Pygmalion (mythology)

Pygmalion (/pɪɡˈmliən/; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) is a legendary figure of Cyprus in Greek mythology who was a king and a sculptor. Though Pygmalion is the Greek version of the Phoenician royal name Pumayyaton,[1] he is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.

Pygmalion
Greek mythology character
Pygmalion (Raoux).jpg
Pygmalion adoring his statue, a 1717 depiction of Ovid's narrative by Jean Raoux.
In-universe information
GenderMale
OccupationKing and sculptor
SpouseAn ivory sculpture
ChildrenYes
OriginCyprus

In OvidEdit

In book 10 of Ovid's Metamorphoses, Pygmalion was a Cypriot sculptor who carved a woman out of ivory. According to Ovid, after seeing the Propoetides prostituting themselves, Pygmalion declared that he was "not interested in women",[2] but then found his statue was so beautiful and realistic that he fell in love with it.

In time, Aphrodite's festival day came, and Pygmalion made offerings at the altar of Aphrodite. There, too scared to admit his desire, he quietly wished for a bride who would be "the living likeness of my ivory girl." When he returned home, he kissed his ivory statue, and found that its lips felt warm. He kissed it again, and found that the ivory had lost its hardness. Aphrodite had granted Pygmalion's wish.

Pygmalion married the ivory sculpture which changed to a woman under Aphrodite's blessing. In Ovid's narrative, they had a daughter, Paphos, from whom the city's name is derived.

In some versions Paphos was a son, and they also had a daughter, Metharme.[3]

Ovid's mention of Paphos suggests that he was drawing on a more circumstantial account[4] than the source for a passing mention of Pygmalion in Pseudo-Apollodorus' Bibliotheke, a Hellenic mythography of the 2nd-century AD.[5] Perhaps he drew on the lost narrative by Philostephanus that was paraphrased by Clement of Alexandria.[6] In the story of Dido, Pygmalion is an evil king.

Parallels in Greek mythEdit

The story of the breath of life in a statue has parallels in the examples of Daedalus, who used quicksilver to install a voice in his statues; of Hephaestus, who created automata for his workshop; of Talos, an artificial man of bronze; and (according to Hesiod) of Pandora, who was made from clay at the behest of Zeus.

The moral anecdote of the "Apega of Nabis", recounted by the historian Polybius, described a supposed mechanical simulacrum of the tyrant's wife, that crushed victims in her embrace.

The trope of a sculpture so lifelike that it seemed about to move was a commonplace with writers on works of art in antiquity. This trope was inherited by writers on art after the Renaissance.[citation needed]

ReinterpretationsEdit

The basic Pygmalion story has been widely transmitted and re-presented in the arts through the centuries. At an unknown date, later authors give as the name of the statue that of the sea-nymph Galatea or Galathea. Goethe calls her Elise, based upon the variants in the story of Dido/Elissa.

A variant of this theme can also be seen in the story of Pinocchio, in which a wooden puppet is transformed into a "real boy", though in this case the puppet possesses sentience prior to its transformation; it is the puppet and not its creator, the woodcarver Geppetto, who beseeches the divine powers for the miracle.

In the final scene of William Shakespeare's The Winter's Tale, a statue of Queen Hermione which comes to life is revealed as Hermione herself, so bringing the play to a conclusion of reconciliations.

In George Bernard Shaw's 1913 play Pygmalion, a modern variant of the myth with a subtle hint of feminism, the underclass flower-girl Eliza Doolittle is metaphorically "brought to life" by a phonetics professor, Henry Higgins, who teaches her to refine her accent and conversation and otherwise conduct herself with upper-class manners in social situations. This play in turn inspired the 1938 film Pygmalion, as well as the 1956 play My Fair Lady and the 1964 film My Fair Lady.

The 2007 film Lars and the Real Girl tells the story of a man who purchases a doll and treats her as a real person in order to reconnect with the rest of the world. Although she never comes to life, he believes she is real, and in doing so develops more connections to his community. When he no longer needs her, he lets her go. This is a reversal of the myth of Pygmalion.[7]

 
Étienne Maurice Falconet: Pygmalion et Galatée[notes 1] (1763)

PaintingsEdit

 
Pygmalion by Jean-Baptiste Regnault, 1786, Musée National du Château et des Trianons
 
Miniature from a 14th-century manuscript of Pygmalion working on his sculpture

The story has been the subject of notable paintings by Agnolo Bronzino, Jean-Léon Gérôme (Pygmalion and Galatea), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title Pygmalion and the Image), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening".

LiteratureEdit

Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century.

PoemsEdit

EnglandEdit
ScotlandEdit
IrelandEdit
GermanyEdit
RomaniaEdit
United StatesEdit
NicaraguaEdit

Short storiesEdit

Novels and playsEdit

OtherEdit

Opera, ballet, and musicEdit

  • The story of Pygmalion is the subject of Jean-Philippe Rameau's 1748 opera, Pigmalion.
  • It was also the subject of Georg Benda's 1779 monodrama, Pygmalion.
  • Ramler's poem Pygmalion was set to music as an aria by J.C.F.Bach in 1772, and as a cantata by Friedrich Benda in 1784.
  • Pygmalion was the subject of Gaetano Donizetti's first opera, Il Pigmalione.
  • Fromental Halévy wrote an opera Pygmalion in the 1820s, but it was not performed.
  • Franz von Suppe composed an operetta Die schöne Galathée which is based on the characters of Pygmalion and Galatea.
  • The ballet Coppélia, about an inventor who makes a life-sized dancing doll, has strong echoes of Pygmalion.
  • The choreographer Marius Petipa and the composer Prince Nikita Trubetskoi created a four-act ballet on the subject called Pygmalion, ou La Statue de Chypre. The ballet was revived in 1895 with the great ballerina Pierina Legnani.
  • The English progressive rock group Yes composed "Turn of the Century" (1977); it tells the story of the sculptor Roan who, in the grief of his wife's death, "molds his passion into clay." The sculpture of his wife comes to life and they fall in love.
  • British shoegaze band Slowdive named their third LP Pygmalion in 1995.
  • The song "Trial By Fire" by darkwave/gothic band ThouShaltNot recreates the idea of a modern-day Pygmalion with lyrics such as "I sculpt your nature within, I am your Pygmalion" and "I dust away the plaster from off your breathing body...You'll never be the same."
  • Lunatic Soul's 2014 album Walking on a Flashlight Beam includes the track "Pygmalion's Ladder".[32]
  • The progressive house artist Hellberg (Jonathan Hellberg) released a song called 'The Girl' featuring vocalist Cozi Zuehlsdorff in 2015. They have both admitted to having been inspired by the Pygmalion myth when creating the track.
  • Wonderbound Ballet Company in Denver, Colorado premiered the piece "Patterns" in 2018 as part of their work Aphrodite's Switchboard. The piece centers on a reinterpretation of the Pygmalion story in which Aphrodite falls in love with Pygmalion's sculpture herself.[33]
  • My Fair Lady stage musical

Stage playsEdit

 
W. S. Gilbert's stage version, 1871

Though it is not based on the story of Pygmalion, Shakespeare's play Measure for Measure references Pygmalion in a line spoken by Lucio in Act 3, Scene 2: "What, is there none of Pygmalion's images, newly made woman, to be had now, for putting the hand in the pocket and extracting it clutch'd?"[34]

There have also been successful stage-plays based upon the work, such as W. S. Gilbert's Pygmalion and Galatea (1871). It was revived twice, in 1884 and in 1888. The play was parodied the musical 1883 burlesque Galatea, or Pygmalion Reversed, which was performed at the Gaiety Theatre with a libretto by Henry Pottinger Stephens and W. Webster, and a score composed by Wilhelm Meyer Lutz.

In January, 1872, Ganymede and Galatea opened at the Gaiety Theatre. This was a comic version of Franz von Suppé's Die schöne Galathee, coincidentally with Arthur Sullivan's brother, Fred Sullivan, in the cast.

In March 1872, William Brough's 1867 play Pygmalion; or, The Statue Fair was revived, and in May of that year, a visiting French company produced Victor Massé's Galathée.

George Bernard Shaw's Pygmalion (1912, staged 1913) owes something to both the Greek Pygmalion and the legend of "King Cophetua and the beggar maid"; in which a king lacks interest in women, but one day falls in love with a young beggar-girl, later educating her to be his queen. Shaw's comedy of manners in turn was the basis for the Broadway musical My Fair Lady (1956), as well as numerous other adaptations.

P. L. Deshpande's play Ti Fulrani ("Queen of Flowers") is also based on Shaw's Pygmalion. The play was a huge success in Marathi theater and has earned many accolades. Madhu Rye adapted Pygmalion in Gujarati as Santu Rangili (1976) which was successful.

TelevisionEdit

  • The Man from U.N.C.L.E. 3rd-season episode "The Galatea Affair" from 1966 is a spoof of My Fair Lady. A crude barroom entertainer (Joan Collins) is taught to behave like a lady. Noel Harrison, son of Rex Harrison, star of the My Fair Lady film, is the guest star.
  • The Japanese anime series Bubblegum Crisis: Tokyo 2040 includes a character named Galatea, an artificial life form designed to be the next evolution of the human race.
  • In Disney's Hercules: The Animated Series, Pygmalion was Hercules' art teacher. His success in crafting a perfect wife for himself prompted Hercules to do the same to create a date for a school dance, naming her Galatea.
  • The science-fiction franchise Star Trek explores the Pygmalion theme in episodes such Star Trek: The Next Generation's "Inheritance" (Episode 7x10), where Data's creator Dr. Soong constructs a female android to replace his deceased wife, and Star Trek: The Original Series' "Requiem for Methuselah" (Episode 3x19), where an immortal human builds a presumably immortal android as a life partner.[35] The character of Data, himself an android "sculpted" by man and his longing to become more "human," are a recurrent arc of the series.
  • The 1897 flashback of the Gothic TV serial Dark Shadows includes a painter, Charles Delaware Tate (portrayed by Roger Davis), whose portraits come to life. The character of Amanda Harris is one of Tate's creations, falling in love with Quentin Collins.

FilmsEdit

Interactive fictionEdit

Audio drama/podcastsEdit

  • One of the protagonists of science fiction/horror podcast Dining In The Void is a model named Galatea Ivory, known for her white skin and unparalleled beauty.[38] One of her main arcs in the show revolves around her physical beauty and how it gets compromised by the show's villain Jo. In episode six, "Aligning Their Goals," Galatea reveals that her manager is called Pygmalion and that he sometimes tells her to "be quiet" on set. However, she defends him when Aveline Lion asks if that's controlling by saying he's looking out for her career.[39]

See alsoEdit

NotesEdit

  1. ^ The invention of the name Galatea is modern; Falconet's title was Pygmalion aux pieds de sa statue qui s'anime, "Pygmalion at the feet of his statue, which comes to life".

ReferencesEdit

  1. ^ See Pygmalion of Tyre.
  2. ^ Morford, Mark (2007). Classical Mythology. Oxford: Oxford UP. p. 184.CS1 maint: ref=harv (link)
  3. ^ Pseudo-Apollodorus, Bibliotheke, iii.14.3.
  4. ^ The Greek sources of Ovid's tale are fully discussed at Galatea.
  5. ^ Bibliotheke, iii.14.3 simply mentions "Metharme, daughter of Pygmalion, king of Cyprus."
  6. ^ Clement, Exhortation to the Greeks, 4: "So the well-known Pygmalion of Cyprus fell in love with an ivory statue; it was of Aphrodite and was naked. The man of Cyprus is captivated by its shapeliness and embraces the statue. This is related by Philostephanus".
  7. ^ Bazzoli, Meredith. "The Metamorphoses of the Pygmalion Myth: A Narrative Critique of Lars and the Real Girl". allacademic. NCA 95th Annual Convention. Retrieved 2 May 2018.
  8. ^ John Marston (1856). The Works of John Marston. John Russell Smith. p. 199. Retrieved 2016-11-25 – via Internet Archive.
  9. ^ John Dryden (2002-09-01). The Works of John Dryden, Volume VII: Poems, 1697-1700. Books.google.com. Retrieved 2016-11-25.
  10. ^ Thomas Lovell Beddoes (2009-01-28). The Poetical Works of Thomas Lovell Beddoes: Memoir. Poems collected in 1851 ... Books.google.com. Retrieved 2016-11-25.
  11. ^ Arthur Henry Hallam (1863). Remains in Verse and Prose of Arthur Henry Hallam: With a Preface and Memoir. Ticknor and Fields. Retrieved 2016-11-25 – via Internet Archive.
  12. ^ Robert Williams Buchanan. Sammlung. Books.google.com. Retrieved 2016-11-25.
  13. ^ "The Earthly Paradise (March–August) Index". Sacred-texts.com. Retrieved 2016-11-25.
  14. ^ a b c d "Poems about Pygmalion and Galatea" (PDF). Shslboyd.pbworks.com. Retrieved 2016-11-25.
  15. ^ Thomas Woolner (1881). Pygmalion. Macmillan. Retrieved 2016-11-25 – via Internet Archive.
  16. ^ Frederick Tennyson (1891). Daphne and Other Poems. Macmillan. Retrieved 2016-11-25 – via Internet Archive.
  17. ^ [1][dead link]
  18. ^ [2]
  19. ^ Emily Henrietta Hickey (1881). A Sculptor, and Other Poems. K. Paul, Trench & Company. Retrieved 2016-11-25 – via Internet Archive.
  20. ^ The Minor Poems of Schiller of the Second and Third Periods: With a Few of ... Books.google.com. Retrieved 2016-11-25.
  21. ^ "Poezii Romanesti". Romanianvoice.com. Retrieved 2016-11-25.
  22. ^ Grace Greenwood (1851). Poems. Ticknor, Reed, and Fields. Retrieved 2016-11-25 – via Internet Archive.
  23. ^ Elizabeth Stuart Phelps. "Galatea". Harpers.org. Retrieved 2016-11-25.
  24. ^ "Hermione by Edward Rowland Sill - Famous poems, famous poets. - All Poetry". Oldpoetry.com. Retrieved 2016-11-25.
  25. ^ Hilda Doolittle; Louis L. Martz. Collected Poems, 1912-1944. Books.google.com. Retrieved 2016-11-25.
  26. ^ Katham Pollitt (April 1979). "Pygmalion". Poetry. Poetry Foundation. 134 (1): 14. JSTOR 20593401.
  27. ^ "Galatea Encore by Joseph Brodsky - Famous poems, famous poets. - All Poetry". Oldpoetry.com. Retrieved 2016-11-25.
  28. ^ "Galatea Poem by Katherine Solomon". Twiter.com. Retrieved 2019-10-18.
  29. ^ a b Judith H. Montgomery (May 1971). "The American Galatea". College English. National Council of Teachers of English. 32 (8): 890–899. JSTOR 375627.
  30. ^ George Macdonald (1858). Phantastes: a faerie romance. Retrieved 2016-11-25 – via Internet Archive.
  31. ^ Jean-Jacques Rousseau; Horace Coignet. "Pygmalion: scčne lyrique". Books.google.com. Retrieved 2016-11-25.
  32. ^ "the albums – lunatic soul". Lunaticsoul.com. Retrieved 2016-11-25.
  33. ^ "Dance: In Wonderbound's latest, Greek gods play matchmaker during The Depression". The Know. 2018-02-07. Retrieved 2018-04-24.
  34. ^ "SCENE II. The street before the prison". shakespeare.mit.edu.
  35. ^ Grech, Grech (August 2012). "The Pinocchio Syndrome: Revisited" (PDF). The New York Review of Science Fiction: 17. The wife of Dr. Soong, Data’s creator, is such an individual, created by Dr. Soong himself in Pygmalion fashion, complete with real memories, as a replacement when his original wife died. When the Enterprise crew accidentally discover this, Data chooses not to reveal her true nature to her, deeming that it is more important for her to live a normal and happy life, believing herself to be human ("Inheritance"). This is prefigured by the original Star Trek episode "Requiem for Methuselah" (1969), wherein an immortal human strives to create an immortal android woman companion who initially does not know that she is an artificial construct, and on discovering emotions, her brain overloads, causing her termination.
  36. ^ https://www.youtube.com/watch?v=nCs9g9F7keo
  37. ^ https://en.wikipedia.org/wiki/Bicentennial_Man_(film)
  38. ^ "Characters | Dining in the Void". Audio Drama | Dining in the Void. Retrieved 2018-07-06.
  39. ^ "6. Aligning Their Goals [Transcript]". Google Docs. Retrieved 2018-07-06.

Further readingEdit

  • Essaka Joshua. (2001). Pygmalion and Galatea: The History of a Narrative in English Literature. Ashgate.
  • Kenneth Gross. (1992). The Dream of the Moving Statue. Cornell University Press. (A wide-ranging survey of 'living statues' in literature and the arts).
  • Jack Burnham. Beyond Modern Sculpture (1982). Allan Lane. (A history of 'living statues' and the fascination with automata - see the introductory chapter: "Sculpture and Automata").
  • Ernst Buschor. Vom Sinn der griechischen Standbilder (1942). (Clear discussion of attitudes to sculptural images in classical times).
  • John J. Ciofalo. "The Art of Sex and Violence - The Sex and Violence of Art." The Self-Portraits of Francisco Goya. Cambridge University Press, 2001.
  • John J. Ciofalo. "Unveiling Goya's Rape of Galatea." Art History (December 1995), pp. 477–98.
  • Gail Marshall. (1998). Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth. Cambridge University Press.
  • Alexandra K. Wettlaufer. (2001). Pen Vs. Paintbrush: Girodet, Balzac, and the Myth of Pygmalion in Post-Revolutionary France. Palgrave Macmillan.
  • Danahay, Martin A. (1994) "Mirrors of Masculine Desire: Narcissus and Pygmalion in Victorian Representation". Victorian Poetry, No. 32, 1994: pages 35–53.
  • Edward A. Shanken. (2005) "https://web.archive.org/web/20060622174528/http://artexetra.com/Hot2Bot.pdf Hot 2 Bot: Pygmalion's Lust, the Maharal's Fear, and the Cyborg Future of Art]", Technoetic Arts 3:1: 43-55.
  • (2005). Almost Human: Puppets, Dolls and Robots in Contemporary Art, Hunterdon Museum of Art, Clinton, New Jersey. (Catalogue for a group exhibition March 20 - June 12, 2005)
  • Morford, Mark. (2007). "Classical Mythology Eighth Edition". Oxford University Press
  • Hersey, George L (2009). "Falling in love with statues: artificial humans from Pygmalion to the present", Chicago, 2009, ISBN 978-0-226-32779-2
  • Law, Helen H. (1932). "The Name Galatea in the Pygmalion Myth", The Classical Journal, Vol. 27 No. 5 (Feb. 1932), published by The Classical Association of the Middle West and South, JSTOR 3290617
  • d'Huy, Julien. (2012). Le motif de Pygmalion: origine afrasienne et diffusion en Afrique.. Sahara. 23. pp. 49-58.
  • d'Huy, Julien. (2013). Il y a plus de 2000 ans, le mythe de Pygmalion existait en Afrique du nord.. Préhistoires Méditerranéennes.

External linksEdit