Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker, and the most important Spanish artist of the late 18th and early 19th centuries. Immensely successful in his lifetime, he is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time. [1]
Goya's work begins approximately in 1762 when he painted a reliquary for the church of Fuendetodos and continued till his death in 1828. During these years, the painter produced around 700 paintings, 280 prints and several thousand drawings. The work evolved from the Rococo stylee, typical of its tapestry cartoons, to the very personal Black Paintings, passing through the official paintings for the court of Charles IV of Spain and Ferdinand VII of Spain.
Goya's themes were wide: portraits, genre scenes (hunting, gallant and popular scenes, vices of society, violence, witchcraft), historical, religious frescoes, as well as still lifes. His work now in the Prado Museum is particularly important both in terms of its quality and quantity. However, his work is present in most major museums around the world.
The following is an incomplete list of works by the Spanish painter and printmaker Francisco Goya.
Paintings (1763–1774)Edit
Image Title |
Date | Current location | Size (in cm's) |
---|---|---|---|
1763 | Zaragoza Museum | 127 x 88 | |
Assumption of the Virgin and Saint Íñigo (in Spanish) |
1763 | San Juan el Real, Calatayud | 230 x 70 |
1767 | Zaragoza Museum | 140 x 100 | |
1769 | Collection of Pascual de Quinto, Zaragoza | 79 x 55 | |
c. 1782 | Private collection | 47 x 33 | |
1769 | Collection of Marquess de las Palmas, Jerez de la Frontera | 79 x 55 | |
1770 | Museo del Prado, Madrid | 87 x 131.5 | |
1770 | Zaragoza Museum | 30.5 x 38.5 | |
1770 | Private collection | 31.1 x 40.6 | |
The Sacrifice to Vesta (in Polish) |
1771 | Collection of Felix Palacios Remondo, Zaragoza | 32.5 x 24 |
The Sacrifice to Pan (in French) |
1771 | Private collection | 32.5 x 24 |
Venus and Adonis (in Spanish) |
1771 | Zaragoza Museum | 23 x 12 |
Ecstasy of Saint Anthony the Great (in Polish) |
1771 | Private collection | 47.2 x 38.8 |
The Death of St. Francis Xavier (in Polish) |
1771 to 1774 | Zaragoza Museum | 56 x 41 |
Our Lady of the Pillar (in Spanish) |
1771 to 1774 | Zaragoza Museum | 56 x 42 |
1772 | Private collection | 47 x 68 | |
1772 | Basílica de Nuestra Señora del Pilar, Zaragoza | 700 x 1500 | |
The Adoration of the Name of God (sketch) |
1772 | Museo Camón Aznar, Zaragoza | 75 x 152 |
Saint Barbara (in Spanish) |
1772 | Museo del Prado, Madrid | 97.2 x 78.5 |
1772 | Zaragoza Museum | 129 x 93 | |
The burial of Christ[a] |
1772 | Lázaro Galdiano Museum, Madrid | 130 x 95 |
1772 to 1773 | Félix Palacios Collection, Zaragoza | 58.3 x 83.7 | |
1772 to 1773 | Private collection | ||
1772 to 1773 | Private collection | 131 x 90 | |
1772 to 1775 | Private collection | 35 x 60 | |
1772 to 1775 | Private collection | 35 x 60 | |
Self portrait (in Polish) |
1773 | Museo Camón Aznar, Zaragoza | 58 x 44 |
Portrait of a man with sombrero[a] |
1773 to 1775 | Zaragoza Museum | 31 x 42 |
1774 | Charterhouse of Aula Dei | 306 x 790 | |
Piety[a] |
1774 | Private collection | 83.5 x 58 |
1774 | Private collection | 90 x 125 | |
1774 | Colección Várez Fisa, Madrid | 97 x 120 |
Paintings (1775–1792)Edit
see also: List of Francisco Goya's tapestry cartoons
Image Title |
Date | Current location | Size (in cm's) |
---|---|---|---|
1775 | Royal Palace of Madrid | 249 x 173 | |
Dogs on a leash (in Spanish) |
1775 | Museo del Prado, Madrid | 112 x 174 |
Hunting with a decoy (in Spanish) |
1775 | Museo del Prado, Madrid | 112 x 179 |
The Quail Shoot (in Spanish) |
1775 | Museo del Prado, Madrid | 290 x 226 |
Hunter loading his rifle (in Spanish) |
1775 | Museo del Prado, Madrid | 289 x 90 |
A hunter with his dogs (in Spanish) |
1775 | Museo del Prado, Madrid | 262 x 71 |
The fisherman with his rod (in Spanish) |
1775 | Museo del Prado, Madrid | 289 x 110 |
Portrait of Matthias Allué (in Polish) |
1775 | Goya Museum, Castres | 67 x 53 |
Francesco Sabatini (in Polish) |
1775 to 1779 | Meadows Museum, Dallas | 82.9 x 62.2 |
1775 to 1780 | Private collection | 45 x 39 | |
1775 to 1780 | Private collection | 107 x 80 | |
Saint Ignacius of Loyola (in Spanish) |
1775 to 1780 | Private collection | 85 x 57 |
Picnic on the banks of the Manzanares (in Spanish) |
1776 | Museo del Prado, Madrid | 271 x 295 |
Dance on the bank of the Manzanares (in Spanish) |
1776 to 1777 | Museo del Prado, Madrid | 275 x 298 |
The drinker (in Spanish) |
1777 | Museo del Prado, Madrid | 107 x 151 |
1777 | Museo del Prado, Madrid | 104 x 152 | |
The Road of Andalusia (in Spanish) |
1777 | Museo del Prado, Madrid | 275 x 190 |
The fight at the Venta Nueva (in Spanish) |
1777 | Museo del Prado, Madrid | 275 x 414 |
Card Players (in Spanish) |
1777 to 1778 | Museo del Prado, Madrid | 270 x 167 |
Card Players (in Spanish) (sketch) |
1777 to 1778 | Private collection | 87 x 58 |
The kite (in Spanish) |
1778 | Museo del Prado, Madrid | 269 x 285 |
Boys picking fruit (in Spanish) |
1778 | Museo del Prado, Madrid | 119 x 122 |
Children inflating a bladder (in Spanish) |
1778 | Museo del Prado, Madrid | 116 x 124 |
1778 | Museum of Art, Toledo | 145.4 x 94 | |
1778 | Museo Camón Aznar, Zaragoza | ||
Blind Guitarist (in Spanish) |
1778 to 1779 | Museo del Prado, Madrid | 260 x 311 |
The pottery vendor (in Spanish) |
1778 to 1779 | Museo del Prado, Madrid | 259 x 220 |
The seller of acerola (in Spanish) |
1778 to 1779 | Museo del Prado, Madrid | 259 x 100 |
Madrid fair (in Spanish) |
1778 to 1779 | Museo del Prado, Madrid | 258 x 218 |
The soldier and the lady (in Spanish) |
1778 to 1779 | Museo del Prado, Madrid | 259 x 100 |
1779 | Museo del Prado, Madrid | 146 x 94 | |
1775 | Colección Yanduri, Seville | 39 x 28 | |
The Guitar Guy (in Spanish) |
1779 | Museo del Prado, Madrid | 137 x 112 |
The Swing (1779) (in Spanish) |
1779 | Museo del Prado, Madrid | 260 x 165 |
The Game of Pelota with Rackets (in Spanish) |
1779 | Museo del Prado, Madrid | 261 x 470 |
1779 | Scottish National Gallery, Edinburgh | 95.8 x 120.2 | |
The tree boy (in Spanish) |
1779 to 1780 | Museo del Prado, Madrid | 262 x 40 |
The boy with a bird (in Spanish) |
1779 to 1780 | Museo del Prado, Madrid | 262 x 40 |
The Rendezvous (in Spanish) |
1779 to 1780 | Museo del Prado, Madrid | 100 x 151 |
The tobacco guards (in Spanish) |
1779 to 1780 | Museo del Prado, Madrid | 262 x 137 |
The washerwomen (in Spanish) |
1779 to 1780 | Museo del Prado, Madrid | 218 x 166 |
1779 to 1780 | Private collection | 86.5 x 59 | |
The lumberjacks (in Spanish) |
1780 | Museo del Prado, Madrid | 141 x 114 |
The bullfight (in Spanish) |
1780 | Museo del Prado, Madrid | 259 x 136 |
1780 | Museo del Prado, Madrid | 255 x 154 | |
Ecstasy of Saint Anthony the Great (in Polish) |
1780 | Zaragoza Museum | 67 x 46 |
1780 | Private collection | 46.5 x 32 | |
1780 to 1781 | Cathedral-Basilica of Our Lady of the Pillar, Zaragoza | ||
Apparition of the Virgin of Pilar (in Catalan) |
1780 to 1782 | Museu Nacional d'Art de Catalunya, Barcelona | 46.7 x 33 |
Mariano Ferrer y Aulet (in Spanish) |
1780 to 1783 | Museu de Belles Arts de València | 83.9 x 63.4 |
School Scene (in Spanish) |
1780 to 1785 | Zaragoza Museum | 19.7 x 38.7 |
Antonio Veián y Monteagudo (in Polish) |
1782 | Huesca Museum | 231 x 172 |
1782 to 1785 | Private collection | 29 x 42 | |
1782 to 1785 | Private collection | 29 x 42 | |
The seesaw (in Spanish) |
1782 to 1785 | Museu de Belles Arts de València | 30.9 x 43.9 |
1782 to 1785 | Private collection | 30.9 x 43.9 | |
1782 to 1785 | Private collection | 30.5 x 43 | |
1782 to 1785 | Private collection | 30.9 x 43.9 | |
1782 to 1785 | Museu de Belles Arts de València | 30.9 x 43.9 | |
1782 to 1785 | Private collection | 30.5 x 43 | |
Gaspar Melchor de Jovellanos (in Polish) |
1782 to 1785 | Museum of Fine Arts of Asturias, Oviedo | 205 x 116 |
1783 | Bank of Spain Building, Madrid | 262 x 166 | |
Doña Maria Teresa de Vallabriga (in Polish) |
1783 | Alte Pinakothek, Munich | 151.2 x 97.8 |
1783 | Private collection | 67.2 x 50.4 | |
Portrait of Maria Teresa de Vallabriga (profile) (in Polish) |
1783 | Museo del Prado, Madrid | 48 x 39.6 |
Portrait of Infante Luis of Spain (in Polish) |
1783 | Private collection | 48.5 x 39.4 |
María Teresa de Borbón y Vallabriga (in Spanish) |
1783 | National Gallery of Art, Washington D.C. | 134.5 x 117.5 |
Luis María de Borbón y Vallabriga (in Polish) |
1783 | Zaragoza Museum | 147 x 126 |
1783 | Uffizi, Florence | 82.5 x 61.7 | |
José Moñino y Redondo, count de Floridablanca (in French) |
1783 | Museo del Prado, Madrid | 196 x 116.5 |
1783 | Musée Agen | 86 x 60 | |
Portrait of Camilo Goya (in Polish) |
1783 to 1784 | Museo Zuloaga, Zumaia | 94 x 71 |
Miguel de Múzquiz y Goyeneche, count de Gausa (in Polish) |
1783 to 1785 | Bank of Spain Building, Madrid | 200 x 114 |
1784 | Magnani-Rocca Foundation, Mamiano | 248 x 330 | |
The Sermon of Saint Bernardino of Siena (in Spanish) |
1784 | Basilica of San Francisco el Grande, Madrid | 480 x 300 |
1781 | Collection Tatiana Pérez de Guzmán el Bueno | 62 x 31 | |
1781 to 1782 | Collection Tatiana Pérez de Guzmán el Bueno | 62 x 33 | |
1782 to 1783 | Unknown | 140 x 80 | |
Immaculate Conception (in Polish) |
1784 | Museo del Prado, Madrid | 80 x 41 |
Portrait of Ventura Rodriguez (in Swedish) |
1784 | National Museum of Fine Arts, Stockholm | 107 x 81 |
Hercules and Omphale (in Polish) |
1784 | Private collection | 81 x 64.1 |
Portrait of Juan Agustín Ceán Bermúdez (in Spanish) |
1785 | Private collection | 82 x 55 |
1785 | Lowe Art Museum, Miami | 105 x 84 | |
1785 | Private collection | 103 x 83 | |
1785 | Private collection | 280 x 177 | |
1785 | Museum of Fine Arts, Boston | 40.3 x 23.2 | |
Portrait of the Duchess of Osuna (in Spanish) |
1785 | Private collection | 104 x 80 |
Portrait of the Duke of Osuna (in Polish) |
1785 | Private collection | 118 x 82 |
c. 1786 | National Gallery of Art, Washington, D.C. | 210.3 x 127 | |
Portrait of Francisco Bayeu (in Polish) |
1786 | Museu de Belles Arts de València | 112.5 x 84.5 |
Charles III of Spain (in Spanish) |
1786 | Bank of Spain Building, Madrid | 194 x 110 |
José de Toro y Zambrano (in Polish) |
1786 | Bank of Spain Building, Madrid | 112 x 68 |
Picnic (in Spanish) |
1786 | Museo del Prado, Madrid | 41.3 x 25.8 |
Harassed cat (in Spanish) |
1786 | Museo del Prado, Madrid | 42 x 15.5 |
Boys with mastiffs (in Spanish) |
1786 to 1787 | Museo del Prado, Madrid | 112 x 145 |
Boy on a ram (in Spanish) |
1786 to 1787 | Art Institute of Chicago | 127.2 x 112.1 |
1786 to 1787 | Museo del Prado, Madrid | 275 x 293 | |
1786 | Art Institute of Chicago | 34.3 x 36.6 | |
The Flower Girls (in Spanish) |
1786 to 1787 | Museo del Prado, Madrid | 277 x 192 |
1786 to 1787 | Private collection | 35 x 24 | |
The injured mason (in Spanish) |
1786 to 1787 | Museo del Prado, Madrid | 268 x 110 |
1786 | Museo del Prado, Madrid | 35 x 15 | |
The Poor at the Fountain (in Spanish) |
1786 to 1787 | Museo del Prado, Madrid | 277 x 115 |
1786 | Thyssen-Bornemisza Museum, Madrid | 35.5 x 18.8 | |
Cats fighting (in Spanish) |
1786 to 1787 | Museo del Prado, Madrid | 56 x 193 |
The Grape Harvest (in Spanish) |
1786 to 1787 | Museo del Prado, Madrid | 275 x 190 |
1786 | Clark Art Institute, Williamstown | 34 x 24.2 | |
Magpie in a tree (in Spanish) |
1786 to 1787 | Museo del Prado, Madrid | 279 x 28 |
1786 to 1787 | Museo del Prado, Madrid | 276 x 641 | |
The Threshing Floor (sketch for Summer) |
1786 to 1787 | Lázaro Galdiano Museum, Madrid | 34 x 74 |
Asalto al coche (in Spanish) |
1786 to 1787 | Private collection | 130 x 131 |
Driving an ashlar (in French) |
1786 to 1787 | Private collection | 169 x 127 |
The swing (1787) (in Spanish) |
1786 to 1787 | Private collection | 167 x 100 |
1786 to 1787 | Private collection | 169 x 88 | |
The fall (in Spanish) |
1786 to 1787 | Private collection | 169 x 98 |
Village procession (in Spanish) |
1786 to 1787 | Private collection | 169 x 98 |
Rounding up the bulls (in French) |
1786 to 1787 | Unknown[b] | 165 x 285 |
Miguel Fernandez Duran, marquess of Tolosa (in Polish) |
1786 to 1787 | Bank of Spain Building, Madrid | 112 x 78 |
Hunter at a fountain (in Spanish) |
1786 to 1787 | Museo del Prado, Madrid | 130 x 131 |
Shepherd playing a dulzaina (in Spanish) |
1786 to 1788 | Museo del Prado, Madrid | 130 x 134 |
Charles III in hunting dress (in Spanish) |
1786 to 1788 | Museo del Prado, Madrid | 210 x 127 |
Francisco Javier de Larrumbe (in Polish) |
1787 | Bank of Spain Building, Madrid | 113 x 77 |
Vicente Joaquín Osorio de Moscoso (in Polish) |
1787 | Bank of Spain Building, Madrid | 177 x 108 |
1787 | Museo del Prado, Madrid | 63.5 x 51.5 | |
1787 | Museo del Prado, Madrid | 63.5 x 51.5 | |
Santa Ludgarda (in Polish) |
1787 | Royal Monastery of San Joaquín and Santa Ana, Valladolid | 220 x 160 |
Saint Bernard of Clairvaux curing a cripple (in Polish) |
1787 | Royal Monastery of San Joaquín and Santa Ana, Valladolid | 220 x 160 |
The transit of St. Joseph (in Polish) |
1787 | Royal Monastery of San Joaquín and Santa Ana, Valladolid | 220 x 153 |
1787 | Flint Institute of Arts | 54.5 x 40.5 | |
1787 to 1788 | The Met, New York City | 110 x 80 | |
The Countess of Altamira and her Daughter (in Polish) |
1787 to 1788 | The Met, New York City | 195 x 115 |
María Ramona de Barbachano (in Polish) |
1787 to 1788 | Private collection | 114.4 x 83.6 |
Antonio Adán de Yarza (in Polish) |
1787 to 1788 | Private collection | 114.4 x 83.6 |
Bernarda Tavira (in Polish) |
1787 to 1788 | Private collection | 76.6 x 59.3 |
1787 to 1788 | Museum of Fine Arts, Houston | 138.4 x 104.1 | |
The meadow of San Isidro (in Spanish) |
1788 | Museo del Prado | 41.9 x 90.8 |
The hermitage of San Isidro on the feast day (in Spanish) |
1788 | Museo del Prado | 42 x 44 |
St. Francis Borgia says goodbye to his family (in Polish) |
1788 | Valencia Cathedral | 350 x 300 |
1788 | Private collection | 38 x 29.3 | |
St. Francis Borgia at the Deathbed of an Impenitent (in Spanish) |
1788 | Valencia Cathedral | 350 x 300 |
1788 | Private collection | 38 x 29.3 | |
Family of the Duke of Osuna (in Spanish) |
1788 | Museo del Prado, Madrid | 225 x 171 |
José de Cistué y Coll, baron of la Menglana (in Polish) |
1788 | Private collection | 210 x 140 |
José de Cistué y Coll (in Polish) |
1788 | Museo Camón Aznar, Zaragoza | 114 x 82.5 |
Portrait of Francisco Cabarrús (in Polish) |
1788 | Bank of Spain Building, Madrid | 210 x 127 |
The Holy Family (in Spanish) |
1788 to 1790 | Museo del Prado, Madrid | 203 x 148 |
1789 | Museo del Prado, Madrid | 269 x 350 | |
1788 | Museo del Prado, Madrid | 41 x 44 | |
Charles IV in red (in Spanish) |
1789 | Museo del Prado, Madrid | 127.3 x 94.3 |
1789 | Museo del Prado, Madrid | 127 x 94 | |
Charles IV in court dress (in Spanish) |
1789 | Museo del Prado, Madrid | 203 x 137 |
María Luisa of Parma wearing panniers (in French) |
1789 | Museo del Prado, Madrid | 205 x 132 |
Portrait of Charles IV of Spain (in Polish) |
1789 | Real Academia de la Historia, Madrid | 137 x 110 |
1789 | Real Academia de la Historia, Madrid | 137 x 110 | |
Portrait of King Charles IV of Spain (in Polish) |
1789 | Zaragoza Museum | 152 x 110 |
1789 | Zaragoza Museum | 152 x 110 | |
1789 | General Archive of the Indies, Seville | 128 x 95.5 | |
1789 | General Archive of the Indies, Seville | 128 x 95.5 | |
Juan Martín de Goicoechea y Galarza (in Polish) |
1790 | Zaragoza Museum | 84 x 65 |
Portrait of Tadea Arias de Enríquez (in Polish) |
c. 1790 | Museo del Prado, Madrid | 191 x 106 |
c. 1790 | Private collection | 101 x 80 | |
c. 1790 | Private collection | 103.4 x 81.5 | |
Portrait of Ramón Pignatelli (in Polish) |
1790 | Private collection | 79.5 x 62 |
Portrait of Martín Zapater (in Spanish) |
1790 | Museo de Arte de Ponce, Ponce | 82.8 x 64.5 |
c. 1790 | Church of Nuestra Señora de la Asunción, Valdemoro | 250 x 90 | |
1790 to 1792 | Real Academia de Bellas Artes de San Fernando, Madrid | 206 x 130 | |
Sleeping woman (in French) |
1790 to 1793 | Private collection | 59 x 145 |
c. 1790 to 1795 | Real Academia de Bellas Artes de San Fernando, Madrid | 42 x 28 | |
The Countess of Casa Flores (in Polish) |
1790 to 1797 | São Paulo Museum of Art | 112 x 79 |
The embroiderer Juan López de Robredo (in Polish) |
1790 to 1800 | Private collection | 107 x 81 |
Portrait of Luis María de Cistué y Martínez (in Polish) |
1791 | Louvre, Paris | 118 x 87.5 |
Women chatting (in Spanish) |
1791 to 1792 | Wadsworth Atheneum, Hartford | 59.1 x 142.9 |
The game of horse and rider (in Spanish) |
1791 to 1792 | Museo del Prado, Madrid | 137 x 104 |
Stilts (in Spanish) |
1791 to 1792 | Museo del Prado, Madrid | 268 x 320 |
The Wedding (in Spanish) |
1791 to 1792 | Museo del Prado, Madrid | 269 x 396 |
Women carrying pitchers (in Spanish) |
1791 to 1792 | Museo del Prado, Madrid | 262 x 160 |
Women carrying pitchers (sketch) (in Spanish) |
1791 | Private collection | 34 x 21 |
Boys climbing a tree (in Spanish) |
1791 to 1792 | Museo del Prado, Madrid | 141 x 111 |
The straw manikin (in Spanish) |
1791 to 1792 | Museo del Prado, Madrid | 267 x 160 |
1791 | Hammer Museum, Los Angeles | 35.6 x 23.3 | |
Portrait of Sebastián Martínez (in Spanish) |
1792 | The Met, New York City | 93 x 68 |
Portrait of Juan Agustín Ceán Bermúdez (in Polish) |
1792 to 1793 | Private collection | 122 x 88 |
Portrait of Senora Ceán Bermudez (in Polish) |
1792 to 1793 | Museum of Fine Arts (Budapest) | 121 x 84.5 |
Paintings (1793–1807)Edit
Image Title |
Date | Current location | Size (in cm's) |
---|---|---|---|
The death of the picador (in Spanish) |
1793 | Private collection | 43 x 31 |
1793 | Private collection | 50 x 32 | |
Strolling Players (in Spanish) |
1793 | Museo del Prado, Madrid | 43 x 32 |
1793 | Private collection | 42 x 34 | |
1793 | Private collection | 42 x 31 | |
1793 | Private collection | 43 x 32 | |
1793 | Private collection | 42 x 31 | |
1793 | Private collection | 42 x 31 | |
1793 | Private collection | 43 x 32 | |
1793 | Private collection | 42 x 31 | |
1793 | Private collection | 42 x 31 | |
1793 | Private collection | 43 x 32 | |
1793 to 1794 | Banco Inversion-Agepasa, Madrid | 43 x 32 | |
1793 to 1794 | Meadows Museum, Dallas | 43.8 x 32.7 | |
c. 1793 to 1794 | Bowes Museum, Barnard Castle | 42.9 x 31.7 | |
1793 to 1794 | Colección Juan Abelló[2] | 42 x 31 | |
Portrait of General Antonio Ricardos (in Polish) |
1793 to 1794 | Museo del Prado, Madrid | 112 x 84 |
Portrait of General Antonio Ricardos (in Polish) |
1793 to 1794 | Private collection | 110 x 81 |
Portrait of General Antonio Ricardos (in Polish) |
1793 to 1794 | Walters Art Museum, Baltimore | 94.8 x 74.8 |
General Ricardos, before his cannon (in Polish) |
1793 to 1794 | Private collection | 225 x 110 |
c. 1793 to 1795 | Louvre, Paris | 181 x 122 | |
1793 to 1797 | Private collection | 41 x 31 | |
1793 to 1797 | Musée des beaux-arts d’Agen | ||
Portrait of Félix Colón de Larriátegui (in Spanish) |
1794 | Indianapolis Museum of Art | 110 x 84 |
Ramón de Posada y Soto (in Polish) |
1794 | Fine Arts Museums of San Francisco | 113 x 74 |
1794 | Private collection | 55.2 x 44.5 | |
1794 | Private collection | 112 x 79 | |
Pedro Gil de Tejada (in Polish) |
1793 to 1795 | Private collection | 112 x 84 |
Juan José de Arias Saavedra y Verdugo (in Polish) |
1794 to 1795 | Private collection | 82 x 55 |
1795 | Liria Palace, Madrid | 192 x 128 | |
1795 | Museo del Prado, Madrid | 33 x 27.7 | |
1795 | Private collection | 31 x 25 | |
Francisco Bayeu (in Polish) |
1795 | Museo del Prado, Madrid | 112 x 84 |
1795 | Private collection | 115 x 83 | |
Duke of Roca (in Polish) |
1795 | San Diego Museum of Art | 108.3 x 82.6 |
Un garrochista (in French) |
1795 | Museo del Prado, Madrid | 57 x 47 |
1795 | Art Institute of Chicago | 88.9 x 68.6 | |
1795 | Private collection | 86 x 71 | |
1795 | Museo del Prado, Madrid | 195 x 120 | |
The widowed marchioness of Villafranca (in Polish) |
1795 | Museo del Prado, Madrid | 87 x 72 |
1795 | Louvre, Paris | 181 x 122 | |
Portrait of the Matador Pedro Romero (in Spanish) |
c. 1795 to 1798 | Kimbell Art Museum, Fort Worth | 84.1 x 65 |
Self-Portrait on Linen (in Polish) |
1795 to 1797 | Museo del Prado, Madrid | 18.2 x 12.2 |
Judge Altamirano (in Polish) |
1796 | Montreal Museum of Fine Arts | 84.2 x 62.9 |
1796 to 1797 | Oratorio Santa Cueva, Cádiz | 146 x 340 | |
1796 to 1797 | Oratorio Santa Cueva, Cádiz | 146 x 340 | |
1796 to 1797 | Oratorio Santa Cueva, Cádiz | 147 x 344 | |
1796 to 1797 | Private collection | 25 x 42 | |
1796 to 1798 | Museum of Art, Philadelphia | 92 x 76 | |
1796 to 1799 | Cleveland Museum of Art | 190 x 113 | |
1796 to 1799 | Private collection | 190 x 115 | |
1796 to 1799 | Museo Romántico, Madrid | 191.5 x 116 | |
1797 | Hispanic Society of America, New York City | 210 x 149 | |
Portrait of Martín Zapater (in Polish) |
1797 | Bilbao Fine Arts Museum | 83 x 65 |
1797 | Musée des Beaux-Arts de Strasbourg | 108 x 84 | |
Portrait of Juan Meléndez Valdés (in Polish) |
1797 | Bowes Museum, Barnard Castle | 73.3 x 57.1 |
1797 | Private collection | 73.3 x 57.1 | |
1797 to 1798 | Lázaro Galdiano Museum, Madrid | 43 x 30 | |
1797 to 1798 | Museo del Prado, Madrid | 43.5 x 30.5 | |
The Incantation (in Polish) |
1797 to 1798 | Lázaro Galdiano Museum, Madrid | 43.5 x 30.5 |
1797 to 1798 | National Gallery | 42 x 32 | |
The Witches' Kitchen (in Polish) |
1797 to 1798 | Unknown | 45 x 32 |
Don Juan and the Commendatore (in Polish) |
1797 to 1798 | Unknown | 43 x 32 |
Self-Portrait with Spectacles (in Spanish) |
1797 to 1800 | Goya Museum, Castres | 54 x 39.5 |
1797 to 1800 | Musée Bonnat, Bayonne | 54 x 39.5 | |
Portrait of Mariana Waldstein (in Polish) |
1797 to 1800 | Louvre, Paris | 142 x 97 |
1797 to 1800 | Louvre, Paris | 52 x 34 | |
1797 to 1800 | Museo del Prado, Madrid | 97 x 190 | |
1798 | Norton Simon Museum, Pasadena | 193 x 115 | |
The arrest of Christ (in Spanish) |
1798 | Toledo Cathedral | 300 x 200 |
The arrest of Christ (in Spanish) |
1798 | Museo del Prado | 40.2 x 23.1 |
Portrait of Don Francisco de Saavedra (in Polish) |
1798 | Courtauld Gallery, London | 100.2 x 119.6 |
1798 | Louvre, Paris | 186 x 124 | |
1798 | Royal Chapel of St. Anthony of La Florida, Madrid | ||
Portrait of Asensio Julià (in German) |
1798 | Thyssen-Bornemisza Museum, Madrid | 55 x 41 |
Portrait of Gaspar Melchor de Jovellanos (in Spanish) |
1798 | Museo del Prado, Madrid | 205 x 133 |
The Duke of Osuna (in Polish) |
1798 | Frick Collection, New York City | 113 x 82.3 |
Portrait of Andrés del Peral (in Spanish) |
1798 | National Gallery, London | 95 x 65.7 |
San Luis Gonzaga (in Polish) |
1798 | Zaragoza Museum | 261 x 160 |
General Jose de Urrutia (in Polish) |
1798 | Museo del Prado, Madrid | 199 x 133 |
1798 | Courtauld Institute of Art, London | 196 x 118 | |
Portrait of Mariano Luis de Urquijo (in Polish) |
1797 to 1799 | Real Academia de la Historia, Madrid | 128 x 97 |
1798 to 1800 | Museo Nacional de Bellas Artes (Buenos Aires) | 360 x 400 | |
1798 to 1800 | São Paulo Museum of Art | 200 x 106 | |
Allegory of Love, Cupid and Psyche (in French) |
1798 to 1805 | Museu Nacional d'Art de Catalunya, Barcelona | 220.5 x 155.5 |
c. 1793 to 1799 | Neue Pinakothek, Madrid | 64 x 49.5 | |
1799 | Royal Palace of Madrid | 210 x 130 | |
Queen Maria Luisa, on Horseback (in Spanish) |
1799 | Museo del Prado, Madrid | 338 x 282 |
1799 | Lázaro Galdiano Museum, Madrid | 23 x 30 | |
Portrait of Leandro Fernández de Moratín (in Polish) |
1799 | Real Academia de Bellas Artes de San Fernando, Madrid | 73 x 56 |
Manuel Lapeña, Marquis of Bondad Real (in Polish) |
1799 | Hispanic Society of America, New York City | 225 x 140 |
1799 | Royal Palace of Madrid | 205 x 130 | |
c. 1793 to 1799 [c] | Museo di Capodimonte, Naples | 202 x 124 | |
1799 to 1800 | Royal Palace of Madrid | 202 x 126 | |
1799 to 1800 | Royal Palace of Madrid | 210 x 130 | |
1800 | Museo del Prado, Madrid | 216 x 144 | |
1800 | National Gallery of Ireland, Dublin | 61 x 51 | |
Ferdinand of Bourbon, prince of Asturias (in Polish) |
1800 | The Met, New York City | 83.2 x 66.7 |
1800 | Private collection | 52 x 39 | |
1800 | Private collection | 63 x 52 | |
Portrait of Maria Josefa of Spain (in Spanish) |
1800 | Museo del Prado, Madrid | 74 x 60 |
Portrait of the Infante Carlos María Isidro of Spain (in Spanish) |
1800 | Museo del Prado, Madrid | 74 x 60 |
The infante Francisco de Paula (in Spanish) |
1800 | Museo del Prado, Madrid | 74 x 60 |
The infante Antonio Pascual (in Spanish) |
1800 | Museo del Prado, Madrid | 72.5 x 59.3 |
Portrait of Luis of Etruria (in Spanish) |
1800 | Museo del Prado, Madrid | 72.5 x 59.4 |
Archbishop Joaquin Company (in Polish) |
1800 | Alma Mater Museum, Zaragoza | 199 x 102.5 |
1800 | Museo del Prado, Madrid | 31 x 44 | |
1800 | National Museum of Fine Arts, Stockholm | 294 x 244 | |
1800 | Museum of Fine Arts, Boston | 41 x 32.5 | |
1800 | National Gallery of Ireland, Dublin | 46.5 x 76 | |
1800 | Uffizi, Florence | 220 x 140 | |
1800 | Private collection | 84 x 67 | |
Archbishop Joaquin Company[a] |
1800 | Speed Art Museum, Louisville | 72 x 55 |
Lorenzo Correa[a] |
1800 | Private collection | 80 x 58 |
Charles IV on horseback (in Spanish) |
1800 to 1801 | Museo del Prado, Madrid | 336 x 282 |
1800 to 1801 | Museo del Prado, Madrid | 282 x 336 | |
Young Lady Wearing a Mantilla and Basquina (in Polish) |
1800 to 1805 | National Gallery of Art, Washington D.C. | 109.5 x 77.5 |
Cannibals contemplating human remains (in French) |
1800 to 1805 | Musée des Beaux-Arts, Besancon | 31 x 45 |
Portrait of Tomás Pérez de Estala (in Spanish) |
1800 to 1805 | Kunsthalle Hamburg | 102 x 79 |
1800 to 1805 | Private collection | 99 x 77.5 | |
c. 1800 to 1807 | Museo del Prado, Madrid | 95 x 188 | |
Cannibals chopping up victims (in French) |
1800 to 1808 | Musée des Beaux-Arts, Besancon | 31 x 45 |
1800 to 1810 | 109.9 x 78.2 | ||
1801 | Real Academia de Bellas Artes de San Fernando, Madrid | 180 x 267 | |
1801 | Museo Camón Aznar, Zaragoza | ||
1801 | Private collection | 75.5 x 80 | |
1801 | National Gallery of Art, Washington D.C | 102.6 x 80.9 | |
1801 to 1807 | Art Institute of Chicago | 93.3 x 67.2 | |
Don José Queraltó (in Polish) |
1802 | Neue Pinakothek, Munich | 101.5 x 76.1 |
Portrait of Joaquina Candado Ricarte (in Polish) |
1802 | Museu de Belles Arts de València | 169 x 118.3 |
1802 to 1803 | Private collection | 59 x 36 | |
The Count of Fernán Núñez (in Spanish) |
1803 | Private collection | 211 x 137 |
The Countess of Fernán Núñez (in Spanish) |
1803 | Private collection | 211 x 137 |
1803 | Detroit Institute of Arts | 88 x 66 | |
Bartolome Sureda y Miserol (in Spanish) |
c. 1803 to 1804 | National Gallery of Art, Washington D.C | 119.7 x 79.3 |
Portrait of a Man in a Brown Coat (in French) |
1803 to 1806 | Museum of Fine Arts, Boston | 88 x 66 |
Ignacio Garcini y Queralt (in Polish) |
1804 | The Met, New York City | 104.1 x 83.2 |
1804 | The Met, New York City | 104.1 x 82.2 | |
An Officer (probably the Count of Teba) (in Polish) |
1804 | Frick Collection | 63.2 x 48.9 |
Portrait of the Marquesa de Lazan (in Spanish) |
1804 | Private collection | 193 x 115 |
Portrait of the Marquesa de Santiago (in French) |
1804 | J. Paul Getty Museum, Los Angeles | 209.6 x 126.4 |
Portrait of the Marquess de San Adrián (in Spanish) |
1804 | Museum of Navarre, Pamplona | 209 x 127 |
1804 | Hispanic Society of America, New York City | 138 x 109 | |
The Marchioness of Villafranca Painting her Husband (in Spanish) |
1804 | Museo del Prado, Madrid | 195 x 126 |
1804 to 1806 | Montreal Museum of Fine Arts | 91 x 71 | |
1804 to 1806 | Montreal Museum of Fine Arts | 91 x 71 | |
1804 to 1806 | Museo del Prado, Madrid | 227 diameter | |
1804 to 1806 | Museo del Prado, Madrid | 227 diameter | |
Allegory of Agriculture (in French) |
1804 to 1806 | Museo del Prado, Madrid | 227 diameter |
1804 to 1806 | National Museum of Fine Arts, Stockholm | 298 x 326 | |
1804 to 1806 | Private collection | 112 x 80 | |
1804 to 1808 | Private collection | 112 x 80 | |
Portrait of Evaristo Pérez de Castro (in Polish) |
1804 to 1808 | Louvre, Paris | 99 x 69 |
c. 1805 | National Gallery of Art, Washington D.C. | 120 x 79 | |
c. 1805 | National Gallery of Ireland, Dublin | 103.5 x 82 | |
c. 1805 | National Gallery, London | 82 x 54.6 | |
Portrait of Juan de Villanueva (in Polish) |
1805 | Real Academia de Bellas Artes de San Fernando | 90 x 67 |
1805 | Real Academia de la Historia, Madrid | 104 x 82 | |
Portrait of Félix de Azara (in Polish) |
1805 | Museo Camón Aznar, Zaragoza | 212 x 124 |
1805 | Museo del Prado, Madrid | 124.7 x 207.9 | |
1805 | Private collection | 104 x 83 | |
1805 | Private collection | 104 x 83 | |
1805 | Private collection | 192 x 115 | |
1805 | Private collection | 192 x 115 | |
1805 | Zaragoza Museum | 8 in diameter | |
1805 | Zaragoza Museum | 8 in diameter | |
1805 | Museo del Prado | 8 in diameter | |
1805 | Museo del Prado | 8 in diameter | |
1805 | Norton Simon Museum, Pasadena | 8 in diameter | |
1805 to 1806 | Hispanic Society of America, New York City | 78 x 57 | |
1805 to 1808 | Baltimore Museum of Art | 96.5 x 72.4 | |
Portrait of Manuel García de la Prada (in Polish) |
1805 to 1808 | Des Moines Art Center | 212 x 128 |
Portrait of Don Antonio de Porcel (in Polish) |
1806 | Destroyed by fire in 1953 | 113 x 82 |
Portrait of Don Tadeo Bravo de Rivero (in Polish) |
1806 | Brooklyn Museum | 207 x 116 |
1806 | Art Institute of Chicago | 29.2 x 38.5 | |
1806 | Art Institute of Chicago | 29.2 x 38.5 | |
1806 | Art Institute of Chicago | 29.2 x 38.5 | |
1806 | Art Institute of Chicago | 29.2 x 38.5 | |
1806 | Art Institute of Chicago | 29.2 x 38.5 | |
1806 | Art Institute of Chicago | 29.2 x 38.5 | |
1806 | Norton Simon Museum, Pasadena | 102.9 x 80.9 | |
Portrait of a Lady with a fan (in Polish) |
1806 to 1807 | Louvre, Paris | 103 x 83 |
1806 to 1811 | National Gallery of Art, Washington D.C | 71 x 58 | |
1807 | Museo del Prado, Madrid | 72 x 59 | |
1807 | Art Institute of Chicago | 82.3 x 63.3 | |
Portrait of José Antonio Marqués Caballero (in Polish) |
1807 | Museum of Fine Arts (Budapest) | 106 x 84 |
Marquesa de Caballero (in Polish) |
1807 | Neue Pinakothek, Munich | 104.7 x 83.7 |
Paintings (1808–1818)Edit
Image Title |
Date | Current location | Size (in cm's) |
---|---|---|---|
Portrait of the Officer Pantaleón Pérez de Nenin (in Polish) |
1808 | Private collection | 206 x 124.7 |
Equestrian portrait of Ferdinand VII (in French) |
1808 | Real Academia de Bellas Artes de San Fernando, Madrid | 285 x 205 |
1808 | Musée des beaux-arts d’Agen | 40 x 28 | |
1808 | Museo Nacional de Bellas Artes, Buenos Aires | 51 x 57 | |
1808 | Museo Nacional de Bellas Artes, Buenos Aires | 72 x 99 | |
1808 | Museo Nacional de Bellas Artes, Buenos Aires | 72 x 99.5 | |
1808 | São Paulo Museum of Art | 83 x 67 | |
c. 1808 to 1812 | Museo del Prado, Madrid | 116 x 105 | |
1808 to 1812 | Louvre, Paris | 45 x 62 | |
Plucked turkey (in Spanish) |
1808 to 1812 | Alte Pinakothek, Munich | 45 x 62.5 |
Dead turkey (in French) |
1808 to 1812 | Museo del Prado, Madrid | 45 x 62 |
Still life with dead birds (in Polish) |
1808 to 1812 | Museo del Prado, Madrid | 45.5 x 62.5 |
Dead woodcocks (in Polish) |
1808 to 1812 | Meadows Museum, Dallas | 42.5 x 62.6 |
Still life with three salmon steaks (in Polish) |
1808 to 1812 | Am Römerholz, Winterthur | 45 x 62 |
Still Life with Golden Bream (in Polish) |
1808 to 1812 | Museum of Fine Arts, Houston | 44.8 x 62.6 |
Still life with bottles, fruits and bread (in Polish) |
1808 to 1812 | Am Römerholz, Winterthur | 45 x 62 |
Dead hares (in Polish) |
1808 to 1812 | The Met | 45 x 63 |
Dead duck (in Polish) |
1808 to 1812 | Private collection | 62 x 45 |
1808 to 1812 | Museum of Fine Arts (Budapest) | 68 x 50.5 | |
1808 to 1812 | Museum of Fine Arts (Budapest) | 68 x 50.5 | |
Lazarillo de Tormes (in Spanish) |
1808 to 1812 | Private collection | 80 x 65 |
1808 to 1812 | Monastery of Santa María de Guadalupe | 40 x 65 | |
Maja and Celestine on the balcony (in French) |
1808 to 1812 | Private collection | 166 x 108 |
1808 to 1812 | Foundation E.G. Bührle, Zürich | 105 x 126 | |
1808 to 1812 | Museo Nacional de Bellas Artes, Buenos Aires | 72 x 99.5 | |
1808 to 1812 | Private collection | 30 x 39 | |
1808 to 1812 | Städel Museum, Frankfurt | 30 x 39 | |
1808 to 1812 | Städel Museum, Frankfurt | 30 x 39 | |
1808 to 1812 | Pushkin Museum, Moscow | 72 x 96 | |
1808 to 1812 | Private collection | 40 x 32 | |
1808 to 1812 | Private collection | 40 x 32 | |
Bandit murdering a woman (in German) |
1808 to 1812 | Private collection | 40 x 32 |
1808 to 1812 | Private collection | 33 x 57 | |
1808 to 1812 | Private collection | 33 x 57 | |
1808 to 1812 | Private collection | 32.5 x 57.3 | |
Interior of a prison (in Spanish) |
1808 to 1812 | Private collection | 40 x 32 |
The Friar's visit (in Spanish) |
1808 to 1812 | Private collection | 40 x 32 |
Churching of women[a] |
1808 to 1812 | Musée d'Agen | 53 x 77 |
1808 to 1820 | Museo Camón Aznar, Zaragoza | 30 x 38 | |
Manuel Silvela (in Polish) |
1809 | Museo del Prado, Madrid | 95 x 68 |
c. 1810 | Art Institute of Chicago | 31 x 39.2 | |
c. 1810 | Art Institute of Chicago | 105 x 84 | |
Allegory of the City of Madrid (in Spanish) |
1810 | Museum of the History of Madrid | 260 x 195 |
c. 1810 | The Met, New York City | 105.1 x 84.5 | |
Time and the old woman (in French) |
1810 | Palais des Beaux-Arts de Lille | 181 x 125 |
Portrait of marquise de Montehermoso (in Spanish) |
1810 | Private collection | 170 x 103 |
Mariano Goya (1810) (in Spanish) |
1810 | Private collection | 113 x 78 |
1810 | National Gallery of Art, Washington D.C. | 103.5 x 84.5 | |
General Nicolas Philippe Guye (in Spanish) |
1810 | Virginia Museum of Fine Arts, Richmond | 106 x 84.7 |
1810 | Private collection | 82 x 59 | |
1810 | Private collection | 82 x 59 | |
1810 | Palacio de Navarra, Pamplona | 103 x 82 | |
Narcisa Barañana de Goicoechea (in Polish) |
1810 | The Met, New York City | 112.4 x 78.1 |
1810 [e] |
National Museum of Art, Oslo | 30.1 x 40 | |
1810 to 1811 | Hermitage Museum, St. Petersburg | 71 x 58 | |
1810 to 1811 | São Paulo Museum of Art | 189 x 114.5 | |
1810 to 1812 | Private collection | 162 x 107 | |
1810 to 1812 | The Met, New York City | 195 x 125.5 | |
1810 to 1812 | Museo del Prado, Madrid | 112 x 82 | |
1810 to 1815 [a] |
Museum of Fine Arts, Boston | 81.3 x 58.1 | |
Equestrian portrait of the Duke of Wellington (in Polish) |
1812 | Apsley House, London | 294 x 240 |
1812 to 1814 | National Gallery, London | 64.3 x 52.4 | |
Mariano Goya (1815) (in Spanish) |
c. 1812 to 1814 | Private collection | 59 x 47 |
1812 to 1816 | Pushkin Museum, Moscow | 104 x 84 | |
Hot-air balloon (in French) |
1812 to 1816 | Musée des beaux-arts d’Agen | 105 x 84 |
1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 45 x 72 | |
c. 1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 46 x 73 | |
1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 82.5 x 52 | |
1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 46 x 73 | |
1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 45 x 72 | |
1813 to 1818 | Lázaro Galdiano Museum, Madrid | 65 x 52 | |
Portrait of Ferdinand VII of Spain (in Polish) |
1814 | MAS, Santander | 225 x 124 |
1814 [g] |
Museo del Prado, Madrid | 280 x 336 | |
The Second of May 1808 (sketch) |
1814 | Museo Camón Aznar, Zaragoza | 24 x 32 |
1814 [h] |
Museo del Prado, Madrid | 268 x 347 | |
1814 | Museo del Prado, Madrid | 248 x 224 | |
Portrait of Asensio Julià (in Polish) |
1814 | Clark Art Institute, Williamstown | 73 x 57 |
1814 | Palacio de la Zarzuela, Madrid | 33 x 52 | |
1814 | Palacio de la Zarzuela, Madrid | 32.9 x 52.2 | |
Juan Martín Díez, the Determined (in French) |
1814 to 1815 | Private collection | 84 x 65 |
1814 to 1815 | Thyssen-Bornemisza Museum, Madrid | 84 x 63.5 | |
Josefa Bayeu (in Polish) |
1814 to 1816 | Museo del Prado, Madrid | 82.5 x 58.2 |
Actress Rita Luna (in Polish) |
1814 to 1818 [a] |
Private collection | 43 x 35.5 |
[a] | National Museum of Art, Oslo | 77.1 x 57.8 | |
c. 1814 to 1819 | Musée des Beaux-Arts, Lille | 181 x 125 | |
1815 | Real Academia de Bellas Artes de San Fernando, Madrid | 54 x 46 | |
Self-Portrait (in Spanish) |
1815 | Museo del Prado, Madrid | 45.8 x 35.6 |
Ferdinand VII in an Encampment (in Polish) |
c. 1815 | Museo del Prado, Madrid | 207 x 140 |
1815 | Museo del Prado, Madrid | 208 x 142.5 | |
Ferdinand VII in his royal coat (in Polish) |
1815 | Zaragoza Museum | 237 x 153 |
Portrait of the Duke of San Carlos (in Polish) |
1815 | Zaragoza Museum | 237 x 153 |
1815 | Private collection | 59 x 43 | |
Don Juan Bautista de Goicoechea y Urrutia (in Polish) |
1815 | Staatliche Kunsthalle Karlsruhe | 112 x 80 |
Portrait of Rafael Esteve Vilella (in Polish) |
1815 | Museu de Belles Arts de València | 100.6 x 75.5 |
1815 | Museu Nacional d'Art de Catalunya, Barcelona | 86.8 x 56.5 | |
Portrait of José Munárriz (in Polish) |
1815 | Real Academia de Bellas Artes de San Fernando, Madrid | 85 x 64 |
Don Ignacio Omulryan Rourera (in Polish) |
1815 | Nelson-Atkins Museum of Art, Missouri | 84.4 x 64.4 |
Portrait of Francisco del Mazo (in French) |
1815 | Goya Museum, Castres | 90.5 x 71 |
Portrait of Don Miguel De Lardizábal (in Polish) |
1815 | National Gallery Prague | 75 x 65 |
1815 | Goya Museum, Castres | 320 x 433 | |
1815 | Painting Gallery, Berlin | 54 x 70 | |
Portrait of Friar Miguel Fernández Flores (in Spanish) |
1815 | Worcester Art Museum | 100 x 84 |
Brother Juan Fernández de Rojas (in Polish) |
1815 to 1816 | Real Academia de la Historia, Madrid | 75 x 54 |
c. 1815 to 1820 | Frick Collection, New York City | 181.6 x 125.1 | |
1816 | Musée Bonnat, Bayonne | 202 x 140 | |
1816 | Unknown | 32.5 x 24.5 | |
Bullfight in a split square (in French) |
1816 | The Met, New York City | 43 x 32 |
1816 | Royal Palace of Madrid | 169 x 129 | |
1816 | Museo Lázaro Galdiano, Madrid | 32 x 22 | |
Portrait of Manuela Téllez Girón y Pimentel (in Polish) |
1816 | Museo del Prado, Madrid | 92 x 70 |
1816 to 1817 | Private collection | 59 x 48 | |
1816 to 1818 | Meadows Museum, Dallas | 75.2 x 53 | |
1816 to 1818 | Old National Gallery, Berlin | 85 x 130 |
Paintings (1819–1828)Edit
Image Title |
Date | Current location | Size (in cm's) |
---|---|---|---|
1819 | Seville Cathedral | 309 x 177 | |
1819 | Museo del Prado, Madrid | 45 x 29 | |
1819 | Cleveland Museum of Art | 136.8 x 105.1 | |
The Last Communion of St. Joseph of Calasanz (in Spanish) |
1819 | Escuelas Pías de San Antón, Madrid | 250 x 180 |
The Last Communion of St. Joseph of Calasanz (sketch) (in Spanish) |
1819 | Musée Bonnat, Bayonne | 45.3 x 33.5 |
1819 | Museo Zuloaga, Zumaia | 92 x 160 | |
Christ on the Mount of Olives (in Spanish) |
1819 | Musée Calasancio, Madrid | 47 x 35 |
1819 | Cleveland Museum of Art | 120 x 87 | |
1819 to 1820 | Thyssen-Bornemisza Museum, Madrid | 39 x 31 | |
1819 to 1823 | Museo del Prado, Madrid | 125.4 x 65.4 | |
1819 to 1823 | Museo del Prado, Madrid | 125.3 x 65.2 | |
1819 to 1823 | Museo del Prado, Madrid | 123 x 266 | |
1819 to 1823 | Museo del Prado, Madrid | 127 x 263 | |
1819 to 1823 | Museo del Prado, Madrid | 131.5 x 79.3 | |
1819 to 1823 | Museo del Prado, Madrid | 123 x 266 | |
1819 to 1823 | Museo del Prado, Madrid | 140.5 x 435.7 | |
1819 to 1823 | Museo del Prado, Madrid | 143 x 81 | |
1819 to 1823 | Museo del Prado, Madrid | 146 x 66 | |
1819 to 1823 | Museo del Prado, Madrid | 49.3 x 83.4 | |
1819 to 1823 | Museo del Prado, Madrid | 140 x 438 | |
1819 to 1823 | Museo del Prado, Madrid | 127 x 266 | |
1819 to 1823 | Museo del Prado, Madrid | 143.5 x 81.4 | |
1819 to 1823 | Museo del Prado, Madrid | 145.7 x 129.4 | |
Heads in a landscape (in French) |
1819 to 1823 | Private collection | |
1820 | Minneapolis Institute of Art | 114.6 x 76.5 | |
Tiburcio Pérez y Cuervo, the Architect (in Polish) |
1820 | The Met, New York City | 102.2 x 81.3 |
1820 to 1824 | The Phillips Collection, Washington D.C. | 28.8 x 25.6 | |
1822 | Private collection | 144 x 105 | |
1823 | Rijksmuseum, Amsterdam | 107 x 83.5 | |
Portrait of Dama con Mantilla (in Polish) |
1823 to 1824 | Zaragoza Museum | 61 x 51 |
1824 | J. Paul Getty Museum, Los Angeles | 49.5 x 61 | |
Portrait of José Duaso y Latre (in Polish) |
1824 | Museum of Fine Arts of Seville | 74 x 59 |
1824 | Bilbao Fine Arts Museum, Bilbao | 60 x 49.5 | |
Portrait of a lady in a black mantilla (in Polish) |
1824 | National Gallery of Ireland, Dublin | 54 x 43 |
Father Jose de La Canal (in Polish) |
1824 | Lázaro Galdiano Museum, Madrid | 74 x 65 |
1824 | Private collection | 73 x 59 | |
1824 | Private collection | 73 x 60 | |
Portrait of Maria Martínez de Puga (in Polish) |
1824 | Frick Collection, New York City | 80 x 58.4 |
1824 to 1825 | Princeton University Art Museum | 5.7 x 5.4 | |
1824 to 1825 | Museum of Fine Arts, Boston | 9 x 9.5 | |
1824 to 1825 | Museum of Fine Arts, Boston | 5.9 x 6 | |
1824 to 1825 | Museum of Fine Arts, Boston | 8.8 x 8.6 | |
1824 to 1825 | Museum of Fine Arts, Boston | 6 x 5.9 | |
1824 to 1825 | Rhode Island School of Design Museum, Providence | 5.2 x 5.3 | |
1824 to 1825 | National Museum of Fine Arts, Stockholm | 8.8 x 8.3 | |
1824 to 1825 | Kupferstich-Kabinett, Dresden | 6.2 x 5.6 | |
1824 to 1825 | Kupferstich-Kabinett, Dresden | 8.9 x 8.5 | |
1824 to 1825 | Orientalist Museum, Doha | 8.5 x 8 | |
1824 to 1825 | Private collection | 5.5 x 5.5 | |
1824 to 1825 | Private collection | 8.8 x 8.8 | |
1824 to 1825 | Private collection | 5.4 x 5.4 | |
1824 to 1825 | Private collection | 8.7 x 8.5 | |
1824 to 1825 | Private collection | 5.5 x 5.5 | |
1824 to 1825 | Unknown | 5.5 x 5.5 | |
1824 to 1825 | Unknown | 5.5 x 5.5 | |
1824 to 1825 | Unknown | 9 x 9 | |
1824 to 1825 | Unknown | 5.5 x 5.5 | |
1824 to 1825 | Unknown | 8.7 x 7.8 | |
1825 to 1827 | Museo del Prado, Madrid | 74 x 68 | |
Portrait of Jacques Galos (in French) |
1826 | Barnes Foundation, Philadelphia | 55.2 x 46.4 |
Don Juan Bautista de Muguiro (in French) |
1827 | Museo del Prado, Madrid | 103 x 85 |
Mariano Goya, the Artist's Grandson (in Spanish) |
1827 | Meadows Museum, Dallas | 52 x 41.2 |
Don José Pío de Molina (in French) |
1827 to 1828 | Reinhart Collection, Winterthur | 60.5 x 50 |
Prints (Los Caprichos)Edit
As well as paintings Goya was also one of the greatest ever printmakers. He produced several sets of prints using the relatively new technique of aquatint. Towards the end of his life Goya also began to experiment with lithography. The dimensions given refer to the size of the printed image rather than the paper that the image is printed on.
Image Title |
Method | Size (in cm's) |
---|---|---|
Etching, aquatint, drypoint and engraving | 20.5 x 15 | |
Etching and aquatint | 21 x 14.5 | |
Etching and aquatint | 21 x 15 | |
Etching and aquatint | 20.5 x 14.7 | |
Etching, aquatint and drypoint | 19.2 x 14.7 | |
Etching and aquatint | 21 x 14.8 | |
Etching, aquatint and drypoint | 19.2 x 14.5 | |
Etching and aquatint | 20.8 x 14.9 | |
Etching and aquatint | 20 x 14.9 | |
Etching, aquatint and engraving | 21 x 14.8 | |
Etching, aquatint and engraving | 21 x 14.8 | |
Etching, aquatint and engraving | 20.9 x 14.6 | |
Etching and aquatint | 21 x 14.8 | |
Etching, aquatint and drypoint | 19.3 x 14.5 | |
Etching, aquatint and engraving | 20.5 x 14.5 | |
Etching, aquatint and drypoint | 20 x 14.7 | |
Etching, aquatint and engraving | 20.5 x 14.6 | |
Etching and aquatint | 21.6 x 15.2 | |
Etching and aquatint | 21.5 x 14.4 | |
Etching, aquatint and drypoint | 21.5 x 15.1 | |
Etching and aquatint | 21.5 x 14.7 | |
Etching and aquatint | 21.5 x 15.2 | |
Etching, aquatint, drypoint and engraving | 21.5 x 14.7 | |
Etching and aquatint | 21.5 x 15 | |
Etching, aquatint and drypoint | 20.6 x 15.1 | |
Etching and aquatint | 21.5 x 15.1 | |
Etching, aquatint and drypoint | 19.3 x 14.9 | |
Etching, aquating and engraving | 21.5 x 15.1 | |
Etching, aquatint and drypoint | 21.4 x 14.6 | |
Etching, aquatint and drypoint | 21.5 x 15.1 | |
Etching, aquatint, drypoint and engraving | 20.5 x 15 | |
Aquatint | 21.5 x 15.1 | |
Etching, aquatint, drypoint and engraving | 21.4 x 15 | |
Etching and aquatint | 21.4 x 15.2 | |
Etching and aquatint | 21.5 x 15.2 | |
Etching and aquatint | 21.4 x 15.2 | |
Etching, aquatint and engraving | 21.3 x 15.1 | |
Etching, aquatint and dypoint | 21.5 x 15 | |
Aquatint | 21.4 x 15 | |
Etching, aquatint, drypoint and engraving | 21.4 x 14.9 | |
Etching, aquatint, drypoint and engraving | 19.7 x 14.9 | |
Etching and aquatint | 21.3 x 15.2 | |
Etching and aquatint | 21.3 x 15.1 | |
Etching, aquatint, drypoint and engraving | 21.5 x 15.1 | |
Etching and aquatint | 20.4 x 14.9 | |
Etching and aquatint | 21.3 x 14.8 | |
Etching, aquatint and engraving | 21.5 x 14.8 | |
Etching and aquatint | 20.5 x 14.9 | |
Etching and aquatint | 21.4 x 15.1 | |
Etching, aquatint and engraving | 20.4 x 14.9 | |
Etching, aquatint and engraving | 21 x 14.8 | |
Etching, aquatint, drypoint and engraving | 21.4 x 15 | |
Etching, aquatint and engraving | 21.5 x 15 | |
Etching and aquatint | 21.4 x 15 | |
Etching, aquatint and drypoint | 21.5 x 15.2 | |
Etching and aquatint | 21.4 x 15.1 | |
Etching and aquatint | 21.3 x 15.1 | |
Etching, aquatint and drypoint | 21.4 x 15.1 | |
Etching, aquatint, drypoint and engraving | 21.4 x 15 | |
Etching, aquatint and engraving | 20.6 x 16.4 | |
Etching, aquatint and drypoint | 21.4 x 14.9 | |
Etching, aquatint and engraving | 20.4 x 15.1 | |
Etching, aquatint and drypoint | 21.2 x 16.2 | |
Etching, aquatint and engraving | 21.5 x 15.1 | |
Etching, aquatint and drypoint | 20.6 x 16.4 | |
Etching, aquatint and drypoint | 20.5 x 16.5 | |
Etching, aquatint and drypoint | 21.4 x 14.9 | |
Etching, aquatint and drypoint | 20.9 x 14.8 | |
Etching, aquatint, drypoint and engraving | 21 x 14.8 | |
Etching, aquatint and drypoint | 20.6 x 16.5 | |
Etching, aquatint and engraving | 19.6 x 14.8 | |
Etching and aquatint | 21.2 x 14.9 | |
Etching, aquatint, drypoint and engraving | 21.3 x 14.9 | |
Etching and aquatint | 21.3 x 15.1 | |
Etching and aquatint | 21.3 x 14.9 | |
Etching, aquatint and drypoint | 21.3 x 15 | |
Etching, aquatint, drypoint and engraving | 21.3 x 14.9 | |
Etching and aquatint | 21.2 x 15 | |
Etching, aquatint and engraving | 21.2 x 15 | |
Etching, aquatint, drypoint and engraving | 21.4 x 15.1 |
Prints (Disasters of War)Edit
Image Title |
Method | Size (in cm's) |
---|---|---|
Etching, drypoint and engraving | 17.6 x 22 | |
Etching, gouache, drypoint and engraving | 15.3 x 20.6 | |
Etching, gouache, drypoint and engraving | 15.9 x 21.9 | |
Etching, aquatint, gouache, drypoint and engraving | 15.5 x 20.6 | |
Etching, aquatint and drypoint | 15.5 x 20.9 | |
Etching, gouache and engraving | 14.3 x 20.8 | |
Etching, aquatint, drypoint and engraving | 15.5 x 20.6 | |
Etching and drypoint | 17.7 x 21.9 | |
Etching, aquatint, drypoint and engraving | 15.3 x 20.7 | |
Etching and engraving | 14.9 x 21.6 | |
Etching, gouache, drypoint and engraving | 16.1 x 21.1 | |
Etching, gouache, drypoint and engraving | 16 x 23.5 | |
Etching, gouache, drypoint and engraving | 14.2 x 17.1 | |
Etching, gouache, drypoint and engraving | 14.3 x 16.8 | |
Etching, drypoint and engraving | 14.1 x 16.8 | |
Etching, gouache, drypoint and engraving | 16.1 x 23.5 | |
Etching, drypoint and engraving | 14.5 x 21.6 | |
Etching, gouache, drypoint and engraving | 16.1 x 23.4 | |
Etching, gouache, drypoint and engraving | 16.5 x 23.7 | |
Etching, gouache and engraving | 15.9 x 23.5 | |
Etching and gouache | 14.6 x 21.8 | |
Etching, gouache and engraving | 16 x 25.3 | |
Etching, gouache, drypoint and engraving | 15.9 x 23.8 | |
Etching | 16.1 x 25.7 | |
Etching, drypoint and engraving | 16.2 x 23.3 | |
Etching, gouache, drypoint and engraving | 14.3 x 20.7 | |
Etching, gouache, drypoint and engraving | 16 x 23.3 | |
Etching, gouache, drypoint and engraving | 17.5 x 21.9 | |
Etching, drypoint and engraving | 17.3 x 21.6 | |
Etching, drypoint and engraving | 14 x 16.9 | |
Etching, aquatint and drypoint | 15.5 x 20.6 | |
Etching, gouache, drypoint and engraving | 15.4 x 20.7 | |
Etching, gouache, drypoint and engraving | 15.4 x 20.7 | |
Etching, drypoint and engraving | 15.5 x 20.7 | |
Etching, gouache, drypoint and engraving | 15.4 x 20.7 | |
Etching, aquatint, drypoint and engraving | 15.5 x 20.6 | |
Etching, gouache and drypoint | 15.5 x 20.8 | |
Etching, aquatint and drypoint | 15.5 x 20.6 | |
Etching, gouache and drypoint | 15.4 x 20.6 | |
Etching, drypoint and engraving | 17.4 x 21.8 | |
Etching and engraving | 15.9 x 23.2 | |
Etching and engraving | 17.4 x 21.8 | |
Etching and aquatint | 15.4 x 20.6 | |
Etching, drypoint and engraving | 15.8 x 23.5 | |
Etching, aquatint, drypoint and engraving | 16.4 x 22.1 | |
Etching, gouache, aquatint, drypoint and engraving | 15.3 x 20.5 | |
Etching, gouache, drypoint and engraving | 15.4 x 20.6 | |
Etching, gouache and engraving | 15.3 x 20.5 | |
Etching, gouache and engraving | 15.4 x 20.5 | |
Etching, aquatint and drypoint | 15.5 x 20.7 | |
Etching and aquatint | 15.4 x 20.4 | |
Etching, gouache, drypoint and engraving | 15.6 x 20.7 | |
Etching, gouache, aquatint and engraving | 15.3 x 20.6 | |
Etching, gouache and engraving | 15.5 x 20.7 | |
Etching, gouache and engraving | 15.4 x 20.7 | |
Etching, gouache and drypoint | 15.5 x 20.6 | |
Etching, aquatint and engraving | 15.4 x 20.7 | |
Etching, aquatint and engraving | 15.5 x 20.8 | |
Etching, gouache and aquatint | 15.3 x 20.5 | |
Etching, aquatint and engraving | 15.3 x 20.7 | |
Etching, gouache, drypoint and engraving | 15.4 x 20.7 | |
Etching, gouache, drypoint and engraving | 17.4 x 21.8 | |
Etching and aquatint | 15.3 x 20.6 | |
Etching, aquatint, drypoint and engraving | 15.2 x 20.8 | |
Etching, aquatint, gouache and engraving | 17.4 x 21.9 | |
Etching, aquatint and gouache | 17.4 x 21.9 | |
Etching, aquatint, gouache, drypoint and engraving | 17.5 x 21.9 | |
Etching, gouache and engraving | 16 x 22.1 | |
Etching, aquatint, gouache, drypoint and engraving | 15.5 x 20.1 | |
Etching, drypoint and engraving | 17.5 x 21.9 | |
Etching | 17.6 x 21.9 | |
Etching | 17.6 x 21.7 | |
Etching and engraving | 17.5 x 21.7 | |
Etching | 17.7 x 21.8 | |
Etching, aquatint, gouache, drypoint and engraving | 17.3 x 22 | |
Etching and drypoint | 17.5 x 22 | |
Etching, aquatint, gouache and drypoint | 17.4 x 21.9 | |
Etching, drypoint and engraving | 17.5 x 21.6 | |
Etching | 17.3 x 21.9 | |
Etching | 17.4 x 22 | |
Etching, drypoint and engraving | 17.5 x 21.6 | |
Etching aquatint, drypoint and engraving | 17.7 x 21.7 |
Prints (La Tauromaquia)Edit
Image | Title | Method | Size (in cm's) |
---|---|---|---|
How the ancient Spaniards hunted bulls on horseback in the field | Etching, aquatint and drypoint | 25 x 35.3 | |
Another way of hunting on foot | Etching, aquatint, drypoint and engraving | 24.3 x 35.5 | |
The Moors established in Spain, regardless of the superstitions of their Quran, adopted this hunt and art, and they spear a bull on the field | Etching, aquatint, drypoint and engraving | 24.4 x 35.2 | |
Another one is caped | Etching, aquatint, drypoint and engraving | 24.6 x 35.4 | |
The spirited Moor Gazul was the first to spear bulls on horseback | Etching, aquatint and drypoint | 24.6 x 35.3 | |
The Moors do another caping in the plaza with their bournouses | Etching, aquatint and drypoint | 24.4 x 35.3 | |
Origin of the harpoon or banderillas | Etching, aquatint and drypoint | 24.5 x 35.2 | |
A Moor getting caught while in the plaza | Etching, aquatint and drypoint | 24.5 x 35.3 | |
A Spanish knight kills a bull after his horse is wounded | Etching, aquatint and engraving | 24.6 x 35.2 | |
Carlos V spearing a bull in the plaza of Valladolid | Etching, aquatint, drypoint and engraving | 25 x 35.1 | |
El Cid Campeador spearing another bull | Etching, aquatint and engraving | 24.9 x 35.1 | |
Slashing of the leg with spears, half-moons, banderillas, and other weapons | Etching, aquatint and drypoint | 25.1 x 35.3 | |
A Spanish knight in the plaza, breaking his spears without being helped by the "chulos" | Etching, aquatint, drypoint and engraving | 24.7 x 35.3 | |
The dexterous student of Falces, embossed, tricks the bull with his breaks | Etching, aquatint, drypoint and engraving | 24.7 x 35.5 | |
The famous Martincho putting banderillas while breaking | Etching, aquatint, drypoint and engraving | 24.5 x 35.3 | |
He turns a bull upside down by himself in Madrid's plaza | Etching, aquatint, drypoint and engraving | 24.6 x 35.2 | |
Palisade of the Moors made with donkeys to defend themselves of the enraged bull | Etching, aquatint, drypoint and engraving | 24.4 x 35.3 | |
Temerity of Martincho in Zaragoza's plaza | Etching, aquatint and drypoint | 24.6 x 35.4 | |
More of his madness in the same plaza | Etching, aquatint, drypoint and engraving | 24.5 x 35.3 | |
Lightness and boldness of Juanito Apiñani in Madrid's Plaza | Etching and aquatint | 24.5 x 35.3 | |
Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón | Etching, aquatint, gouache, drypoint and engraving | 24.7 x 35.3 | |
Manly valour of the celebrity Pajuelera in Zaragoza's Plaza | Etching, aquatint, drypoint and engraving | 25 x 35.1 | |
Mariano Ceballos, aka "The Indian", kills the bull while riding his horse | Etching and aquatint | 25 x 35 | |
The same Ceballos, riding another bull, breaks the "rejones" in Madrid's Plaza | Etching, aquatint, drypoint and engraving | 24.3 x 35.3 | |
Dogs are thrown at the bull | Etching, aquatint and drypoint | 24.5 x 35.3 | |
A "picador" falls from his horse, and beneath the bull | Etching, aquatint and drypoint | 24.6 x 35.2 | |
The celebrity Fernando del Toro, "varilarguero", forcing the beast with his "garrocha" | Etching, aquatint, drypoint and engraving | 24.4 x 35.1 | |
The vigorous Rendón stings a bull, who luckily died in Madrid's plaza | Etching, aquatint and engraving | 25 x 35.2 | |
Pepe Illo cuts away at the bull | Etching, aquatint, drypoint and engraving | 24.5 x 35.2 | |
Pedro Romero slaying a standing bull | Etching, aquatint, drypoint and engraving | 24.5 x 35.4 | |
Fiery banderillas | Etching, aquatint, gouache, drypoint and engraving | 24.5 x 35.3 | |
Two groups of "picadores" pinned down by a single bull | Etching, aquatint, drypoint and engraving | 24.5 x 35.4 | |
The disgraceful death of Pepe Illo in Madrid's plaza | Etching, aquatint, drypoint and engraving | 24.5 x 35.3 | |
Un caballero en plaza quebrando un rejoncillo con ayuda de un chulo | Etching, aquatint, drypoint and engraving | 25.2 x 35 | |
Desgraciada embestida de un poderoso toro | Etching, aquatint and drypoint | 24.6 x 34.8 | |
Perros al toro | Etching, aquatint, drypoint and engraving | 24.5 x 34.7 | |
Un varilarguero, montado a hombros de un chulo, pica al toro | Etching, aquatint, gouache, drypoint and engraving | 24.2 x 35.3 | |
Espanto y confusión en la defensa de un chulo cogido | Etching, aquatint, drypoint and engraving | 25.2 x 34.7 | |