around the depiction of black men, which some critics saw as feeding stereotypical narratives of black male violence, while others found the representation compelling and relatable.
Celie is the main character of the novel. She is shown to have experienced abuse at the hands of men for most of her life: she is routinely beaten and raped by her supposed father, with whom she has two children during her adolescence and whom he gives away. He later gives her away to be married to Mister, who is in love with Shug Avery, a blues singer. When Shug comes to recover from an illness in Mister and Celie's home, being disowned by her minister father and nowhere else to turn, it leads to an intimate relationship between Celie and Shug .
Celie and Shug's relationship later develops a romantic and sexual dimension culminating in their sleeping together, this being Celie's first positive sexual experience. Shug has a significant influence on Celie, who begins to draw inspiration from Shug's independence, leading her ultimately to her own independent attitude. Shug not only influences the way that Celie allows Mister to treat her, but also shows Celie that actions deemed sinful by others may not truly be evil or transgressive and that they do not prevent one from believing in and living for God, thereby broadening Celie's views on religion and ethics. Celie now feels more comfortable offering advice to her distraught step-son that he should beat his wife, Sofia, to bring her under control given her headstrong and bullying personality, which echos the advice he got from the menfolk of the family already.
It is also Shug who frees Celie from Mister's bondage, first by loving her, then by helping her to start a custom sewing business and abandoning running Mister's household and helping with raising the children. From Shug, Celie learns that Mister, now revealed as Albert, has been hiding letters written to her by her sister Nettie, who is in Africa working as a missionary. These letters, full of educated, firsthand observation of African life, form a moving counterpoint to Celie's life.
Nettie is Celie's younger sister, whom Celie loves and saves from living the tragic life that she had to endure. Because Nettie is prettier than Celie, who has been deemed ugly, Mister is originally interested in Nettie as a wife, but settles for Celie. Nettie runs away from home to be with Celie, but is unable to stay with Celie as Mister tries to assault her sexually. As a result, Nettie leaves home and before leaving, promises to write to Celie and tells her that only death can keep them apart. Nettie is eventually taken in by Samuel and Corrine, a missionary couple, with whom she travels to Africa as a missionary.
While in Africa, Nettie becomes the caregiver of Samuel and Corrine's children and faithfully writes to Celie for decades. Nettie marries Samuel after Corrine's death and moves back to America with what are revealed to be Celie's biological children. Through explaining her experiences to Celie, Nettie encourages Celie to be more enthusiastic and optimistic about life. Nettie finds that while there is not racial disparity in Africa, gender disparity exists. The women of the tribe are not treated as equals, and are not permitted to attend school.
A sultry blues singer and preacher's daughter who first appears as Mister's mistress, Shug becomes Celie's friend and eventually her lover. Shug remains a gentle mentor who helps Celie evolve into an independent and assertive woman. At first, Shug doesn't appear to be the mothering and nurturing kind, yet she nurtures Celie physically, spiritually, and emotionally. Shug helps Celie discover the letters from her sister Nettie that Mister had been hiding for decades. In allowing Celie to view these letters, Shug supplies her with even more hope and inspiration, letting Celie see that in the end, everything works out for the best.
Albert (known as Mister)Edit
Mister is the man to whom Celie is married. Originally, he seeks a relationship with Nettie, but settles for Celie. Celie's Pa tells Mister that she is ugly, tells lies, and that she'll come with a cow. Pa also tells Mister that Celie would make a better wife than Nettie. Mister mistreats Celie just as her stepfather had, although Celie does not understand that she doesn't have to tolerate the abuse. Mister needs Celie to help raise his children while he ran the farm. The children give her a hard time because she was not their biological mother (nor did she consider it her job). When Shug Avery comes to town, Mister falls for her and makes her his mistress. Through Shug's seductive influence, Albert begins to treat Celie better. In the end, Albert realizes that he has mistreated Celie and seeks a friendship with her and Celie does seem to reconsider.
The novel was adapted into a film of the same name in 1985. It was directed by Steven Spielberg and stars Whoopi Goldberg as Celie, Danny Glover as Albert, and Oprah Winfrey as Sofia. Though nominated for eleven Academy Awards, it won none. This perceived snubbing ignited controversy because many critics considered it the best picture that year, including Roger Ebert.
On December 1, 2005, a musical adaptation of the novel (based on the film) opened at The Broadway Theatre in New York City. The show was produced by Scott Sanders, Quincy Jones, Harvey Weinstein, and Oprah Winfrey, who was also an investor. It garnered five 2006 Outer Critics Circle Award nominations, including Outstanding Broadway Musical and Outstanding New Score. That same year, the show was nominated for eleven Tony Awards, including Best Musical, Best Original Score Written for the Theater, and Best Leading Actress in a Musical (LaChanze). LaChanze did win the Tony Award, though the show itself won no other awards. LaChanze's win was attributed to the variety of roles for which she had garnered positive attention, as well as for a powerful backstory. In April 2007, Fantasia Barrino took over the role. The Broadway production ended its run on February 24, 2008. The Revival on broadway lasted between 2015 and 2017 and starred Cynthia Erivo as Celie. The Revival received 2 Tonys, 1 Grammy and 1 Emmy with Erivo as its lead. The show is now on tour across North America.
In 2008 BBC Radio 4 broadcast a radio adaptation of the novel in ten 15-minute episodes as a Woman's Hour serial, with Nadine Marshall as Celie. The script was by Patricia Cumper, and in 2009 the production received the Sony Radio Academy Awards Silver Drama Award.
As part of the Boycott, Divestment and Sanctions movement (BDS), the author declined publication of the book in Israel in 2012. Walker, an ardent pro-Palestinian activist, said in a letter to Yediot Books that Israel practices apartheid and must change its policies before her works can be published there. This decision was criticized by Harvard professor Alan Dershowitz, who argued that Walker "resorted to bigotry and censorship against Hebrew-speaking readers of her writings".
- ISBN 0-15-119153-0 (First Edition, 1982)
- ISBN 0-606-00587-0 (prebound, 1985)
- ISBN 0-671-45853-1 (paperback, June,1983)
- ISBN 0-671-61702-8 (mass market paperback, 1985)
- ISBN 0-671-64745-8 (mass market paperback, 1987)
- ISBN 0-671-66878-1 (paperback, 1988)
- ISBN 0-15-119154-9 (hardcover, 1992, Anniversary Edition)
- ISBN 1-56849-628-1 (library binding, 1995, reprint)
- ISBN 0-671-01907-4 (paperback, 1998)
- ISBN 0-7641-2064-6 (paperback, 2002)
- ISBN 0-15-602835-2 (paperback, 2003)
- ISBN 0-671-72779-6
- ISBN 0-7043-3905-6
- ISBN 978-0-7538-1892-3 (paperback, United Kingdom, 2004)
- ISBN 9781453223970 (ebook, 2011)
- ISBN 9781780228716 (Tenth Anniversary Edition 2014)
"National Book Awards – 1983". National Book Foundation. Retrieved 2012-01-26.
(With essays by Anna Clark and Tarayi Jones from the Awards 60-year anniversary blog.)
- "The 100 Most Frequently Challenged Books of 2000–2009". American Library Association. Retrieved April 22, 2017.
- "Alice Walker – biography". Retrieved April 12, 2012.
- "BBC – The Big Read". BBC. April 2003, Retrieved August 23, 2017
- "1983 Pulitzer Prize Winners". www.pulitzer.org. Retrieved September 25, 2016.
- "April 18, 1983: Alice Walker Becomes the First Woman of Color to Win the Pulitzer Prize for Fiction". The Nation. ISSN 0027-8378. Retrieved September 25, 2016.
- "1983 – National Book Awards Fiction Winners". www.nbafictionblog.org. Retrieved September 24, 2016.
- "Some Letters Went to God". www.nytimes.com. Retrieved September 25, 2016.
- admin (March 27, 2013). "100 most frequently challenged books by decade". Retrieved September 25, 2016.
- admin (March 27, 2013). "Banned and/or Challenged Books from the Radcliffe Publishing Course Top 100 Novels of the 20th Century". Retrieved September 25, 2016.
- Bobo, Jacqueline (January 1, 1989). "Sifting Through the Controversy: Reading The Color Purple". Callaloo (39): 332–42. doi:10.2307/2931568. JSTOR 2931568.
- Times, E. R. Shipp, Special To The New York (January 27, 1986). "BLACKS IN HEATED DEBATE OVER 'THE COLOR PURPLE'". The New York Times. ISSN 0362-4331. Retrieved September 25, 2016.
- Magill Book Reviews The Color Purple
- Rotten Tomatoes page for The Color Purple
- Roger Ebert's review of The Color Purple
- John Fleming. "Passion for 'Purple' has Local Roots". "Saint Petersburg Times". Dec. 12, 2005
- The Color Purple to Close on Broadway Feb. 24
- Sony Radio Academy Awards 2009: Dramas
- Letter from Alice Walker to Publishers at Yediot Books
- AP, "Alice Walker rejects Israeli translation of book", June 20, 2012. Yahoo News
- Jewish Press, Alan Dershowitz: Alice Walker’s Bigotry, June 20, 2012.
Singh, Sonal, and Sushma Gupta. “Celie’s Emancipation in the Novel The Color Purple.” International Transactions in Humanities and Social Sciences, vol. 2, no. 2, Dec. 2010, pp. 218–221.Humanities International Complete.
Tahir, Ary S. “Gender Violence in Toni Morrison’s The Bluest Eye and Alice Walker’s The Color Purple.” Journal of Language and Literature Education, no. 11, 2014, pp. 1–19. Literature Resource Center, doi:10.12973/jlle.11.243.
- Alice Walker discusses The Color Purple on the BBC's World Book Club
- New Georgia Encyclopedia
- Photos of the first edition of The Color Purple
- "Alice Walker on 30th Anniv. of The Color Purple: Racism, Violence Against Women Are Global Issues", from Democracy Now! September 28, 2012.
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