Museum of the Bible
The Museum of the Bible is a museum in Washington D.C. which documents the narrative, history and impact of the Bible. The museum opened on November 17, 2017. With 1,150 items from the museum's permanent collection and 2,000 items on loan from other institutions and collections, the museum claims to have amassed one of the largest assemblies of biblical artifacts and texts in the world through collaborations with private donors, institutions, and other museums.
Museum of the Bible, November 4, 2017 before opening
|Established||November 17, 2017|
|Location||400 4th St SW Washington, D.C., United States|
|Public transit access||Federal Center SW|
The museum says it is nonsectarian, non-political, and that it does not proselytize. The former president of the museum, Cary Summers, said the goal was to "reacquaint the world with the book that helped make it, and let the visitor come to their own conclusions. ... We don't exist to tell people what to believe about it".
In the year before its launch, however, it had to field questions about the acquisition of its collection, including a federal case over smuggled Iraqi antiquities and thousands of clay artifacts. Despite the museum's nonsectarian stance, members of the museum's board of directors are required to sign a "faith statement".
The dedication ceremony of the Museum of the Bible received an official pontifical blessing from Pope Francis and individuals in attendance included Cardinal Donald Wuerl, musician CeCe Winans, chaplain of the U.S. Senate Barry Black, mayor of Washington, D.C. Muriel Bowser, and Israeli Ambassador to the United States, Ron Dermer.
The museum was established as a nonprofit in 2010. The museum's building location and design were announced in 2012 when the Green family purchased the 1923 Terminal Refrigerating and Warehousing Co. building, two blocks from the National Mall that used to be the Washington Design Center in Washington, D.C. The primary donors to the museum at launch were the Hobby Lobby and its owners, the Green family and the National Christian Foundation.
The estimated $400 million project updated the historically protected structure as well as adding two additional floors and a rooftop café and garden. The building's 1923 original red brick, architecture and ornamentation was restored, with new bricks imported from Denmark. The primary building was awarded historical status by the District's Historic Preservation Review Board. The glass-enclosed rooftop provides views of the United States Capitol, the Washington Monument and several Smithsonian museums. The construction efforts were led by Clark Construction. The architectural design team was led by SmithGroup.
The exhibits intend to offer a scholarly perspective on the impact of the Bible in history. Bible scholar David Trobisch, former director of the museum's collections, was hired to advise on new acquisitions, identify the storylines for the museum's exhibits, and supervise a team of thirty scholars and curators. Indiana Wesleyan University professor Jerry Pattengale serves as Executive Director of Education Initiatives. The Museum has an external board of advisors, and works with Jewish, Protestant, Catholic, and other religious and secular institutions.
Each of the six floors in the museum contain a different exhibit which emphasizes different aspects of the Bible's history or impact. This includes three permanent exhibit floors, each measuring 55,000 square feet (5,100 m2). The first floor combines ancient artifacts with modern technology meant to immerse the participant in the Bible. The front entrance on 4th Street SW features 40-foot (12 meter) tall, 2.5 tonnes (2,500 kg) bronze front doors with stained glass art containing a relief depicting the creation account in Genesis. There is also a grand lobby with a 200-foot (60 meter) LED ceiling allowing for changing visual effects and messages.
The second floor focuses on the Bible's impact on world culture, in areas like science, justice, and freedom. Another section is dedicated to the Bible's impact in American history.
The third floor presents the general narrative of the Bible from Abraham through the creation of Israel to the ministry of Jesus and the early church. This floor also contains a large Jewish Bible section.
The fourth floor presents biblical history and archaeology. Trobisch stated that the museum "will not whitewash conflicts in Christian history but will explain the arguments that were made at the time".
The fifth level contains a performing arts theater with a 500-person amphitheater. The museum plans to sponsor scholarly lectures as well as multimedia performances relating to the Bible. The fifth floor also contains separate exhibit space for displays presented by the Israel Antiquities Authority.
The sixth floor consists of a rooftop viewing areas overlooking the National Mall and U.S. Capitol, stained glass exhibits, and a ballroom that seats 1,000 guests. The museum's artifact research facility and reference library is located in a one-story addition to the roof of a neighboring office complex.
Several museum partners are responsible for the design and layout of the various exhibits. The PRD Group was responsible for the history of the Bible floor. PRD Group has previously collaborated on exhibits at Smithsonian National Museum of American History and National Museum of Natural History. BRC Imagination Arts is developing the narrative of the Bible floor. Jonathan Martin Creative recreated a Nazareth village from the first century. C&G Partners led the design of the impact of the Bible floor. Previous work by C&G Partners includes the United States Holocaust Memorial Museum and the Abraham Lincoln Presidential Library and Museum.
The museum contains more than 40,000 objects and artifacts, ranging from the time of Abraham through the New Testament period. Planned artifacts include biblical papyri, Torah scrolls, rare printed Bibles, Jewish artifacts and contemporary treasures of Christian and Jewish culture. The museum has made arrangements to exhibit significant archaeological artifacts owned by collaborating institutions and private collectors such as the Israel Antiquities Authority. Steve Green has donated 13 fragments of the Dead Sea Scrolls for exhibition at the museum, along with thousands of other ancient artifacts from his personal collection. Additional initial exhibits include remains from Julia Ward Howe's original manuscript for the famous song "The Battle Hymn of the Republic" as well as a replica of the Liberty Bell upon which is engraved the Bible verse from Leviticus "Proclaim liberty throughout all the land unto all the inhabitants thereof".
"Equinox" owners and "The Jewish Table" authors Todd and Ellen Gray operate a 165-seat, Mediterranean-inspired, fine-dining restaurant inside the Museum. The Grays also provide catering for events at the museum. The Museum also contains a more casual lunch and coffee shop, where some of the food offerings are certified as kosher.
On Thursday, November 16, 2017, museum officials held a private opening gala and reception for the facility at the Trump International Hotel Washington D.C. in the Old Post Office Building. A single seat at the fundraising event cost $2,500, while tables cost from $25,000 to $50,000. However, a number of museum employees and academic consultants refused to enter, citing the problem of having the event in a hotel affiliated with the controversial president of the United States, Donald Trump.
The museum opened on Friday, November 17, in a private ceremony in the museum's theater that dedicated the facility. Pope Francis sent an official pontifical blessing for the museum's dedication. According to a message from the Vatican's Cardinal Secretary of State, Pietro Parolin, who had visited Washington earlier in the week, the Pope stated that "He is confident that those who revere the sacred scriptures as the word of God will here find nourishment for their faith, while many others will be introduced to a fascinating and vital chapter in the spiritual history of the human family".
The dedication ceremony, which nearly 500 people attended, began with the hymn "Amazing Grace" that Gospel singer CeCe Winans sang. After reading Parolin's message, Cardinal Donald Wuerl, the Archbishop of Washington, offered the ceremony's opening prayer, which was followed by prayers and remarks from Chaplain of the United States Senate Barry Black, Chief of Chaplains of the United States Navy Admiral Margaret Kibben and Mayor of the District of Columbia Muriel Bowser.
Ron Dermer, the Israeli Ambassador to the United States, celebrated the museum as a signifier of the Jewish claim to Jerusalem. The Bible nurtured Jews through 2,000 years of exile until they were able to "rebuild the original DC — David's Capital," Dermer said at the dedication ceremony. Yariv Levin, the Israeli tourism minister, read a letter from the Israeli Prime Minister Benjamin Netanyahu, who had sent "warm greetings from Jerusalem, the eternal and undivided capital of Israel". Mor Dionysius John Kawak, archbishop of the Syriac Orthodox Church and other representatives of that Oriental Orthodox denomination were in attendance at an official dinner for the museum's opening.
When the museum opened to the public on Saturday, November 18, the lines outside were short. Some exhibits bustled with visitors, while others were nearly empty and the museum was far from capacity.
When it opened to the public, the museum offered free admission with a suggested donation of $15.00. However, on December 10, 2018, the museum began to charge admission fees of up to $24.99 per person.
Historians Kelly Gannon and Kimberly Wagner evaluated the Museum as a, "testament to the power of evangelical impulses tempered by a desire to legitimate the Bible as a centerpiece of conversation in American life." They conclude:
- There is much that makes this museum great. The design of the space is stunning and well thought out. Likewise, the impressiveness of the technology cannot be overstated....Finally, the collection is notable for its size and breadth....Yet, despite all of this, MOTB remains a confusing amalgamation of historical and biblical scholarship, evangelical influence, and the desire to be a modern attraction. While MOTB's intent is not necessarily proselytization, its aims and purpose are often obscured by unspoken ideological and theological battles raging just under the surface. With all of the forces pulling at Museum of the Bible, it loses its sense of identity and risks becoming an evangelical tourist attraction, though it has the potential to be much more. 
At first the museum came under criticism for the original wording of its mission, which described an evangelistic purpose of the museum, namely, to "inspire confidence in the absolute authority and reliability of the Bible." A later statement shifted away from that language. A revised 2013 mission statement reads, "We exist to invite all people to engage with the Bible. We invite Biblical exploration through museum exhibits and scholarly pursuits."
The overarching narrative is the impact of the Bible ... its own internal history of how it came together, spread and was passed on. It exudes one of the best things about art culture in this country. Protestant, Catholic, Jewish, Ethiopic, Orthodox — all of them are here. There's a message of shared culture and respect that the museum exudes. Everyone who comes here is going to go out with that message.
In contrast to these comments, Biblical scholars Joel Baden of Yale Divinity School and Candida Moss of University of Birmingham, who wrote the book Bible Nation: The United States of Hobby Lobby, expressed concerns about the museum's mission, saying, "They have misled the public at large by promoting a curriculum and a museum that tell only the story that the Greens want to tell, without acknowledging that scholars and experts have spent decades, indeed centuries, laboring to provide very different accounts of the Bible and its history."
After spending many hours while writing the book with museum founder Steve Green and president Cary Summers, they concluded:
Their three-minute promo is fascinating demonstration of this problem. At least half of it is a reenactment of American history which has no bearing on the Bible—the signing of the Declaration of Independence, for example, or the Revolutionary War. The worry is that the museum portrays a story of the Bible that culminates in Protestantism and America. (Baden)
John Fea, associate professor of American history at Messiah College, and chair of the history department, said, "It's hard to see this as anything other than an attempt to try to bring Christian values in the Bible's teachings as understood by evangelical protestants, like the Greens, into the center of American political life and American cultural life."
However, the Catholic theologian Thomas L. McDonald, writing in the National Catholic Register praised the abundance of material dedicated to the history of the Bible with respect to Roman Catholicism:
In 2012, the museum brought its traveling Verbum Domini exhibit to the Vatican, which helped forge relationships with the Vatican Museums and Vatican Library. A similar exhibit was mounted in Philadelphia during the visit of Pope Francis, continuing the museum's process of courting Catholic leaders and press. The result is a permanent space on the first floor of the museum for rotating exhibits from the Vatican, including the giant illuminated Urbino Bible (15th century) and a number of reproduction frescoes illustrating Church councils. New items will be brought from Rome every six months. In addition, one of the special exhibits for the opening is a series of Stations of the Cross sculptures. Catholicism permeates the art and exhibits. A section of paintings and sculpture shows how artists depicted the Virgin Mary throughout history. Dorothy Day and St. Josephine Bakhita highlight an exhibit on social justice. There's the prayer book of Emperor Charles V, who condemned Luther as an outlaw, and various versions of the Vulgate and Douay-Rheims Bibles, among other Catholic versions. Pre-Reformation books and illuminated manuscripts, displays of Catholic architecture and art, the role of monks and nuns, and discussions of Catholic saints and scholars are all in the mix.
A blog article in The Economist criticized the Museum of the Bible for allegedly taking into consideration Protestant, Jewish and Roman Catholic views, but ignoring the views of Orthodox Christianity and not mentioning the "impact of the Bible on Islam" or taking into account the opinions of scholars who do not consider that the Bible contains a coherent story. On the contrary, Thomas L. McDonald stated that "The Museum of the Bible is telling the story of the holy book in all of its complexity. One display details all the various canons of Scripture, from Jewish to Ethiopic, what books they include, how they came to be in that form, and how they're used."
Hobby Lobby smuggling scandalEdit
In 2017, U.S. Immigration and Customs Enforcement seized thousands of clay tablets and bullas from Hobby Lobby. The artifacts in question had likely been stolen from Iraq. Hobby Lobby was found to have used couriers that had willfully used methods to conceal the provenance of the allegedly stolen items. The museum released a statement that these artifacts were never owned by the Museum of the Bible and were never intended to be part of their collection. In 2018, the items were returned to Iraq, and the company paid a $3 million fine.
Scott Thumma, a dean and professor of sociology of religion at Hartford Seminary, defended Hobby Lobby during the smuggling controversy. Thuma stated: "Many of the collections of our great national museums and universities are full of the very objects that Hobby Lobby is being fined for smuggling and are seldom required to return or pay compensation."
Dead Sea Scrolls forgeriesEdit
Founder Steve Green donated Dead Sea Scrolls parchment fragments to the museum collection for its opening. When the museum catalog was released to the public, however, several outside experts expressed concern that the museum had not adequately accounted for the fragments' provenance. Arstein Justnes, a professor of biblical studies at the University of Agder in Norway, declared they were outright forgeries. The museum subsequently, in April 2017, enlisted the German Federal Institute for Materials Research and Testing (Bundesanstalt für Materialforschung und Prüfung) to analyze of the scrolls.
However, the museum kept the fragments prominently on display for its November 2017 official opening, while testing was still incomplete. The text of display stated that "scholars continue to debate the authenticity of this fragment".
In October 2018, the museum announced that expert examination had led it to conclude that five of its sixteen fragments of Dead Sea Scrolls (bought by founder Steve Green) were forgeries and that the museum had removed them from display. According to the German researchers, those five showed "characteristics inconsistent with ancient origin".
Board and leadershipEdit
- Steve Green – president of Hobby Lobby
- Allon Lefever – entrepreneur, former business professor at Eastern Mennonite University
- Anne Beiler – founder of Auntie Anne's Pretzels
- Carlos Campo – president of Ashland University
- Rick Warren – founder and pastor of Saddleback Church
- Robert E. Cooley – vice chairman of the board; president emeritus of Gordon-Conwell Theological Seminary
- Gregory Baylor – senior counsel with Alliance Defending Freedom
- Harry Lee Crisp III – director and owner of Pepsi MidAmerica and Crisp Container Corporation
- James Moore Jr. - former president and chief operating officer of Coca-Cola Bottling Co. Consolidated
- Mary Banks – president of WOW Consulting Group
- Bob Hoskins – secretary of the board; founder of OneHope
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The Museum of the Bible hosts 40,000 biblical and religious artifacts, such as this Gospel Book from 17th-century Turkey.
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The Museum of the Bible will offer free admission when it opens its 430,000 square-foot facility on Nov. 17, officials announced Friday. The nonprofit museum will suggest a donation of $15 for entry but it will not require guests to pay anything.Archived 1 September 2018 at the Wayback Machine
“Our mission is to invite all people to engage with the Bible, and with a suggested donation we believe more people will come,” Vice President of Marketing Steven Bickley said.
Operating in a city where many museums have free admission, officials decided a suggested donation was the best policy. “Our goal is to be self-sustaining, so you have a trade-off,” Bickley said. “The rate will go down but we will have a higher volume.”
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What has changed in the 13 months since your opening that would indicate your free admission policy is not sustainable?Archived 17 December 2018 at the Wayback Machine
While some guests have shown their generosity by choosing to pay the suggested donation, analysis has shown that these donations alone will not ensure a financially sustainable, quality experience for future guests.
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