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Serbian literature (Serbian: Српска књижевност/Srpska književnost) refers to literature written in Serbian and/or in Serbia. The history of Serbian literature begins with the independent theological works from the Nemanjić era. With the fall of Serbia and neighbouring countries in the 15th century, there is a gap in the literary history in the occupied land, however, Serbian literature continued uninterrupted in lands under European rule and saw a revival in the 18th century in Vojvodina, then under Habsburg rule. Serbia gained independence following the Serbian Revolution (1804–1815) and Serbian literature has since prospered.



Medieval literatureEdit

The Old Church Slavonic literature was created on Byzantine model, and at first church services and biblical texts were translated into Slavic, and soon afterwards other works for Christian life values (including Latin works) from which they attained necessary knowledge in various fields. Although this Christian literature educated the Slavs, it did not have an overwhelming influence on original works. Instead, a more narrow aspect, the genres and poetics with which the cult of saints could be celebrated were used, owing to the Slavic celebration of Cyril and Methodius and their Slav disciples as saints and those responsible for Slavic literacy. The ritual genres were hagiographies, homiletics and hymnography, known in Slavic as žitije (vita), pohvala (euology), službe (church services), effectively meaning prose, rhetoric and poetry. The fact that the first Slavic works were in the canonical form of ritual literature, and that the literary language was the ritual Slavic language, defined the further development. Medieval Slavic literature, especially Serbian, was modeled on this classical Slavic literature. The new themes in Serbian literature were all created within the classic ritual genres.[1]

The earliest writings in Serbian were, obviously, religious in nature. Religions were historically the first institutions that persisted despite political and military upheavals, as well as the first organisations to see the value in writing down their history and policies. Serbia's early religious documents date back as we know to the 10th and 11th centuries. In the 12th century the art form of religious writing was developed by Saint Sava, who worked to bring about an artistic aspect to these writings, also based on earlier works, that are still appreciated today.

Early modern periodEdit

Post-Medieval Serbian literature was dominated by folk songs and epics passed orally from generation to generation. Historic events, such as the Battle of Kosovo in the 14th century play a major role in the development of the Serbian epic poetry. The epic and lyrical poetry, the drama, and the prose of every class, all alike sound those notes, and the melody is triumphant or despairing according to the period of the nation's struggles against its many invaders. Less perhaps than any other European literature has Serbian literature been influenced by the literature of other lands. It mirrors throughout the simple, unsophisticated feeling and thoughts of men and women who love their country wholly, sincerely, faithfully, and are ready to lay down their lives to preserve its freedom. Here, if ever, the soul of a people is revealed in its most challenging time in history while attempting to extricate itself from centuries of Eastern (Turkish) and Western (Austrian, Hungarian, Venetian) oppression.

Baroque and ClassicismEdit

Serbian literature in Vojvodina continued building onto Medieval tradition, influenced by Old Serbian, Russian baroque and Serbian baroque of Vojvodina, which culminated in the Slavonic-Serbian language. Most important authors of the time are Dimitrije Ljubavić, Đorđe Branković, Vasilije III Petrović-Njegoš, Gavril Stefanović Venclović, Mojsije Putnik, Pavle Julinac, Jovan Rajić, Zaharije Orfelin, and many others.

Romanticism and RealismEdit

Before the start of a fully established Romanticism concomitant with the Revolutions of 1848, some Romanticist ideas (e.g. the usage of national language to rally for national unification of all classes) were developing, especially among monastic clergy in Vojvodina. The most prominent representative of that is Dositej Obradović, who gave up his monastic vows and left for decades of wandering, occasionally studying, teaching, or working in the cultural field in countries as variegated as Russia, England, Germany, Albania, Ottoman Turkey and Italy, and ending up as a Minister of Education in the Principality of Serbia.

After winning the independence from the Ottoman Empire, the Serbian independence movement sparked the first works of modern Serbian literature. Most notably Petar II Petrović Njegoš and his Mountain Wreath of 1847, represent a cornerstone of the Serbian epic, which was based on the rhythms of the folk songs.

Furthermore, Vuk Stefanović Karadžić, an acquaintance of J. W. von Goethe, became the first person to collect folk songs and epics and to publish them in a book. Vuk Karadžić is regarded as the premier Serbian philologist, who together with Đuro Daničić played a major role in reforming the modern Serbian language.

Modern literatureEdit

In the 20th century, Serbian literature flourished and a myriad of young and talented writers appeared.

The most well known authors are Ivo Andrić, Miloš Crnjanski, Meša Selimović, Borislav Pekić, Branko Miljković, Danilo Kiš, Milorad Pavić, David Albahari, Miodrag Bulatović, Igor Marojević, Miroslav Josić Višnjić, Dobrica Ćosić, Zoran Živković, Vladimir Arsenijević, Vladislav Bajac and many others. Jelena Dimitrijević and Isidora Sekulić are two early twentieth century women writers. Svetlana Velmar-Janković and Gordana Kuić are the best known female novelists in Serbia today.

Milorad Pavić is perhaps the most widely acclaimed Serbian author today, most notably for his Dictionary of the Khazars (Хазарски речник / Hazarski rečnik), which has been translated into 24 languages.





Notable worksEdit

English translations of some of the important pieces of modern Serbian literature
  • Andric, Ivo, The Bridge on the Drina, The University of Chicago Press, 1977.
  • Andric, Ivo, Damned Yard and Other Stories , edited and translated by Celia Hawkesworth, Dufour Editions, 1992.
  • Andric, Ivo, The Slave Girl and Other Stories, edited and translated by Radmila Gorup, Central European University Press, 2009.
  • Andric, Ivo, The Days of the Consuls, translated by Celia Hawkesworth, Dereta, 2008.
  • Bajac, Vladislav. Hamam Balkania, translated by Randall A. Major, Geopoetica Publishing, 2009.
  • Kis, Danilo, A Tomb for Boris Davidovich, translated by Duska Mikic-Mitchell, Penguin Books, 1980.
  • Kis, Danilo, The Encyclopedia of the Dead, translated by Michael Henry Heim, 1983.
  • Pekic, Borislav, The Time of Miracles, translated by Lovett F. Edwards, Houghton Mifflin Harcourt, 1976.
  • Pekic, Borislav, The Houses of Belgrade, translated by Bernard Johnson, Houghton Mifflin Harcourt, 1978.
  • Pekic, Borislav, How to Quiet a Vampir: A Sotie (Writings from an Unbound Europe), translated by Stephen M. Dickey and Bogdan Rakic, Northwestern University Press, 2005
  • Selimovic, Mesa, Death and the Dervish, translated by Bogdan Rakic and Stephen M. Dickey, Northwestern University Press, 1996.



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