The Thyssen-Bornemisza National Museum (in Spanish, the Museo Nacional Thyssen-Bornemisza (pronounced [muˈse.o ˈtisem boɾneˈmisa]), named after its founder), or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofia national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofia it concerns Impressionists, Expressionists, and European and American paintings from the 20th century.
Museo Nacional Thyssen-Bornemisza
|Location||Palace of Villahermosa|
Paseo del Prado, 8. Madrid, Spain
|Founder||Heinrich, Baron Thyssen-Bornemisza de Kászon|
|Director||Guillermo Solana (Artistic Director), Evelio Acevedo (Managing Director)|
With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection. A competition was held to house the core of the collection in 1987–88 after Baron Thyssen, having unsuccessfully sought permission to enlarge his Museum in Lugano (Villa Favorita), searched for a better-suited location elsewhere in Europe.
The collection was started in the 1920s as a private collection by Heinrich, Baron Thyssen-Bornemisza de Kászon. In a reversal of the movement of European paintings to the US during this period, one of the elder Baron's sources was the collections of American millionaires coping with the Great Depression and inheritance taxes. In this way he acquired old master paintings such as Ghirlandaio's portrait of Giovanna Tornabuoni (once in the Morgan Library) and Carpaccio's Knight (from the collection of Otto Kahn). The collection was later expanded by Heinrich's son Baron Hans Heinrich Thyssen-Bornemisza (1921–2002), who assembled most of the works from his relatives' collections and proceeded to acquire large numbers of new works (from Gothic art to Lucien Freud).
The collection was initially housed in the family estate in Lugano in a twenty-room building modelled after the Neue Pinakothek in Munich. In 1988, the Baron filed a request for building a further extension designed by British architects James Stirling and Michael Wilford, but the plan was rejected by the Lugano City Council.
In 1985, the Baron married Carmen "Tita" Cervera (a former Miss Spain 1961) and introduced her to art collecting. Cervera's influence was decisive in persuading the Baron to relocate the core of his collection to Spain where the local government had a building available next to the Prado. The Thyssen-Bornemisza Museum officially opened in 1992, showing 715 works of art. A year later, the Spanish Government bought 775 works for $350 million. These pieces are now in the purpose-built museum in Madrid. After the museum opened, in 1999, Cervera loaned 429 works of her own art collection to the museum for 11 years. The loan has been renewed annually since 2012.
The Baroness remains involved with the museum. She personally decided the salmon pink tone of the interior walls and in May 2006, publicly demonstrated against plans of the Mayor of Madrid, Alberto Ruiz-Gallardón to redevelop the Paseo del Prado as she thought the works and traffic would damage the collection and the museum's appearance.
The Old Masters were mainly bought by the elder Baron, while Hans focused more on the 19th and 20th century, resulting in a collection that spans eight centuries of European painting, without claiming to give an all-encompassing view but rather a series of highlights.
One of the focal points is the early European painting, with a major collection of trecento and quattrocento (i.e. 14th and 15th century) Italian paintings by Duccio, Luca di Tommè, Bernardo Daddi, Paolo Uccello, and his contemporaries, and works of the early Flemish and Dutch painters like Jan van Eyck (Diptich of the Annunciation), Petrus Christus, Rogier van der Weyden, Gerard David and Hans Memling.
Other highlights include works by leading Renaissance, Baroque and Rococo painters, including Antonello da Messina (Portrait of a Man), Bramantino (Christus Dolens), Fra Bartolomeo, Giulio Romano, Giovanni Bellini, Titian, Tintoretto, Veronese, Jacopo Bassano, Sebastiano del Piombo (Portrait of Ferry Carondelet), Bernardino Luini, Agnolo Bronzino, Domenico Beccafumi, Albrecht Dürer (Christ among the Doctors), Hans Baldung Grien, Lucas Cranach the Elder, Hans Holbein (Portrait of Henry VIII), Caravaggio (Saint Catherine), Guercino, Sebastiano Ricci, Rubens, Van Dyck, Murillo, Rembrandt, Frans Hals (Family Portrait in a Landscape), Canaletto, Francesco Guardi, Tiepolo, Giambattista Pittoni, Watteau, François Boucher, Chardin, Fragonard, Gainsborough and Pompeo Batoni, as well as two famous portraits by Domenico Ghirlandaio (Giovanna Tornabuoni) and Vittore Carpaccio (Knight in a landscape).
The display of the European 19th century starts with works by Francisco Goya, Thomas Lawrence, Delacroix, Géricault, Corot and Courbet. There are Impressionist and Post-Impressionist works by the artists Claude Monet, Auguste Renoir, Edgar Degas, Camille Pissarro, Alfred Sisley, Pierre Bonnard, Toulouse-Lautrec, Paul Gauguin, Cézanne, and Vincent van Gogh. The large collection of twentieth century modern art includes Cubist works by Picasso, Braque and Juan Gris, as well as paintings by Edvard Munch, Egon Schiele, James Ensor, Kandinsky, Salvador Dalí, Paul Klee, Chagall, Magritte, Piet Mondrian, Edward Hopper, Jackson Pollock, Mark Rothko, Roy Lichtenstein, Willem De Kooning and Francis Bacon. The selection of German Expressionism is extensive, and includes Emil Nolde, Ernst Ludwig Kirchner, August Macke, Max Beckmann, George Grosz, and Otto Dix.
One painting, Rue Saint-Honoré in the Afternoon, Effect of Rain by Camille Pissarro, belonged to a Jewish woman, Lilly Cassirer who was compelled by a Nazi official to exchange it under duress for an exit visa to escape Nazi Germany shortly after Kristallnacht in 1939. By 2015, her descendants had filed a lawsuit against the museum, on the grounds that it was looted by the Nazis. On May 1st 2019, a California judge determined that the museum held the right to keep the painting, despite international agreements to the contrary. 
In 2011 due to "a lack of liquid funds", Cervera decided to sell The Lock by the English artist John Constable. The painting, which belonged to her private collection, was sold in London the following year for £22.4 million, more than doubling the price paid for it in 1990.
- "Visitor Figures 2015" (PDF). The Art Newspaper. Retrieved 1 December 2016.
- In isolation, Thyssen is pronounced [ˈtisen].
- Jonathan Kandell, "Baron Thyssen-Bornemisza, Industrialist Who Built Fabled Art Collection, Dies at 81," New York Times, 28 April 2002.
- Tomàs, Llorens (1998). Guide to the Thyssen-Bornemisza Museum. Laura Suffield (trans.) (2nd ed.). Spain: Lunwerg editores SA. ISBN 84-88474-48-2.
- Laurie Rojas (February 2, 2015), Thyssen-Bornemisza keeps Spain in suspense over loan Archived 2015-02-04 at the Wayback Machine The Art Newspaper.
- Cascone, Sarah. "Art and Law Case Over $30 Million Camille Pissarro Painting Comes to a Head in Appeals Court". Artnet.com. Artnet Worldwide Corp. Retrieved 5 May 2017.
- Torok, Ryan (December 12, 2016). "Pasadena trial focuses on Nazi-looted masterpiece". The Jewish Journal of Greater Los Angeles. Retrieved December 13, 2016.
- "A Spanish museum may have the legal right to keep art stolen by the Nazis. That doesn't mean it should". Los Angeles Times. 2016-12-14. ISSN 0458-3035. Retrieved 2017-04-24.
- "Judge rules museum 'rightfully owns' Nazi-looted painting". bbc.com. BBC. Retrieved 1 May 2019.
- Brown, Mark (2012). "John Constable's The Lock to be sold at auction". Retrieved June 23, 2012.
- Garcia, Angeles (2012). "No soy gastosa. Los ricos también están en crisis". Retrieved June 23, 2012.
- Daily Telegraph, "Constable's The Lock sells for a record 22.4 million
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