History of broadcasting in Australia
The History of broadcasting in Australia has been shaped for over a century by the problem of communication across long distances, coupled with a strong base in a wealthy society with a deep taste for aural communications in a silent landscape. Australia developed its own system, through its own engineers, manufacturers, retailers, newspapers, entertainment services, and news agencies. The government set up the first radio system, and business interests marginalized the hobbyists and amateurs. The Labor Party was especially interested in radio because it allowed them to bypass the newspapers, which were mostly controlled by the opposition. Both parties agreed on the need for a national system, and in 1932 set up the Australian Broadcasting Commission, as a government agency that was largely separate from political interference.
The first commercial broadcasters, originally known as "B" class stations were on the air as early as 1925. Many were sponsored by newspapers in Australia, by theatrical interests, by amateur radio enthusiasts and radio retailers, and by retailers generally. Almost all Australians were within reach of a station by 1930s, and the number of stations remained relatively stable through the post-war era. However, in the 1970s, the Labor government under Prime Minister Gough Whitlam commenced a broadcasting renaissance so that by the 1990s there were 50 different radio services available for groups based on tastes, languages, religion, or geography. The broadcasting system was largely deregulated in 1992, except that there were limits on foreign ownership and on monopolistic control. By 2000, 99 percent of Australians owned at least one television set, and averaged 20 hours a week watching it.
The formative yearsEdit
Australian radio hams can be traced to the early 1900s. The 1905 Wireless Telegraphy Act while acknowledging the existence of wireless telegraphy, brought all broadcasting matters in Australia under the control of the Federal Government. In 1906, the first official Morse code transmission in Australia was conducted by the Marconi Company between Queenscliff, Victoria and Devonport, Tasmania. However, it must be noted that some sources claim that there were transmissions in Australia as early as 1897 – these were either conducted solely by Professor William Henry Bragg of Adelaide University or by Prof. Bragg in conjunction with G.W. Selby of Melbourne.
Ernest Fisk (1886–1965) was the dominant figure among numerous pioneers in early wireless developments. Fisk headed Amalgamated Wireless (Australasia) (AWA) during 1917–44, when it was a leader in electronics manufacturing and broadcasting.
Call signs were introduced in 1920 and, with minor refinements, exist in the same form today. All stations have an alphanumeric; the defining numeral is followed by two letters to form a call sign that is unique to each station. The numeral defines the state or territory in which the station is sited. Originally, the following were used: 2 = New South Wales (and originally Australian Capital Territory); 3 = Victoria; 4 = Queensland; 5 = South Australia (and originally Northern Territory); 6 = Western Australia; 7 = Tasmania. The letters often defined the station ownership (e.g.: 2HD = Harry Douglas; 3DB = Druleigh Business College; 5CL = Central Broadcasters Limited) or geographic region (e.g.: 3WR = WangaRatta; 4MK = MacKay; 7HO = HObart), but in other cases the letters had no specific meaning. Over the years, the following numerals were added: 1 = Australian Capital Territory (but earlier stations still retain their "2" call sign); 8 = Northern Territory; 9 = military stations during World War II, and later for New Guinea, and Papua – then there's 9MI which doesn't really fit into any category (see below under "Mobile Stations"); 0 = Australian Antarctic Territory.
Australia's postcodes, introduced in 1967, use the same introductory numeral as radio call signs.
There is an urban myth that call signs were based on Australian military districts but this incorrect, as the following list of military districts show: 1 = Queensland; 2 = New South Wales; 3 = Victoria; 4 = South Australia; 5 = Western Australia; 6 = Tasmania; 7 = Northern Territory; 8 = New Guinea, and Papua.
Today, with minor exceptions, AM stations retain the two letters after the numeral, and since 1975 FM stations have had three letters. Over the last few decades, there has been a trend for many stations to use marketing names on air rather than their official call sign. Inter alia, examples of such on-air names are: Gold, Mix, HOTFM, Nova, and STAR FM. Stations will often change their marketing name even when there is just a small change in format.
Experiments with the broadcasting of musicEdit
The first broadcast of music was made during a demonstration on 13 August 1919 by Ernest Fisk (later Sir Ernest) of AWA – Amalgamated Wireless. A number of amateurs commenced broadcasting music in 1920 and 1921. These included 2CM, Sydney; 2YG, Sydney; 2XY, Newcastle; 3ME, Melbourne; 3DP, Melbourne; 4CM, Brisbane; 4AE, Brisbane; 4CH, Brisbane; 5AC, Adelaide; 5AD, Adelaide (not associated with 5AD which commenced in 1930); 5BG, Adelaide; 7AA, Hobart; 7AB, Hobart. Many other amateurs soon followed.
2CM was run by Charles MacLuran who started the station in 1921 with regular Sunday evening broadcasts from the Wentworth Hotel, Sydney. 2CM is often regarded as Australia's first, regular, non-official station.
The Sealed Set systemEdit
It was not until November 1923 when the government finally gave its approval for a number of officially recognised medium-wave stations. These were (with the dates they came on air):
- 2SB, Sydney, Sydney Broadcasters Ltd, 23 November 1923 (known as 2BL from 1 March 1924);
- 2FC, Sydney, Farmer & Co Ltd, 8 December 1923;
- 3AR, Melbourne, Associated Radio Co, 26 January 1924;
- 3LO, Melbourne, Broadcasting Co of Australia (call sign reminding of 2LO), 23 October 1924;
- 6WF, Perth, Westralian Farmers, 4 June 1924.
All stations were to operate under a unique Sealed Set system under Broadcasting Regulations published in August 1923, where each receiving set was "sealed" and received the frequency of only one transmitting station. Part of an annual Licence fee for the set concerned was to go to the Federal Government, via the Postmaster-General's Department (PMG), with part of the money going to the broadcaster. Apart from extremely limited advertising, this was to be any broadcaster's only source of income.
From the outset problems with the system came to the fore. Many radio enthusiasts built their own sets, which could receive any or all of the stations, and the "sealed" receivers could be easily (although illegally) "modified".
Categories of Australian broadcasters, from 1924Edit
As quickly as July 1924, the Sealed Set system was declared to be unsuccessful and it was replaced by a system of A Class and B Class stations. There were one or two A Class stations in each major market and these were paid for by a listener's licence fee imposed on all listeners-in. The five former Sealed Set stations became A Class stations, and they were soon joined by the following stations in other State capitals:
- 5CL, Adelaide, Central Broadcasters Ltd, 20 November 1924;
- 7ZL, Hobart, Associated Radio Co, 17 December 1924;
- 4QG, Brisbane, Queensland Radio Service (operated by the Queensland government), 27 July 1925.
As from 1929, all A Class stations received all their programs from the one source, the Australian Broadcasting Company which was made up of the following shareholders: Greater Union Theatres (a movie theatre chain), Fuller's Theatres (a live theatre chain) and J. Albert & Sons (music publishers and retailers).
A number of B Class stations were also licensed. These did not receive any government monies and were expected to derive their income from advertising, sponsorship, or other sources. Within a few years B Class stations were being referred to as "commercial stations". The following were the first to be licensed:
- 2BE, Sydney, Burgin Electric Company Ltd, 7 November 1924 (closed 6 November 1929);
- 3WR, Wangaratta, Wangaratta Sports Depot, 1 December 1924 (closed 22 December 1925 but later re-opened);
- 2EU, Sydney, Electrical Utilities Supply Co, 26 January 1925, still on the air – name changed to 2UE within months of opening;
- 2HD, Newcastle, H. A. Douglas, 27 January 1925, still on the air;
- 2UW, Sydney, Otto Sandel, 13 February 1925, still on the air;
- 5DN, Adelaide, 5DN Pty Ltd, 24 February 1925, still on the air;
- 3UZ, Melbourne, J. Oliver Nilsen & Co, 8 March 1925, still on the air;
- 4GR, Toowoomba, Gold Radio Electric Services, 9 August 1925, still on the air;
- 2KY, Sydney, Trades and Labour Council, 31 October 1925, still on the air;
- 2MK, Bathurst, Mockler Bros, 11 November 1925 (closed November 1931);
- 2GB, Sydney, Theosophical Broadcasting Service, 23 August 1926, still on the air.
Amateur broadcasters continued to operate in the long-wave and short-wave bands. In Melbourne, for some years, they were also permitted to broadcast on the medium-wave band on Sundays between 12:30 and 2:30 pm, during which time all commercial stations were required to close down.
A national service, the Australian Broadcasting Commission, was formed in July 1932, when the Australian Broadcasting Company's contract expired. The Corporation took over the assets of all A Class stations. It still exists as the Australian Broadcasting Corporation. The Australian Broadcasting Co changed its name to the Commonwealth Broadcasting Company and later the Australian Radio Network. It soon purchased Sydney commercial station 2UW and now has an Australia-wide network of commercial stations.
In the late 1920s and early 1930s, the PMG planned to institute C Class stations which would have had their advertising limited to the station owner(s) only. When the plan was abandoned in 1931, the PMG was about to issue such a licence to the Akron Tyre Co in Melbourne; in lieu of a C Class licence, Akron was given a licence for a B Class station but with a number of limiting conditions on its licence (see 3AK for details).
Two of Australia's most unusual medium wave stations were mobile stations 2XT and 3YB. They both operated in eras prior to the universal establishment of rural radio stations. 2XT was designed and operated by AWA within the State of New South Wales, from a NSW Railways train, between November 1925 and December 1927. 2XT, which stood for experimental train, visited over 100 rural centres. Engineers would set up a transmitting aerial and the station would then begin broadcasting. This led to the further sales of AWA products.
3YB provided a similar service in rural Victoria between October 1931 and November 1935. Initially, the station operated from a Ford car and a Ford truck, but from 17 October 1932 they operated from a converted 1899 former Royal Train carriage. While the engineers were setting up the station's 50-watt transmitter in the town being visited, salesmen would sign up advertisers for the fortnight that 3YB would broadcast from that region. The station was on the air from 6:00 to 10:00 pm daily, and its 1,000-record library was divided into set four-hour programs, one for each of 14 days. In other words, the music broadcast from each town was identical. The station was operated by Vic Dinenny, but named after announcer Jack Young from Ballarat. On 18 January 1936, Dinenny set up 3YB Warnambool, followed on 18 May 1937 by 3UL Warragul.
The passenger ship MV Kanimbla was the world's only ship designed with an inbuilt broadcasting station. Its callsign was 9MI. The broadcasting station operated for several months in 1939; it was run by Eileen Foley for AWA. 9MI's first official broadcast in April 1939 was made from the Great Australian Bight. The station broadcast on short wave, usually a couple of times per week, but many of its programs were relayed to commercial medium-wave stations that were also owned by AWA. Its broadcasting career ended when the war began in September 1939. 
Most Australian stations originally broadcast music interspersed with such things as talks, coverage of sporting events, church broadcasts, weather, news and time signals of various types. Virtually all stations also had programs of interest to women, and children's sessions. From the outset, A Class stations' peak-hour evening programs often consisted of live broadcasts from various theatres, including concerts dramas, operas, musicals, variety shows, and vaudeville. The first dramas especially written for radio were heard in the mid-1920s.
The standard accent used by actors and announcers was "Southern English", an upper class British version that emulated the BBC. The actual Australian accent was acceptable only in low comedy, as in the long-running "Dad and Dave from Snake Gully" program.
By the 1930s, the ABC was transmitting a number of British programs sourced from the BBC, and commercial stations were receiving a number of US programs, particularly dramas. However, in the 1940s, war-time restrictions made it difficult to access overseas programs and, therefore, the amount of Australian dramatic material increased. As well as using original ideas and scripts, there were a number of local versions of overseas programs.
Initially, much of the music broadcast in Australia was from live studio concerts. However, the amount of gramophone (and piano roll) music soon increased dramatically, particularly on commercial stations.
In the late 1930s, the number of big production variety shows multiplied significantly, particularly on the two major commercial networks, Macquarie and Major. After World War II the independent Colgate-Palmolive radio production unit was formed. It poached most major radio stars from the various stations.
Until the 1950s, the whole family seated around a set in the living room was the typical way of listening to radio. Stations tried to be all things to all people, and specialised programming was not really thought about at this stage (it did not come in until the late 1950s). Because of this, programming on most stations was pretty much the same.
In the immediate post-war period, commercial stations typically had a schedule that looked something like this: a breakfast session with bright music including band music, news and weather, a children's segment and, usually, an exercise segment; morning programs were aimed at women listeners, often with large blocks of soap operas or serials, and many segments of the handy hints genre; afternoon programs were also usually geared at women but with more music and, often, a request session; after school, there was inevitably a Children's Session (often hosted by an aunt or uncle or both), and usually featuring birthday greetings; this was followed by another block of serials, often geared at children, and/or dinner music; the major news bulletin was usually at 7.00 pm, often followed by a news commentary; the peak listening hours typically consisted of a mix of variety programs (including many quizzes), dramas, talent quests and the occasional musical program, often live; late night programming mainly consisted of relaxing music, usually mellow jazz or light classical. There was usually only one station in each capital city that was licensed to broadcast through the night.
In children's programming, Ambrose Saunders (1895–1953) was a leading actor. A baritone, He became "Uncle George," telling bedtime stories at first. In 1926 he was joined by his foil Arthur Hahn as 'Bimbo'. In 1927 they moved to 2GB, a pioneer commercial stations. Storytelling was the main ingredient, accompanied by birthday calls, call-out greetings to listeners, songs, and things to make and do. Story-telling remained Saunders' signature role until he retired from radio in 1940.
Cricket became the major Australian sport in the 1930s, and radio played its part, especially when its broadcast of the test matches with England swelled national pride.
Johnny Moyes, (1893–1963), a veteran newspaper journalist, by 1955 was a leading cricket broadcaster. His biographer notes that his "pithy and authoritative commentaries, delivered in a 'dryly-humourous voice', won thousands of listeners to the A.B.C. He was renowned for his summaries of the day's game which, he wrote, should be 'factual and yet not dull'". His 'infectiously hysterical' description of the last over of the tied Test between Australia and the West Indies in 1960 became an iconic statement of broadcast journalism at its most entertaining.
Cyril Angles, (1906–1962), a former jockey, began broadcasting horse races in 1931 over station 2KY. He called from 30 to 60 races every week, some 30,000 during his career, as well as commenting on many other sporting events. His biographer notes that, "The accuracy of his incisive and unhurried descriptions, delivered in a flat, mechanical and slightly abrasive voice, established his reputation." He became the best-paid sportscaster in Australia.
Religious programs were widely broadcast, with an emphasis on religious services, sermons, and church music. One of the most popular programs from 1931 to 1968 was "Dr. Rumble's Question Box." Rumble, a Catholic priest, gave advice by answering letters from listeners about life's problems for an hour every Sunday night. Frank Sturge Harty broadcast a similar program every afternoon from an Anglican perspective.
Trouble arose in 1931 when the Jehovah's Witnesses took control of station 5KA. In 1933 the government banned its diatribes against the Catholic Church, the British Empire, and the United States. In 1941 its station was closed down as dangerous to national security, at the demand of the Army and Navy. Furthermore, the Jehovah's Witnesses were declared an illegal organization.
The 1950s and 1960sEdit
Like most of the world, Australia experienced great changes to broadcasting during the 1950s and 1960s. This was mainly caused by two things: the introduction of television and the gradual replacement of the radio valve with the transistor.
Mainstream television transmission commenced in Sydney and Melbourne just in time for the Melbourne Olympic Games in November/December 1956. It was then phased in at other capital cities, and then into rural markets. Many forms of entertainment, particularly drama and variety, proved more suited to television than radio, so the actors and producers migrated there.
The transistor radio first appeared on the market in 1954. In particular, it made portable radios even more transportable. All sets quicklly became smaller, cheaper and more convenient. The aim of radio manufacturers became a radio in every room, in the car, and in the pocket.
The upshot of these two changes was that stations started to specialise and concentrate on specific markets. The first areas to see specialised stations were the news and current affairs market, and stations specialising in pop music and geared toward the younger listener who was now able to afford his/her own radio.
Talkback was to become a major radio genre by the end of the 1960s, but it was not legalised in Australia until October 1967. The fears of intrusion were addressed by a beep that occurred every few seconds, so that the caller knew that his/her call was being broadcast. There was also a seven-second delay so that obscene or libelous material could be monitored.
By the end of the 1960s, specialisation by radio stations had increased dramatically and there were stations focusing on various kinds of music, talkback, news, sport, etc.
The 1970s, 1980s, and 1990sEdit
After much procrastination on the part of various federal governments, FM broadcasting was eventually introduced in 1975. (There had been official experiments with FM broadcasting as far back as 1948.)
Only a handful of radio stations were given new licences during the 1940s, 1950s & 1960s but, since 1975, many hundreds of new broadcasting licences have been issued on both the FM and AM bands. In the latter case, this was made possible by having 9 kHz between stations, rather than 10 kHz breaks, as per the Geneva Frequency Plan. The installation of directional aerials also encouraged more AM stations.
The types of station given FM licences reflects the policies and philosiphies of the various Australian governments. Initially, only the ABC and community radio stations were granted FM licences. However, after a change of government, commercial stations were permitted on the band, as from 1980. At first, one or two brand new stations were permitted in each major market. However, in 1990, one or two existing AM stations in each major market were given FM licences; the stations being chosen by an auction system. Apart from an initial settling-in period for those few stations transferred from AM to FM, there has been no simulcasting between AM and FM stations.
In major cities, a number of brand new FM licences were issued in the 1990s and 2000s. All rural regions which traditionally had only one commercial station now have at least one AM and one FM commercial station. In many cases, the owner of the original station now has at least two outlets. The number of regional transmitters for the ABC's five networks also increased dramatically during this era.
From August 2009, digital radio was phased in by geographical region. Today, the ABC, SBS, commercial and community radio stations operate on the AM and FM bands. Most stations are available on the internet and most also have digital outlets. By 2007, there were 261 commercial stations in Australia. The ABC currently has five AM/FM networks and is in the process of establishing a series of supplementary music stations that are only available on digital radios and digital television sets. SBS provides non-English language programs over its two networks, as do a number of community radio stations.
Australia faced the choice between the American system of privately owned radio stations with minimal government control, favoured by the Liberal Party, or a government run system as exemplified by the British BBC, favoured by the Labor Party. The result was a compromise and Australia's dual radio broadcasting system comprises two parts.
The "Public" sector (Class A stations), operated by the Australian Broadcasting Corporation (ABC), which is modeled after the British Broadcasting Corporation (BBC). This sector was originally funded by listener licence fees. However, all licence fees were abolished in 1974 by the Australian Labor Party government led by Gough Whitlam on the basis that the near-universality of television and radio services meant that public funding was a fairer method of providing revenue for government-owned radio and television broadcasters. The ABC since then has been funded by government grants, plus its own commercial activities (merchandising, overseas sale of programmes, etc.)
The "Commercial" sector (Class B stations) consists of privately owned radio stations, which may operate within "Networks". The two major, early commercial networks, Macquarie and Major were modeled after the American system and funded through advertising revenue. By 2007, there were 261 commercial radio stations.
Politics on the airEdit
Both Labor and Liberal politicians who visited the United States were highly impressed with the rapidly growing importance of political broadcasts. The 1931 national election was the first to feature heavy use of political broadcasts. Labor Prime Minister James Scullin was in a difficult contest, and he realized that radio receivers were now widespread, and the medium was much more effective and much cheaper than stumping in person using long-distance train travel. The New South Wales Labor Party leader Jack Lang emulated President Roosevelt's "fireside chat" format. Liberals followed suit; Robert Menzies based his 1949 Liberal campaign around radio broadcasts.
During the Second World War, Prime Minister Curtin made very heavy use of newspapers and broadcast media, especially through press conferences, speeches, and newsreels. Australians gained a sense it was a people's war in which they were full participants.
After numerous short-lived experiments in the states, Parliament began radio broadcasts of its proceedings in 1946. Live television broadcasts of selected parliamentary sessions started in 1990. ABC NewsRadio, a continuous news network broadcast on the Parliamentary and News Network when parliament is not sitting, was launched on 5 October 1994.
In sharp contrast to print media, television broadcasts offered critical accounts of Australia's role in the war in Vietnam. In particular, the program "Four Corners favoured the viewpoint of the antiwar and anticonscription movements.
Political scientists have suggested that television coverage has subtly transformed the political system, with a spotlight on leaders rather than parties, thereby making for more of an American-presidential-style system. In the 2001 Federal election, television news focused on international issues, especially terrorism and asylum seekers. The September 11 attacks three weeks earlier had dominated the news. Minor parties were largely ignored as the two main parties monopolized the camera's attention. The election was depicted as a horse race between the Coalition's John Howard, who ran ahead and was therefore given more coverage than his Labor rival Kim Beazley.
Australians were not satisfied with rebroadcast BBC material; they took too much pride in their own original programming as compared to BBC's mediocre "Empire Service". Furthermore, Australia had its own worldwide shortwave service called "The Voice of Australia" 1931 to 1939. When war broke out the government set up "Radio Australia" to disseminate propaganda and the Allied version of war news throughout the South Pacific.
Pop Americana versus British heritageEdit
In Australia's media world, there was a subtle cultural war underway between the pull of American popular culture on the one hand, with its widespread popularity and the risk according to its critics, of degrading the public taste. Critics favoured the supposedly superior traditional culture of the mother country, which appealed to upscale audiences that were representative of the nation's elite. Richard Boyer, (1891–1961), chairman of the Australian Broadcasting Commission, fought against commercialism because he feared it would lead to American dominance. He held that the BBC model of a publicly owned and operated television would sustain Australia's British heritage.
The arrival of large numbers of new immigrants after 1945, along with a radical revision of attitudes toward nonwhite groups, produced pressures on the government regarding broadcasting access. Demands led to the creation of the Special Broadcasting Service, a publicly funded broadcaster mandated to provide multicultural and multilingual programming. In Canada, by contrast, the government stood apart and multicultural or multilingual program was provided by the private sector.
Since 1968, aborigines have controlled Imparja Television, a network based in Alice Springs. The Central Australian Aboriginal Media Association, founded in 1980 by Freda Glynn (b. 1939), produces radio and television programs aimed at Aboriginal communities from a base in Alice Springs.
In 1976 the Green Inquiry created the Australian Broadcasting Tribunal. It opened up license renewal hearings to the public, giving voice to those with sharp criticisms of Australian broadcasting.
As early as 1929, two Melbourne commercial radio stations, 3UZ and 3DB were conducting experimental mechanical television broadcasts – these were conducted in the early hours of the morning, after the stations had officially closed down. In 1934 Dr Val McDowall at amateur station 4CM Brisbane conducted experiments in electronic television.
Television broadcasting officially began in 1956 and has since expanded to include a broad range of public, commercial, community, subscription, narrowcast, and amateur stations across the country. Colour television in the PAL 625-line format went to a full-time basis on 1975. Subscription television, on the Galaxy platform, began in 1995. Digital terrestrial television was introduced in 2001.
ABC: The national systemEdit
The Australian Broadcasting Corporation (ABC), established in 1929, is Australia's state-owned and funded national public broadcaster. With a total annual budget of A$1.22 billion, the corporation provides television, radio, online and mobile services throughout metropolitan and regional Australia, as well as overseas through the Australia Network and Radio Australia and is well regarded for quality and reliability as well as for offering educational and cultural programming that the commercial sector would be unlikely to supply on its own.
The first public radio station in Australia opened in Sydney on 23 November 1923 under the call sign 2SB with other stations in Melbourne, Brisbane, Adelaide, Perth and Hobart following. A licensing scheme, administered by the Postmaster-General's Department, was soon established allowing certain stations government funding, albeit with restrictions placed on their advertising content.
Following a 1927 royal commission inquiry into radio licensing issues, the government established the National Broadcasting Service which subsequently took over a number of the larger funded stations. It also nationalised the Australian Broadcasting Company which had been created by entertainment interests to supply programs to various radio stations. On 1 July 1932, the Australian Broadcasting Commission was established, taking over the operations of the National Broadcasting Service and eventually establishing offices in each of Australia's capital cities.
Over the next four years the stations were reformed into a cohesive broadcasting organisation through regular program relays, coordinated by a centralised bureaucracy. The Australian broadcast radio spectrum was constituted of the ABC and the commercial sector.
Cater argues that reform was urgently needed in 1945:
- By the end of World War II, the ABC was a decadent, hollow institution. Its authority had been compromised by a poorly drafted charter and further undermined by timid management, poor governance and creeping wartime censorship. In April 1945, Boyer refused to accept the post of chairman until Prime Minister Curtin issued a mandate of independence which Boyer drafted himself. The ABC under Boyer and general manager Charles Moses invested as best it could in the cultural capital of the nation, establishing viable symphony orchestras and seizing on the potential of television.... [Boyer's] neutrality was never seriously questioned.
The ABC began television broadcasting in 1956 ABN-2 (New South Wales) Sydney was inaugurated by Prime Minister Robert Menzies on 5 November 1956. ABV-2. Broadcasting big-band and other major cities 1956–1961. Television relay facilities were put in place in the early 1960s. Until then, news bulletins were sent to each TV station. Popular programs at the time included Six O'Clock Rock hosted by Johnny O'Keefe, Mr. Squiggle, as well as operas and plays. Rugby was first broadcast in 1973. Colour was introduced in 1975. ABC budget cuts began in 1976 and continued until 1985, leading to some short strikes. The budget cuts crippled the network for years."
Many Australian households quickly rearranged their dining habits so the family could watch television together at tea time. The lounge typically became the TV room. Magazines published advice on preparing meals to be taken in front of the television. Stores began to carry new products such as vinyl furniture, frozen dinners, tray tables, and plastic dishes.
Starting with its new name in 1983, the "Australian Broadcasting Corporation" underwent significant restructuring. The ABC was split into separate television and radio divisions, with an overhaul of management, finance, property and engineering. Program production was expanded in indigenous affairs, comedy, drama, social history and current affairs. Local production trebled from 1986 to 1991 with the assistance of co-production, co-financing, and pre-sales arrangements.
A new Concert Music Department was formed in 1985 to coordinate the corporation's six symphony orchestras, which in turn received a greater level of autonomy to better respond to local needs. Open-air free concerts and tours, educational activities, and joint ventures with other music groups were undertaken at the time to expand the orchestras' audience reach.
ABC Radio was restructured significantly again in 1985 – Radio One became the Metropolitan network, while Radio 2 became known as Radio National (callsigns, however, were not standardised until 1990). New programs such as The World Today, Australia All Over, and The Coodabeen Champions were introduced, while ABC-FM established an Australian Music Unit in 1989. Radio Australia began to focus on the Asia-Pacific region, with coverage targeted at the south west and central Pacific, south-east Asia, and north Asia. Radio Australia also carried more news coverage, with special broadcasts during the 1987 Fijian coup, Tiananmen Square massacre, and the First Gulf War.
The ABC Multimedia Unit was established in July 1995, to manage the new ABC website (launched in August). Funding was allocated later that year specifically for online content, as opposed to reliance on funding for television and radio content. The first online election coverage was put together in 1996, and included news, electorate maps, candidate information and live results. By the early 1990s, all major ABC broadcasting outlets moved to 24-hour-a-day operation, while regional radio coverage in Australia was extended with 80 new transmitters.
International television service Australia Television International was established in 1993, while at the same time Radio Australia increased its international reach. Reduced funding in 1997 for Radio Australia resulted in staff and programming cuts.
Australia Television was sold to the Seven Network in 1998; however, the service continued to show ABC news and current affairs programming up until its closure in 2001. The ABC's television operation joined its radio and online divisions at the corporation's Ultimo headquarters in 2000.
In 2001, digital television commenced after four years of preparation. In readiness, the ABC had fully digitised its production, post-production and transmission facilities. The ABC's Multimedia division was renamed "ABC New Media", becoming an output division of the ABC alongside Television and Radio. Legislation allowed the ABC to provide 'multichannels' – additional, digital-only, television services managed by the New Media Division. Soon after the introduction of digital television in 2001, Fly TV and the ABC Kids channel launched, showing a mix of programming aimed at teenagers and children.
In 2002, the ABC launched ABC Asia Pacific – the replacement for the defunct Australia Television International operated previously by the Seven Network. Much like its predecessor, and companion radio network Radio Australia, the service provided a mix of programming targeted at audiences throughout the Asia-Pacific region. Funding cuts in 2003 led to the closure of Fly TV and the ABC Kids channel.
The ABC launched a digital radio service, ABC DiG, in November 2002, available through the internet and digital television, but not available through any other terrestrial broadcast until DAB+ became available in 2009.
ABC News 24 launched on 22 July 2010, and brought with it both new programming content as well as a collaboration of existing news and current affair productions and resources. The ABC launched the 24-hour news channel to both complement its existing 24-hour ABC News Radio service and compete with commercial offerings on cable TV. It became the ABC's fifth domestic TV channel and the fourth launched within the past 10 years.
- Amalgamated Wireless (Australasia)
- Call signs in Australia
- Australian Broadcasting Company
- Australian Broadcasting Corporation
- History of the Australian Broadcasting Corporation
- History of broadcasting
- List of radio stations in Australia
- List of Sydney radio stations
- Newspapers in Australia
- Television broadcasting in Australia
- Timeline of Australian radio
- Argonauts Club, the ABC's iconic children's session
- Australia's Amateur Hour
- Blue Hills, radio serial
- Boyer Lectures, annual ABC series of prestige lectures
- The Castlereagh Line, radio serial
- Carols by Candlelight, annual presentation originally organised for broadcasting
- Consider Your Verdict, radio drama (later TV drama)
- Football Inquest, Melbourne-based Australian rules football program
- D24, radio drama
- Dad and Dave, radio comedy/drama serial
- Give it a Go, quiz program
- Information Please, refer to Overseas section
- It Pays to Be Funny, quiz program
- Meet the Press, political interview program
- Music for Pleasure, ABC classical music program
- One Man's Family, refer to Overseas section
- The Oxford Show, variety program
- Pick a Box, quiz program
- Quiz Kids, refer to Australian section
- The Pressure Pak Show, quiz program
- Singers of Renown, ABC program featuring classical singers
- When a Girl Marries, refer to Overseas section
- Yes, What?, radio comedy series
- A. E. Bennett, pioneer commercial radio manager
- Sir Hugh Denison, radio pioneer and manager
- Sir Ernest Fisk, radio pioneer and founder of Amalgamated Wireless (Australasia)
- Sir Bernard Heinze, musician and pioneer advisor to the ABC
- William G. James, musician and pioneer ABC broadcaster and manager
- Charles Maclurcan, reputed to have started Australia's first station
- Oliver J. Nilsen, radio pioneer
- Mel Morris, pioneer football commentator
- Sir Charles Moses, pioneer sports broadcaster, and later ABC Manager
- Jack O'Hagan, comporer and pioneer ABC and commercial broadcaster
- Frank Thring Sr, pioneer film director and radio manager
- Emil Voigt, pioneer of commercial radio
- Alan Bond, proprietor of television and radio interests
- Sir Richard Boyer, administrator of ABC
- Sir Talbot Duckmanton, ABC manager
- Ted Harris, director and manager
- David Hill, ABC Chair
- Donald McDonald, ABC manager
- Sir Frank Packer, proprietor of television and radio interests
- Kerry Packer, proprietor of television and radio interests
- Sir Eric Pearce, commercial broadcaster and station manager
- Mark Scott, ABC manager
- John Singleton, proprietor of radio interests
- Ron Sparks, commercial radio manager
- James Spigelman, ABC Chair
Producers, back-room personnel, etc.Edit
- Dorothy Crawford, drama producer
- Hector Crawford, drama producer
- George Edwards, radio actor and producer
- Grace Gibson, drama producer
- Gwen Meredith, writer of radio plays
- Rex Rienits. writer of radio plays
- John Saul, radio actor and director
- Edward (E. V.) Timms, writer of radio plays
Announcers, DJs, etc.Edit
- Phillip Adams, ABC and commercial broadcaster
- Waleed Aly, ABC broadcaster
- Ward "Pally" Austin, commercial broadcaster
- Jim Ball, commercial broadcaster
- Norman Banks, commercial broadcaster
- Ray Barrett, commercial radio broadcaster, and later television and stage actor
- John Blackman, commercial broadcaster
- Stuart Bocking, commercial broadcaster
- Bruno Bouchet, commercial broadcaster
- Philip Brady, commercial broadcaster
- John Burns, commercial broadcaster
- Leon Byner, commercial broadcaster
- Brian Carlton, commercial broadcaster
- Mike Carlton, ABC & commercial broadcaster
- Ron Casey – Sydney, commercial broadcaster
- Gordon Chater, commercial broadcaster and radio actor
- Don Chipp, politician and commercial broadcaster
- Jack Davey, commercial broadcaster
- Vic Davies, commercial broadcaster
- Smoky Dawson, singer and commercial radio presenter
- John Dease, commercial broadcaster
- James Dibble, ABC broadcaster
- George Donikian, commercial broadcaster
- Geraldine Doogue, ABC broadcaster
- Bob Dyer, commercial broadscaster
- Dolly Dyer, commercial broadcaster
- Gregg Easton, commercial broadcaster
- Malcolm T. Elliott, commercial broadcaster
- Dick Fair, commercial broadcaster
- Noel Ferrier, comedian and commercial broadcaster
- Greg Fleet, commercial broadcaster
- Graeme Gilbert, commercial broadcaster
- Grant Goldman, commercial broadcaster
- Andy Grace, commercial broadcaster
- Ugly Dave Gray, comedian and commercial broadcaster
- Ray Hadley, commercial broadcaster
- Happy Hammond, commercial broadcaster
- Peter Hand, commercial broadcaster
- Tommy Hanlon Jr., commercial broadcaster
- Mary Hardy, comedian and commercial broadcaster
- Wendy Harmer, ABC & commercial broadcaster
- Derryn Hinch, commercial broadcaster
- Peter Hitchener, commercial broadcaster
- Dave Hughes, commercial broadcaster
- Darren James, commercial broadcaster
- Alan Jones, commercial broadcaster
- Barry Jones, commercial broadcaster
- Brendan Jones, commercial broadcaster
- Amanda Keller, commercial broadcaster
- Fran Kelly, ABC broadcaster
- Graham Kennedy, ABC and commercial broadcaster
- Jeff Kennett, politician and commercial broadcaster
- Sonia Kruger, commercial broadcaster
- Alwyn Kurts, commercial broadcaster
- Don Lane, television compere and commercial broadcaster
- Kate Langbroek, commercial broadscaster
- John Laws, commercial broadcaster
- Tony Leonard, commercial broadcaster
- Jack Lumsdaine, singer, songwriter and commercial broadcaster
- Keith McGowan, commercial broadcaster
- Todd McKenney, commercial broadcaster
- Bruce Mansfield, commercial broadcaster
- Richard Mercer, commercial broadcaster
- Neil Mitchell, commercial broadcaster
- Tony Moclair, commercial broadcaster
- Jason Morrison, commercial broadcaster
- Doug Mulray, commercial broadcaster
- Jackie O (Jackie Henderson), commercial broadcaster
- Gwen Plumb, commercial broadcaster and radio actor
- Steve Price, commercial broadcaster
- Roy Rene "Mo", comedian and commercial broadcaster
- Kel Richards, commercial broadcaster
- Glenn Ridge, commercial broadcaster
- Andrew Rochford, commercial broadcaster
- Stan Rofe, commercial broadcaster
- Bob Rogers, commercial broadcaster
- Kyle Sandilands, commercial broadcaster
- Ernie Sigley, commercial broadcaster
- Trevor Sinclair, commercial broadcaster
- Justin Smith, commercial broadcaster
- Keith Smith, ABC and commercial broadcaster
- Peter Smith, ABC and commercial broadcaster
- Ron E Sparks, commercial broadcaster
- John Stanley, commercial broadcaster
- Ross Stevenson, commercial broadcaster
- Chrissie Swan, commercial broadcaster
- Dr Norman Swan, ABC broadcaster
- Wilfrid Thomas, ABC broadcaster
- Ian Turpie commercial broadcaster, but mainly known for his TV work
- Subby Valentine, commercial broadcaster
- Denis Walter, commercial broadcaster
- Tim Webster, commercial broadcaster
- Stan Zemanek, commercial broadcaster
- Eric Baume, journalist, commentator and commercial broadcaster
- Dick Bentley, ABC comedian
- John Bluthal, radio actor
- John Cargher, ABC and commercial presenter of classical music programs
- John Cazabon, radio actor
- Guy Doleman, radio actor
- John Ewart, radio actor and ABC children's broadcaster
- Jane Fennell, ABC children's presenter
- Willie Fennell, commercial radio comedian and actor
- Peter Finch, radio actor who later became a prominent Hollywood star
- Stewart Ginn, radio actor
- Neva Carr Glyn, radio actor
- Reg Goldsworthy, radio actor
- Reg Grundy, radio actor and sportcaster who later became a television mogul
- Ron Haddrick, radio actor
- Patricia Kennedy, radio actor
- Bill Kerr, radio actor
- Dawn Lake, radio variety artist
- Bobby Limb, radio variety artist
- Doug McKenzie, commercial radio comedian
- Fr Bob Maguire, commercial religious broadcaster
- John Meillon, radio actor
- Crosbie Morrison, naturalist and broadcaster
- Jack Perry, commercial radio comedian
- Redmond Phillips, radio actor and writer
- Walter Pym, radio actor
- James Raglan, radio actor
- Ron Randell, radio actor who later became a prominent Hollywood star
- Deaconess Margaret Rodgers, religious broadcaster
- June Salter, radio actor
- Dinah Shearing, radio actor
- Muriel Steinbeck, radio actor
- Charles (Bud) Tingwell, radio actor
- Lou Vernon, radio actor
- George Wallace, commercial comedian
- Mickey Arthur, cricket commentator
- Luke Ball, football commentator
- Harry Beitzel, football commentator
- Andrew Bews, football commentator
- Greg Blewett, cricket commentator
- Henry Blofeld, cricket commentator
- Graeme Bond, football commentator
- Allan Border, cricket commentator
- Dermott Brereton, footballer and commercial broadcaster
- Jonathan Brown, football commentator
- Nathan Brown, football commentator
- Bert Bryant, racecaller
- Wayne Carey, football commentator
- Ron Casey – Melbourne, commercial broadcaster and football commentator
- Ian Chappell, football commentator
- Tony Charlton, football comentator and commercial broadcaster
- Stuart Clark, cricket commentator
- Michael Christian, sportscaster
- Bill Collins racecaller and commercial broadcaster
- Dennis Cometti, football commentator
- Rohan Connolly, football commentator
- Scott Cummings, football commentator
- Jack Dyer, football commentator
- John Emburey, cricket commentator
- Denis Fitzgerald, football commentator
- Damien Fleming, cricket commentator
- John (Gibbsy) Gibbs, commercial broadcaster
- Gerard Healy, commercial sportscaster
- Des Hoysted, racecaller
- Rex Hunt, football commentator and commercial broadcaster, especially fishing programs
- Craig Hutchison, football commentator
- Chris Johnson, football commentator
- Dean Jones, cricket commentator
- David King, football commentator
- Tim Lane, football commentator
- Dr Peter Larkins, football commentator
- Darren Lehmann, cricket commentator
- Cameron Ling, football commentator
- Matthew Lloyd, football commentator
- Garry Lyon, football commentator
- Glenn McGrath, cricket commentator
- Ian Major, commercial broadcaster and football commentator
- Michael Malthouse, football commentator
- Greg Matthews, cricket commentator
- Leigh Matthews, football commentator
- Jack Mueller, football commentator
- Sam Newman, football commentator
- Angela Pippos, sportscaster
- Stephen Quartermain, football commentator
- Lou Richards, football commentator and commercial broadcaster
- Matthew Richardson, football commentator
- Dwayne Russell, commercial sportscaster
- Robert Shaw, footballer and broadcaster
- Tony Shaw, football commentator
- Mike Sheahan, football commentator
- Peter Sterling, football commentator
- John Tapp, racecaller
- Brian Taylor, football commentator and commercial broadcaster
- Mark Thompson, football commentator
- Michael Vaughan, cricket commentator
- Robert Walls, football commentator
- Tim Webster, commercial sportscaster
- Eric Welch, ABC and commercial broadcaster and sportscaster
- Mike Williamson, commercial broadcaster and sportscaster
- Caroline Wilson, football commentator
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